DIRECTOR Kate ChampionSET DESIGNER Victoria LambCOSTUME DESIGNER Enken HaggeLIGHTING DESIGNER Chris PetridisCOMPOSER & SOUND DESIGNER Jason SweeneyACCENT COACH Jennifer InnesCONTACT IMPROVISATION Martin HughesASSISTANT DIRECTOR/EMERGING DIRECTOR FELLOW Clara Solly-SladeLIGHTING SECONDMENT Meg Wilson

EDDIE CARBONE Mark SaturnoALFIERI Bill AllertBEATRICE Elena CarapetisCATHERINE Maiah StewardsonRODOLPHO Antoine JelkMARCO Dale MarchMIKE/1ST OFFICER Brett ArcherLOUIS/2ND OFFICER Chris Asimos

STAGE MANAGER Alex Hayley ASSISTANT STAGE MANAGER Clare Miyuki Guerin

Creative Team

State Theatre Company South Australia acknowledges the Kaurna people of the Adelaide region, the Traditional Custodians of the land on which State Theatre Company is based. We respect their spiritual relationship with their Country and recognise their cultural heritage and beliefs are

of continuing importance to Kaurna people living today.

We also acknowledge the Traditional Custodians of all Country of this nation. We pay our respects to Elders past, present and future and extend our respect to

all Aboriginal and Torres Strait Islander peoples who are present today.

Costumes made by State Theatre Company Wardrobe Set constructed by State Theatre Company Workshop

As much as A View from the Bridge draws inspiration from the era in which it was written, it equally stands as a modern classic tackling

universal themes that remain achingly relevant to our times.

From the plight of illegal immigrants and issues around domestic patriarchal abuse to the innate survival instincts of its female

characters, the play’s effect is, to this day, still alarmingly human.

Through its embrace of both classical and modern form, Miller’s writing has invited us as creators to engage with the expansion of our

audience’s imagination - he did not demand conventionalism.

And despite the play’s propulsion towards tragedy, Miller wanted us to see more than the apparent hopelessness of the situation.

As he wrote: ‘It is curious, although edifying, that the plays we revere, century after century, are the tragedies. In them, and in them alone,

lies the belief - optimistic, if you will, in the perfectibility of man.’

Kate Champion

Director's Note by Kate Champion

Director's Note by Kate Champion

Arthur Miller (1915-2005) was a dominant figure in American theatre for more than 50 years. Aftergraduating from the University of Michigan, he chose to work with the Federal Theatre Project - anagency established to provide jobs in theatre - over an offer to work as a scriptwriter for 20th Century Fox. Always politically active, in the 1950s he was scrutinised by a United States Congress committee investigating communist influence in the arts. He was denied a passport to attend the Brussels premiere of The Crucible (1953), and called before the House of Un-American Activities in 1956.

His many award-winning plays include The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People (adapted from Henrik Ibsen), The Crucible, double bill A Memory of Two Mondays and A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business (later made into a musical, Up From Paradise), The Archbishop’s Ceiling, The American Clock, Two-Way Mirror, double bill Danger: Memory! and The Ride Down Mt Morgan.

Miller, who was married to Marilyn Monroe from 1956 to 1961, twice won the New York Drama Critics Award. He also won the 1949 Pulitzer Prize.

His autobiography Timebends was published in 1987, and his screenplay adaptation of the 1996 film of The Crucible earned him an Academy Award nomination for Best Screenplay based on PreviouslyProduced Material. In 2002, Miller was honoured with Spain’s prestigious Principe de Asturias Prizefor Literature, making him the first US recipient of the award.

Kate has had over 30 years’ experience as a director, choreographer, teacher and performer across multiple art forms. She was the founding Artistic Director of Sydney based dance theatre company Force Majeure.

Kate has worked in theatre, dance, film and opera with arts companies and institutes including Belvoir, Sydney Theatre Company, NIDA, English National Opera, Legs on the Wall, Australian Dance Theatre and DV8 Physical Theatre, London. In 1996 Kate was the recipient of the Robert Helpmann Scholarship. That same year, she created her first solo work Face Value. This production earned her a Green Room and MO Award. In June 2001, Sydney Opera House commissioned a new solo show About Face for which she won a Helpmann award.

