See You There!

When: March 7–11, 2018

Where: Mobile Convention Center

One South Water Street

Mobile, Alabama

Online Registration Deadline

Jan. 29, 2018, Noon ET

On-Site Registration & Check-In

Wed. March 7: Noon – 8 p.m.

Thurs. March 8: 8 a.m. – 5 .p.m.

Fri. March 9: 8 a.m. – 5 p.m.

Sat. March 10: 8 a.m. – Noon________________________________

Start Getting Social

#SETC2018

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Suzan ZederFriday KeynoteMarch 9, 2018, 2:30 p.m.

Mother Hicks. Wiley and the Hairy Man. Step on a Crack. Chances are you have read, directed or seen one of the many award-winning plays by leading playwright for young and family audiences Suzan Zeder. Joining us as a keynote speaker, Teachers Institute presenter, fes-tival respondent and masterclass teacher, Zeder will be offering up insights on creativity, teaching, the-atre for youth, and the art of giving and receiving feedback throughout the week (see details at left) at this year’s convention. In her keynote address, “Creative Survival in a Time of Change and Challenge,” Zeder will confront her own concerns about how we as art-ists, teachers, students, parents and human beings can navigate “the troubled waters of our times” with gratitude, grace and compassion — and without fear. “I believe the arts are a life raft, as they bring us together, engaged in a common purpose for our mutual survival,” says Zeder. “Whether we are making art, teaching art, ap-preciating and experiencing art, we are invited to step out of ourselves and into a larger world and to ask ourselves HARD questions about ourselves and each other.”

Visit www.setc.org/suzan-zederfor Zeder’s full bio.Photo by Daniel Quat Photography.

Chris ChalkThursday KeynoteMarch 8, 2018, 2:30 p.m.

Television, film and stage actor Chris Chalk will join us in Mobile to present Thursday’s afternoon keynote and to work with high schoolers in a special workshop at Mobile’s beautiful Saenger Theatre on Wednesday evening — bringing wide-ranging experience and vast talent to this year’s convention. Chalk currently stars as Lucius Fox on Fox’s drama series Gotham. Other television credits include his roles of Gary Cooper in Aaron Sor-kin’s award-winning HBO series The Newsroom and Tom Walker on Showtime’s Emmy-winning series Homeland. On film, Chalk most recently wrapped Gideon Raff’s The Red Sea Diving Resort which will be re-leased in 2018. He also played the memorable role of Officer Frank in Kathryn Bigelow’s 2017 Detroit and co-starred in Steve McQueen’s 12 Years a Slave, to name a few. And then there’s the stage. In 2010, Chalk earned a Drama Desk Award for Outstanding Featured Actor in a Play for his portrayal of Cory in August Wilson’s Fences in which Chalk starred opposite Den-zel Washington and Viola Davis in the Tony Award-winning Broad-way show.

Read more about Chalk’s work at www.setc.org/chris-chalk.Photo courtesy of Chris Chalk.

SeTC honors Costume Designer Jane Greenwood2018 Distinguished Career Award Recipient & Saturday Keynote, March 10, 2018, 2:30 p.m.

With 21 Tony Award nominations and over 50 years of experience to her name, Jane Greenwood is one of the highest regarded costume designers working in theatre. Her first Broadway credit was The Ballad of the Sad Café in 1963. One of her more recent Broadway projects, The Little Foxes, earned her the 2017 Tony Award for Best Cos-tume Design of a Play. In between, she’s designed for more than 125 Broadway productions and a host of other projects for theatre, opera, dance, television and film. Greenwood will receive SETC’s

Distinguished Career Award Sat-urday evening at the 69th annual Banquet Gala & Awards Ceremony, adding to an already long list of awards for Greenwood. She’s won a Special Tony Award for Lifetime Achievement in The-atre, the Maharam/Henry Hewes Design Award for Tartuffe and Sylvia, the Irene Sharaff Lifetime Achievement Award, the Lucille Lortel Award for Sylvia and Old Money, and the Helen Hayes Life-time Achievement Award. In 2003, Greenwood was inducted into the American Theater Hall of Fame.

Her Saturday afternoon keynote presentation will give us firsthand insight into an esteemed career and the lessons learned along the way. You can also catch Greenwood earlier in the week. Serving as our Distinguished Costume Designer, Greenwood is set to adjudicate the 2018 Design Competition’s costume categories and will participate in Thursday’s Design Keynotes and the Friday’s Design/Tech Awards Ceremony.

Read Greenwood’s full bio atwww.setc.org/jane-greenwood.Photo courtesy of Jane Greenwood.

OSha Training ProgramTues. & Wed., March 6 & 7, 2018$30 includes OSHA card and training booklet

Are you and members of your staff up to date on workplace safety standards specific to the live entertainment industry? Get to Mobile early for the training you need. This two-day, 10-hour Occupational Safety and Health

Administration outreach program led by Marshall University Theatre Technical Director Mike Murphy (pictured above) includes modules specially designed by members of the IATSE Craft Advancement Com-mittee as a part of the OSHA/USITT/IATSE Alliance. See the full schedule at www.setc.org/osha-training.

Think “Safety first” for Your TheatrePlan ahead and pre-register online by Jan. 29, 2018 to take advantage of these professional training opportunities at SETC.

4-hour Theatre Security SeminarActive Assailant in Your Theatre: What Do You Do? Wed., March 7, 2018, 1:30–5:30 p.m. | Free to pre-registered attendees

Ensuring a safe, secure environment for patrons and staff is a vital part of any theatre’s work. This four-hour session is designed to help theatre managers and leaders plan for potential acts of violence. In “Active Assailant in Your Theatre: What Do You Do?,” Jeffrey A. Slotnick (pictured left), a board-certified security management professional, will:

• help attendees complete a vulnerability self-assessment tool;• provide a theatre-specific emergency response/active assailant plan;• and assist you in tailoring the plan to your venue. Learn more about what to expect at www.setc.org/active-assailant.

Thanks to ourSponsors!

The 2018 SETC Convention

would not be possible without the support of our sponsors.

________________________________

Newspaper Sponsor

The University of Alabama________________________________

Arts PeopleBarbizon Lighting Company

Broadway Media DistributionDisney Theatrical Group

Dramatic PublishingDramatists Play ServiceEmptySpace Technology

ETCFabric.com

Friends of Props: Robert O’Leary & Doug Brown

Hollins Exposition ServicesInterAmerica Stage

Lexington Children’s TheatreMagnum Companies

Middle Tennessee State University Norcostco

Performer StuffProductions Unlimited, Inc.

ReproductionsRobe Lighting

The Rose TheaterSamuel French

Sculptural Arts CoatingSerenbe Playhouse

ShureStage RightsTriad Stage

Wardrobe WitcheryYeagerlabs

1st Street Music & Sound Co. 4Wall Entertainment Lighting10 State Organizations of SETC:

ACT, FTC, GTC, KTA, MTA, NCTC, SCTA, TTA, VTA and WVTA

More From Chris Chalk____________________________________

Chris Chalk Masterclass and Pizza PartyWednesday, MarCh 75:15PM – 7:30PM saenger Theatre Mobilehigh school students! Join Chris Chalk on the opening night of the convention for a special event just for you.rsVP required. Please contact seTC educational services at claire@setc.org to reserve for your high school group.Sponsored by Middle Tennessee State U________________________________

More From Suzan Zeder____________________________________

Teachers Institute: a day of Creative renewalWednesday, MarCh 79:00aM – 4:00PM $85 / Includes Lunch________________________________

Theatre for youth Invitational FestivalThursday, MarCh 89:00aM – noon ________________________________

Give and Take: The art and Craft of FeedbackFrIday, MarCh 99:00aM – 11:30aM $40 / Max. 40 Participants________________________________

Theatre for youth ForecastsaTurday, MarCh 109:00aM – 10:15aM________________________________

PaGe 2 WORkShOP SkIll levelS: G - General; B - basic; I - Intermediate; A - advanced; E - expert; PDS - Professional Development Series

actingSharpen your skill set and bring a higher level of detail to your act-ing preparation, performance and auditions. Dive into improv; find new ways to tackle Shakespeare; get insights on what casting direc-tors want; and try a variety of ap-proaches to crafting authentic char-acters. Be sure to look in the Career Advancement, Film & Television, Musical Theatre, Stage Movement and Voice & Speech sections for even more workshops for actors.

Wednesday, MarCh 7, 2018 2:30PM – 3:45PM unleash your “IT” Factor and nail the audition! Presenter: Kandie Smith (Florida School of the Arts at St. Johns River State College) Whether auditioning for colleges or a Broadway show, it takes MORE than talent and preparation. This interactive session will unlock your personal powerhouse — your “IT” factor. G

4:00PM – 5:15PM acting Interest Meeting Presider: David Haugen (SETC Acting Chair) This is a meeting of all SETC members interested in the field of acting. G

Thursday, MarCh 8, 2018 8:00aM – 8:50aM actor Warm-up Presenter: Bart Williams (Southeast Missouri State U) A combined voice and movement warm-up for the actor. Connect to breath, enliven the resonators, and work articulators. Connect to your center and core to find balance and release muscular tension. G

Playing an Intention: Why the Words don’t Matter Presenter: Stuart Brown (Florida Southwestern State College) Act beyond the text! Don’t get trapped by the words. Learn the power of subtext and how to play an intention through the words. I

9:00aM – 10:15aM new Walk, new Talk Presenter: Paul Bawek (Florida Southern College) Using Michael Chekhov techniques as our inspiration, let’s explore imaginative and powerful ways to create, embody and express new characters. B

Preparing your Character Through the art of Meditation Presenters: Seret Cole, Jason Englestad (M. T. Pockets Theatre Company) Dial in your character for the stage through the art of meditation. The techniques we’ll explore can also be applied in other aspects of our daily lives. Open to all. G

10:30aM – 11:45aM Monologues: The Compelling storyteller Presenter: Sherrie Peterson (Shorter U) Having a great monologue is a mark of a profes-sional actor. Learn how to turn paragraphs of text into a compelling story by using text analysis and basic story structure to develop a complete arc of story. There’s a difference between a speech and monologue, and not all monologues are created equal. I

shakespeare’s acting secrets: Mining the Text for Clues Presenter: Paul Hurley (U of South Alabama) Shakespeare got you scared? This experiential workshop will lead participants through a piece of text and unlock the secrets of Shakespeare. Come prepared to play! G

noon – 12:50PM new york to L.a.: The Business of acting Presenters: Johnny Yoder, Don Williams, Ryan Chittaphong (Stella Adler Studio of Acting) This Q&A workshop aims to give students an insight into the differences and similarities of the business and life of an actor in New York and Los Angeles. G

1:00PM – 2:15PM Bring your authentic self to the Text Presenter: Gary Kingston (Neighborhood Playhouse School of the Theatre) Focus on how to use the Meisner Technique to connect in auditions and cold readings. You’ll learn how to bring yourself to every moment of a text — a very valuable skill. I

4:00PM – 5:15PM shakespeare Monologue Jam session: Bring 10 Lines! Presenter: Doreen Bechtol (Mary Baldwin U, American Shakespeare Center) Get on your feet and learn the strategies you need to transform a Shakespeare monologue into a bold classical audition piece. I

5:30PM – 6:45PM Breaking down Classical Text for auditions: a simple Checklist Presenter: Andrew Schwartz (Coker College) By following a simple checklist, young performers will gain the confidence and skills to ace a classical audition. Focus on how to select a classical monologue/soliloquy, rehearse properly, and let it all go and actually have fun in the audition. I

The Joy of shooting the self-Tape audition Presenter: Dustin Whitehead (Western Carolina U) Actors will be guided through the at-home professional audition experience. With simple tips about communication, preparation, camera placement, lighting, editing and performance, you’ll leave knowing how to make your audition stand out from the rest. I

The Physical Memory Technique: Learning all Those Lines Presenters: Jane Brody, Walter Brody (Jane Brody on the Road) Don’t just sit there! Learn your lines in your body. We’ll use the latest memory science to help actors learn quickly, deeply and accurately. Bring something you wish to memorize, or we will provide text. Everyone will work in class. G

FrIday, MarCh 9, 2018 8:00aM – 8:50aM actor Warm-up Presenter: Brianne Taylor (Independent Artist) A combined voice and movement warm-up for the actor. Connect to breath, enliven the resonators, and work articulators. Connect to your center and core to find balance and release muscular tension. G

Improving your Work Through Improv Presenter: Anthony McMurray (New York Conservatory for Dramatic Arts) As performers, we often find ourselves tied in knots before, during and after performances when, in reality, our goal is as simple as giving ourselves permission to speak. Find a stronger, more specific performative impulse through a series of improv exercises. I

9:00aM – 10:15aM Improv and acting: From stage to screen Presenter: Blake Babbitt (New York Film Academy) With an emphasis on acting for the screen, we’ll use improvisation as a tool to allow actors to experience both on-stage and on-camera acting techniques. a

shakespeare in Motion: Getting Out of your head Presenter: Bart Williams (Southeast Missouri State U) Get out of your head and into the action of Shakespeare’s text. Instead of doing static table work, we’ll get a scene on its feet through movement. I

noon – 12:50PM how to self-Tape a successful audition Presenter: Anthony McMurray (New York Conservatory for Dramatic Arts) Self-taping an audition has become a huge part of auditioning professionally. Learn some simple but useful tips for making your next self-tape a success. I

Preparing Backstage: starting your Performance at 100% Presenters: Christie Maturo (Midwestern State U), Suzanne Schmidt (The Acting Corps) We’ve heard directors say they know within the first few seconds of someone’s audition if they are interested in calling them back. As an actor, how can you begin your performance emotionally charged and get the most out of those first few seconds to score that callback? I

4:30PM – 5:45PM archetypal actions and Life Body: Michael Chekhov Technique Presenter: Lionel Walsh (Great Lakes Michael Chekhov Consortium, U of Windsor) Apply two powerful techniques to memorized monologues for auditions. Learning to use these tools in an audition is crucial because of the clarity that springs from the work. I

Broadway and Beyond Presenter: Chuck Wagner (Broadway Actor) This introduction to the Broadway Dream is fol-lowed by an audition workshop where performers can hone their presentation skills. This is a great setting to show us what you’ve got in a safe, supportive environment. Open to all. I

Meisner acting: Living in the Moment Presenter: Gary Kingston (Neighborhood Playhouse School of the Theatre) Participate in guided exercises designed to ignite your acting instincts and talent. Serious actors can apply this renowned acting technique across performance mediums — from film and TV to theatre and new media. I

rubber Chicken Improv Festival for Fun and Profit Presenter: Tonya Hays (Lynn Meadows Discovery Center) Back by popular demand. Divide into teams and compete with improv games for the coveted Rubber Chicken Award! All attendees will be a part of the fun and hilarity as they create their own festival. B

6:00PM – 8:00PM stella adler studio of acting Workshop Presenters: Don Williams, Ryan Chittaphong, Johnny Yoder (Stella Adler Studio of Acting) This hands-on seminar for actors focuses on the investigation of action, environment, given circumstances, relationship and need using the imagination through in-class scene work. G

6:00PM – 7:00PM engaging the Performer’s Will Toward ensemble Presenter: James Matheny (Mississippi State U) Activities focus on the will (engaged objective) of the performer and how its exchange between performers leads to deeper ensemble. G

Knowing your essence With a Casting director Presenter: Tiffany Weagly-Wilkie (Performer Stuff LLC) Knowing your essence as an actor allows you to work from a place of power. This workshop will demystify the casting director’s process by educating actors about how we see them and the “business of the business.” The aim is to empower actors to own who they are. #DoYouKnowHowWeSeeYou G

What not To Wear: What “season” suits you Presenters: Stephen Gundersheim, Janet Gray (Winthrop U) As a follow up to popular past sessions on audition attire, come see what “season” you are and what color suits you. And if you dare to be given a frank assessment, come in your audition outfit and we’ll determine if you’re a “glamour don’t” or not. I

WorkshopSkill levels

Workshops are offered for varying levels of expertise.

Please use the following notations as a guide when

considering attendance.________________________________

G - GeneralBroad appeal for all

b - basicIntroduction and

exploration of concepts

I - IntermediateBuilding on basic skills and

developing competency

a - advancedFine tuning for artists and practitioners experienced

with the concept

e - expertOffering new approaches and

addressing new challenges for experts in the field

saTurday, MarCh 10, 2018 9:00aM – 10:15aM Connecting to Imaginary Circumstances: emotional Preparation Presenter: John Gulley (U of North Carolina at Greensboro) Move yourself (effectively and SAFELY) into the imaginary circumstances of the play. Hands-on techniques and tips for intermediate/advanced actors. I

10:30aM – 11:45aM auditioning: self-Tape Like a Pro Presenter: Peter Stone (New York Film Academy) Take your self-taping to the professional level. Our focus will be on how to build an inexpensive home studio and the self-taping process. We’ll cover backdrops, lighting, sound, camera options, tripods, readers, self-taping for theatre vs. TV, and the audition. a

First Folio Technique: acting shakespeare Presenter: Steven Marzolf (U of Arkansas) As the closest example of what Shakespeare wrote, the First Folio contains clues that can help actors with character. Let iambic pentameter, punctuation, capitalization, breath, metaphors and heightened images transform the way you approach classical text. G

Gameplay! actor Training Presenter: Carrigan O’Brian (National Theater Institute) Get an introduction to games and theories that world-renowned theatre company Complicitè uses to train students. B

Your Specific Point of View in Acting Work Presenter: Lance Beilstein (Winthrop U) Beginning and intermediate actors: This is your opportunity to enrich your acting work through discovering, revealing and exercising a specific character point of view. I

noon – 12:50PM acting shakespeare Is Outrageous! Playing the Bard for Beginners Presenter: Herb Parker (East Tennessee State U) Playing Shakespeare is about getting up on your feet and doing it, and relying on the only tools Shakespeare’s actors had: the words themselves. In this workshop, actors will begin to understand the true meaning of the phrase, “Just say it!” I

1:00PM – 2:15PM Phony Isn’t Funny: authentic Improv Performance Presenter: Mandy Butler (Newberry College) You’re already hilarious. You just have to relax, remember to be an actual human person, and let yourself have fun with other actual human people. The trick to getting laughs is realizing that there are no tricks. G

space Invaders: Chemistry and Connection Presenter: Lynn Stallings (Atlanta Workshop Players) Step into your scene partner’s personal space to evoke honest reactions! Chemistry and connection make onscreen magic. G

strengthen your College audition Pieces Presenters: James Chrismon (Illinois State U), Stephen Gundersheim (Winthrop U) This interactive work for high school students focuses on improving audition pieces for colleges. Get feedback and insight on the college/university audition experience and process. I

unrehearsed shakespeare: The Cue script Technique in action Presenter: Bill Kincaid (Western Illinois U) Shakespeare without rehearsal! How do the actors know what to do? Shakespeare tells them — in the lines. Come learn how. G

4:00PM – 5:15PM Meisner, Viewpoints and Impulse: The Mashup Mixtape Presenter: Talon Beeson (Austin Peay State U) This exploration of the techniques of Viewpoints and Meisner will allow the actor to abandon all thought of the audience and react honestly in the moment. I

Award-winning playwright Suzan Zeder and nationally-known move-ment specialist Jim Hancock will lead teachers and artists of all levels through a day of creative renewal in this year’s pre-conference semi-nar. Activities and exercises will draw from Zeder and Hancock’s book Spaces of Creation: The Creative Process of Playwriting. Moving back and forth between talking, moving, drawing, visualizing, writing and more, participants will focus on ways to nourish creativity (both their own and their students’). The work is not limited to any one subject matter; teachers, students and practitioners of acting, design, move-ment and writing will all benefit.

