counseling students who think they can: dance, sing or act
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Amy Goldin, and NYC based Performing Arts admissions expert shares her experience and tips for helping students apply to Performing Arts programs.TRANSCRIPT
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Counseling Students Who Think They Can: Dance, Sing or Act
On-‐site and Distance Consul1ng Counselor-‐2-‐Counselor Services
Workshops, Clinics, Community Presenta1ons
Please visit: www.performingartsop1ons.com
Presented by Amy Goldin, B.S., M.S.
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• Degree Basics • Types of Schools • Dual/Double Studies • Specific School Informa1on • Audi1on & PorJolio Tips • How to use MyCCA for Performing Arts Students • Key Ingredients of a Successful Performing Ar1st
Today’s Topics
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Performing Arts Degree
• Dance: • B.A., B.F.A., B.S.
• Music: • B.A., B.M., B.M.E., B.S.
• Theatre: • B.A., B.F.A., B.S.
• Film/Film Studies: • B.A., B.F.A.
• Dual Degrees & Double Majors, Majors/Minors • Hybrid Programs
• BFA, BM, BME, -‐ very likely to be audi1on or porJolio-‐based, pre-‐professional, and require some (maybe few, maybe hardly any) gen ed’s
• BS, BA – may or may not be audi1on-‐based. Likely to have more spread of Gen Ed’s and elec1ves
Audition v. Non-‐Audition Degrees
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• Some degrees are deceptive – labels do not always tell the tale.
• Even when an audition is not required for admission, there may be other situations that will require auditions.
• Some non-audition programs may have audition-based scholarship opportunities.
Audition vs. Non-‐audition Caveats
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• Stand-alone Conservatories are… • MOST Highly Selective • NOT only for Classical Music
“Approximately 1,000 candidates now audition for about 18 places in each year's freshman class…of actors.”
http://www.juilliard.edu/college/drama/index.html (2010)
• Conservatories, Performing Arts schools or departments that are embedded in Liberal Arts colleges and universities
• Professional Schools: non-profits, for-profits
Types of Schools
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“It's 'me to choose between the two of them, I'd be3er make a start.
Someone help me make up my heart.”
Andrew Lloyd Webber, “Starlight Express”
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Double/Dual (D/D’s) Studies
What’s the Difference? Old Major/Minor Double majors Newer Dual majors Dual degrees B/M combos Newest Collabora1ons among schools for PA students in the double or dual process School-‐developed mul1-‐programs for PA students
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• Fact: A college degree is not necessarily a
requirement for a PA career • exceptions: areas with licensure or certification
requirements • Fact: A degree in a performing art is not
necessarily a requirement for a PA career. • Fact: A degree in a performing art is not
necessarily a guarantee of a PA career.
“Who am I anyway? Am I my resume?”
Marvin Hamlisch, “A Chorus Line”
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• Training • Performance/internship opportuni1es • Experience • Repertoire • Networking towards career op1ons • Gateway to addi1onal academic opportuni1es
So why get a degree?
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• Logis1cs • Aesthe1cs • Parental Concerns • Career Concerns
Why D/D Studies?
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• Unique demands of 1me, effort, learning, emo1ons, on Performing Arts students
• Usual academic and social demands of college life • Lesson 1me/prac1ce 1me/prac1ce & studio venues/equipment requirements
• Rehearsals, Performances
“Musicians work when other people don’t.” (NYC voice teacher/performer/Cantor Sandra Goodman)
Logistics “Only practice on days that you eat.”
Music educator Shinichi Suzuki
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• Performing ar1sts may “march to the tune of a different drummer”
• Some students may be equally passionate about mul1ple studies
• Technology & Social Media: a double edged sword for Performing Arts students
Aesthetics
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Uncertain1es of geang and maintaining good jobs in the Performing Arts. Parents want some kind of hope that their children will be able to:
• Leave the nest • Pay their own bills • Get a job/career that offers employee benefits (esp. health benefits)
• Be happy
Parental Concerns
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• Parents may be suppor1ve • Parents may be OVERLY suppor1ve • Parents may be wary • Parents may be indifferent • Parents may be strongly opposed
Impact of Parent Attitudes on Performing Arts Students’ Aspirations
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• Time it takes to find job(s) • Effort to “sell” yourself, over and over again • Dealing with rejec1on • Understanding the world • Ongoing (life1me) study • Working with professionals who know a lot more than you do; how to not get burned, used, exploited…
PA Career Concerns
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“The 1me to pursue a career in the performing arts is when you’re young and cute, energe1c and fundamentally unaeached; can run errands, get coffee, travel to remote, perhaps difficult places, do grunge work; learn lines, staging and choreography rela1vely effortlessly, endure impossibly long rehearsals, do 8 (or more!) shows a week, keep yourself in high energy and great shape, and can live on ramen noodles and odd jobs. You can always go back to graduate school. You can’t always go back and try to make this kind of career happen.” -‐ Amy Goldin, COPA, Inc.