As Artistic Director of Force Majeure, Kate directed Same, Same But Different (2002 Helpmann Award), Already Elsewhere (Sydney Festival) and The Age I’m In (Sydney and Adelaide Festivals and Dublin, Montreal and Seoul tour).

Kate co-directed Food for Belvoir (regional tour 2013), directed Never Did Me Any Harm for Sydney Theatre Company (Sydney, Adelaide and Melbourne Festivals plus regional tour 2016) and Nothing To Lose for Sydney Festival/Dance Massive 2015. Kate was Associate Director of Opera Australia’s production of Wagner’s Ring Cycle.

Since leaving Force Majeure, Kate has directed Swallow (National Theatre of Parramatta), Not Who I Was (NIDA), That Eye, The Sky (State Theatre Company), Every Brilliant Thing (Belvoir) and Evie May (a new Australian musical for Hayes Theatre, Sydney). Kate most recently directed graduating students of NIDA in Meat Eaters and will direct Fully Committed for Ensemble Theatre in October 2019.

PlaywrightArthur Miller

DirectorKate Champion

Victoria studied at the University of South Australia. For State Theatre Company, Victoria has designed set and costumes for The Gods Of Strangers, Macbeth, Straight White Men, Othello, Kryptonite, Maggie Stone, The Glass Menagerie, Speaking in Tongues, November, Entertaining Mr Sloane, King Lear, Ghosts, Blue/Orange, Lion Pig Lion, Waiting for Godot, Who’s Afraid of Virginia Woolf? and Metro Street (Adelaide and Korean tour). For Sydney Theatre Company, she has designed Kryptonite and Loot.

Victoria’s other designs include Cloudstreet (State Opera SA), Undertow (2004 Adelaide Festival/Budapest and Helsinki tour), The City (NowYesNow), And No More Shall We Part (Griffin Theatre Company) and The Business (Belvoir).

In 2010, Victoria was awarded the national inaugural Kristian Fredrikson Scholarship for Design in the Performing Arts. She has lectured in Production Design at Flinders University and guest lectured at Carnegie Mellon University Australia and Central Saint Martins University of London.

She also has an original gaming miniature design company, Victoria Miniatures.

Enken graduated with a Bachelor of Media/Arts at Adelaide University and a Diploma of Costume Construction at AC Arts.

She has been State Theatre Company’s Wardrobe Show Supervisor since 2014.

This is her costume design debut for State Theatre Company.

Set DesignerVictoria Lamb

Costume DesignerEnken Hagge

Chris is a lighting and video designer from Adelaide.

Following his completion of the Technical Production course at AC Arts, Chris has continued to develop his experience across theatre, dance, and other live events in Australia and internationally.

Chris has worked with State Theatre Company on Brothers Wreck, In The Club, Terrestrial, Mr Burns, Red Cross Letters, Eh Joe for the Beckett Tryptych, Gorgon, Masquerade, The Kreutzer Sonata, Maggie Stone and Little Bird.

Chris has completed designs for Lines (Theatre Republic), Angelique (isthisyours?), Long Tan (Brink Productions), Deluge (Tiny Bricks), The Beginning of Nature Part 1 and Ignition 2016 (Australian Dance Theatre), Zizanie and Touched (Restless Dance Theatre), Songs for Those Who’ve Come Across the Seas, Emil and the Detectives and The Mouse, The Bird and The Sausage (Slingsby Theatre Company), Beep, Grug and the Rainbow, Big Bad Wolf and Story Thieves (Windmill Theatre Company), Never Did Me Any Harm (Force Majeure), Quiet Faith (Vitalstatistix), Bitch Boxer and Seawall (Flying Penguin), MALMÖ (Torque Show), Half Real (The Border Project), Fleck and Flecker (Ludwig), Muff (five.point.one) and multimedia performance project If There Was A Colour Darker Than Black I’d Wear It (Country Arts SA).