Learn more and register at www.setc.org/teachers-institute.

13th annual Teachers InstituteA Day of Creative Renewal With Suzan Zeder and Jim HancockWed., March 7, 2018, 9:00 a.m. – 4:00 p.m.$85 | Includes lunch

Masquerade in Mobile: More Than Mardi GrasSupport SETC and Show Off Your Design & Craft Skills With Unique Masks

Get ready to celebrate masquerade-style at this year’s closing night festivities. We expect elegant, historical, fanciful and pop-cultural costumes to feature highly at Saturday evening’s President’s Reception, Banquet Gala (tickets are $30 and must be reserved by Jan. 29), High School Theatre Festival Recognition Ceremony, and Banquet Afterparty Dance. The masquerade theme is a nod to the rich tradition of Mardi Gras in Mo-bile — but Mardi Gras is merely a launching point for the wide variety of styles we hope to see! Whether you take inspiration from the masks of 16th century Commedia dell’Arte or David Bowie in the masquerade scene from Labyrinth, we look forward to celebrating with you behind whatever mask you choose. If you don’t already have a mask in mind, consider supporting SETC by purchasing or bidding on a unique mask on site. Custom made masks will be available for sale in Convention Gear (sample pictured above), and there will be items up for bid in our masquerade-themed Silent Auction (visit www.setc.org/silent-auction if you have an item to donate). All proceeds will go to the SETC Endowment Fund which supports SETC’s theatre scholarships.

Interest areaslook for workshops in your discipline.

________________________________

acting - Page 2

arts administration, Stage

Management & Producing - Page 3

Career advancement - Pages 3, 8

Cultural Conversations - Page 4

Design & Technology - Pages 4–5

Directing - Pages 4, 8

education Matters - Page 5

film & Television - Page 5

history, Theory,

Criticism & literature - Page 5

Musical Theatre - Page 6

Playwriting - Page 6

Professional Development

Series (PDS) - Page 7

Religion & Theatre - Page 7

Stage Movement - Pages 7, 8

Theatre for Youth - Page 8

voice & Speech - Page 8

Masterclasses: Stretch Your Skills, expand Your experience

Teachers and artists often spend more time giving and receiving feedback than they do on actual work. Yet this ubiquitous part of the creative process is often over-looked and under-examined. Come learn some new strategies in this masterclass with acclaimed play-wright Suzan Zeder.

www.setc.org/give-and-take

Suzan Zeder

Give and Take: The art and Craft of feedback

Fri., March 9, 2018 9 – 11:30 a.m.$40 | Maximum 40 participants

Drawing from his book Acting at the Speed of Life: Conquering The-atrical Style, Timothy Mooney will guide participants through a series of hands-on exercises that explore the nature of language, “realism” vs. “believability,” how to improve your “presence,” and more. “Your asides will never be the same.”

www.setc.org/conquering

Timothy Mooney

Conquering Theatrical Style!

Thurs., March 8, 2018 10:30 a.m. – 1:00 p.m.Free to convention attendees

Leave your mark on Mobile with this two-part masterclass that will culminate in a unique mural in the convention center’s parking garage! Scenic artist Scott Bradley will take participants through the process of gridding a wall, blowing up the design, and putting paint brush to wall. Come to paint or just observe!

www.setc.org/mural-in-mobile

Scott Bradley

Mural in Mobile: Scenic Painting

Fri. & Sat., March 9 & 10, 201810:00 a.m. – Noon each dayFree to convention attendees

Special Guest: Chuck Wagner A Broadway Veteran Who Got His Start at SETC Returns

Chuck Wagner — whose exten-sive career includes starring as Beauty and the Beast’s Beast and Les Miserables’ Javert on Broad-way — got one of his first profes-sional jobs via SETC auditions. “My career was set in motion through SETC, and I will always be grateful. The Lost Colony was a great gig, and I fell in love with my wife Susan there!” he says. Now, Wagner returns to make a special guest speech at the Friday Lunch (See Social Events on Page 7) and to lead a “Broad-way and Beyond” workshop the same day (See below for details).

www.setc.org/chuck-wagnerPhotos courtesy of Chuck Wagner.

PleaSe NOTe: Dates and times are subject to change. Check the convention program and mobile app for final scheduling and locations. PaGe 3

UA Theatre & Dance

College of

Arts & Sciences

theatre.ua.edu

arts administration, Stage Management & ProducingTheatre administration is constantly evolving to stay on top of (and set!) trends. This year’s arts administration and producing workshops address issues in branding, communication, environmental sustainability, audi-ence development and more. Stage managers will encounter creative so-lutions to on-the-job challenges and are invited to show off their freshly honed skills in an annual favorite: The Stage Management Games.

Osha Training Program Presenter: Mike Murphy (Marshall U) Pre-registration required; $30 includes OSHA membership card and training booklet. See Page 1 for more details. a

Part 1: Tues., March 6, noon – 9:00PM Part 2: Wed., March 7, 8:00aM – 2:15PM

Wednesday, MarCh 7, 2018 1:30PM – 5:30PM active assailant in your Theatre: What do you do? Presenter: Jeffrey A. Slotnick (Setracon Inc) This four-hour session is designed to help the-atre managers and leaders plan for and respond to potential acts of violence. Details on Page 1.

Thursday, MarCh 8, 2018 9:00aM – 10:15aM digital Prompt Books and Blocking for stage Managers Presenter: Shawn Paul Evans (Washington and Lee U) Let’s discuss tools and techniques for working with digital prompt/cue books and digital blocking notation. a

Theatre Branding in the digital age Presenter: James Gallagher (Drama Queen Graphics) Are you attracting the right audience for your production? What is your theatre’s graphic identity communicating to your prospective audience? Examine what works, what doesn’t and how to make your brand look as good as your productions. G

10:30aM – 11:45aM arts administration Interest Group Presider: Dominic Yeager (SETC Arts Administration Chair) Meeting for those interested in arts administration, management and producing. G

Basics of stage Management: What Beginners need to Know Presenter: Russell Luke (Freelance Stage Manger/Director) Discuss the basic characteristics that make for good stage managers and assistant stage managers. B

Beyond the stage: Project Management for Theatre Professionals Presenters: Amanda Nelson (Virginia Tech), Ryan Kirk (Propared) From planning and budgeting to implementation and evaluation, traditional project management will lead to success in a variety of career paths in the arts. I

developing a new Outdoor drama: In the Valley Where They danced Presenters: Kathy Blum Blandin, William Gabelhausen (Piedmont College), Michael Hardy (Institute of Outdoor Theatre), Emory Jones (Hardman Farm Historic Site) We’ll detail the creation of a new outdoor drama near Helen, GA as a model of tourism product development. Outdoor Theatre members and enthusiasts will find this especially informative. I

Teach the Crew: start by Training Them as asMs Presenters: Elynmarie Kazle (Firestone Theatre; Stage Managers’ Association of the United States), Adrienne Wells (Freelance Stage Manager) Learn tested methods and strategies for building a better, stronger backstage crew. Training beginner crew members as assistant stage managers gives them an overview of the production process — from auditions to closing night — and develops invaluable hard and soft assisting skills. I

noon – 12:50PM Foundations of Festival Management Presenters: Ryan Kirk, Melissa Johnston (Propared) When faced with the complexities of managing a festival, things can quickly get out of hand. Using the New York Musical Festival as a case study, we’ll explore some of the unique considerations for managing festivals and identify useful skills and strategies for any complex show or organization. I

stage Managing Opera and Musicals Presenter: Karen Baker (U of Alabama in Huntsville) Stage managing an opera or a musical requires the same skills as running a non-musical show, but many terms and how you interact with the musical staff are different. Learn the pitfalls for a stage manager new to the music world. I

1:00PM – 2:15PM Legal Issues for the Theatre Presenter: Daniel Ellison (Duke U; Attorney at Law) An overview and update of legal topics including copyright, contracts, censorship, discrimination, tax law, personal injury, estates, non-profit law, right of publicity and employment law. Bring your questions. G

new seTC Theatre Consulting network Presenter: Michael Hardy (Institute of Outdoor Theatre) SETC’s new Theatre Consulting Network will draw on the resources of a national network of theatre specialists to advise organizations on a comprehensive range of issues. If you have consulting experience and are interested in becoming a part of this network please join us to learn more. If your theatre organization is interested in receiving assistance from the network, please come as well.

4:00PM – 5:15PM and still Things Go Bump in the night Presenters: Barbara Brock (City of Richmond, VA Department of Parks, Recreation & Community Facilities), James Opher (Friends of Dogwood Dell) An open opportunity to share stories and experi-ences (your own or someone else’s!) that focus on theatre ghosts, legends and superstitions. G

Creative solutions for stage Managers round Table Presenters: Stacy Blackburn (Lindenwood U), George Hamrah (Orlando Shakespeare Theatre), Cherrie Sciro (Louisiana Tech U), Jen Lane, Julie Richardson (Alabama Shakespeare Festival) High school, college and early-career stage managers are invited to “pick the brains” of seasoned, Equity professionals about how to handle difficult situations in rehearsals and performances. B

5:30PM – 6:45PM stage Manager’s Prompt Book review Presenters: Stacy Blackburn (Lindenwood U), Cherrie Sciro (Louisiana Tech U), George Hamrah (Orlando Shakespeare Theatre), Jen Lane, Julie Richardson (Alabama Shakespeare Festival) Professional Equity stage managers will review your prompt script and give you feedback to improve your skills. I

7:00PM – 11:00PM stage Management Games Presiders: Shawn Paul Evans (Washington and Lee U), Patricia Crotty (Florida School of the Arts at St. Johns River State College) In this friendly and fun competition, stage managers compete in a round-robin set of timed, high-speed events! The top three competitors advance to a finalist round. Members who want to compete will need to report to the Games at 6:30PM to sign up on a first-come, first-served basis. Awards sponsored by EmptySpace Technology

FrIday, MarCh 9, 2018 9:00aM – 10:15aM don’t Bold That! Crafting effective Written Correspondence Presenter: Karli Henderson (Davidson College) As our world becomes increasingly digital, written communication will become far more important. Learn how to craft clear and effective written communications — from emails to reports to proposals. I

stage Manager Work Kit: The essentials Presenter: Julie Richardson (AEA Stage Manager/Director) We’ll cover what a stage manager kit might contain for rehearsals and performances — and why some items come in handy in many ways. I

sustainable Practices in Theatre: The Four r’s Presenter: Vandy Scoates (Limestone College) Professionals, educators and students (in both performance and design/tech) will all learn tips for producing environmentally sustainable theatre. B

The Tech Table: Get the Most out of your Process Presenters: Elynmarie Kazle (Firestone Theatre; Stage Managers’ Association of the United States), Adrienne Wells (Freelance Stage Manager), Tina Shackleford (Carnegie Mellon U), Julie Richardson (AEA Stage Manager/Director) As a stage manager, how do you keep your head when all the technical elements are developing and falling into place? What do you need to talk about in advance? How can you relate to the designers, director and other tech table players in order to create a smooth process and a better production? a

10:30aM – 11:45aM Fill your seats: an Introduction to Marketing for Theatre Presenter: Courtney Kochuba (Samuel French) Theatre fuses culture and capital together like no other community. In this complicated industry, what are the key components you need to market in a way that inspires, entertains, and fills your seats? B

To Be or Knot to Be: 8 Basic Knots Presenters: John Spiegel, Katie Malloy (Piedmont College) Get hands-on training on the eight basic theatrical knots most often used by stage managers and technicians: bowline, square, slip, sheetbend, figure eight, eight on a bight, clove hitch, and tautline. Knot tying practice ropes and rods will be provided. B

noon – 12:50PM small Theatre support Group Presider: Josh Webb (Coker College) Small theatre programs of three or fewer faculty encounter unique challenges that larger programs may not face. Share your experiences and solutions with those who face problems similar to your own. Discover that you are NOT ALONE!

stage Managing Immersive and Created space Theatre Presenters: Julie Richardson (AEA Stage Manager/Director), Molly Donahue (SETC Auditions Stage Manager) What role does the stage manager play in im-mersive theatre projects — such as “Sleep No More” and “Then She Fell” — as the play moves from place to place? This discussion will bring us up to new levels of jobs for stage managers. I

4:30PM – 5:45PM Calling a show Like a Gunslinger: Trick shots Presenters: Ken White (U of North Carolina at Greensboro), Julie Richardson (AEA Stage Manager/Director), Michelle Wood (Freelance) Explore techniques and strategies for calling shows with an emphasis on particularly challenging situations. I

southern Voices on the Global stage Presenters: Preston Lane (Triad Stage), Thomas Keith (New Directions Publishing Company), Deborah Bell, Denise Gabriel (U of North Carolina at Greensboro) Join us for a panel discussion on Southern theatre’s evolving voice and identity. Using the work of Tennessee Williams as inspiration, we’ll focus on professional and educational initiatives that place our Southern legacy within a contem-porary world and on a global stage. G

saTurday, MarCh 10, 2018 9:00aM – 10:15aM dramaturgy and audience engagement Presenter: Elissa Sartwell (Belhaven U) How can you promote audience engagement through dramaturgical offerings? Program notes, lobby installations and post-show discussions are just a few effective strategies. I

Career advancement This cross section of workshops focuses on developing skills and knowledge to support your talents. Tap into career insights that can help guide your decisions as you pursue a profession in theatre or even in other fields. Look for other career-focused workshops within specific interest areas.

Wednesday, MarCh 7, 2018 2:30PM – 3:45PM your resume Is your ad: Will They remember your name? Presenter: Jane Childs (Stagecraft Institute of Las Vegas) Does your resume say what you want it to about you? This hands-on and work-in-progress session will make your resume sell you rather than land you in the round file! Bring two copies of your re-sume, a laptop if possible, and an open mind. G

7:00PM – 9:30PM Theatre Job Fair: Production resume review Presider: Constance Smith (Chipola Center for the Arts) Students and young professionals seeking tech-nical theatre positions via Theatre Job Fair have an opportunity to get their resumes reviewed/critiqued by technical theatre professionals prior to interviewing. G

Thursday, MarCh 8, 2018 8:00aM – 8:50aM Life after undergrad: helping students Prepare Presenter: Sara Ross (URTA) This faculty-focused panel will discuss everything from internships to graduate school with specific strategies offered on transitioning students out of undergraduate educational setting. G

9:00aM – 10:15aM From Princess to Gargoyle: embrace Change, Create Longevity Presenter: Andrea Canny (The Imagination House) This fun, inspiring presentation will give perform-ers and the educators who guide them the tools, resources and philosophies they need to embrace change and create longevity in an entertainment career. G

noon – 12:50PM Living Outside the Box With Only Collaboration Presenters: Jane Childs (Stagecraft Institute of Las Vegas), Brian Gale (NYX Design), Leonard Miller (Lex Products) Go beyond traditional paths to grow into a collaborator. Given that you are the sum of your experiences, how can you expand your base, adopt the skill of daring to do, venture beyond your comfort zones, and learn to see? G

1:00PM – 2:15PM acting as a Profession: Kickstart your acting Career Presenters: Gabrielle Berberich, Greg Chwerchak, Jessica Corn (Michael Howard Studios), Brett Goldstein (Brett Goldstein Management) Want to work professionally in film, television and theatre? Get the insider’s guide to help kickstart your career. G

4:00PM – 5:15PM navigating next steps in design/Technology Careers Presenters: Sara Ross (URTA), Richard Dunham (U of Georgia), James Gage (U of Cincinnati College-Conservatory of Music) Join a panel of faculty from design/technology MFA theatre programs around the country to discuss how to navigate a career in design and technology — both your own career and how to best prepare your students for “the industry.” Bring your questions. G

FrIday, MarCh 9, 2018 8:00aM – 8:50aM Write for Southern Theatre Magazine Presiders: J.K. Curry (SETC Publications Chair, Wake Forest U), Deanna Thompson (Editor, Southern Theatre, SETC News) Get information on Southern Theatre magazine, including types of stories sought, submission methods, and how to become an editorial board member for SETC’s year-round publication. Bring your story ideas! Open to all. G

10:30aM – 11:45aM artistic entrepreneurs: self-Producing on the Fringe Presenters: Chris Rich (Troy U), Neil David Seibel (Auburn U at Montgomery), Dawn Larsen (Francis Marion U), Megan Gogerty (U of Iowa), Taylor Gruenloh (Tesseract Theatre), Matt Davenport (Matt Davenport Productions), David Gaines (George Mason U) A group of theatre artists who are making and producing their own work for festivals and theatres around the world talk about bringing big ideas to the stage in small packages. Look at the process of getting work to a variety of stages. a

Continues on Page 8

auditions & Design/Tech Interviews for Students

undergraduate Recruiters: Graduate Recruiters: Undergraduate Auditions & Design/Tech Interviews Graduate Auditions & Design/Tech Interviews Thurs., March 8, 2018 Fri., March 9, 2018

Accademia dell’Arte (A)Actors Studio Drama School at Pace U (A)AMDA College & Conservatory of the Performing Arts (A)The American Academy of Dramatic Arts (A, DT)Atlantic Acting School (A)Dell’Arte International School of Physical Theatre (A)The George Washington U (DT)Long Island U / Post (A)Louisiana State U (DT)Louisiana Tech U (A, DT)Mary Baldwin U (A)Michael Howard Studios (A)National Theater Institute (A)The Neighborhood Playhouse School of the Theatre (A)New York Conservatory for Dramatic Arts (A)New York Film Academy (A)The Ohio State U (A, DT)Ohio U (A)Open Jar Institute (A)Powerhouse Theater Training Program at Vassar (A)Savannah College of Art and Design (A, DT)Southern Illinois U (DT)Stella Adler Studio of Acting (A)Texas State U (DT)Texas Tech U (A, DT)The U of Alabama (A, DT)U of Central Florida (A, DT)U of Cincinnati College- Conservatory of Music (DT)The U of Georgia (A, DT)U of Louisville (A)U of Memphis (DT)U of North Carolina Chapel Hill (DT)U of North Carolina Greensboro (A, DT)U of Tennessee (DT)Virginia Tech (DT)Wayne State U (DT)West Virginia U (A, DT)Western Illinois U (DT)York Theatre Company - Musical Theatre Training Program (A)

Alfred U (A, DT)Alma College (A, DT)AMDA College & Conservatory of the Performing Arts (A)The American Academy of Dramatic Arts (A, DT)Appalachian State U (A, DT)Arcadia U (A, DT)Atlantic Acting School (A)Auburn U (A, DT)Auburn U Montgomery (A, DT)Austin Peay State U (A, DT)Averett U (A, DT)Ball State U (DT)Belhaven U (A, DT)Belmont U (A, DT)Berry College (A, DT)Brevard College (A, DT)California U of Pennsylvania (A, DT)Campbellsville U (A, DT)Clemson U (A, DT)Coastal Carolina U (A, DT)College of Charleston (A, DT)Davidson College (A, DT)East Tennessee State U (A, DT)Florida International U (A, DT)Florida School of the Arts (A, DT)Florida Southern College (A)Furman U (A, DT)Gainesville Theatre Alliance (A, DT)George Mason U (A, DT)Georgia Southern U (A, DT)Greensboro College (A, DT)Heidelberg U (A, DT)Hollins U (A, DT)Illinois State U (A, DT)Illinois Wesleyan U (A, DT)Jacksonville U (A, DT)James Madison U (A, DT)LaGrange College (A, DT)Lee U (A, DT)Lees-McRae College (A, DT)Limestone College (A, DT)Lipscomb U (A, DT)

Programs from all over the country recruit at the SETC convention. The following schools have already committed to attend Auditions (A) and/or Design/Tech Presentations and Interviews (DT) at SETC 2018. Watch the SETC website for updates as more schools register.

