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Page 1: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,
Page 2: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

CONTENTS

Chairman's IntroductionSecretary-General's PrefaceDepartmental Report sScotlandWale sCounci lMembership of Council and StaffAdvisory Panels and CommitteesStaffAnnual Account sFunds, Exhibitimis, &-he»us and Awards

;,ia : .i . :,•ccountable

3

t o6 provide ParhoinL•nl anc

public15 with an overvie x of t he % .3

}rh and t orecord all grants andsfWAr<anLLu offered i n

16 support of the arts.1 718 A description of the highlights of th e19 Council's work and discussion of its policies24 appear in the newspaper Arts in 21 r6an25 which is published in conjunction with this

Report and can be obtained, free of charge ,from the Arts Council Shop . 8 Long Acre ,London WC2 and arts outlets throughou tthe country .

The objects for which the Arts Council i sestablished are :1 To develop and improve the knowledge ,

understanding and practice of the arts :

2 To'uncrease the accessibility of the arts tothe public throughout Great Britain ;

3 To co-operate with governmentdepartments, local authorities and otherbodies to achieve these objects .

Page 3: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

CHAIRMAN'S INTRODUCTION

On March 301984, the Arts Councilpublished The Gbon~ q (the Garden, the firstmajor strategic review of the Council' s

mrk in the 40 years of its existence . Th ert °. I t-W a rgued the case for regiona l

c v, I-,,mxfnt and the need to strengthe npartnerships in funding, particularly thos ewith kx'al authorities .

The Arts Council has worked with othe rbodies interested in funding the arts sinc eits inception - charitable funds, busines s,pons ,rs and the other main source o fpublic funds, the local authorities . Thisform of partnership becomes even moreimportant when central governmen texpenditure is under tight control .Fortunately . there are signs of success indeveloping these partnerships . Local.iuth~,rities put £2 million of new money t omatch the £2 million of savings which th eArts Council was able to devote to regiona ldevelopment in 1985/86 . The Office of Arts

and Libraries provided an extra £1 million .

The development of business sponsorshiphas also been very encouraging . Ten yearsago, business support for the arts wa srunning at only £600,006 a year . The figurenow stands at £17 million and a furthe rincrease is expected in 1985/86, Obviously ,some of our clients are better able to secur elocal authority or business support thanothers . Until recently, business sponsor shave been somewhat wary of experimentalwork, though IBM's support for Londo nSinfonietta shows that at least one majo rsponsor is prepared to help contemporarymusic .

The input from local authorities an dbusiness sponsors is very important .However, we still face the problem ofmaking our grant cover the urgent needs ofour existing clients, without totally cuttin goff new development. It certainly is no ttrue in the arts that existing work is alwaysof a higher quality than new work .

The general quality of the arts in Britainremains very high despite the shortage ofmoney . In drama, the regional theatres aredoing extremely interesting work, oftenclosely related to the needs and interests o flocal communities . The leadership given b ythe National Theatre and Roya lShakespeare Company also continues to beof the highest order . The RSC's Stratfor dperformance of Richard III in 1984185 wa swidely described by critics as the play' smost successful production since LordOlivier ' s classic performance nearly 4 0years ago .

The Royal Opera House and EnglishNational Opera continued to giv eperformances of the highest standard

Opera generallyproblems which the A r CI ,_,n, i , .1 ,only partly meet, but the quahrY +-~t th( -major opera companies' work outsic il uLondon was still outstanding .

Although we have to make judgementsbetween companies, the Arts Council isvery conscious that it exists as a servant ofthe arts - a difficult role in a period o ffinancial stringency . It is hard to judge th eprecise progress of the arts each year bu tthe British theatre now clearly has a depth ,richness and quality matched in only a veryfew periods of theatrical history . Withou tArts Council funding, much of the bes twork simply could not be done . Dance hasan enthusiastic audience and flourishes in awav that would have been unthinkablewithout our support . The same is true o forchestra] music, and the hundreds ofthousands who attended the Renoirexhibition show the immense interest ingreat paintings.

All of this is a great strength of thecivilisation of Britain . The outstandingquality of the arts is undoubtedly a majo rattraction for the 12 million visitors wh ospend around £5,000 million in thi scountry . The work of the Arts Council istherefore a very advantageous investmen t- both in Britain ' s economic developmen tand, even more significantly, in thedevelopment. of British culture .