Jason is a musician, composer, experimentalist and performer.

He is a quiet seeker, professional introvert and sometimes sound-maker with electronic music duo GIRL.

He acknowledges that the land on which he predominantly works are the traditional lands of the Kaurna people and respects their spiritual relationship with their Country.

Lighting DesignerChris Petridis

Composer / Sound DesignerJason Sweeney

Jennifer works as a voice and dialect coach for film, television and theatre productions in Melbourne and Adelaide, and currently lectures in Voice at AC Arts and the University of Adelaide. With a background and particular interest in classical theatre, Jennifer studied acting, voice and phonetics at the London Academy of Music and Dramatic Art.

She later studied voice and dialect at the VCA & MCM, where she taught for six years. Jennifer has coached for companies including Red Stitch Actors Theatre, The Honeytrap, Citizen Theatre and State Theatre Company South Australia.

She has performed with companies including Essential Theatre, Don’t Look Away, Theatreworks and Opera Australia. She coaches privately for corporate clients, educators and actors and believes in personal empowerment through voice work. She currently sits on the Board of the Australian Voice Association, is Co-Director of the Voice and Speech Trainers Association's 2020 Conference in Sydney and continues to be a proud member of MEAA.

Clara graduated from the acting stream of AC Arts in 2013. In 2016, she completed an international Acting Shakespeare course at the Royal Academy of Dramatic Arts, London. In 2017, she furthered her work as a director and trained with La Mama Experimental Theatre Company at its International Directors Symposium in Italy.

She was awarded the Helpmann Academy’s Neil Curnow Award to fund a working trip in the USA in 2018, where she interned with LaMama, The H.E.A.T Collective and Working Classroom - two companies who work making theatre with a social justice agenda.

Clara has also worked extensively as an artist with the children's cancer charity Camp Quality and Sport for Jove Theatre in Sydney, and worked as a facilitator with young people at youth theatres such as Urban Myth Theatre of Youth, ACT NOW Theatre for Social Change and Australian Theatre for Young People.

Clara recently founded her own arts organisation Hinge Arts, where she hopes to create socially-conscious and politically-driven theatre projects and programs in the future.

She is the recipient of The Helpmann Academy’s inaugural Emerging Director Fellowship, presented in partnership with State Theatre Company and State Opera of South Australia, and supported by the James and Diana Ramsay Foundation.

Clara is on a paid internship with both companies as part of the year-long program.

Accent CoachJennifer Innes

Assistant DirectorClara Solly-Slade

Meg is a South Australian-based interdisciplinary artist who works predominantly with large-scale and often site-specific installation and performance. She aims to provoke imposed perplexity, uneasiness and a sense of drama in the everyday.

As a designer for theatre, Meg has worked on David Williamson’s The Club: an all-female, three-actor version (State Theatre Company and isthisyours?), Terrestrial (State Theatre Company) and Amphibian (Windmill Theatre). She has also worked as lead visual artist with ACE Open on Sports Day and Urban Theatre Projects’ Team Trampoline and Right Here. Right Now.

Lighting SecondmentMeg Wilson

Martin Hughes has performed nationally and internationally with dance, theatre and street-theatre companies since the early 1980s. For the past 30 years, he has focused his attention on dance improvisation, particularly the duet form, Contact Improvisation.

Based in Melbourne, he was a founding member of State of Flux and has been involved in developing Contact Improvisation through teaching, mentoring and events in Australia and New Zealand.

With Fiona Cook, he established Cecil Street Studio, a centre for improvised performance in Melbourne. He has been teaching dance students at the Victorian College of the Arts for nearly 20 years.

Contact ImprovisationMartin Hughes

When it comes to performing,

we’re a natural.

australiangasnetworks.com.au

Proud supporters of the State Theatre Company.

Mark is a graduate of the Adelaide Centre for the Arts (AC Arts).