Long Island U / Post (A, DT)Louisiana State U (A, DT)Michael Howard Studios (A)Middle Tennessee State U (A, DT)Mississippi State U (A)The Mississippi U for Women (A, DT)Mount Vernon Nazarene U (A, DT)Murray State U (A, DT)National Theater Institute (A)The Neighborhood Playhouse School of the Theatre (A)New York Conservatory for Dramatic Arts (A)New York Film Academy (A)North Greenville U (A)Nova Southeastern U (A, DT)The Ohio State U (A, DT)Ohio U (A)Oklahoma City U (DT)Open Jar Institute (A)Palm Beach Atlantic U (A)Point Park U (A, DT)Powerhouse Theater Training Program at Vassar (A)Professional Actor Training Program at Chattanooga State (A)Radford U (A, DT)Regent U (A, DT)Reinhardt U (A)Rollins College (A, DT)Rowan U (A, DT)Royal Welsh College of Music & Drama (DT)Salisbury U (A, DT)Samford U (A, DT)Savannah College of Art and Design (A, DT)Sewanee: The U of the South (A, DT)Shenandoah U (DT)South Carolina School of the Arts at Anderson U (A, DT)Southeast Missouri State U (A, DT)Southeastern Louisiana U (A, DT)Southern Union State

Community College (A, DT)Stella Adler Studio of Acting (A)Stephen F Austin State U (A, DT)Studio School (A, DT)Tennessee State U (A, DT)Texas Tech U (A, DT)Theatre of Arts (A) The U of Alabama (A, DT)U of Alabama at Birmingham (A, DT)U of Alabama in Huntsville (A, DT)U of Central Florida (A, DT)U of Cincinnati College- Conservatory of Music (DT)The U of Georgia (A, DT)U of Kentucky (A)U of Louisville (A)U of Memphis (A, DT)The U of Mississippi (A, DT)U of Mobile (A)U of Montevallo (A, DT)The U of Mount Union (A)U of North Carolina Chapel Hill (A, DT)U of North Carolina Greensboro (DT)U of South Alabama (A, DT)U of South Carolina Aiken (A, DT)U of Southern Indiana (A, DT)U of Tennessee Chattanooga (A, DT)U of West Florida (A, DT)U of West Georgia (A, DT)Virginia Commonwealth U (DT)Virginia Tech (A, DT)Wake Forest U (A, DT)West Virginia U (A, DT)Western Carolina U (A, DT)Western Illinois U (A, DT)Western Michigan U (A, DT)Wilkes U (A, DT)Winthrop U (A, DT)York Theatre Company - Musical Theatre Training Program (A)Young Harris College (A)

Managing the Madness: Psychology and stage Management Presenter: Jeffrey Nealer (DeKalb School of the Arts) A stage manager is: a confidant; parental; a leader (and that’s just the start). Are we schizophrenic? Some people we work with are labeled “narcissists” or “eccentrics” (and that’s just the start). Somehow, we work together to get the show up. Let’s explore the psychological processes involved. G

Market smarter, not harder: using your Own data for Marketing success Presenters: Ceci Dadisman (Cardinal + Company), Lee Gallagher (Arts & Analytics), Amelia Northrup-Simpson (TRG Arts) Strategically attract and retain audiences. Learn how to mine your patron data and segment your digital and traditional communications (yes, including direct mail!) to send targeted, relevant messages to each individual recipient. B

10:30aM – 11:45aM Interview Techniques for stage Managers: Grace under Pressure Presenters: Ken White (U of North Carolina at Greensboro), Stacy Blackburn (Lindenwood U) Stage managers are the picture of poise and grace. Yet, for some, interviews are Kryptonite. This session focuses on keeping your compo-sure and presenting yourself in the best light. I

Playbill 101: successful Fundraising for arts Programs Presenter: Sarah Jane Arnegger (Playbill, Inc.) Explore new strategies to build fundraising op-portunities for your school. We’ll tackle platforms such as social media, PLAYBILLder, advertising and sponsorship deals to help build sustainability within your arts programs. I

noon – 12:50PM national stage Manager survey: how are We evolving? Presenter: David McGraw (Elon U) Since 2006, the Stage Manager Survey has been tracking the evolution of the American stage manager. How can the past decade predict our future? G

The Manager’s Communication Toolkit Presenters: Ryan Kirk, Melissa Johnston (Propared) As managers, we facilitate communication across our show. It’s imperative that we master this crucial skill and understand the tools and tactics available. I

1:00PM – 2:15PM dot to dot for stage Managers: Point Taping Presenters: John Spiegel, Katie Malloy (Pied-mont College) Get the basic tools a stage manager needs to effectively and efficiently transfer a floor plan from a drafting onto a stage surface using a scale rule and point taping. B

engaging the african american Community Presenters: Ceci Dadisman (Cardinal + Company), Aimee DiAndrea (Pittsburgh Ballet Theatre), Ann Marie Sorrell (The Mosaic Group), Jourdan Laine Howell (Palm Beach Opera) We’ll examine case studies from Palm Beach Opera and Pittsburgh Ballet Theatre that exemplify successful engagement programs designed to increase African American attendance at performances, community outreach, and education events. B

Mediation for Theatre: Lose the drama, save the show Presenters: Mary Lynn Bates (Attorney at Law), Jesse Bates (Retired: Alabama School of Fine Arts) Mediation techniques can help you amicably resolve disputes before they threaten productions and careers. Learn to foster win-win creative solutions that improve the show. G

4:00PM – 5:15PM Creating spectacle on a shoestring Budget Presenters: Brandon Bruce (Birmingham Children’s Theatre), Saffron Henke (Miami U), Doreen Bechtol (Mary Baldwin U), Kyle Moore (U of Montevallo), Adam Ferguson (Missoula Children’s Theatre) Want to create a great show, but don’t have the money, the space, or all the stuff? This workshop is designed for established and early-career professionals and artists, both onstage and off. G

The epoch Model: Theatres With expiration dates Presenter: David McGraw (Elon U) You want to start a theatre company, but then what? The Epoch Model can be used to create limited-lifespan theatres where success is not measured by longevity. G

stage Management Committee Meeting Presider: Stacy Blackburn (SETC Stage Management Chair, Lindenwood U) All SETC members interested in stage management are welcome.

PaGe 4 WORkShOP SkIll levelS: G - General; B - basic; I - Intermediate; A - advanced; E - expert; PDS - Professional Development Series

Design & TechnologyParticipate in an exciting array of workshops and discussions that celebrate the art, craft and methodologies behind our behind-the-scenes work. Returning after last year’s success is the Stage Technology Hackathon where students are put to a challenge of innovation. And don’t miss multiple opportunities to learn from renowned cos-tume designer and this year’s Distinguished Career Award recipient Jane Greenwood (See Page 1).

MedIa LaB Presider: Kenton Yeager (Yeagerlabs) All technical and design disciplines are welcome to attend and have the opportunity to work on projects throughout the week in the 1-to-6 scale lab. G

• InTeresT/ParTICIPanT MeeTInG Thursday, March 8, 2018 8:00aM – 8:50aM

• WOrK sessIOn Thursday, March 8, 2018 6:00PM – 11:00PM

• WOrK sessIOn Friday, March 9, 2018 6:00PM – 11:00PM

• shOWCase OF WOrK saturday, March 10, 2018 11:00aM – 1:00PM

Wednesday, MarCh 7, 2018 4:00PM – 5:15PM design/Tech Convention Planning Meeting Presiders: Neno Russell (SETC Design Chair), Matthew Leckenbusch (Vice Chair), Emily Strickland (Vice Chair), Justin Reed (Coordinator) Meeting to discuss design/tech events hosted by the committee during the convention. All design/tech focused participants welcome. G

Thursday, MarCh 8, 2018 9:00aM – 10:15aM design south: Costume and Props Technology Presiders: Tracy Floyd (U of Florida), Logan Reagan (Missouri Southern State U) Join us to see what your colleagues in the fields of costume and props technology are working on! B

First steps Into Virtual reality for designers Presenters: William Lowry (Lehigh U), Charles Lucas (San Diego State U) Get the basics on how existing 3D digital scenic renderings can be transformed into virtual reality experiences for directors, creative teams or audiences. B

radical Mask Making, Millinery and Puppetry: Life, death and apocalypse Presenters: Kyla Kazuschyk, Nathan Ynacay (Louisiana State U) Come see how to create a variety of masks, hats and puppets using a post-apocalyptic mix of materials! Useful for students, teachers and other theatre artisans. B

10:30aM – 11:45aM design south: Projection Presider: Joseph Payne (U of Tennessee) Projection designers present their work and answer questions relating to typical problems encountered in technical theatre. G

noon – 2:15PM design Portfolio review Presiders: Neno Russell (SETC Design Chair), Matthew Leckenbusch (Vice Chair), Emily Strickland (Vice Chair), Justin Reed (Coordinator) Design and technology professionals will critique students’ design portfolios. G

noon – 12:50PM design south: sound Presider: Shannon Marie O’Neill (Louisiana State U) Meet with sound designers, engineers and composers from around the country. Experience their work and participate in a Q&A discussion. G

Vectorworks for set Build Plans and 3d Build Models Presenter: Camden Simon (Oak Ridge Playhouse) Use Vectorworks and shortcuts to quickly and accurately generate build plans and blueprints from the scenic designer’s material. For both technical directors and designers generating plans. Basic knowledge of Vectorworks is assumed. Bring your laptop and copy of Vectorworks. I

1:00PM – 2:15PM Be Our Guest and Beyond: Costume Craft Processes Presenters: Colleen Muscha, Amy Avila, Sarah Jahnke (Florida State U) Learn from the types of materials, techniques used, and problems solved during the costume craft process of Florida State University’s production of Beauty and the Beast. G

Cultural ConversationsSETC encourages open and thoughtful conversations about how we as theatre artists can push ourselves to serve more communities and amplify more voices. These workshops and roundtable discussions offer opportu-nities to come together and learn from one another as we aim to build a more diverse and inclusive theatre industry.

Thursday, MarCh 8, 2018 1:00PM – 2:15PM so you Want to have Kids? Presenters: Ashleigh Poteat (Centenary U), German Cardenas (Rider U) A panel discussion about the realities of raising children as a theatre practitioner in the 21st century. G

5:30PM – 6:45PM Cultural diversity Interest Group Presider: Toni Henson (SETC Cultural Diversity Chair) A meeting of all persons interested in cultural diversity. G

FrIday, MarCh 9, 2018 9:00aM – 10:15aM Playback Theatre: Improv OF and FOr the People Presenter: Tenika Dye (Society for Stone Soup) This ain’t Drew Carey’s improv! Attendees will be on their feet learning Playback Theatre, a type of Applied Theatre, using improvisation skills to reenact stories from an audience on the spot. Performances often provide new insight, joy and healing. G What Women Want: directing From a Female Perspective Presenters: Carrie Colton (Jacksonville State U), Jenna Tamisea Elser (GLOW) So, you’ve been hired to direct Taming of the Shrew or Phantom and you’re a woman. Come learn and discuss how women in power positions can change perspectives on age-old classics to include fuller and more complex portrayals of the female experience. I

10:30aM – 11:45aM Women in Theatre Interest Group Presider: Shannon Roberts (SETC Women in Theatre Chair) Come join us for the second official meeting of the newly formed SETC Women in Theatre Interest Group! Join us to discuss ways that we can support women in theatre, expand opportunities for women in theatre, and to advocate for future generations of women in theatre. G

noon – 12:50PM applied Theatre Introduction: Theatre as a Tool Presenter: Lindsay Bytof (Georgia State U Perimeter College Clarkston) Dive into the world of applied theatre practices with this hands-on, collaborative workshop that will illuminate the possibilities for using theatre outside the theatre! B

1:00PM – 2:15PM Writing strong Women: a Collaboration With Idealistic Collegiate Women Presenter: Linda Nell Cooper (Liberty U) We must engage collegiate female students (especially those sheltered by religious upbringing) in the development, writing and producing of strong female characters and stories to combat objectification. G

4:30PM – 5:45PM Women in Theatre: a Panel discussion Presenters: Danica Horton, Jo Sanburg, Roberta Inscho-Cox, Karen Arredondo-Starr (The U of Memphis), Caisa Sanburg (Arkansas State U), Will Davis (Eastern Florida State College), Kyle Yampiro (Merry-Go-Round Youth Theatre) For the fourth year in a row, this panel (with exciting new members) will identify and dis-cuss key issues facing women in professional theatre — from personal bias, qualifier words and self-sabotage to representation with LGBTQ+, people of color and allies. G

saTurday, MarCh 10, 2018 10:30aM – 11:45aM applied Theatre Interest Group Presider: Tenika Dye (Society for Stone Soup) Open to anyone interested in using theatre practices to educate and serve communities.

We Gather Together: a Mosaic of Community, Theatre and art Presenters: Daisha Walker (MS Gulf Coast Community College, Perkinston Campus), Kathryn Lewis (Telling Trees) Do you want to make the arts a vital part of your community’s identity and life? The Telling Trees project out of Stone County, MS will lead participants on ways to make meaningful connections through collaboration, partner-ships, innovation and creativity. G

1:00PM – 2:15PM DIG-En: Define-Investigate-Generate-engage diversity in Theatre Presenters: Shontelle Thrash (Clayton State U), Elena Velasco (Convergence Theatre) Diversity is in many theatres’ missions. What does it mean and how is it actively present? Investigate tangible ways to honor diversity in theatre. G

Theatre and disability: access for all Presenter: Derrick Vanmeter (Clayton State U) How do people with disabilities encounter theatrical events? This session focuses on making theatre for and with people with disabilities. G

Design Competitionundergraduate and Graduate Designers: Showcase your work

at the annual Design Competition, where professional designers will see and critique displays, and sponsors will offer cash and experience awards

to winning designers. You can compete in the following categories:

Costume Crafts • Costume Design • Costume Technology (new!)Lighting Design • Projection Design • Properties Design & ConstructionScenic Design • Sound Design • Technical Design & Construction (new!)

Register and Apply by Jan. 29, 2018 www.setc.org/design-competition

Distinguished Set Designer Beowulf Boritt reviews 2017 SETC Design Competition entries, Photo by Mark Mahan

design south: scenic Presenters: Ruth Brandvik (Valdosta State U), Randall McMullen (U of North Carolina at Greensboro); Moderator: Krista Franco (Endstation Theatre Company; Stetson U) Scenic designers gather to share selected work with aspiring designers and artists. B

Fierce Makeup: Creating animal Characters Presenter: Marie Quintero (Norcostco Atlanta Costume) Many popular productions have animal characters, but how do we bring them to life? You can create the illusion of animal traits on human features using various basic stage makeup techniques. Bring your makeup to follow along! B

Practical Color Theory: Color Mixing across Technologies Presenter: Victoria Fisher (Barbizon Lighting) Review basic color mixing, or experiment with more advanced principles of Color Theory using hands-on equipment. I

sound design: a Multilayered approach Presenter: Nicholas Drashner (Kent State U) Learn ways of constructing sound cues that are comprised of multiple isolated tracks, and instances when this multilayered approach is beneficial. I

4:00PM – Midnight stage Technology hackathon: The Build Presiders: Kevin Wolfgang (U of Northern Colorado), Rick Mayfield (The U of Memphis) An event allowing students to ideate and create a new piece of stage technology for the industry using the supplies provided. Creations will be showcased to the public for feedback Friday morning. B

4:00PM – 5:15PM design south: Technical direction Presider: Brian Smallwood (U of Nevada, Las Vegas) Join seasoned technical directors as they present innovative solutions to common challenges. Ask questions, be inspired, and engage with technical directors from across the country. I

Professional Workflow in SketchUp for Set designers Presenter: Matthew Emerson (High Point U) Take your set design ideas through the full design process inside of SketchUp Pro. You’ll learn how to produce fantastic 3D renderings and beautiful, precise shop draftings without spending thousands of dollars on software. a

sketching, rendering and Model Making Presenters: Marianne Custer, Chris Prickart (U of Tennessee), Randall Enlow (U of North Carolina Wilmington), J. Theresa Bush (U of Southern Mississippi), Isaac Ramsey (Georgia College), Jared Spears (U of Mississippi), Terry Jachimiak (Alma College), Seamus Bourne (Freelance), Tiffany Jordan (Florida School of the Arts) Designers from the region will demonstrate techniques of drawing, painting and model making. Feel courageous and dive in to learn a new skill or merely watch to see how a professional does it. I

5:30PM – 6:45PM Integration: Lights, sound and Projections Presenters: Joseph Payne, Kenton Yeager (U of Tennessee) A detailed exploration of how these mediums work together to create a unified environment, including a practical examination of the collabor-ative process in technical rehearsals. Presented in the 1-to-6 scale media lab. a

7:00PM – 10:00PM design Keynotes Distinguished Designers: Jane Greenwood (Costume), Jane Shaw (Sound), Scenic and Lighting Designers TBA SETC’s panel of distinguished designers show their work, share stories from their careers, and answer questions from the audience.

