contextual and critical studies

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Contextual and Critical Studies Stage 1 Semester 2 Jan to May 2008

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Contextual and Critical Studies. Stage 1 Semester 2 Jan to May 2008. Reading Images . and Objects. ‘Isms’. 1882 Manet Bar at the Folie-Bergeres Impression ISM. The STORY of Art. Pre-history The Classical Period Medieval Art The Renaissance The Baroque The Neo Classical - PowerPoint PPT Presentation

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Page 1: Contextual and Critical Studies

Contextual and Critical Studies

Stage 1 Semester 2Jan to May

2008

Page 2: Contextual and Critical Studies

Reading Images

Page 3: Contextual and Critical Studies

and Objects

Page 4: Contextual and Critical Studies

‘Isms’

• 1882• Manet• Bar at the Folie-

Bergeres• ImpressionISM

Page 5: Contextual and Critical Studies

The STORY of Art

• Pre-history• The Classical Period• Medieval Art• The Renaissance• The Baroque• The Neo Classical• Romanticism………….

Page 6: Contextual and Critical Studies

Ad infinitum

• Impressionism• Post Impressionism• Fauvism• Expressionism• Cubism• Surrealism• Abstract Expressionism• Minimalism

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Ad infinitismismismism…

• MODERNISM• POST-MODERNISM• POST-POST-MODERNISM…

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“The End of the History of Art ”

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Hans Belting – 1984

“- the commitment to the concept of all-embracing, universal ‘history of art’ –

suddenly strikes us as peculiar”

(H. Belting. The End of the History of Art. 1984)

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“Contemporary art is too pluralistic in intention and realization to allow itself to be captured along a single dimension”

Danto. 1997.

there is “a recent loss of faith in a great and compelling narrative, in the way things must be seen” Belting. 1984.

Page 11: Contextual and Critical Studies

the objects and images of the past can be, and have been, “read” in an increasing number of different ways - “no single approach can

be definitive” (L. Schneider Adams. 1996)

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“When an article analyses the images of women in paintings rather than the qualities of the brushwork, or when a gallery

lecturer ignores the sheen of the Virgin Mary’s robes, the new art

history is casting its shadow”

Rees, A. and Borzello, F. 1986

Page 13: Contextual and Critical Studies

Returning the male ‘gaze’

Page 14: Contextual and Critical Studies

….society uses design as a mode of social communication”

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Contesting contemporary power

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Hans Belting

“Our theme is rather the emancipation from received models of the historical

presentation of art….”(AND design)

The End of the History of Art ? 1984.

Page 17: Contextual and Critical Studies

Looking and Seeing more than before….?

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Some writers, some perspectives

• Clement Greenberg • Le Corbusier • Roland Barthes• Robert Venturi• Walter Benjamin• John Berger

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Lecture and Seminar 1• Lecture 1• Monday, 4 February• 1.00pm• Lecture Theatre 225, Business School

• Seminar 1• Wednesday 6 Feb or Wednesday 13 Feb• Come prepared, having done the reading