For State Theatre Company, Mark’s theatre credits include Vale, Betrayal, Maggie Stone, Blasted, The Complete Works of William Shakespeare (Abridged), romeo+juliet, Solstice, The Club and The Torrents. Other theatre credits include El Stupidos and Dance Hall MK3 (Magpie Theatre), Dark Heart (Junction Theatre) and at the Australian National Playwrights’ Conference.

On Broadway he has appeared in The Retreat from Moscow (Booth Theatre) and Off-Broadway his performances include Howard Katz (Roundabout Theatre), An Oak Tree (Barrow Street Theatre), John Ferguson (Mint Theatre), The Comedy of Errors (Classic Stage Co./Aquila Theatre), Trainspotting (Players Theatre), Ancestral Voices (Lincoln Centre Theatre) and Gone Missing (The Civilians, London and Brooklyn).

Regionally in the USA he has appeared in Doubt, A Number (Hartford Theaterworks), I Am My Own Wife, The Tempest (Pittsburgh Public), Wintertime (Long Wharf), Comedy of Errors, The Iliad (Aquila Theatre), King Lear, King John, Much Ado About Nothing and The Taming of the Shrew (Shakespeare & Co.) and Edward II (Tremont Theatre, Boston).

His television/film appearances include ANZAC Girls, Deadline Gallipoli, Changed Forever, Law & Order, All My Children, Spin City, PBS Great Books, My Normal, Heaven’s Burning and Alchemy.

Bill is a graduate of the Stella Adler Studio of Acting.

His theatre credits include That Eye, The Sky (State Theatre Company South Australia),1984 State Theatre Company South Australia/GWB Entertainment Auckland and Singapore tours, The Duck Shooter, Drums in the Night, Killer Joe (State Theatre Company South Australia/Brink), Salt (State Theatre Company South Australia/Vitalstatistix), The Birthday Party, Translations (Flying Penguin), One Long Night in the Land of Nod (Floogle), The Ecstatic Bible (Brink/The Wrestling School), The Caretaker, A Lie of the Mind, Blue Remembered Hills, Ursula, The Dream Play and The Europeans (Brink). Bill is a directing graduate of the VCA Film and Television School, and has had films screen at festivals including the Brisbane International Film Festival, Flickerfest, the St Kilda Film Festival, Tropfest, and the London and Melbourne International Comedy Festivals.

Eddie CarboneMark Saturno

AlfieriBill Allert

Elena is a graduate of the National Institute of Dramatic Art (NIDA) and is State Theatre Company’s Resident Artist.

For State Theatre Company, she has performed in That Eye, The Sky, After Dinner, Vale, Macbeth, Rumpelstiltskin (with Windmill Theatre), Machu Picchu (with Sydney Theatre Company), Summer of the Seventeenth Doll, Othello, Features of Blown Youth, Uncle Vanya, Hot Fudge, Central Park West, The Things We Do For Love, The Comedy of Errors (with Bell Shakespeare) and Between Two Waves (2014 Umbrella production).

Other theatre credits include 4.48 Psychosis, this uncharted hour (Brink Productions), Translations, Assassins (Flying Penguin), Mike Leigh's Greek Tragedy (Belvoir) and Deep Suburbia (Sydney Theatre Company).

In 2013, Elena won a Sydney Theatre Award for her work in Lachlan Philpott's Truck Stop (Q Theatre).

Elena's TV credits include The Hunting, Heartbreak High, Marking Time, Blue Heelers, Water Rats, All Saints and Murder Call. Her feature film credits include Dead Europe, One Eyed Girl, Burning Man, Look Both Ways and Bad Blood.

As a playwright, her credits for State Theatre Company include The Gods Of Strangers, Gorgon and Sista Girl (co-written with Alexis West). She was also the adapting playwright for State Theatre Company’s 2017 production of A Doll’s House. Other writing credits include The Good Son and Helen Back. She made her directorial debut in June 2019 with State Theatre Company’s End of the Rainbow.

Maiah resides between Adelaide and Melbourne, working broadly across professional and personal creative projects.

Her professional screen debut was in the widely acclaimed feature Girl Asleep, from director Rosemary Myers.