FrIday, MarCh 9, 2018 8:00aM – 8:50aM Blacklight effects: Paint, Makeup, Tape Presenter: Mike Collins (Norcostco Atlanta Costume) Have you tried blacklights and been under-whelmed by the result? Join us and learn the formula for making it all work. We’ll delve into critical elements and demonstrate different fixture types and UV reactive materials. G

something out of nothing: Costuming Without a Costumer Presenter: Starr Garrett (Campbellsville U) Hear how we transformed 90s pants suits (and similar modern clothing) to costume a period production of The Merry Wives of Windsor. Intended for members of small theater programs who have to design and build costumes for their productions but do not have formal costume training. Iresearch to reality: 2d Visuals to 3d sets Presenter: Holly Breuer (College of Wooster) Through a series of interactive exercises, design students will learn techniques to make practical connections between their visual research and real-world designs. Aimed at scenic design, but may translate to other disciplines. Bring a sketch-pad and drawing supplies. BusITT southeast section Business Meeting Meeting of the Southeast Section of the United States Institute for Theatre Technology (USITT), the association of design, production and tech-nology professionals in the performing arts and entertainment industry. G9:00aM – 11:00aM stage Technology hackathon: showcase Presenters: Kevin Wolfgang (U of Northern Colorado), Rick Mayfield (The U of Memphis) Participants and teams will showcase their inven-tions, ideas and solutions from the Hackathon. G 9:00aM – 10:15aM design by distance Presenters: Darren Levin (Middle Tennessee State U), Amber Marisa Cook (Southeast Mis-souri State U), Shannon Robert (Clemson U) What do you do when designers/staff/manage-ment aren’t in the same region? Learn chal-lenges and solutions from a panel of designers and shop managers. Idown and dirty: Model Building Techniques for the Busy designer Presenter: Ruth Brandvik (Valdosta State U) As a scenic designer, you don’t always have the time to build elaborate and detailed scale models. Learn a series of quick and easy model building techniques that are designed to create easy and informative scenic models while saving time and money. Isound system Paperwork and documentation Presenters: Benjamin Stickels (U of North Carolina at Charlotte), Shannon Marie O’Neill (Louisiana State U), Nicholas Drashner (Kent State U) A panel of professional and academic sound designers and audio engineers will introduce you to the documentation of sound systems, includ-ing available software options for the creation of block diagrams and other paperwork. B10:30aM – 11:45aM digital Light rendering in Vectorworks Presenter: Dale Pickard (Austin Peay State U) Utilize the Vectorworks drafting program to create 3D digital lighting renderings. Bring your computer to work along with the presentation, or simply watch. Familiarity with Vectorworks will be helpful. Inoon – 12:50PM Outside the Box Thinking in Theatre Production Presenter: Franklin deCelle (The U of Alabama) “Outside the Box” is a periodic column in Southern Theatre magazine where unique solutions to production problems are posed. Ex-amples of outside the box problem-solving will be presented. Participants can also bring problems they need solved; selected ones will be put up for discussion. Gsoft Circuits (Costumes and Props): Beginning and understanding Presenter: Christina Hadleydike (Indiana U) Covering everything from starter kits to advanced boards and programming, we’ll explore the inser-tion of lights and electronics into soft circuits, costumes and props. B1:00PM – 2:15PM 8 shows in 8 Weeks: Multitasking Like a Boss Presenter: Mandy Goynes (Palo Alto College) Learn tips and tricks to quickly and efficiently design many shows in a short period of time. Idesign south: Costume design Presider: Allison Steadman (Francis Marion U) Costume designers present their work, share their experiences, and answer questions relating to typical challenges encountered in costume design. GIntroducing Leds Into your rig: Practical approaches Presenter: Victoria Fisher (Barbizon Lighting) The options are seemingly endless, so where do you start? This discussion is aimed at helping educational institutions evaluate and develop plans for integrating technologies into their spaces. BQuick and dirty scenic design renderings With Photoshop Presenter: Kerry Chipman (Ball State U) Learn tips and tricks for using Adobe Photoshop to create quick and compelling scenic design renderings. Basic Photoshop knowledge and laptop with Photoshop required. IThe art of hot Glue Casting and Molding Presenters: Terry Jachimiak (Alma College), Evelyn Thornhill (ThtrEvie Props) From high school and college to small regional theatres, reduced budgets are the norm. And hot glue is cheap. Using hot glue as our casting material, learn how to mold and cast body parts and other objects. There will be materials on hand to cast your thumb! GWicker Wizardry: Wings and Things Presenter: Victoria Depew (Western Carolina U) We’ll discuss the use of wicker/reed to create costume crafts items like wings. There will be a PowerPoint of past projects and a small hands-on demo. I4:30PM – 5:45PM Creating dimensional ribbon Trim Presenters: Stacey Galloway (U of Florida), Audrey Hamilton-Shelton (Bethel U), Martha Marking (Appalachian State U), Jennifer Ruhland (Roanoke College) Searching for the perfect trim to finish a historical garment? Get hands-on and learn to create dimensional trim using simple folding and stitch-ing techniques. Bring some basic sewing skills, supplies (needles, thread, snips, pins) and a desire to learn. Idesign south: Lighting Presenter: Christian DeAngelis (Virginia Commonwealth U) See what lighting designers are up to! G

Continues on Page 5

DirectingThis year’s directing programming includes a combination of presenta-tions, discussions, workshops, and an exciting new initiative: The Ready to Direct Competition! The competition offers Early Career Directors who are seeking professional experience a mentorship opportunity to learn from seasoned professionals AND a chance to work at a professional company. We’re currently seeking applicants at www.setc.org/ready-to-direct.

Wednesday, MarCh 7, 2018 7:00PM – 9:00PM ready to direct Candidates “1st read-Thru” Project Leads: Preston Lane (Triad Stage), Rick St. Peter (SETC Directing Chair) 8–10 pre-selected Ready to Direct candidates meet with project leaders and then disperse to work separately with two actors, beginning the rehearsal process. Professional and Community Theatre Directors, and others, are invited to observe the early-career directing candidates in process. Entire group re-gathers at 8:30PM for a de-brief and Q&A session.

Thursday, MarCh 8, 2018 9:00aM – 10:15aM ready to direct discussion Dialogue Leader: Preston Lane (Triad Stage) Participate in an open discussion digging deep into a pre-selected text to explore ideas of dramaturgy and dramatic action.

noon – 12:50PM The director’s Concept: Forming and Communicating your Vision Presenter: Molly Claassen (Columbus State U) Formulating a concept and communicating that vision to a production team is a large part of the director’s job! We’ll discuss tips for finding inspiration and creating useful tools to aid in sharing your idea with designers. A background in script analysis is helpful. I

The Little Foxes: Inside the 2017 Broadway revival Presenters: Anna Filippo (Berry College), David Alford (Freelance Actor) Gain insight into a renowned director’s process and approach to research, script analysis and more in this detailed look at the Tony Award-winning revival of Lillian Hellman’s classic. a

1:00PM – 2:15PM directing: using Movement to Tell stories Presenter: Stuart Brown (Florida Southwestern State College) Evolve truthful blocking that supports the text, enhances the work of actors, and works for different theatrical configurations. B

so Many Choices! how do I Cast It? Presenter: Paul Crook (Louisiana Tech U) One of the most difficult jobs for beginning directors is how to approach auditions and casting. Let’s demystify the process. B

4:00PM – 5:15PM directing Interest Meeting Presider: Rick St. Peter (SETC Directing Chair) This is a meeting of all SETC participants interested in the field of directing. G

stage Combat safety Protocols for directors, stage Managers and actors Presenter: Steven Schwall (Academy of Combat and Movement Education) What happens when the fight director leaves? Be aware of the potential for hazard in stage combat during the rehearsal process, and learn to spot dangerous practice before an accident occurs. G

5:30PM – 6:45PM Mad skills! Three skills every director needs Presenter: Paul Crook (Louisiana Tech U) Do you have what it takes to be a director? This interactive workshop will help develop three of the most important tools you need. I

FrIday, MarCh 9, 2018 9:00aM – 10:15aM realism Is not the default: approaching non-realism Presenter: Annie Levy (The U of Alabama) Geared toward undergraduates, graduates and professors of directing, we’ll explore contempo-rary methodologies of directing both classic and contemporary texts from expressionism, symbol-ism and post-postmodernism. a

10:30aM – 12:50PM ready to direct: Job Fair Offstage showcase Presider: April J’C Marshall (SETC Professional Services) The Ready to Direct candidates can share portfolios, videos, displays, etc. as they’re intro-duced to Theatre Job Fair hiring representatives.

noon – 12:50PM director and designer Collaboration: Communicating for a Unified Production Presenters: Molly Claassen (Columbus State U), Randall Enlow (U of North Carolina Wilmington) Explore the relationship of director and designer through the design process. We’ll discuss tech-niques for communicating ideas, maximizing collaboration, and working toward a unified production from both perspectives. I

6:00PM – 7:00PM staging Intimacy in education: Classroom/rehearsal etiquette Presenters: Laura Rikard (U of Miami), Chelsea Pace (North Dakota State U), Kate Buselle (U of Missouri) Founders of Theatre Intimacy Education will discuss methodologies and guidelines for deal-ing with scenes of intimacy, nudity and sexual violence in the academic arena. Panelists will offer pedagogical practices for classroom scene work and tips for creating a safe, consensual environment. G

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“Wine, Women and Winning,” Photo by Mark Mahan

PleaSe NOTe: Dates and times are subject to change. Check the convention program and mobile app for final scheduling and locations. PaGe 5

exhibit hallMeet one-on-one with commercial

exhibitors, colleges, universities and training programs as you

explore the exhibits.________________________________

exhibit hall hours

Thurs., March 8: 10aM - 7pM Fri., March 9: 10aM - 6pM

saT., March 10: 10aM - 1pM________________________________

education MattersCalling all teachers across all levels and interest areas! This collection of workshops offer invaluable tools for educators and, ultimately, their stu-dents. Seasoned teachers will find additional workshop opportunities in this year’s Professional Development Series (See Page 7). Remember to take advantage of SETC as an opportunity to receive Continuing Education Units or professional development credits! Contact your local education agency or fine arts coordinator in your county to find out what you need to qualify, and reach out to the SETC Central Office if you have questions.

Wednesday, MarCh 7, 2018

9:00aM – 4:00PM 13th annual Teachers Institute Guest Artists: Suzan Zeder, Jim Hancock (Co-Authors of Spaces of Creation: The Creative Process of Playwriting); Presider: Elaine Malone (SETC Teachers Institute Chair) A day-long seminar designed for teachers and directors of theatre arts; teachers who use or integrate theatre techniques into their curriculum; and those who are studying to be teachers. See Page 2 for more details.

7:00PM – 8:15PM Find your Fit: how to Find the right College Program for you Presenters: Marcus Lane, Michael Walker (U of Montevallo), Steven House (Western Illinois U) Every student is different and so is every training program. Get strategies to help identify training programs that will suit your specific needs, goals and interests. B

Thursday, MarCh 8, 2018 9:00aM – 10:15aM KCaCTF region 4 revealed: structure, Operations and Opportunities Presenter: Joel Williams (Appalachian State U) The Kennedy Center American College Theatre Festival is celebrating its 50th Anniversary. It continues to evolve and provide opportunities for faculty and students in all aspects of theatre production and performance. Come explore the possibilities and new programs that the festival has to offer. I

shake up your shakespeare: Games and Tactics Presenter: Susan Pike (Independent Artist/Educator) Get hands-on with games, tactics and exercises that help make Shakespeare accessible and fun. a

noon – 12:50PM Introducing Meisner Techniques Into an acting 1 Curriculum Presenter: Doug Brown (High Point U) Instructors untrained in the Meisner Method of actor training will learn ways to introduce elements of this technique into their entry level acting courses. B

Tech Theatre to Commercial scene shop: Preparing students Presenters: John Keisling, Amanda Klipsch (U of Southern Mississippi), Jeremy Toedter (Artistic Entertainment Services) Let’s discuss how to best prepare technical theatre students for the transition into working in commercial scene shops. a

FrIday, MarCh 9, 2018 4:30PM – 5:45PM all-In-One Technical Theatre Professor Presenters: Dale Pickard (Austin Peay State U), Terry Jachimiak (Alma College) Come learn how to tackle the daunting task of being the only instructor in your department responsible for the technical aspects of theatre production. We’ll cover student management, scheduling timetables, tenure responsibilities and more! I

saTurday, MarCh 10, 2018 10:30aM – 11:45aM secondary school Interest Group Presiders: Suz Allmon (SETC Secondary Chair), Dwayne Craft (Vice Chair) Annual meeting for anyone interested in the field of secondary school teaching. G

4:00PM – 5:15PM Teaching, Theatre and disability Presenter: Derrick Vanmeter (Clayton State U) Emphasizing the concept of Universal Design, we’ll explore ways to make theatre education accessible to all students, regardless of disability status. G

Design & TechnologyContinued from Page 4

FrIday, MarCh 9, 2018 4:30PM – 5:45PM Working With Led Tape: a Technical director’s approach Presenter: John Forsman (Hollins U) Navigate the pitfalls and successful use of LED tape on stage. a

6:00PM – 7:00PM Build It to Be altered, Wardrobe Witchery style! Presenters: Jason Estala (U of California, Riverside; Wardrobe Witchery), Glenn Breed (Wardrobe Witchery) Take a secret look inside how Wardrobe Witchery builds costumes with maximum alterability. We’ll take you through the process of our period gown construction. I

CnC sculpting: a Technician’s approach to sculpting Presenters: Kyle Moore, James Boynton, Peyton Talley (U of Montevallo) Anyone can use a CNC router or a 3D printer to help create detailed props and scenic elements. Using examples from University of Montevallo, everyone participating will help build a statue in under 30 minutes. I

saTurday, MarCh 10, 2018 9:00aM – 10:15aM design & Technology Committee and Interest Meeting Presiders: Neno Russell (SETC Design Chair), Matthew Leckenbusch (Vice Chair), Emily Strick-land (Vice Chair), Justin Reed (Coordinator) Open to anyone interested in design and technical theatre. G

Practical Model-Making for scenic design Presenters: Thomas Fitch (The U of Alabama; United Scenic Artists), Tom Tutino (Western Kentucky U; United Scenic Artists) Our discussion of techniques for producing models for scenic design will feature images and descriptions of various types of professional models, 3D printing, process photos and more. G

Props and special effects Makeup: Breaking the Mold (Part 1) Presenter: Brad Darvas (U of West Georgia) An introduction to basic molding techniques for prop making and special effects makeup. We’ll explore industry standard materials as well as inexpensive alternative materials found in your local hardware store. Learn about casting in Part 2 from 1:00PM – 2:15PM later in the day. B

screwing around on stage: new Construction Techniques Presenters: Heather Sinclair, Jason Gates, Chris Seifert (Kent State U), Terry Jachimiak (Alma College) In a guided roundtable discussion, we’ll share new, modified and tried-and-true scenery con-struction methods. Students and professionals are welcome. Bring your own stories! a

Wardrobe Malfunction: Backstage Quick Fixes Presenter: Marie Quintero (Norcostco Atlanta Costume) Was that ripping sound the crotch of your pants? Oh no! My zipper is stuck! I can’t go on stage like THIS! Prevention is better than the cure, but when things go wrong with your costume, know what to do. Discover creative solutions to get you through the show without ruining your outfit! B

10:30aM – 11:45aM emergency Costume Fixes: 99 Problems but not the design Presenter: Jeanette Waterman (Theatre Tuscaloosa) The costumer’s job isn’t over when the curtain rises. Because fabric rips and zippers break, learn emergency fixes and shortcuts to keep your costumes working (and your director and actors happy) through the final performance. B

special effects Makeup for the stage Presenter: Gene Flaharty (Mehron Inc) Discover the newest makeup products to give you the best special effects on stage. We’ll look at blood products, latex, flesh gel, collodion and more — using audience members as models for demonstrations. B

1:00PM – 2:15PM 3d Printers in scenic design and Production Presenter: Isaac Ramsey (Georgia College) Curious as to the possibilities of 3D printers in your studio and on stage? Come see a variety of ways to utilize 3D printer technology — from models to on-stage applications. G

aging Made easy Presenter: Gene Flaharty (Mehron Inc) Using participants as models, this makeup dem-onstration will cover the different stages of aging and provide helpful hints to accomplish the look on an actor of any age, on any stage. B

hardened hides: The Ins and Outs of Molding Leather Presenter: Victoria Depew (Western Carolina U) Go over the basics of how to mold and harden leather for masks, armor and other costume craft needs. I

Props and special effects Makeup: Casting the Mold (Part 2) Presenter: Brad Darvas (U of West Georgia) Explore different types of casting materials used for prop replication in theatre and for specialty props and prosthetics used in the film and television industry. Material demos will include using molds created in Part 1 of the workshop earlier in the day (9:00AM – 10:15AM). B

2017 Commercial Exhibits, Photo by Mark Mahan

2017 SETC Teachers Institute, Photo by Kim Doty

education expo: Accademia dell’ArteAlfred UAlma CollegeAMDA College & Conservatory of the Performing ArtsThe American Academy of Dramatic ArtsAppalachian State UArcadia UAtlantic Acting SchoolAuburn UAuburn U MontgomeryAustin Peay State UAverett UBall State UBelhaven UBelmont UBerry CollegeBrevard CollegeCalifornia U of PennsylvaniaCampbellsville UClemson UCoastal Carolina UCoker CollegeCollege of CharlestonDavidson CollegeDell’Arte International School of Physical TheatreEast Tennessee State UFlorida International UFlorida School of the ArtsFlorida State UFurman UGainesville Theatre AllianceGeorge Mason UThe George Washington UGeorgia Southern UGreensboro CollegeHollins UIllinois State UIllinois Wesleyan UJacksonville UJames Madison UKent State ULaGrange CollegeLee ULees-McRae College

Liberty ULimestone CollegeLipscomb ULondon Academy of Music & Dramatic ArtLong Island U / PostLouisiana State ULouisiana Tech UMary Baldwin UMichael Howard StudiosMiddle Tennessee State UMississippi State UThe Mississippi U for WomenMount Vernon Nazarene UMurray State UNational Theater InstituteThe Neighborhood Playhouse School of the TheatreNew York Conservatory for Dramatic ArtsNew York Film AcademyNorth Greenville UNova Southeastern UThe Ohio State UOhio UOklahoma City UOpen Jar InstitutePalm Beach Atlantic UPoint Park UPowerhouse Theater Training Program at VassarProfessional Actor Training Program at Chattanooga StateRadford URegent UReinhardt URollins CollegeRowan URoyal Welsh College of Music & DramaSalisbury USamford USavannah College of Art and DesignSewanee: The U of the SouthShenandoah USouth Carolina School of the Arts at Anderson USoutheast Missouri State U

Commercial exhibitors: 1st Street Music & Sound4Wall EntertainmentAltman LightingArts PeopleBarbizon Lighting CompanyCallboard & Co. / NINJA Creative Directions Thermoplastic SupplyDewey Automation & Interactive Concepts Disney Theatrical GroupDoug Berky MasksDrama Queen GraphicsDramatic Publishing CompanyDramatists Play Service

film & TelevisionThis lineup of workshops devoted to on-screen performance focuses on helping you understand how your stage training can translate to the world of television and film. Get professional insights into how to book work, how to shoot your own short film, or how to apply the Meisner technique to on-camera auditions. You’ll encounter opportunities to par-ticipate in mock auditions, get feedback, and see yourself on screen.