William Rees-Mogg

Page 4: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

JORtETARY-GENERAL'S PREFACE

The doctrine ofthe subs* has much tocommend it. It assure OW all the moneyallocated is subject io annual control byParliament; it is, theomcdwllx hosed upon acalculation of actual need; and by its shortMm nature it restrains the beneficiaries fromdevelopinggrandiose ambitiwm . . . Yetdespite these careful calculations, the moneyneeded to crow the ascertained needs of thearts is neuerforthcoming-and the adent towhich the Anfs G%mcil is unableyearafteryear, to offer its associated bodies the subsidiesthey need is regularly reflected in the balancesheets and the anxieties of these bodies.

So what's new? Every word of the aboveparagraph was written by one of mypredecessors thirty years ago . Style ratherthan content is the only clue to its age. Thedoctrine of subsidy does have a great dea lto commend it - and we needs mustdefend it as the best possible base on whichto build a flourishing artistic life for our

country . However, the Counci lunable to meet the needs of its diei its, an din 1985 . long-standing concern for the

health of the arts turned to a very real fearfor their future . When I became Secretary-C,eneral in 1983, I was determined not t oconstantly bleat on about the lack of mone yf or t he arts . I t seemed to me that there wa s

1 :lt 101 fora more positive and aggressive11xro tch . Develop and maximise all,, H . ~ - i itln(ling for the arts, sharpenr.u F•: i }R -kith, augment promotion of the

t ; nd siren )Trhen administration - bu t!' _ 11

'W hingellig .

What do I see today from my privilegedview of the arts? On the whole, well runadministrations serving imaginative andexciting artistic enterprises . I see agrowing involvement of local authorities, adeveloping commercial support, better bo xoffice (five million more go to the theatre inBritain than to soccer matches) and anexport market that is the envy of the world .

`I However, this small but highly successfulpart of Great Britain Inc, is once againunder threat through lack of investment ,and however positive I want to be about th earts I cannot avoid or ignore this fact .

1984185 began with the publication of TheGlory of the Garden, the Council's ten-yeardevelopment strategy . While the documen twas praised and welcomed by some an dcriticised and deplored by others, we werestill able to announce the first phase o f

development at the close of the year. Thetotal £5 million package included £2 millionof new money from the local authorities .Having been involved in many of thediscussions with local authorities over th epossible matching of Arts Councildevelopment money, I would like tocongratulate and thank those authoritieswhose vision and commitment led them to

respm ;, t !

i,, :1 unges laiddown in 71r: G .

(,_~ i~a n . Ourability t1)C11'.13:,rkI-1 ti ;~ ,

and phase of'Glory ' will depend largely on theresponse of Government - but that will befor a future report .

The effects on the arts of abolition of th eGLC and the Metropolitan Counties ha scontinued to preoccupy us throughout th eyear. I wrote in the last annual report of th eCouncil's deep concern at the effect thi sabolition will have, and twelve months on, Ican only say that this concern ha sdeepened .

During the year, I asked my Deputy ,Richard Pulford, to take on the task ofpreparing for the Council's assumption ofresponsibility for the South Bank, inaddition to his usual duties . He has nowrelinquished his responsibilities as DeputySecretary--General, after six yearsoutstanding service to the Council, t odevote all his time to the South Bank . On apersonal note, Richard's wisdom, humou rand grasp of complex issues have mad ehim a delight to work with and l wish himwell in his new post.

The organisational review begun in theautumn of 1984 is still in progress andcomment on its conclusions mus tnecessarily be included in a future report .My staff have responded very positively tothe review, and their contributions areproving invaluable to constructive debateon the many complex issues that hav earisen .

The Glow of the Garden, the abolition of theMetropolitan Counties and th eorganisational review have combined tomake this a particularly difficult year for

Page 5: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

&cretan .-Gemcral 's Preface

the Council and its staff . Theannouncement in December of a below-inflation-rate increase for 1985186 and th every public row that followed have notdone anything to make life easier, but wewill continue to do our best to help ourclients through this period of uncertainty .

Like so many before it, the year tinde rreview is marked by successes achieve ddespite a continuing and debilitating lack o finvestment .