She will next star in Emily Loves to Bounce (Patch Theatre Company).

In 2018, she played the lead role of Chloe in Windmill Theatre Company’s Amphibian. On screen, she filmed a guest role in ABC’s The InBESTigators.

With most of her background situated in the theatre scene, Maiah has undertaken several training opportunities, including participating in NIDA short courses, Estil vocal coaching,16th Street Studio and Howard Fine workshops and, recently, an intensive masterclass with Larry Moss.

In addition to acting, Maiah is heavily involved in Adelaide’s filmmaking and writing scene, where she works with other artists to tell unique coming-of-age stories. Maiah makes much of her own work to inspire change, conversation and empathy. Her avid interest in writing has allowed her to collaborate and perform in short works from spoken word short films to documentaries. Her producing and directing skills have seen her create music videos for indie singers and creative developments.

Currently, she is in pre-production for a series of short webisodes in collaboration with artists from Melbourne and Adelaide, designed specifically for the Instagram platform, which premieres this year.

BeatriceElena Carapetis

CatherineMaiah Stewardson

Since his graduation from Flinders Drama Centre in 2014, Antoine has worked in all tiers of Adelaide’s theatre industry.

His credits include Tartuffe and Long Tan (State Theatre Company and Brink Productions), Deluge (Tiny Bricks for Adelaide Festival), Schmidt (Back Porch Productions), Eurydice (Foul Play Theatre), Eyes (Sandpit), Beep (Windmill Theatre Company) and Yo Diddle Diddle (Patch).

Antoine looks forward to continuing his work with Windmill on Beep and Girl Asleep later this year. Antoine is a proud member of Actors Equity.

Dale March is a graduate of Actors Centre Australia and The Actors’ Ensemble New York. In 2012 and 2013, Dale played Captain Nicholls in the National Theatre/Global Creatures Australian Tour of War Horse. Dale’s previous State Theatre Company credits include Animal Farm (interstate tour), Sense and Sensibility, In The Club, A Doll’s House and Macbeth (as part of the Company’s resident ensemble) and Mendelssohn’s Dream.

For Sydney Theatre Company, he has performed in The Removalists, The White Guard and Cyrano De Bergerac. He played The Dealer in NIDA’s In the Solitude of Cotton Fields, Wisehammer in Our Country’s Good for the Darlinghurst Theatre and Chekhov in Chekhov & Knipper at the Newtown Theatre.

Dale has performed extensively in New York, appearing in Cymbeline, Measure for Measure, Pericles, A Midsummer Night’s Dream and The Comedy of Errors for Shakespeare Alive, and for the Actors’ Ensemble in Eugene’s Ghosts, I Might be Edgar Allan Poe, The Private Ear, Waiting For Godot, Words Words Words and Kaspar Hauser.

On TV, he has had guest roles on All Saints, Tough Nuts 2, ABC’s Miss Fisher’s Murder Mysteries and most recently on Australia: The Story of Us for Essential Media. Dale played lead roles in the feature films Eugene’s Ghosts and Ad Nauseam and the short film Marla, which premiered at the Venice International Film Festival 2012.

RodolphoAntoine Jelk

MarcoDale March

Since graduating from NIDA in 2000, Brett has been a series regular on Home and Away and appeared in many Australian TV shows, most recently the upcoming SBS series The Hunting.

He has worked extensively in theatre, including State Theatre Company, Sydney's Ensemble Theatre and New Theatre. He also lived and worked in Los Angeles for eight years, studying at the Howard Fine Acting Studio as an actor and teaching for five years.

Chris is an international performing artist who has worked extensively on stage, television and film.

Credits include Miss Fisher’s Murder Mysteries, Danger 5, House Husbands and Bad Language.

Stage work includes State Theatre Company productions Three Sisters and The Give and Take. He also starred in the world premiere of Barassi: The Stage Show at the Arts Centre in Melbourne.

This year, Chris starred in the Midsumma Festival headline show Become the One, to critical acclaim.