Thursday, MarCh 8, 2018 4:00PM – 5:15PM Booking Film and TV: auditioning on Camera Presenters: Gabrielle Berberich, Greg Chwerchak (Michael Howard Studios), Brett Goldstein (Brett Goldstein Management) Want to work in film and TV? Industry experts will give you the secrets for success, with tips to booking professional on-camera work. G

FrIday, MarCh 9, 2018 8:00aM – 8:50aM your On-Camera Career: Take One, action! Presenters: Reis McCormick, Deborah Stone (KD Conservatory College of Film & Dramatic Arts) Beginner or veteran: make the most of your stage training in front of the camera! Practical and fun, this interactive session has you on your feet in a mock audition to get immediate feedback! Q&A covers marketing yourself, VARs, agents, unions and the #1 trick to make you a hero on any set. G

9:00aM – 10:15aM acting in your Own short Film Presenters: Greg Chwerchak, Gabrielle Berberich (Michael Howard Studios), Brett Goldstein (Brett Goldstein Management) Take control of your career, and act in your own short film. Specially tailored to actors, learn how to shoot your own ideas from start to finish. G

10:30aM – 11:45aM auditioning for Film and TV: Casting director-actor relationship Presenters: Craig Anton, Alpha Tyler (Savannah College of Art and Design) A former head of casting for Tyler Perry Studios and a veteran TV actor of 25 years come together in this dynamic audition workshop. Working with current TV sides, get feedback and direction to improve your audition skills. G

1:00PM – 2:15PM ready for My Close-up: acting for the Camera Presenter: Victor McCay (Samford U) Before you can book the job, you have to acquire the skills. A 20-year veteran of film and television shows you how it’s done. I

4:30PM – 5:45PM stage to Camera acting: Techniques to adapt Presenter: Robert Parker (Ashland U) Are you an actor who possesses dynamism on stage? Come with a monologue and see how that energy transfers to the camera. Subtlety is not the correct terminology to use in film and TV. Discover a new thought process. I

saTurday, MarCh 10, 2018 noon – 12:50PM On-Camera Techniques for auditioning Presenter: Bridget Flanery (Studio School) Students will become familiar with auditioning for film and TV roles! Learn how to prepare, break down a scene and put yourself on tape for casting directors and producers. G

1:00PM – 2:15PM On-Camera audition Technique: Meisner Presenter: Lucas Atkins (Neighborhood Playhouse School of the Theatre) Translate your acting through the lens with technical precision and unique expression. This dynamic workshop will give you the practical tools you need to have a leg up on the competition and book the job! I

4:00PM – 5:15PM Film acting: Five Keys to acting for Film Presenter: Peter Stone (New York Film Academy) Learn the five quick keys to successfully act on camera. Approximately 10 university students will be put on camera. I

history, Theory, Criticism & literatureListen to your academic colleagues share papers and case studies; lend your voice to roundtable discus-sions; get involved with Theatre Symposium; and support up-and-coming scholarly voices by attend-ing this year’s SETC Young Scholars Award Panel Presentation.

Thursday, MarCh 8, 2018 9:00aM – 10:15aM The Key Plays: underdogs Presenters: Sarah McCarroll (Georgia Southern U), Steven Burch, Elizabeth Kirkland (The U of Alabama), Michael Walker (U of Montevallo) Panelists explore important plays in which under-dogs win (and lose) — plays that have impacted our lives and our work. Everyone is invited to share your own list! I

10:30aM – 11:45aM historic Garment Collections: resources for designers and Technicians Presenters: Kelly James-Penot (U of Southern Mississippi), Hali Hutchison (U of North Carolina at Charlotte) Costume designers and technicians: Get out from behind your computers, leave the library, and visit historic garment collections for your research. G

1:00PM – 2:15PM Violent delights: spectacle on stage Presenters: Geoffrey Douglas, John Wright (Armstrong State U), Kyle Thomas (U of Illinois at Urbana-Champaign), Zackary Ross (Bellarmine U), Stephanie Murphy (Stephen F. Austin State U), Seth Wilson (U of Georgia) Theatre professionals and scholars from different disciplines will discuss representations of violence on stage, offering a series of short papers that productively engage with the round-table theme of Violence as Spectacle. a

FrIday, MarCh 9, 2018 9:00aM – 10:15aM Theatre symposium Interest Meeting Presiders: Sarah McCarroll (Theatre Symposium Editor; Georgia Southern U), Andy Gibb (Associ-ate Editor), E. Bert Wallace (Steering Chair) Interested in becoming involved with Theatre Symposium, the official journal of SETC? Join us as we plan for the upcoming April Symposium. This year’s topic: Theatre and Embodiment. G

noon – 12:50PM Conor McPherson: Ghosts, Myths and Bob dylan Presenter: Michael Howley (Independent Artist) Analysis of McPherson’s plays emphasizing his craft, storytelling, and place among Ireland’s best contemporary playwrights. G

1:00PM – 2:15PM highlights of Theatre symposium 26: In Other habits Presiders: Sarah McCarroll (Theatre Symposium Editor; Georgia Southern U), Andy Gibb (Associate Editor), E. Bert Wallace (Steering Chair) Participants from the 26th annual Theatre Symposium share papers on the theme “In Other Habits: Theatrical Costume.” Those who are interested in learning more about Theatre Symposium are especially encouraged to attend. G

recreating a historic 1858 Theatre Backdrop Presenter: Randall Enlow (U of North Carolina at Wilmington) In the summer of 2016, artists recreated a historic backdrop that was originally painted in 1858 by noted scenic artist Russell Smith for Thalian Hall in Wilmington, NC. Get a glimpse into this adventure of deciphering theatre art from a bygone era. I

shakespeare staging: The Olde and the new Presenter: Rick Blunt (Hollins U, Hollins Theatre Institute) Demonstrations for staging Shakespeare for today’s audience will explore leaving the lights ON and including the audience in the world of the play. This will be a high energy celebration of Shakespeare for all levels. G

4:30PM – 5:45PM Connecting Production to scholarship: a Case study Presenters: Frank Kuhn (The College at Brock-port), Jonathan Hess (U of North Carolina at Chapel Hill), Alex Roe (Metropolitan Playhouse) Hear how a theatre in New York City collaborated with a scholar in North Carolina and how that affected the first production of Augustin Daly’s Leah, the Forsaken presented in America in the last 50 years. G

6:00PM – 7:00PM Performing antiquated scripts in Our diverse Culture Presenters: Jennifer Luck, Ellen Peck (Jackson-ville State U), Chalethia Williams (Miles College), Gaye Jeffers (U of Tennessee at Chattanooga), Quinton Cockrell (Troy U), Valerie Lemmons (Clay Chalkville HS) How can we can handle problematic elements in classic works as conscientious theatre artists, directors, actors, designers and educators? I

saTurday, MarCh 10, 2018 9:00aM – 10:15aM seTC young scholars award Panel Presentation Presider: Sarah McCarroll (Georgia Southern U) The 2018 graduate and undergraduate Young Scholars Award recipients will present their winning papers. G

10:30aM – 11:45aM history/Theory/Lit/Crit Interest Group Presiders: Sarah McCarroll (SETC HTLC Chair; Georgia Southern U), Steve Burch (Vice Chair; The U of Alabama) This is a forum for those interested in theatre history, theory, criticism and/or literature. The first hour will function as a forum, with the last 20 minutes as our annual meeting. G

Eastern Costume CompanyETCField TemplateGreen Hippo Media TechnologyHigh End SystemsInterAmerica StageJane Brody on the RoadLumax SoftwareMAGNUMMcGee EntertainmentMehronNorcostco Atlanta CostumeNuDelta DigitalParlightsPerformer StuffPhilips Entertainment Lighting

Players PressPlayscriptsProduction AdvantageRebel Belle Publishing Robe LightingSamuel FrenchSculptural Arts CoatingSelect Travel StudyStage RightsStageSpotTheatrical Intimacy Education Timothy Mooney Repertory TheatreTMBWenger CorporationWolf Trap Foundation for the Performing Arts

Southeastern Louisiana USouthern Illinois UStagecraft Institute of Las VegasStella Adler Studio of ActingStephen F Austin State UStudio SchoolTennessee State UTexas State UTexas Tech UTheatre of ArtsThe U of AlabamaU of Alabama at BirminghamU of Alabama in HuntsvilleU of Central FloridaU of Cincinnati College-Conservatory of MusicThe U of GeorgiaU of KentuckyU of LouisvilleU of MemphisThe U of MississippiU of MobileU of MontevalloThe U of Mount UnionU of North Carolina Chapel HillU of North Carolina GreensboroU of South AlabamaU of South Carolina AikenU of Southern IndianaU of TennesseeU of Tennessee ChattanoogaU of West FloridaU of West GeorgiaValdosta State UVirginia Commonwealth UVirginia TechWake Forest UWayne State UWest Virginia UWestern Carolina UWestern Illinois UWestern Michigan UWilkes UWinthrop UYork Theatre Company - Musical Theatre Training ProgramYoung Harris College

free Money________________________________

SETC ScholarshipsSETC is proud to help those

pursuing an education in theatre. applications are now open

for the following scholarships:

For Graduate study: Denise Halbach Performance Award - $2,000 Leighton M. Ballew Directing Award - $3,000

Marian A. Smith Costume Award - $1,500 Robert Porterfield Award - $2,000 William E. Wilson Award - $5,000

For undergraduate study: Polly Holliday - $1,000

Secondary School - $1,000

For detailed information and more award opportunities, visit

www.setc.org/scholarships-awards.

festivalsMake plans to enjoy performances at five theatre festivals throughout

the week. Convention attendees get in for free! Watch for full performance lineups and scheduling online at www.setc.org/festivals.

_ ________________________________ _______________________________________________________

COMMunITy TheaTre FesTIVaL Venue: saenger Theatre Mobile Thurs., March 8 – sat., March 10 A multi-day performance festival featuring community theatres representing the southeast. Ten-MInuTe PLay FesTIVaL Thurs., March 8, 10:00PM One of SETC’s late night highlights! Performances of 10-minute plays that have been conceived, written and rehearsed over the last 24 hours. Response immediately follows. Want to perform? Call SETC or go online to join the fun and apply today!

hIGh sChOOL TheaTre FesTIVaL Venue: Mobile Civic Center Thurs., March 8 – Fri., March 9 High schools who have won state competitions perform at SETC for the regional title.

TheaTre FOr yOuTh FesTIVaL Thurs., March 8 Local children join SETC attendees to watch shows targeted for youth audiences. See Page 8 for more details.

15Th annuaL FrInGe FesTIVaL Fri., March 9 – sat., March 10 In 2004, the Fringe Festival kicked-off to a standing-room-only audience. 15 year’s later, we’re celebrating with an impressive lineup of shows! www.setc.org/fringe-festival

PaGe 6 WORkShOP SkIll levelS: G - General; B - basic; I - Intermediate; A - advanced; E - expert; PDS - Professional Development Series

Musical Theatre: Song & DanceLearn new dance techniques (from tap to tango), and get moving with a little help from the pros (from a former Radio City Rockette to a Broadway director). Prepare for auditions with “Musical Theatre Coaching Sessions,” and find a variety of opportunities to brush up on your vocal performance. Be prepared with sheet music and/or dance attire!

Get professional feedback before your audition!

MusICaL TheaTre COaChInG sessIOns Presiders: Valerie Accetta (SETC Musical Theatre Chair, U of Alabama at Birmingham), Nancy Wolfgang (Vice Chair) Accompanist: Ian LeRoy (U of Mount Union) Professional and college auditionees can sign up for 10-minute slots to work on their audition materials one-on-one with a vocal coach and accompanist.

sessions available:

• Wednesday, March 7, 2018 6:00PM – 10:00PM

• Thursday, March 8, 2018 8:00aM – 4:00PM

• Friday, March 9, 2018 10:30aM – 12:50PM

Wednesday, MarCh 7, 2018 4:00PM – 5:15PM effective Power Belting: Organic Technique and effective Characterization Presenter: Maryann Kyle (U of Southern Mississippi) Singers will learn sensations of effective belting technique, then integrate those sensations into the ever-changing fabric of a character’s emotional journey. This technique serves the character’s emotion in an organic and effective way. G

Thursday, MarCh 8, 2018 9:00aM – 10:15aM acting-driven singing: Let your Character drive Technique! Presenter: Lori Guy (U of Mobile) Be prepared to sing a musical theatre selection! This workshop is for any performer who has had both singing and acting training but needs to merge the two together and who wants to find authenticity in musical performance. I

song-spotting: Writing for Musical Theatre Presenter: Violet Saylor (National Theater Institute) Everyone has the ability to write a song, so find your inner lyricist! Participants learn the function of a song in story-arc and write lyrics for their own song inspired by provided text. G

10:30aM – 11:45aM Creating Cabaret: Bringing songs and Ideas Passionately alive Presenter: Bremner Duthie (Big Empty Barn Productions) A post-modern cabaret artist who has performed across the U.S. and sold-out theatres from Paris to Moscow discusses the history of cabaret and his personal approach to creating a powerful mix of passion, ideas and song. I

sing your act Off! Presenter: Denise Johnson (Greensboro Day School) Dig deep. Use character arc and lyrical analysis to tell a story through your chosen song. Participants will receive coaching on acting the song, focusing on strong choice making and finding the acting/singing connection. Prepare a song to sing, and bring sheet music! I

noon – 12:50PM discover your Mixed Voice: you’ve always had It Presenter: Judie Bruno (Campbell U) Is singing in your mix a challenge? Discover this blended register using proven techniques that will reveal your unique mix voice. I

singing in style in Musical Theatre Presenter: Edrie Means (Shenandoah U) Bring your audition book, and volunteer to participate! Singers who want to learn or fine-tune their musical theatre singing will examine specific techniques and exercises for developing the correct style in musical theatre. I

Two’s Company: The relationship Between director and Musical director Presenters: Stacy Alley, Tom Alsip (The U of Alabama), Terry Moore (SummerTide Theatre), Paul Crook (Louisiana Tech U) The director and/or choreographer and the musical director must work well together in order to create and maintain a shared vision and successful production. Join us as we discuss the issues facing these two facets of the creative team. G

1:00PM – 2:15PM Kick, Guide and Bevel! dancing secrets From a rockette Presenter: Karyn Tomczak (Columbus State U) Learn precision dancing techniques from a former Radio City Rockette — including guiding, spacing and covering off, plus all different kicks including fan, piano keys, strut, flick and the famous eye-high kicks. Session will include warm-up, techniques, combinations and Q&A. I

Let your Musical sparkle: The Musical for educators Presenter: Susan Pike (Independent Artist/Educator) Explore how the musical can enrich and refine your students’ understanding of theatrical style. See samples of forms and procedures for the educator that will aid the student in the “how to” tools for successful musical presentations. I

4:00PM – 5:15PM Dance Longer and Stronger: A Scientific approach Presenter: Yenwen Kuo (Independent Artist) Based on the most recent scientific research, this workshop will provide you with information on how to warm up properly, enhance your dance performance and prevent injury. G

Musical Improvisation Presenters: Rex Knowles, Sherry Landrum (Professional Actor Training Program at Chattanooga State) Go to the edge. Take the risk. Improvise songs on the spot. Join us for this fun-filled workshop exploring song structure, expressing feelings and ideas musically, and improvising musically as a group. G

Musical Theatre and stanislavski: The art of experiencing Presenter: Chelsea Nicholson (Samford U) Bring a song and dig into aspects of Konstantin Stanislavski’s system. Deepen your musical theatre performance by actually experiencing a song through a character. I

Pre-Beat Blastoff: The Moment Before as Launchpad Presenter: Justin Amellio (Indiana U South Bend) The pre-beat is the actor’s most powerful secret weapon. Blast off with a visceral, actionable pre-beat meant to launch your audition, song or scene work into orbit. Please bring a monologue/song to work. I

This Pianist hates Me: Working With audition accompanists Presenter: Ian LeRoy (U of Mount Union) Bring audition cuts in and learn how to work with audition pianists. You’ll leave knowing how to prepare, what to say, and what to write. G

5:30PM – 6:45PM Character in the score: Finding Greater depth for Performance Presenter: Jay White (Kent State U) Participants are invited to perform songs or cuts while examining their characters more closely through the specific choices the composer and lyricist make. G

FrIday, MarCh 9, 2018 8:00aM – 8:50aM acting the song Presenters: Jennifer Arbogast, Sherry Landrum (Professional Actor Training Program at Chattanooga State) Experience authentic and fully realized acting through song by investigating the music and lyrics to discover new cues that inform your performance! Bring a 16-32 bar cut. G

9:00aM – 10:15aM Finding your Fierce: Contemporary/Commercial dance Presenter: Roy Lightner (U of Alabama at Birmingham) Explore contemporary and commercial dance stylings as they relate to the current theatrical market. Start with a physical warm-up and technical instruction, and wrap up with a fun combination! I

how to Practice! Turn Practice Time Into Productive Time Presenters: Stephen Svoboda, David Cotter (Heidelberg U) We all know that to get better at performing we are supposed to practice. But do we really know HOW to practice? It’s time to evolve your practice beyond endless repetition. Learn 10 foolproof strategies for actors and singers to make your practice time more productive. I

The nerve-Proof audition Presenter: Michael Unger (The York Theatre Company; NewArts) This musical theatre audition workshop enables students to focus on the most important aspect of the audition — THE AUDITION — and reduce the apprehension and nerves that often accompany the young performer. a

10:30aM – 11:45aM healthy Belting: To Belt or not to Belt? Presenter: Bill Adams (Nova Southeastern U) Students, teachers and performers will get an overview of vocal technique and healthy belting demonstrations in a fun, informal environment. Get up and try it out! I

Tap It Out! Presenter: Karyn Tomczak (Columbus State U) Learn to do the basics and use terminology correctly, so you can combine them together. Let’s flap, slap and shuffle together! I

noon – 12:50PM Know your Vocal Instrument and achieve Vocal Freedom Presenter: Christian Elser (Glow Lyric Theatre) Exercises are tailored to release vocal entangle-ments and release the singer’s true and honest voice. “The only reason for mastering technique is to make sure the body does not prevent the soul from expressing itself.” I

Tango Technique Presenter: Nathan Allen (Campbellsville U) Anyone with a dance background or simply a passion for dance is welcome to join in as we work through the elements of basic tango dancing: paying attention to partner connection, lead and follow, simple choreography and technique. No flip flops or sandals. B

PlaywritingGet in touch with the fundamentals of writing, and push beyond your comfort zone with creative exercises and activities. This year’s programming invites you to: find inspiration in pro wrestling; think about adapting a liter-ary work; learn the practical ins and outs of play submission and marketing; and craft your own monologue or solo show. So, don’t forget your notebook! And don’t miss the chance to see and support new work by playwrights from around the region in “Playwright’s Corner” and the staged reading of this year’s Getchell New Play winner.