So, why risk it? Why walk on such shaky ground?
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• Curriculum Gateways • Opportuni1es to con1nue with performance studies, while also pursuing other interests and perhaps higher-‐wage, more accessible career paths
• Student may be able to take “major-‐only” courses, get “major –only” perks
D/D Studies: Pros
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• Depth and breadth of college-‐level and professional-‐level courses
• Private lessons (music) or studio classes (dance, theatre) or studio 1me (technology areas)
• Networking, networking… • Higher level, more pres1gious creden1als
More Pros:
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• Doubly hard admission processes, audi1on component skews conven1onal “fit” probabili1es
• Limits course choices outside of majors • May take more than 4 years • May rule out the possibility of Study Abroad • May require travel between 2 different campuses or loca1ons
D/D Studies: Cons
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• Scheduling: may include weekends, evenings, school vaca1ons, and don’t forget to include 1me for personal rehearsal and prac1ce
• Transferring (schools, programs, majors) is tricky, 1me and credits could get lost. Some1mes transfer into a PA program is not possible.
• Not for the faint of heart. It could be a tough 4 (or 5 or more) years!
More cons…
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It is easier to format a D/D process within a B.A. or B.S. – harder in the professional degrees (i.e. B.M., B.F.A.)
The Reality…
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No maeer how hard you try, or how much you want it, some PA majors simply do not lend themselves to facilita1ng a double or dual program. And some students are not cut out for the diversity of studies and overwhelming demands.
“And, in the end…” Sir Paul McCartney
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• Juilliard/Columbia: 2 program choices: • Exchange (4 yrs.) • Joint Program BA/MM (5-‐6 yrs.)
• NEC/Tums (2 Bachelors) (5 yrs.) • NEC/Harvard AB/MM (5 yrs.) • Carnegie Mellon BXA (4 yrs.) Interdisciplinary degree programs
Examples
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“The five-‐year joint program with the Blair School of Music [and the Owen Graduate School of Business] allows a small cohort of par1cularly mo1vated students to overlap their undergraduate coursework with work toward the MBA, facilita1ng the earning of both the undergraduate and graduate degrees in five years (ten semesters).”
Vanderbilt: Blair to Owen
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• Is it possible to double major? “Yes, but it is difficult. The Musical Theatre Concentra1on is a credit intensive concentra1on. Some students who come to JMU with AP, IB, and Dual Enrollment credit do choose to pursue a double major (School of Media Arts and Design, English, and Communica1ons are the most popular) and are able to complete both majors within four years. Others choose to minor in another area (Dance, English, History, and Non-‐Profit Studies are the most popular). Many students who want to double major choose to pursue the Theatre Concentra1on which is a less credit intensive concentra1on [than the performance program].”
James Madison University FAQ’s
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• Dual Degrees “These programs are intended for applicants to the School of Music, Theatre & Dance who also seek the technical or academic studies associated with the College of Engineering, the Ross School of Business, or the College of Literature, Science, and the Arts. Students interested in these degree programs must seek concurrent admission to both units. Each has unique admissions criteria, deadlines, and requirements.”
University of Michigan
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“Double majors in the School of Theater, Film, and Television and other academic units are not permieed.”
UCLA
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• Each school has its own policies and procedures • Research and explore websites • Connect with representa1ves and faculty • Visit schools, preferably when performances are taking place
_____The Bottom Line_____
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• Prescreens: Required? For what majors? What are the requirements, deadlines, procedures?
• Audi1ons: Apply before set audi1on? Pay close aeen1on to deadlines! Loca1ons? (Travel? Expenses?)
• Audi1on/PorJolio Guidelines: Check school-‐by-‐school. • Heed requirements. Don’t submit more than a school asks for. • Recordings do not need to be done on pricey equipment. • Audi1on dates tend to be very restricted and very strict.
Audition/Portfolio Tips
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Key Ingredients of a Successful Performing Artist
© COPA, Inc. 2013 www.performingartsop1ons.com
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• School Lists/Shared Comments • Milestones: add audi1on info, including deadlines and actual audi1on dates
• Tagged lists – cau1on: expect to update lists yearly
• CSQ’s help students and parents see the importance of academic achievement
Using MyCCA
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Managing made easy
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Engage & Empower Students: Save yourself time
On-‐site and Distance Consul1ng Counselor-‐2-‐Counselor Services
Workshops, Clinics, Community Presenta1ons Please visit:
www.performingartsop1ons.com
COPA, Inc. College Options in the Performing Arts
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