Mike/1st OfficerBrett Archer

Louis /2nd OfficerChris Asimos

Alex studied at AC Arts, graduating in 2013 with an Advanced Diploma in Technical Production and Stage Management. Her stage management credits for State Theatre Company include That Eye, The Sky, Terrestrial, The Red Cross Letters and the 2017 education show Sista Girl. Her assistant stage management credits include Vale, Things I Know To Be True, Volpone, Othello, The Importance of Being Earnest, Little Bird, the 2013 remount of The Complete Works of William Shakespeare (Abridged) and Windmill co-production Pinocchio, which also had a season at New York’s New Victory Theatre. Alex has worked in various stage management roles for a range of theatre companies, festivals and events, including Windmill Theatre, Tiny Bricks, La Soirée, Griffin Theatre, Adelaide Festival, Australian Performing Arts Market, BBC UK, Adelaide Cabaret Festival, OzAsia Festival and Adelaide Fringe Festival.

Clare graduated from AC Arts in 2018.

At AC Arts, she stage managed a number of acting and dance productions. Outside of AC Arts, she has stage managed shows including Jekyll & Hyde, The 25th Annual Putnam Country Spelling Bee, and Spamalot (Marie Clark Musical Theatre), The Secret Garden and The Language Archive (Tokyo International Players), and Kikai-ga-shima (Yokohama Theatre Group) which toured to the Taipei Fringe Festival.

Most recently, Clare was Assistant Stage Manager for End of the Rainbow (State Theatre Company).She has worked for Adelaide Fringe Festival, Adelaide Festival and Adelaide Festival Centre.

Stage ManagerAlex Hayley

Assistant Stage ManagerClare Miyuki Guerin

1. Brett Archer / 2. Maiah Stewardson / 3. Clara Solly-Slade, Jennifer Innes Photography: Mike Smith

$20,000+Arts Projects AustraliaDiané Ranck

$10,000+Jodi Glass & Adrian Tisato

$7,500+Adelaide’s Longest LunchHill Smith GalleryJustin Jamieson & Lysia MayPamela & Peter McKeeRoger & Helen Salkeld

$5,000+Ian Darling AMDavid & Alison Smallacombe

$2,000+Nicki Bloom & Geordie BrookmanDr Max Brennan AO & Ionie BrennanRob Brookman AM & Verity LaughtonJane DoyleDiana FryMalcolm Gray & Laura Healy Chris & Christine GuilleCS Law & MN BalnavesGreg LehmannPamela & David McKee AOMaria PanagiotidisJudy & George PotterMeredyth Sarah AMJohn ShepherdSandra & Victor VelgushGeoff & Lisa Vogt

$1,000+Rick Allert AOJohn Bishop AOSimon Blewett Graham BrookmanMitchell ButelDr Peter & Claire ColdreyAngela Owen CookTony & Gustie de MaaijerBarbara FargherJohn & Rosemary GumleyMichael HarryDr Philip HenschkeDr Zen & Susie HerzbergAmanda HorneChris & Lorin JennerAndrew KammJohn Kirkwood & Wendy AlstergrenRoland Lever

Hon Anne Levy AODr Jane & Dr Trevor MudgeLew OwensAndrew & Gayle RobertsonProfs Ian & Kaye Roberts-ThomsonDon Sarah AMLeroy SimsNigel Steele ScottJenny & Sarah StrathearnAndrew SweetDr Robert & Christine WalthamDr Patrick WellsMerry WickesDarren Mark Wright

$500+ Jamie AndersonHon David Bleby QC & Elizabeth BlebyProf Robert Bryce & Dr Lyn EdwardsLibby BurnsFrancene ConnorRobert & Jeanette CorneyAstrid DeenKay DowlingProf Anne EdwardsMichael & Rachel EvansChris & Mandy FordCasandra FrancasSteve Geddes & Dr Elaine Pretorius Donald GeorgeSue GredleyDr Peter & Elizabeth HamblyJennifer InnesKate IrvingMessrs Iskov & MarroneGlenys Jones OAMSue & Michael KitchenerJulia LangrehrRachel MaddernRoger MastersAnn MatisonJosie MeyerGrant MorganKathryn NeedsJodie NewtonMick O’ConnorBernie PfitznerGeoffrey & Chantelle ReedAnn RuglessRichard Ryan AOJohn SchulzeKylie ShulzAnne Simmons