Wednesday, MarCh 7, 2018 4:00PM – 5:15PM Wrestling With story: dramatic elements of Professional Wrestling Presenter: Joseph Frost (Belhaven U) Whether it’s WrestleMania or a House Show, pro wrestling tells epic stories with physical theatre, combat, visuals and vibrant characters. Consider pro wrestling’s techniques as you create your own scripted dramatic events. G

Thursday, MarCh 8, 2018 8:00aM – 8:50aM Playwriting Interest Group Presiders: Darren Michael (SETC Playwriting Chair, Austin Peay State U), Todd Ristau (Vice Chair, Hollins U) Annual meeting of playwrights and others interested in creating, producing and performing new plays. You’re invited to get involved! G

10:30aM – 12:50PM Playwright’s Corner Presider: Darren Michael (SETC Playwriting Chair, Austin Peay State U) The Playwriting Interest Group will be presenting staged readings of short works by playwrights from around the region.

noon – 12:50PM Know the Greats: The next Generation of american Writers Presenter: Courtney Kochuba (Samuel French) New works and new writers spill onto the scene at every turn. How do you keep up with it all? We’ll review some of the greatest voices of the next generation of American writers. Come pre-pared to do cold readings, discuss themes, chat about your favorite writers, and more! G

1:00PM – 2:15PM Creating and developing a solo show Presenter: Annie Levy (The U of Alabama) Do you have a story you’re burning to tell, but you aren’t sure how to get started? This experiential workshop will give actors and directors the tips, tricks and techniques they need to get that vision out of their head and onto the stage. G

Meetings Tuesday, MarCh 6, 2018

2:00–4:00pm Finance Council Mtg4:00–6:00pm Endowment Committee Mtg

Wednesday, MarCh 7, 20189:00–10:15am Division Council Mtg9:00–10:15am State Council Mtg10:30–11:45am ExCom and Board Mtgs1:00–2:15pm Advisory Council Mtg2:30–4:00pm ExCom, Board & Advisory Council Mtgs7:00–8:20pm Auditions Committee Mtg

Thursday, MarCh 8, 20188:00–10:15am Publications Committee/ Southern Theatre Editorial Board Mtg 9:00–10:15am KEAP Mtg I10:30–11:45am Scholarship Procedures Committee MtgNooN–12:50pm Past Presidents Committee Mtg 4:00–5:15pm Publications Committee Mtg4:00–5:15pm State Executive Director Roundtable5:30–7:00pm Screening Auditions Coordinator Mtg

FrIday, MarCh 9, 20189:00–10:15am KEAP Mtg II10:30–11:45am State President, Representative & Executive Director Roundtable 4:00–6:00pm Publications Committee/ Southern Theatre Editorial Board Mtg 4:30–5:45pm All-State Mtg & Social

saTurday, MarCh 10, 20189:00–10:15am SETC 2019 Planning10:30am–NooN National and State Executive Director Roundtable NooN–12:50pm KEAP Mtg III1:00–2:15pm Long Range Planning Mtg3:30–4:00pm SETC Annual Business Mtg4:00–5:15pm Division Council Mtg

sunday, MarCh 11, 20189:00am–NooN Budget, ExCom & Advisory Council Mtgs

Additional committee meetingsare listed throughout the newspaper.

____________________

2018–2019Slate of Officers

SETC’s Board and Committee members keep our organization moving forward and connecting you to opportunities in theatre.

The following slate of officers will be presented for vote by the membership

at the Annual Business Meeting.

Officers: President: Jeff Gibson

VP of Services: Lee Crouse VP of Administration: Maegan Azar

VP of Finance: David Wohl Secretary: Rebecca Beasley

Elected Past President: Alan Litsey VP of States: Mike Hudson VP of Divisions: Tom Booth

nominations Committee: Mary Fran Crook

Pat Gagliano Jen Lane

Shannon Robert

Refer to the SETC website for bios: www.setc.org/slate-of-officers

Robyn O’Neill as Mama Rose in Gypsy, Photo Courtesy of Virginia Repertory Theatre, Photo by Aaron Sutten

Musical Theatre Interest Group Presiders: Valerie Accetta (SETC Musical Theatre Chair, U of Alabama at Birmingham), Nancy Wolfgang (Vice Chair) For all SETC participants who wish to be a part of the SETC Musical Theatre Committee. Bring your ideas and enthusiasm. G

1:00PM – 2:15PM Broadway dance Class Presenter: Jeff Whiting (Broadway Director; Open Jar Institute) Work with the Broadway Director of Bullets Over Broadway, Young Frankenstein, The Scottsboro Boys and Big Fish to learn a dance combination from a Broadway show and get tips on booking the gig on Broadway. All levels welcome. No sandals/flip-flops. G

Improvisation Techniques for the singing actor Presenter: Kathy Morath (AMDA) Basic singing improvisation exercises to help young singers get “out of their heads” and into “the moment.” I

nailing your dance audition: I hope I Get It Presenter: Kristen Bennett (Alma College) Explore movement, participate in a mock audition, and learn choreography as you would in a musical theatre production or college program audition. G

Professional audition round Table: Thoughts From Behind the Table Presenters: Valerie Accetta (U of Alabama at Bir-mingham), Ginger Poole (Mill Mountain Theatre), Matt Davenport (Matt Davenport Productions) This is a chance for auditionees to hear directly from the people behind the table on what they’re looking for in audition material, dress, callbacks and communication. I

rediscovering Lyrics: Focusing on Text in Musical Theatre auditions Presenter: David Sollish (Belhaven U) Bring a memorized musical theatre audition selection and a backing instrumental track on an MP3 player or phone. Geared toward students and educators, we’ll focus on the importance of the text in musical theatre songs. I

Vocal Boundaries: singing successfully across styles Presenter: Jeremiah Downes (Western Michigan U) Successfully transition your singing voice across styles. Get techniques and tactics for a healthy, marketable approach to singing that will unlock your voice’s ability to perform everything from opera to rock music. Come prepared with material to sing. a

4:30PM – 5:45PM Following the road signs: Performance Through song analysis Presenter: Jeremiah Downes (Western Michigan U) Analyze and investigate lyric and musical construction as it relates to acting and vocal choices; and learn how to successfully integrate songwriter’s crafting into performance. Come prepared with full songs to work on and perform. I

What Can I really do in 8 Bars? Presenter: Christianne Roll (Florida Southern College) Learn to select and perform polished 8-bar musical theatre audition cuts. Bring your audition book and be prepared to sing! Appropriate for students and educators. I

6:00PM – 7:00PM Character Choice From Musical device: Beyond the Words Presenter: Brian Osborne (Reinhardt U) Find the essence of characterization in musical theatre by examining the structure of music itself. Making the language of music integral to a character’s journey. I

The singing actor Presenters: Edrie Means (Shenandoah U), Susie Pike (Professional Actor) Bring your audition book to work with two professional actors teaming up to provide hands-on skill-building strategies for song authenticity and connecting your singing voice and acting to enhance your audition and performance. I

saTurday, MarCh 10, 2018 9:00aM – 10:15aM Break It down: dissecting the dance Call Presenter: Denise Johnson (Greensboro Day School) Learn original Broadway choreography while figuring out: how to set priorities at a dance call; strategies for showcasing your strengths; and different approaches for picking up choreography quickly. We’ll also discuss the Broadway audition process and tips to help you book the show! I

noon – 12:50PM Functional Musical Theatre Techniques: Group Voice Class Presenter: Amelia Rollings (Western Kentucky U) Learn functional musical theatre voice technique exercises and strategies in the format of a group voice class. Students and performers are invited to participate and sing. Teachers are welcome to observe. I

The Musical style of alan Menken Presenter: Kathryn Voelker (Liberty U) Aladdin, Sister Act, Newsies ... what makes Alan Menken’s musicals sound so similar? This lecture recital will dissect several of his songs regarding tonal, rhythmic and textual elements. Perfect for students and teachers who are inter-ested in creating an informed performance. G

1:00PM – 2:15PM Tap In! Basic rhythm Play and Tap skills Presenter: Annalee Tull (Emory and Henry College) Play with rhythms that will help with singing and dancing, and learn basic tap techniques useful for dance calls and musical theatre. G

Trippingly on the Tongue: Musical and shakespearean acting Presenters: Lars Tatom (U of South Alabama), Derek Gagnier (Appalachian State U) There are surprising similarities between acting in Shakespeare and acting in a musical. Beginners and intermediate performers are welcome! Bring an audition song and/or a short piece of Shakespearean verse; we’ll provide some examples as well. B

4:00PM – 5:15PM College Bound: Maximizing Music Theatre Program auditions Presenters: Kim Shively, Brian Kremer (Elon U) Learn the nuts and bolts of the college audition season and get individual coaching. Students will work a song using pre-recorded accompaniment stored on a thumb drive. Gain a plan of action and understanding of how to present a solid audition package. B

Find your Vocal Fingerprint Presenter: Matt Morgan (U of Florida) Working with your individual technical needs and the use of physiological, acoustic and vocal sci-ence, we’ll find your unique “vocal fingerprint.” G

Play submission and Marketing: Get your Work Produced! Presenter: Laura King (Gordon State College) Let’s discuss the do’s and don’ts of play submissions with a focus on how to get plays in the hands of theatres most likely to produce them. We’ll cover play formatting, cover letters, submission opportunities, social media and website marketing. B

7:00PM – 10:00PM Getchell new Play Open rehearsal: Moving by sean Michael McCord Presider: Darren Michael (SETC Playwriting Chair, Austin Peay State U) Join us for an open rehearsal for the reading of Moving by Sean Michael McCord, winner of SETC’s 2018 Charles M. Getchell New Play Contest.

FrIday, MarCh 9, 2018 8:00aM – 8:50aM adapting Literary Works for the stage Presenters: E. Bert Wallace (Campbell U), Steve Burch (The U of Alabama), Wesley Young (Radford U) Seeking advice on how to adapt literary works for the stage? Panelists will discuss the pieces they’ve written and staged and take questions about their processes. G

4:30PM – 7:00PM Playwright’s Corner Presider: Darren Michael (SETC Playwriting Chair, Austin Peay State U) The Playwriting Interest Group will be presenting staged readings of short works by playwrights from around the region.

7:00PM – 10:00PM Getchell new Play reading: “Moving” by sean Michael McCord Presider: Darren Michael (SETC Playwriting Chair, Austin Peay State U) Over the span of 30 years in one apartment, couples move in, move out, come together, fall apart, and move on through life’s choices. An in-depth response session immediately follows.

saTurday, MarCh 10, 2018 9:00aM – 10:15aM Living Text: Playwriting for Writers, directors and Performers Presenter: Max Reuben (Powerhouse Theater at Vassar College) Using writing exercises and published plays, we’ll explore elements of dramatic texts and their ability to convey action, character and idea. Bring a notebook! G

Writing Monologues: Creating audition Pieces and solo Plays Presenter: Stuart Stelly (Penn State York) Actors and playwrights will get assistance in writing a short monologue perfect for a powerful audition piece or a hit one-person show.

9:00aM – noon Pitch to Publish Presider: Melody Fernandez (Stage Rights) Chosen playwrights pitch their play/musical for a chance to win the Ready to Publish Award. Visit www.setc.org/ready-to-publish, and submit your script to info@setc.org by Jan. 8, 2018, for a chance to participate. By invitation only.

2017 Exhibit Hall, Photo by Mark Mahan

PleaSe NOTe: Dates and times are subject to change. Check the convention program and mobile app for final scheduling and locations. PaGe 7

Religion & TheatreDelve into the many ways faith and religion can intersect with theatre scholarship, artistry, storytelling approaches, acting methodologies and more. This year’s sessions explore redemptive theatre, theatre as service, and non-traditional religious theatre. Join the Religion & Theatre Interest Group for an open discussion on the role of religion in our industry.

Thursday, MarCh 8, 2018 4:00PM – 5:15PM Quo Vadis: The 21st Century Christian Theatre artist Presenters: Michael Hill-Kirkland (Regent U), Scott Hayes (Liberty U), Joseph Frost (Belhaven U) University professors will explore the dialectical tensions that come with a full commitment to the pursuit of excellence in artistry, scholarship and integration of faith in graduate and undergradu-ate theatre training. B

5:30PM – 6:45PM The Calling of a storyteller: redemptive Theatre Presenter: Sherrie Peterson (Shorter U) Telling stories can be a compulsion that goes far beyond filling seats in the house. The calling of a storyteller is to bring light into the darkness and provoke change in the minds and hearts of the audience, but we must do it in a way that leaves the largest imprint of hope possible. I

7:00PM – 8:15PM Christians in Theatre arts (CITa) networking session Presenter: Dale Savidge (CITA) This annual gathering of CITA is an opportunity for Christians at SETC to meet and network. B

FrIday, MarCh 9, 2018 9:00aM – 10:15aM servant Leadership and Meisner: Focusing on the Other Presenter: Scott Hayes (Liberty U) This demonstration of the Meisner repetition exercise and alignments uses the concept of servant leadership, based on the Gospels. B

Social events Get to know your theatre tribe within SETC.

Wednesday, MarCh 7, 2018 4:00PM – 5:15PM seTC Orientation: navigate next 3½ days Get an overview of the events that make up the 2018 SETC Convention and receive personal guidance on how to get the most of the program-ming based on YOUR interests.

5:30PM – 7:00PM disney Cocktail reception for Professional Theatre reps & Convention Presenters Special reception for presenters and profes-sional company reps. Invite only. Sponsored by Disney Theatrical Group

8:00PM – 9:30PM design/Tech Mixer All techies and designers who work or study in any aspect of technical theatre or design are welcome. Snacks and cash bar. Sponsored by Robe Lighting, InterAmerica Stage and 4Wall Entertainment Lighting

Thursday, MarCh 8, 2018 4:30PM – 7:00PM Beer Break Stroll the Exhibit Hall while enjoying a refreshment. Cash bar.

5:00PM – 7:00PM Past President’s reception A gathering in appreciation of current and incoming Executive Committee Members.

7:30PM – 9:30PM Theatre for youth reception If your focus is theatre for youth, please plan to attend. Sponsored by Dramatic Publishing

FrIday, MarCh 9, 2018 12:30PM – 2:00PM Friday Lunch Join us for lunch! Special guest Chuck Wagner (See Page 2) will share his SETC story and impressive career with us in “I Found My Love at SETC.” Lunch also includes door prizes and reserved seating for the Friday keynote. Come mix and mingle with your local SETC state representatives and fellow state Community Theatre Festival members. Ticket required. Sponsored by the 10 states of SETC

3:45PM – 4:30PM Commercial exhibitor showcase Stroll the aisles and visit the Exhibitors! Gather expertise, ideas and inspiration; check out the newest products and services in the industry. Sponsored by Hollins Exposition Services

4:30PM – 5:45PM all-state Meeting and social Get together with members of your home state and the other nine Southeastern states for a combined meeting and social gathering. Join in this great opportunity to share ideas with each member state of SETC. Newcomer? Here is your chance to connect and grow your network.

Stage MovementJuggling, clowning, stage combat, dance and puppetry classes offer unique opportunities to expand your skill set. These active sessions will invite you to use movement as a means of character develop-ment, and partnering as a path to dynamic storytelling. Remember to bring comfortable clothes that you can move in.