In drama, IS productions from theatressubsidised by the Council played inLondon's West End, with five shows being

transferred from Leicester Haymarketalone . Three of the transfers - SloppingChit (from Leatherhead). L~ 'n ' L nder(Hul lTruck) and The Himd Morn (LeicesterHaymarket) - along with the Nationa lTheatre's lVild Hon ty won eight of th eStandard Drama Awards and the Society o fWest End Theatres' Lawrence OlivierAwards between there .

England's regional orchestras -particularly the City of BirminghamSymphony Orchestra - had anotheroutstandingly creative year, while EnglishNational Opera further enhanced it sreputation for innovation with a series of

fine productions, including Janacek's Ossdand Handel's Xe ixes.

The Sadler's Was Royal Ballet productionof SImping Beauty was a highlight of th eyear in dance . Premiered in Birmingham, italso toured nationally .

The Hayward's Re;wirproduced a plethoraof mind-boggling statistics, including sale sof 50,000 catalogues - weighing a total of52 tons ?

There is no doubt that the development ofthe arts in the regions has been enormousin recent years . The Regional Arts

Page 6: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Secretary-Geneml's Preface

Associations submitted some excitingproposals for development in response t oThe Glory of the Garden and we all regretthat financial limitations prevented the 'Council from responding to the RAAs ideasin a way we would have liked . However,£1 .1 million of development money ha sgone to the RAAs and future reports will beable to chronicle the developments tha tresult . Each month, I have made a two-da yvisit to an RAA, and I never cease to beamazed at the breadth and variety ofartistic activity now being encouraged andsupported . Highly committed andprofessional groups of workers are taking amyriad of artistic experiences into schools,

onto housing estates and to shoppingcentres. It is they who are creating th eaudiences and performers of tomorrow, b ymaking the arts fun and accessible .

During the year, an unprecedented meetin gof theatre directors passed a motion of n oconfidence in the Arts Council - thushighlighting the Council's problem ofbalancing the confidence of whatevergovernment is in power with that of theartistic community . I believe the theatredirectors would be justified in their fears i fthe Council were to lose the confidence ofgovernment and detrimentally affect thegrant .

The Arts Council will never pleaseeveryone, but that is nothing new, as thefirst paragraph of my preface shows .Problems have to be faced if solutions areto be found, and we can certainly weatherthe criticism if, in the end, we nurtureconditions in which ever more people ca nbe touched by the arts .

Luke Rittne r

Queue for a view. The Hayward's Renoir.PhOtY Stuart Franklin

Janet Smith dances Tchaikovsky's Con Spirito.Photo: Philip Grey

Luke Rittner examines the art of tomorrow,during a visit to St . George's Middle School,Dersingham, Norfolk .Photo: Peter Bird

Page 7: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

DEPARTMENTAL REPORTS

ART

The Council's exhibition of the vear wasundoubtedly Renoir at the Hayward .Attracting a total of 364,430 people . Renoirwas the most popular exhibition in theHayward's 17-year history . The ArtsCouncil organised the exhibition incollaboration with galleries in Paris an dBoston, and IBM sponsored its threeshowings .

The gallery's 1CW6was the Romanesqueexhibition of a lifetime, the culmination o ftwelve years ' planning; Afatisse : s 7dptureand dmicings resulted from a collaborationwith New York's Museum of Modern Art;and the exhibition ofphotography by josohKoudclka met with great critical acclaim .

The Serpentine's Cam exhibition wasshown in Manchester and Leeds beforebeing taken to Germany by the BritishCouncil; its Recalling the Fifties wasapersonal selection of the decade's Britis hpainting and sculpture by BryanRobertson ; while Hanreand Abroadpresented recent acquisitions from both th eArts Council and British Counci lcollections .

1984/85 was also significant for th eCouncil ' s crucial success in attractin gsponsorship . A total of £295,685 wa sachieved from twelve companies, and the£15,000 Citibank contribution to the B;*ishArt Showwon an additional £5,000 awardfrom the Arts Minister's new BusinessSponsorship Incentive Scheme . Thisexhibition of British contemporary artfeatured the work of 82 artists, and wasshown in Sheffield, Southampton ,Edinburgh and Birmingham .