Tracey SpearJudy UnderdownHon Sandy VerschoorBarbara WalterBridget Walters & Bob Brady

$250+Anonymous (1)Ben AllenDavid & Amanda BermanMr & Mrs BurkeAnn DarbyAnnabelle & David ChanBelinda ChanDi CoxTracy CrispAnthony & Caroline DaviesJudi DentonVirginia DouglasValdis DunisJoy FletcherRobert FletcherJoanne GriffithsMark KeamDr Anne KnowlesChristina KyratzoulisJean M. MatthewsFij MillerKate RussellDr Rick SarreAnne Skipper AMJayne Stinson MPJudith SymonKaye Weeks

FUTURE FUNDAnonymous (1)

GODS OF STRANGERS GIVINGGeorge & Christina CarapetisChapley GroupPeter Elberg FuneralsSt Basil’s Homes

LEGACY DONORSAnonymous (4)Merry Wickes

We sincerely thank the additional 185 donors who have made contributions less than $250 since the start of 2018. To find out how you can support State Theatre Company, please call08 8415 5380.

State Theatre Company gratefully acknowledges its Foundation patron Maureen Ritchie and all donors who have contributed gifts over the life of the Company. We would particularly like to thank those who have donated since the beginning of 2018, whose names are listed below.

Our Donors

GOLD SUBSCRIBERSKay DowlingValdis DunisProf Robert Bryce & Lyn EdwardsKath FergusonSteve Geddes & Dr Elaine PretoriusMalcolm Gray QC & Laura HealyJohn & Rosemary GumleyMargo & Sam Hill-SmithPhilip Kirkwood & Wendy AlstergrenHon Anne LevyDr Jane & Dr Trevor MudgeJames NinhamDiané RanckGeoffrey & Chantelle ReedRoger & Helen SalkeldLeroy SimsDavid & Alison SmallacombeJenny & Sarah StrathearnSandra & Victor VelgushGeoff & Lisa VogtBridget Walters & Bob Brady

EDUCATION GIVING CIRCLEProviding valuable philanthropic support to nurturethe next generation of artists and audiences.

Michael HarryAmanda HorneDiané RanckMeredyth Sarah AM

DRAMATIC WOMENProviding philanthropic support for State Theatre Company’s 2019 production of Jasper Jones.

Libby Burns Francene ConnorProf Anne EdwardsCasandra FrancasChristine GuilleChris JennerGlenys Jones OAMSue KitchenerJulia LangrehrPamela McKeeKathryn NeedsMaria PanagiotidisBernie PfitznerDiané RanckHelen SalkeldMeredyth Sarah AMKylie Shulz Alison SmallacombeTracey SpearJudy Underdown

COMMISSIONING COLLECTIVEProviding valuable philanthropic support for commissioning and creative development of new Australian plays.

Rob BrookmanJane DoyleJodi GlassMalcolm Gray QCChris GuilleLaura HealyMargo Hill-SmithSam Hill-SmithVerity LaughtonDiané RanckDon Sarah AMAlison SmallacombeAdrian TisatoMerry Wickes

FOUNDATIONSFWH FoundationJohn T Reid Charitable Trusts James & Diana Ramsay Foundation

JILL BLEWETT PLAYWRIGHTS AWARDENDOWMENT FUND Established in memory of former Company Chairperson Jill Blewett.