Wednesday, MarCh 7, 2018 5:30PM – 6:45PM Movement Playground: Teachers Teaching Teachers (and everyone else!) Presenter: Matthew R. Wilson (SETC Stage Movement Chair, U of Mississippi) Open to all, this is an opportunity to play with diverse approaches to teaching movement for performers. Come prepared to learn, interact and — if you like — share. Come play! G

Thursday, MarCh 8, 2018 9:00aM – 10:15aM Introduction to the ecole Jacques Lecoq approach Presenter: David Gaines (George Mason U) Lecoq training focuses actors on the connection between their body and their emotional state, connecting the world of stimulus around them (space, situation, acting partners) to the world inside them (character and internal emotional journey). G

10:30aM – 12:50PM dance Prep: Preparation, Presentation & Career Planning Presider: Stephanie Swant (SETC Choreographer) This workshop will demonstrate the dance audi-tion format given at SETC with focus on dancing and career opportunities. I

10:30aM – 11:45aM Finding the Life of your Character Presenter: Kiara Pipino (King U) Student actors will acquire tools to find their key into their characters through physical work. Elements of the Michael Chekhov technique and Viewpoints will be investigated. I

Kapow! The art of stage Combat Presenter: Don Stallings (Atlanta Workshop Players) Keep your scene partner and yourself in one piece as you give your audience an adrenaline rush! Safe and effective hand-to-hand combat for the stage. G

Partner Characterization: a Text-Free approach to Character Building Presenter: Robert Shryock (Accademia dell’Arte) Bring a friend to work with, or show up and make new ones! In this on-your-feet workshop, we’ll use movement, improvisation and structured activities to illuminate how building a character doesn’t have to start with a script ... or even use one at all. Be prepared to move, play and collaborate! G

noon – 12:50PM stage Movement Interest Group Presider: Matthew R. Wilson (SETC Stage Movement Chair, U of Mississippi) An open meet and greet for anyone interested in movement for performers. Come connect with like-minded individuals, learn about new training opportunities, and discuss possibilities for movement workshops at SETC. G

1:00PM – 2:15PM droznin: an Introduction to russian Movement Presenter: Violet Saylor (National Theater Institute) Access your physical freedom and truthfully respond to impulses with the Russian movement technique founded by Andrei Droznin. Wear movement clothes! G

4:00PM – 5:15PM Creative Landscapes: Physical Improv, Movement and sound Presenter: John Paul Staszel (California U of Pennsylvania) Develop a physical vocabulary between bodies through the exploration of improvisational movement and sound. Focus on developing group connections, specifically working on how individuals understand their body in space, and how the bodies of an ensemble create meaning. B

Four elements for Character development: earth, air, Fire and Water Presenter: Neil David Seibel (Auburn U at Montgomery) Go through four basic exercises to isolate the use of Earth, Air, Fire and Water in the body and enrich character development. B

5:30PM – 6:45PM a Well-Balanced actor: acting Technique and Mindfulness Presenter: Dawn Souza (Virginia Commonwealth U) Uncover emotional blocks or habitual tendencies that prevent you from unleashing the truthfulness in your acting, as well as your personal life. G

FrIday, MarCh 9, 2018 8:00aM – 8:50aM acting the Fight: Body nrGs, Text and Motion Presenter: Bart Williams (Southeast Missouri State U) Utilizing basic unarmed combat and a short section of classical text, participants will start to understand stage violence as a method of physi-cal communication that springs from the script. I

The Masks of Commedia dell’arte Presenters: Jon Liebetrau (Wilkes U), Kevin Kern (U of Mount Union) Create vibrant, unique and highly physical characters through the use of traditional Commedia dell’Arte masks! The session will culminate in short, improvised scenarios featuring the characters we’ve created. B

9:00aM – 10:15aM CrossFit Clown Presenter: Matthew Belopavlovich (Patel Conservatory @ Straz Center) Put down that pie and flex your funny bone during this crash course of clown techniques. Condition your character and strengthen your pantomime skills in a series of fast-paced exer-cises, complete with a makeup demonstration. I

sound and Motion: Combined Techniques for Fierce song Performance Presenter: Adam Howard (Texas Tech U) Combining Vocal Process Methodology with Rudolf Laban’s concept of Effort Shapes, this amalgam of vocal anatomy and psycho-physical movement will create a new process for musical theatre performance. I

10:30aM – 12:50PM dance Prep: Preparation, Presentation & Career Planning Presider: Stephanie Swant (SETC Choreographer) This workshop will demonstrate the dance audi-tion format given at SETC with focus on dancing and career opportunities. I

10:30aM – 11:45aM Joining Forces: Contact Improvisation for everyone Presenters: Todd Fisher (The Drama Center of City Arts), Christine Fisher (Dance Education By Design) This movement form is based around transferring energy through physical touch and presence. Focus on partnering skills, and increase your physical awareness through guided exercises in a safe, fun atmosphere. G

Juggling 101 Presenter: Michael Williams (Southern Union State Community College) Learn the foundation to the art of the three ball cascade. Equipment is provided, but space is limited due to falling objects. Juglito ergo sum: I juggle, therefore I am. B

noon – 12:50PM Create the space: Controlling actor’s space Through Biomechanics Presenter: David Reed (U of Central Florida) Through the use of theatrical biomechanics, participants will examine the physical body as it travels through the theatrical space. B

Continues on Page 8

2017 Design/Tech Awards Ceremony, Photo by Mark Mahan

2017 Combat Workshop, Photo by Mark Mahan

Professional Development SeriesIn 2016, SETC began this series to highlight programming specifically geared toward the career development of professors, teachers, arts admin-istrators, theatre professionals and community theatre practitioners. All workshops designated “PDS” are closed to student members. SETC Vice President of Services Pat Gagliano says, “I am happy to announce that in Mobile, we will offer the largest number of PDS workshops in the brief history of this series! If you are seeking professional development opportu-nities at SETC, plan to attend some of these exciting workshops.”

Thursday, MarCh 8, 2018 9:00aM – 10:15aM Faith, Theatre and academia: a Conversation Presenters: Joseph Frost (Belhaven U), Dan Buck (Lee U), Beki Baker (Lipscomb U) An open conversation for academic artists teaching theatre students in a Christian institution. Topics will include mentoring young artists in faith, maintaining academic focus, and preparing students for professional industries. G, Pds

From studio to stage: Process vs. Product Presenters: Ed Wagenseller, Robin Root (U of North Carolina at Wilmington), Kim Shively (Elon U) This panel explores the director’s role in balancing the performers’ process and high production values in academic theatre. B, Pds

10:30aM – 11:45aM What’s app, doc?! apps for Theatre appreciation Presenter: Lisa Bohn (Arkansas State U) Theatre Appreciation courses can be dull and overdone — or fabulous and fun! Explore how iPad and Android apps can create meaningful learning experiences for high schoolers or non-majors. Bring your tablet and/or smart phone. I, Pds

noon – 12:50PM Costume Construction: design and develop your Course Presenters: Amy Page, Sharon Morgan (U of Alabama at Birmingham), Freddy Clements (Jacksonville State U) An introductory costume construction class can take many forms. Let’s discuss course design, including class content, assessment, objectives, project options, department requirements, etc. I, Pds

Microexpression and Meisner: nonverbal Communication Theory and acting Presenters: Scott Hayes, Andrew Geffken (Liberty U) Microexpression recognition to identify deception was made famous by the television show Lie to Me. Selected tools from the training will assist the actor’s progress during the Meisner repetition exercise. a, Pds

1:00PM – 2:15PM effective Theatre Teachers: a roundtable discussion Presenter: James Chrismon (Illinois State U) We’ll discuss the findings of research conducted to define the qualities of effective theatre teach-ers from the views of experienced teachers in the field and their administrators for purposes of theatre teacher evaluation. a, Pds

Multi-university Collaboration: a Co-Production of Constellations Presenters: Christie Maturo, Sally Story, Eric Koger (Midwestern State U), Paul Hurley, Lyle Miller (U of South Alabama) See inside the collaboration between Midwestern State University and the University of South Alabama to co-produce a professional production of the play Constellations. a, Pds

What, I’m a department of One? Presenter: Keith Hight (College of Southern Maryland) This is an opportunity to network and discuss the ups and downs of a small academic department. You are not alone, and it will be okay. G

4:00PM – 5:15PM KCaCTF respondent Training: speaking to young artists (Part 1) Presenter: Scott Mackenzie (Alma College) The heart of the Kennedy Center American College Theatre Festival is the production response. Learn to speak openly and honestly with young artists; combine truth with tact. Follow up with Part 2 on Saturday afternoon at 1:00PM. I, Pds

FrIday, MarCh 9, 2018 8:00aM – 8:50aM hacking the stage: approaches for Cross-Curricular sTeaM Programming Presenter: Kevin Wolfgang (U of Northern Colorado) Find your collaborators in the STEM and Arts fields to help plan your next cross-curricular programming event. Best practices and case studies of successful STEAM events. I, Pds

scenic and Costume shop Organization: Owning your space Presenters: Logan Reagan (Missouri Southern State U), Casey Watkins (U of North Carolina Asheville), Kristin Grieneisen, Thomas Fagerholm (Southern Illinois U) Look at organizational techniques that can help you redevelop your workspace in scenic and costume shops with the intent to maximize efficiency and product output. G, Pds

9:00aM – 10:15aM Japanese Theatre Technical adaptations for Western Plays Presenters: Kelly Berry (Georgia Southern U), Daniel Gelbman (Nova Southeastern U) We’ll view traditional staging for Noh, Kyogen and Kabuki theatres and discuss the possibilities of using historically rich theatrical forms to stage contemporary work and Shakespeare for a Western audience. I, Pds

10:30aM – 11:45aM Building a Performing arts Center: Where do you Begin? Presenters: William Teague, Franklin deCelle (The U of Alabama), Robin Jaffe (Auburn U) Initial planning or “programming” is crucial to the success of any construction project. We’ll discuss the process and present examples from two projects currently in final design and construc-tion. An open discussion will follow. I, Pds

Click. Click. done. using data to Make your Website Better...stronger...FasTer Presenter: Drew McManus (Venture Industries Online) Learn how to use out-of-the-box Google Analytics features to make data-driven website and digital marketing decisions. To take full advantage of the session, bring a laptop with access to a Google Analytics account that’s already set up and collecting data. I, Pds

sTeaM Collaboration: how-To on Cross-disciplinary Collaboration Presenter: Amy Guerin (U of Alabama in Huntsville) STEAM collaborations reach across depart-ments, integrating theatre with different disci-plines in unexpected ways. This conversation will give you tools to get your own collaboration started. a, Pds

noon – 12:50PM Creative Teaching: Fun Projects for the Classroom Presenters: Dana White, Jr. (Palm Beach Atlantic U), Daniel Gordon (Winthrop U), Kyla Kazuschyk (Louisiana State U) A panel of theatre instructors share ideas for creative projects they use in the classroom that promote engaged learning, hands-on activities, and learning by doing. I, Pds

Faculty Move and Groove Presenter: Darryl Clark (Southern Illinois U Carbondale) This is a dance/movement class for faculty members (and grad assistants!) who would like to get acquainted or reacquainted with modern dance technique and theory. Come dressed to move. Techniques will include Limon and Bartenieff Fundamentals. G, Pds

There’s an app for That Presenter: Ashleigh Poteat (Centenary U) Participants will be introduced to popular and obscure apps that can be used in technical theatre, administrative purposes, performance and academic theatre. G, Pds

4:30PM – 5:45PM The directing Classroom: Teaching strategies Presenter: Anne Towns (Young Harris College) Keep your directing students engaged intellectu-ally, creatively and actively. Strategies for teach-ing in the field of directing will include lesson planning and classroom activities. a, Pds

saTurday, MarCh 10, 2018 9:00aM – 10:15aM “Celebrating einstein”: Bringing art and science Together Presenter: Jessica Morgan Bishop (West Virginia U) An event at West Virginia University presented by the Department of Physics and School of The-atre & Dance brought Einstein’s theories to life through live performance with actors and danc-ers. Get insights into the process and benefits of working outside of traditional theatre. G, Pds

embracing student success: strategies for retention and Graduation Presenter: Jeff Gibson (Middle Tennessee State U) Designed for faculty and administrators, this session delves into proven methods for achieving positive results in student retention and graduation in a university theatre program. I, Pds

Finding Bridges across Voice Pedagogies Presenters: Rachel Hillmer (U of Louisville), Rebecca Covey (Florida International U), Stacey Cabaj (Louisiana State U), Rory Ledbetter (U of Mississippi) Join certified and experienced voice teachers for a panel and Q&A session on their diverse approaches to voice and how their pedagogies diverge and intertwine. a, Pds

Geeking Out: Minimizing self-Consciousness in actors Presenter: Kindra Steenerson (U of North Carolina at Charlotte; SAGE Acts) “Self-consciousness is the enemy of all art.” Learn how to foster a classroom/rehearsal environment that disrupts self-conscious behaviors in your actors. You’ll take away practical exercises and strategies for developing instantaneous trust and confidence. G, Pds

10:30aM – 11:45aM Population Boom: Bringing non-Majors Into your Classes Presenters: Ryan Long (Mount Vernon Nazarene U), Kyle Biery (Carson-Newman U), Jackie Dan-iels (Dalton State College), Marty Lynch (Eureka College), Dana White, Jr. (Palm Beach Atlantic U) Are you an educator looking for ways to draw more students into your sparsely populated courses? Explore strategies to make your courses more appealing to non-majors and market them to the general student population. G, Pds

Three Weeks ‘Til Curtain: a Case study Presenter: Amanda Nelson (Virginia Tech) We’ll share a fresh approach to the collegiate summer intensive model, offering tips and tricks for putting up a musical in just 13 rehearsals. I, Pds

noon – 12:50PM Beyond the stage: sTeaM and Community Outreach Presenters: Regan McClung (Northeast Alabama Community College), Jamie McClung (Fort Payne MS) Newest education buzz word: STEAM! Join two college and middle school educators who detail their STEAM journey with project based learning, practical suggestions and easy implementation! G, Pds

Finding Funds: Working With your Development Officer Presenter: David Balthrop (Murray State U) Administrators and development officers should be close companions. With funding drying up in virtually all areas, theatre programs will rely more and more on private dollars. Where do you find those dollars and when/how should you make an ask? B, Pds

Video Journaling: Incorporating Technology Into the Performance Classroom Presenter: Paul Hurley (U of South Alabama) How can video journaling techniques serve as an awareness tool for developing actors? Secondary and higher ed. educators, come share your ideas and experiences! a, Pds

1:00PM – 2:15PM KCaCTF respondent Training: speaking to young artists (Part 2) Presenter: Scott Mackenzie (Alma College) After attending Part 1 (Thursday, 4:00PM) and a Community Theatre Festival production, let’s discuss your perceptions and practice a response or two within the group. I, Pds

Mutual Benefits: Interdisciplinary Productions Panel Presenters: Jennifer Matthews, James Crawford (Sewanee: The U of the South) Working with other departments and local organizations can create meaningful experiences for students and community members. Panelists will discuss their own experiences and welcome hearing your ideas on how to create opportuni-ties that give value to our communities. I, Pds

Page to stage: Collaborating to Create new adaptations Presenter: Vincent Murphy (Emory U) Bring in a story you want to adapt, and we’ll work together on adapting your choice. Discover the enjoyment of becoming a “text detective” and finding the vibrant play hidden in the source material. B, Pds

4:00PM – 5:15PM Theatre rx: The arts in healthcare Presenter: Lauren Calhoun (Theatre Workshop of Owensboro) Theatre is all about connections. Find out how one community theatre is engaging with the healthcare industry to improve the patient experience, and how you can create potential revenue streams and opportunities for service learning. G, Pds

10:30aM – 11:45aM Theatre as service: applied Theatre, Ministry and Missions Presenter: Tenika Dye (Society for Stone Soup) This is a chance for Christian theatre artists to discuss how to combine their passion for theatre with their faith. Gain Applied Theatre techniques you can use to serve others. Come with your ideas and leave inspired. G

saTurday, MarCh 10, 2018 10:30aM – 11:45aM non-Traditional religious Theatre: Judgment nights to Puppets Presenter: Samuel Wallace (Auburn U at Montgomery) Let’s look at the phenomena of religious institu-tions using unconventional and non-traditional theatrical performance (including Judgment Nights, Role Play and Puppet Plays) to reinforce religious belief among their members. G

noon – 12:50PM Incorporating your Faith Into your acting approach Presenter: James Matheny (Mississippi State U) Discuss ways to use your faith as a foundation for a personal and unique acting perspective. G

1:00PM – 2:15PM religion & Theatre Interest Group Presider: Scott Hayes (SETC Religion & Theatre Chair, Liberty U) Calling all students, educators and professionals who are interested in the intersection of faith and theatre. This is our opportunity to discuss potential topics of interest for future SETC conventions. G

6:00PM – 7:00PM alpha Psi Omega/delta Psi Omega national Meeting Annual business meeting of the National Theatre Honor Societies APO and DPO. Members from all chapters and faculty sponsors are encour-aged to attend and network.

College and university Interest Meeting/Mixer Meet and network with others who understand the day-to-day challenges of making college level theatre programs happen. Hors d’oeuvres and cash bar. Sponsored by Barbizon Lighting Company and Samuel French

8:30PM – 10:00PM design/Tech awards Ceremony Join the design/technical community to celebrate the achievements of all Design Competition award winners. Open to all. Cash bar.

saTurday, MarCh 10, 2018 6:30PM – 7:30PM high school Theatre Festival recognition Ceremony Awards sponsored by Norcostco and SETC.

7:00PM – 8:00PM Community Theatre division Meeting and recognition Ceremony Awards sponsored by Dramatists Play Service and SETC.

President’s reception Everyone welcome! SETC President Tiza Garland hosts the annual pre-banquet cocktail hour. Cash bar.

8:00PM – 10:00PM Banquet Gala: 69th annual award Ceremony Open to all! An evening of comradery, dinner, celebration and awards! Ticket required. reserve when you register for convention.

10:00PM – Midnight Banquet afterparty dance Dance into the night immediately following the awards! A past favorite of convention attendees.

PaGe 8 WORkShOP SkIll levelS: G - General; B - basic; I - Intermediate; A - advanced; E - expert; PDS - Professional Development Series

Wednesday, MarCh 7, 2018 5:30PM – 6:45PM Voice and speech Meet and Greet Presider: Stacey Cabaj (SETC Voice & Speech Chair, Louisiana State U) If your focus is Voice & Speech please plan to attend.

Thursday, MarCh 8, 2018 9:00aM – 10:15aM acting and singing With archetypes: Part 1 Presenters: Bill Adams (Nova Southeastern U), Allison Hetzel (The U of Alabama), Marlene Johnson (U of Alabama at Birmingham) Designed for actors, singers, directors and teachers, this introduction to working with archetypes will creatively engage your voice, body and imagination — providing you with powerful tools for strong and truthful theatrical choices. Follow up with Part 2 later in the day at 5:30PM. I

The Balanced Performer: Voice and Movement Through alexander Technique Presenters: Rachel Hillmer (U of Louisville), Kelley Schoger (The U of Alabama) Join two Alexander Technique teachers as we explore your full potential as a performer. Come prepared with a monologue or song and dressed in non-restrictive movement clothes. B

10:30aM – 11:45aM Voice Through Movement: suit the Word to the action Presenter: Joshua Miller (Virginia Episcopal School) Explore the sound made when our full body is engaged. Using various movement methods (from Laban to Psychological Gesture) and classic voice techniques (from Linklater to Fitzmaurice), we’ll discover how to free our voice and truly make our actions suit our words. B

4:00PM – 5:15PM Breathe, Then speak: an Introduction to Fitzmaurice Voicework® Presenter: Brianne Taylor (Independent Artist) Develop optimal vocal dexterity needed in performance by exploring a sequence of body postures and flirting with tension and release. B

5:30PM – 6:45PM acting and singing With archetypes: Part 2 Presenters: Christine Morris (U of North Carolina at Greensboro), David Coolidge (Anderson U) Designed for actors, singers, directors and teachers, this introduction to working with archetypes will creatively engage your voice, body and imagination — providing you with powerful tools for strong and truthful theatrical choices. Start off with Part 1 earlier in the day at 9:00AM. I

FrIday, MarCh 9, 2018 9:00aM – 10:15aM Introduction to Vocal yoga® for the actor Presenters: Stacey Cabaj, Lisa Crosby Wipperling, Andrea Morales (Louisiana State U) Stretch, breathe, sound and awaken in this introduction to signature exercises from Heather Lyle’s Vocal Yoga® method. Movement clothes recommended. B

10:30aM – 11:45aM aBCs of Voice-Over and animation Presenters: Deborah Stone, Reis McCormick (KD Conservatory College of Film & Dramatic Arts) Pull back the curtain on a very popular acting niche: voice-over and animation! Part business, part technique, you’ll learn about terminology, demo reels, directors’ expectations, and increasing your odds of being cast. Get ready for vocal gymnastics in your mock audition for an animated feature! B

dialects: an Inroad to Character, a Way to Connect Presenter: Linda Brennan (American Academy of Dramatic Arts) Dialect work helps create our characters and transform ourselves. We’ll address fundamental rules like resonance, pitch, and other tricks of the trade to get you up and on your feet with dialects quickly, accurately and joyfully! B

noon – 12:50PM Voice-Over Performance: an Introduction Presenter: Tom Alsip (The U of Alabama) Start navigating the ever-expanding voice-over market. This detailed overview will introduce you to the business as a whole while also providing opportunities to experiment with techniques. B

1:00PM – 2:15PM expressive action: Make your Performance Come alive! Presenter: Kristi Shamburger (Middle Tennessee State U) Do you ever feel locked and unable to express yourself physically on the stage? Having trouble staying “active?” Join us as we explore the basic properties of the Expressive Actor Technique de-veloped by Michael Lugering. Dress to move! G

shakespeare & Voice-Over to sell stuff Presenter: Talon Beeson (Austin Peay State U) We’ll use dell’arte archetypes and Shakespeare First Folio to work to explore “Commercial Theory” — a voice-over performance technique for beginning and working actors. I

4:30PM – 5:45PM Let Go of your Butt, Breathe and speak Presenter: Kimberly Willard (U of Pikeville; Jenny Wiley Theatre) Discover and derail the tensions and energy leaks sucking power from your monologue. For performers of all levels who want to learn to be freer with their body and breath. G

Speak With Confidence: The Actor’s Voice Presenter: Natasha Staley (Virginia Tech) Find new possibilities and freedom in your voice. With a playful approach, we’ll explore the dynamics and range of the actor’s speaking voice. Exercises will investigate breath, sound, articulation and text. B

Voice & speech Interest Group Presiders: Stacey Cabaj (SETC Voice & Speech Chair, Louisiana State U), Rebecca Covey (Vice Chair, Florida International U) Annual meeting for anyone interested in voice and speech to discuss topics of interest to the membership. G

saTurday, MarCh 10, 2018 8:00aM – 8:50aM Who am I? awareness Through Viewpoints Presenters: Janel Miley, Mary Lennon (Virginia Commonwealth U) Using aspects of Viewpoints, the Feldenkrais Method and vocal exploration, participants will recognize habitual patterns and develop a greater kinesthetic awareness. Dress in clothing that is comfortable for movement. B

noon – 12:50PM Free your Vocal Floodgates With the Linklater Technique Presenter: Susan Schuld (U of Florida) Free unnecessary tension from the vocal tract by releasing jaw and tongue muscles. Using Kristin Linklater’s exercises, break down physical vocal habits with an un-doing process and liberate your breathing and vocal production. G

speak the speech: Investigating shakespeare Presenter: Natasha Staley (Virginia Tech) Performers! Open yourself up to the intricacies, delicacies and complexities of Shakespeare’s language. Explore Shakespeare’s text using body, breath and voice in this experiential workshop for actors. G

voice & SpeechPresenters offer tips and practices to help you connect voice to movement, speak with confidence, and discover the joys of dialect work. Look for mul-tiple opportunities to learn about the voice-over industry, energize your vocal performance, and have fun with Shakespeare.

Career advancement Continued from Page 3

FrIday, MarCh 9, 2018 10:30aM – 11:45aM exciting entertainment Job Opportunities! Presenters: Tiffany Weagly-Wilkie (Performer Stuff LLC), Andrea Canny, Joyce Arbucias, Mike Avila (The Imagination House) Beyond Broadway, three industry professionals give a crash course on exciting entertainment opportunities outside the traditional theatre realm. #yougottaeat G

Think Outside the stage: Making a Living With a design degree Presenters: Mandy Goynes (Palo Alto College), Karen Miller (SRO Associates), Ryan Cole (J.R. Clancy, Inc.) Opportunities exist outside of the theatre that use the skills a theatre artisan gains through their education and experience. Professionals from the theming and manufacturing industries talk about their careers. B

noon – 12:50PM Graduating With your Theatre degree: next steps Presenters: Kim Correll, Jackie Daniels (Dalton State College) Once you have your theatre degree, how do you select a city, pay the bills and pursue a theatre career? Get practical information to help you make good decisions. B

1:00PM – 2:15PM The side hustle: how to supplement your Creative Career Presenter: Hilary Sutton (HSL Creative Enterprises) Waiting tables is so 2017. Creatives of all stripes will learn how to launch a side hustle to generate supplemental income as you pursue your artistic career. G

4:30PM – 5:45PM ready for show Business? Marketing Tools for actors Presenter: Shorey Walker (Actors Connection) Before beginning an acting career in New York or Los Angeles, make sure all your marketing materials meet the industry standard: headshots, resume, reels and more! G

unusual acting Jobs: you’ll Pay Me to do WhaT?! Presenter: Esther Covington (Self-Employed Role Player) What are some outside-the-box ways to serve your community while making money AND honing your acting skills? Guns, handcuffs, prisons, hospitals, interrogations and drunkenness are all included. G

6:00PM – 7:00PM actor for Life: amazing Career Without the drama Presenters: Connie deVeer (Illinois State U), Jan Elfline (Aligned Action International) Ideal for teachers, professional actors and student actors, this session offers tools and exercises to help you prepare for the internal challenges that so often accompany a creative life — including self-doubt, fear and procrastination. a

Stage Movement Continued from Page 7

FrIday, MarCh 9, 2018 noon – 12:50PM Lecoq Improvisation: a space, an event Presenter: David Gaines (George Mason U) 80% of human interaction is about body lan-guage and spatial dynamics. Through playful exercises and improvisation, you’ll notice and use your innate sense of body language and space to interact on stage in a way that tells a clear and believable story. G

1:00PM – 2:15PM don’t Think! do! Clown Technique for actors Presenter: Ian McCabe (Lean Ensemble Theater) Through physical play and Lecoq-based exercises, actors will develop a vocabulary and toolkit for infusing play and physical expression into any performance. Come dressed to move! I

Motion Capture Performance Presenter: Andrew Ray (U of Kentucky) What’s expected of a motion capture actor? Learn about a fast-growing industry and what you need to know if you find yourself in a motion capture studio. G

suzuki express: harnessing the Power of suzuki Principles Presenter: Keone Fuqua (William Carey U) Apply basic principles of Suzuki techniques in a “fast food,” express style, geared toward condi-tioning and harnessing the actor’s emotional and physical power while heightening awareness, focus and strength. G

4:30PM – 5:45PM aCTOrbatics: Introduction to droznin russian Movement Presenter: Carrigan O’Brian (National Theater Institute) Through a series of physical exercises and partner acrobatics, students slowly unlock the body, freeing them up for the work they will need to do on stage. Wear comfortable clothing. B

Fundamentals of unarmed stage Combat Presenter: Steven Schwall (Academy of Combat and Movement Education) Through demonstrations and drills, we’ll cover basic techniques in unarmed stage combat — including the back fall, push/pull, slap, punch, kick, hair/ear pull, and front and rear choke — with a focus on safety and good partnering. We’ll end with a short choreographic phrase. B

6:00PM – 7:00PM action + Quality = Character Presenter: Jesse Graham (Troy U) Explore the use of Archetypes and Actions as a way to tap into your natural impulses on stage. All you need is one line of memorized text, and this fun and improvisational workshop will en-courage your body to talk you into any character you can imagine! G

Knife stage Combat: reach out and Cut someone Presenter: David Reed (U of Central Florida) Expand the limits of safety and distance to examine how untrained characters use our most accessible weapon (the knife) and how we as actors can make the fight feel compelling and dangerous. B

Pirate Fighting: sword Fight Like a Pirate Presenter: Stewart Hawley (Reinhardt U) Learn basic stances, blocks and attacks for the single sword. B

saTurday, MarCh 10, 2018 8:00aM – 8:50aM I Play Therefore I am Presenter: James Peck (Dell’Arte International) How do we recognize the game? How do we as actors invite play into every area of our work so that “serious” becomes “serious play,” and the mundane becomes the jungle gym of the imagination? Come play games old and new to ask the fun question: What kind of player are you? G

9:00aM – 10:15aM Partnering in extremes: Communication With dance and Combat Presenters: Brianna Larson (Arkansas State U), Alexis Black (Adams State U) Join us to explore the possibilities for dynamic storytelling through the use of dance and stage combat techniques, focusing on the powerful physical communication between partners. I

stage Combat/Theatrical Makeup: Cause and effect Presenter: Stephen Davis (Centenary U) First, students will partner up and learn the basics of safe stage combat. Of course, once you learn how to fake pushes, hair pulls, chokes, slaps and punches, you’ll need the fake bruises to show for it! We’ll follow up the basics of trauma simulation makeup. B

Theatre for Young audiences

Wednesday, MarCh 7, 2018 4:00PM – 7:00PM Theatre for youth Festival Orientation Presider: Cassady Gorrell (SETC Theatre for Youth Festival Chair); Production Manager: Chad McDonald (Cookeville Performing Arts Center) Orientation meeting for all Theatre for Youth Festival participants.

Thursday, MarCh 8, 2018 9:00aM – noon Theatre for youth Invitational Festival Presider: Cassady Gorrell (SETC Theatre for Youth Festival Chair); Respondents: Suzan Zeder (Keynote Speaker), Ernie Nolan (Nashville Children’s Theatre) Local children join SETC attendees to watch shows targeted for youth audiences.

4:00PM – 5:15PM Theatre for youth Festival Critique Presiders: Cassady Gorrell (SETC Theatre for Youth Festival Chair); Respondents: Suzan Zeder (Keynote Speaker), Ernie Nolan (Nashville Children’s Theatre) Response session for this year’s festival performances.

FrIday, MarCh 9, 2018 4:30PM – 5:45PM Theatre for youth division Meeting Presider: Amie Kisling (SETC Theatre for Youth Chair) Annual meeting of SETC’s Theatre for Youth Division. This meeting, discussion and planning session is open to all individuals connected with high schools, youth theatre or training programs.

saTurday, MarCh 10, 2018 9:00aM – 10:15aM Theatre for youth Forecast Presider: Amie Kisling (SETC Theatre for Youth Chair); Respondents: Suzan Zeder (Keynote Speaker), Ernie Nolan (Nashville Children’s Theatre) Respondents discuss innovations and interesting issues in the field of theatre for young audiences. G

10:30aM – 11:45aM devising Theatre for young audiences Presenter: Mary Lennon (Virginia Commonwealth U) Take a look into the beginning process of devising a piece of theatre specifically for young audiences. We’ll explore subjects and stories that are important to children today. B

youth director debut Presenter: Matthew Belopavlovich (Patel Conservatory @ Straz Center) You’ve been given your first directing gig and must now lead a group of elementary students to opening night while helping them form a passion for theater. Where to start? Learn tips and tricks. B

4:00PM – 5:15PM 21st Century educational Theatre: We need It now More Than ever Presenter: Frances Furlong (Independent Consultant/Writer) Are you an emerging teaching artist or theatre practitioner who cares about nurturing future generations of theatre artists? Join this open discussion on how to use live theatre to create community and reflect stories of the universal human condition. I

This year, we’re joined by a giant in our field: playwright Suzan Zeder. In addition to leading the Teachers Institute (Page 2), presenting Friday’s keynote (Page 1) and teaching a masterclass (Page 2), Zeder joins Nashville Children’s Theatre’s Ernie Nolan as a respondent in our 2018 Theatre for Youth Invitational Festival. Don’t miss hearing their insights in Thurs-day’s Festival Critique and Saturday’s Theatre for Youth Forecast.

2017 SETC Theatre for Youth Festival, The Red Badge of Courage, Lexington Children’s Theatre

Save the Date!________________________________

70th AnnualSETC Convention________________________________

The 2019 convention will be held a week earlier than usual!

Don’t miss SETC turn 70:

feb. 27 – MaRCh 3, 2019 kNOxvIlle, TN

saTurday, MarCh 10, 2018 8:00aM – 8:50aM sink or swim: early Career advice Presenters: Anne Carncross (Florida Gulf Coast U), Krista Franco (Stetson U), Brian Smallwood (U of Nevada, Las Vegas), Elana Deutch (Brevard Music Festival) Panelists will offer guidance to college students about to enter their new life as a theatre professional. Learn how to navigate your first few jobs and handle your new career path without the safety net of your university. I

10:30aM – 11:45aM What not to Wear: auditions and Interviews Presenters: Amber Marisa Cook (Southeast Missouri State U), Karen Kangas-Preston (Michigan State U) Learn to present your best artistic self, whether at an audition, an interview or a professional conference. Tips to stand out for the right reasons. B

noon – 12:50PM develop your Brand and Market your Career Presenter: Michael McIntosh (Southeast Missouri State U) As an actor, no one will work with you or take a chance on you if they can’t tell who you are. Develop a targeted branding strategy to help focus a successful career. B

hiring Is Like dating: Getting the Job Presenter: Brian Smallwood (U of Nevada, Las Vegas) Confused about what a good cover letter looks like and what to put on your resume? Are you scared that you don’t interview well? Understand the role of the cover letter, resume and interview process from the visceral and relatable perspective of dating. Let’s land you that special employer. G

What I did for Love — and Got Paid For! Presenters: Rick Kerby, Kristin Ribble (Mana-tee Performing Arts Center), Tom Booth (Tupe-lo Community Theatre), Quiana Clark-Roland (AACT), Tom Wisgerhof (Venice Theatre) Practice what you love as a professional working in community theatre. Experienced authorities currently working in the field will share career paths and give insight on how to access artistically fulfilling and lucrative jobs. G

1:00PM – 2:15PM Meet the Theatrical sound designers and Composers association! Presenters: Shannon Marie O’Neill (Louisiana State U), Benjamin Stickels (U of North at Carolina Charlotte), Nicholas Drashner (Kent State U) TSDCA is a professional organization for theatrical sound designers and composers from across the U.S. Learn what we’ve been doing and how to get involved. G

4:00PM – 5:15PM The actor’s Career: Planning Life and Career Presenter: Jane Brody (Retired: Depaul U) A former CSA Casting Director and Master Acting Teacher will help you find a place for yourself in “The Biz.” All levels are welcome! G

a lot can happen between now and March! Use these resources to stay up-to-date on convention information.

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Connect with SeTC on Social Media — #SeTC2018

Connect with SETC on Twitter, Facebook, Instagram and LinkedIn to stay in the loop in the months leading up to the convention.

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Download the SeTC 2018 Sched app — Sponsored by arts People

Create your own schedule, engage with fellow attendees, and get real-time schedule updates. 2018setcconvention.sched.org

Directing Continued from Page 4

saTurday, MarCh 10, 2018 10:30aM – 11:45aM staging Intimacy: Putting Guidelines Into Practice Presenters: Laura Rikard (U of Miami), Chelsea Pace (North Dakota State U), Kate Buselle (U of Missouri) This is a three-part, stage movement, guided experience that will offer students, teachers and directors a chance to put best guidelines and positive language into practice when approaching scenes with theatrical intimacy. B

noon – 12:50PM Casting space: Creating Visceral Experiences via Site-Specific Performance Presenters: Rowen Haigh Mahoney (White Flag Performance Group), Anthony Haigh (Scarlet Cup Theatre) Performance outside traditional theatre spaces provides a unique opportunity to curate a fresh and viscerally moving audience experience. Let’s discuss challenges, discoveries, approaches and innovations in creating site-specific works. G

decoding the director/Vocal Coach Collaboration Presenters: Lauren Miller, Katie Hahn (Texas Tech U) Gain tips and tricks for effective communication and partnership between a director and voice/dialect coach during the production process. I

4:00PM – 5:15PM examining Ourselves: how nonverbal Behavior Impacts Performance Presenter: Cheryl Brumley (Campbellsville U) Theatre practitioners will get an introductory exploration of how nonverbal behaviors can impact our performance both on stage and off, in performance and even auditions. B

10:30aM – 11:45aM discover the Puppet Within: Transforming the Body to Puppet Presenter: Leila Ghaznavi (Independent Artist) Through physical exploration, we’ll create unique and expressive characters with just the body and simple props. These new characters will then interact with others to create short scenes. B

noon – 12:50PM Wanna arm Wrestle? alexander Technique and arm Wrestling for actors Presenter: Thomas Schoffler (WV Wesleyan College) Combining Alexander Technique principles with techniques from professional arm wrestling can forge strong connections between actors in scene work. G

stage Combat Interest Group: saFd Panel Presider: Matthew R. Wilson (SETC Stage Movement Chair, U of Mississippi) A panel on the opportunities available for training and working in Stage Combat featuring Certified Teachers, Fight Directors and Fight Masters with the Society of American Fight Directors. Open to all. Come with questions! G

4:00PM – 5:15PM an actor’s Juggling Primer: Three-Ball Juggling Presenter: Samuel Wallace (Auburn U at Montgomery) Receive basic, hands-on instruction in physical object manipulation as well as handouts to practice techniques at home. All levels are welcome! B

Basic Knife Fighting: Is This a dagger I see Before Me? Presenter: Michael Hill-Kirkland (Regent U) Featuring rubber training daggers, this participatory workshop will expose students to a range of attacks, defenses, safety considerations and story-telling principles. B

soundpainting: Improvisation, Composition and Performance Presenter: Max Reuben (Powerhouse Theater at Vassar College) Performers will learn the gestural compositional language of Soundpainting, which can be used to create improvised performances both in rehearsal and live on stage. G

Theatre Job fairOpportunities by the Numbers:

In 2017, 198 representatives from 98 hiring companies

interviewed 859 job candidates for 2,727 open positions.

Learn more and register at www.setc.org/theatre-job-fair.

2017 SETC Theatre Job Fair, Photo by Mark Mahan