Anonymous (1)Hon John Bannon AOHon Dr Neal Blewett ACSimon BlewettDr Colin BrewerRob Brookman AM & Verity LaughtonProf John Chalmers ACCreative Partnerships AustraliaAlex DiamantisMalcolm Gray QC & Laura HealyPeter & Elizabeth HamblyLady Patricia HarewoodHon Chris Hurford AOHon Anne Levy AOTony Llewellyn-JonesWilfrid PrestGuy Ross & Ellen PoynerDiané RanckLeonie ScrivenerSilsbury FamilySue SmithPat & Hugh Stretton ACMegan StoylesThyne Reid FoundationKim Williams AMTrevor & Jane Wilson

State Theatre Company South Australia is a tax deductible fund listed on the Register of Cultural Organisations under Subdivision 30-B of the Income Tax Assessment Act 1997. Donations of $2 or more are tax deductible. For more information, please visit statetheatrecompany.com.au, phone 8415 5380 or email development@statetheatrecompany.com.au

Our Donors

State Theatre Company South Australia

BOARD

Simon Blewett Terence Crawford Justin Jamieson (Chair)Claudine Law Hon Anne Levy AO Jodie Newton Diané Ranck

FOUNDATION Christine GuilleKate Irving Tony Keenan Sonia Laidlaw Diané Ranck Roger Salkeld Meredyth Sarah AM Alison Smallacombe Andrew Sweet (Chair)

STAFF

ARTISTIC DIRECTORMitchell Butel

EXECUTIVE DIRECTOR/PRODUCERJodi Glass

ARTISTIC PROGRAM MANAGERShelley Lush

EDUCATION PROGRAM MANAGERFiona Lukac

HELPMANN ACADEMY EMERGING DIRECTORClara Solly-Slade

RESIDENT ARTISTElena Carapetis

PHILANTHROPY MANAGERCatherine Bauer

MARKETING & COMMUNICATIONS MANAGERCat Turner

EDUCATION & DEVELOPMENTMARKETING COORDINATORCatherine Hoffman

MARKETING CONTENT COORDINATORAnthony Nocera

PUBLICISTSophie Potts

GRAPHIC DESIGN & DIGITAL PRODUCERRobin Mather

CRM MANAGEREmma Quinn

BUSINESS MANAGERNatalie Loveridge

ASSISTANT ACCOUNTANTWill Traeger

EVENT COORDINATORAlyssa Fletcher

OFFICE ADMINISTRATORSarah Wragge

PRODUCTION MANAGERGavin Norris

DEPUTY PRODUCTION MANAGERGabrielle Hornhardt

PROPS COORDINATORStuart Crane

WORKSHOP SUPERVISORJohn Meyer

LEADING HANDAreste Nicola

CARPENTER & PROP MAKERPatrick Duggin

CARPENTER/METAL WORKERGuy Bottroff

SCENIC ARTSandra Anderson

HEAD ELECTRICIANSusan Grey-Gardner

HEAD OF SOUND/ RESIDENT SOUND DESIGNERAndrew Howard

RESIDENT DESIGNERAilsa Paterson

WORKSHOPMichael Ambler

PROP SHOPRobin Balogh

HEAD OF WARDROBEKellie Jones

WARDROBE PRODUCTIONSUPERVISOR / BUYEREnken Hagge

COSTUME MAKER/CUTTERMartine Micklem

HAIR, MAKE-UP, WIGS& COSTUME HIREJana DeBiasi

1. Set models by Victoria Lamb / 2. Cast & creatives in rehearsal Photography: Mike Smith

16 August — 7 September · Dunstan Playhouse

www.statetheatrecompany.com.au

Based on the novel by Craig Silvey Adapted by Kate Mulvany

STATE THEATRE COMPANYand FLINDERS UNIVERSITY and DRAMATIC WOMEN presents

Jasper Jones

Arts South Australia

GOVERNMENT PARTNERS

PRESENTING PARTNERS ASSOCIATE PARTNERS

MEDIA PARTNERS

CREATIVE PARTNERS

FOUNDATION PARTNERS

A View from the Bridge

Animal Farm, The 39 Steps,

Regional Theatre Program

The Club

The Club

Hydra End of the Rainbow

Black is the New White

Black is the New WhiteThe 39 StepsJasper Jones

Hydra

Arts South Australia

CORPORATE PARTNERS

FWH FOUNDATION