Stephen Taylor-W(x&ow's Ttu 't'nl~lvrh Vu ufrom the British API .Shan:Pludo. Alayiin 11kasrr

Preparatory negotiations took placethroughout the year for the first phase o fthe gallery development strategy outline din The Glon , of the Garden . This paved th eway for a new partnership between theCouncil and local authority galleries, withthe Council providing programme fundin gon a matching basis for the first time .

During the year Art Wilhin Rrach waspublished by Art Monthly, for the ArtsCouncil and the Crafts Council . Widelydistributed, it brings together critica laccounts and documentation on public ar tprojects and is designed to encouragecommissions to artists by local authoritie sand private companies .

PhotographyThe Council continued its support for ThePhotographers' Gallery• and Camerawork ,as well as Creative Camera, Ten 8 an dScreen magazines, while Impression sGallery was devolved to Yorkshire :Arts .

An £8,000 grant enabled the Triangle Art sCentre at Aston University to open a newphotography gallery- - the only on ebetween London and Sheffield - while agrant of £3,800 contributed to MartinParr's self-published book A Fair Lki.y,Photography of the West oflreland, whichsold out its first edition within the year.

Arts FilmsIn June, the British Film Institut epresented one of its 1984 awards to th eArts Council for the work of RodneyWilson and David Curtis of the Council' sFilms section . The award commended theCouncil's support for the production,distribution and exhibition of independen tfilm and video.

The films funded during 1984/85 testify tothe wide range of creative film-makin gsupported by the Council : JessvcNunnan, aprofile of the black opera singer, is the firs tfilm co-financed with the BBC and is du efor transmission in the spring 1986 series o fBBCl's Omnihu.c : a film on the avant-gard ecomposer Garin Bnars, was co-financedwith Channel 4 ; and Steve lhvoskin 'sDance Black explores the largely forgottenhistory of The Ballets Negres, a London -based black dance group active from 19,1 6to the end of the 1950s .

Page 8: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

A.jw tmottal R(ports

David Glad in 171,

rr :i .u _lA,i;, -hii ., . `'.!~ L~~nron ft~tet:i :.ttf~irrtl Nlnm- F(->'- ; . . :' .

Nott+ : Unr Cn z a

DANCE AND MIME

One of the highlights (if tilt- year was th eDance Panel's announcement of thei rstrategy for the next five years - TheU °r~>laprrurntoj Ikrrtcr acid Mine in England .The measures outlined will cost far morethan the 1985186 development monieswhich the Council was able to allot to danceand mime, and will go only part of the wa ytowards redressing the lack of investmen tin dance emphasised by the Opera an dDance Enquiry of 1983 .

The strategy's basic recommendations ,some of which are already beingimplemented, include : encouragin grevenue companies to establish closer linkswith specific regions - in addition to thei rnational touring ; ensuring a fairdistribution of touring to large and middle -scale theatres ; strengthening education andoutreach work ; building up the animateurmovement to a national dance service ;fostering creative work and the marketin gtechniques needed to sell it effectively ;helping to establish Mime, possiblythrough revenue grants and more trainin gopportunities ; reinforcing th eadministrative back-up for the growingnumber of Asian and African dancegroups; nurturing choreographic talentthrough training schemes, and attractingmore musicians and artists to work indance . The Panel also urged adequatefunding for the four dance companie ssupported by Regional Arts Associations .

During the year the Council commissione da National Dance House Feasibility Study ,T1w Tuns o} Dance a by John Drummondand Nicholas Thompson, highlighting theessential need for both large- and small -scale companies to have a central focus, ifdance is to receive the recognition itdeserves as an art form of great depth and

range . Such a development will requireconsiderable new resources .

The year's notable events included, inclassical ballet, the Sadler's Wells Roya lBallet's participation in a valuable newdevelopment - the Council's first classica lballet Dance Artists in Education Scheme .London Festival Ballet has come to lifeagain under its new Director, Pete rSchaufuss, and the Council is delighted bythe new artistic initiatives which areshowing good results at the box office .

Resuscitation of the Mime Festival inJanuary- and February showed a diversityof talent working on tiny grants andattracting new young audiences . It alsorevealed the continuing identity problem o fwhat is, and what is not, mime .

The Council is additionally encouraged bythe increasing audiences Ballet (lamber tand London Contemporary Dance Theatr eare attracting to modern dance and have

urged them to give more performances i nthe largest theatres .

New initiatives which feature fine artist sdesigning for dance are welcomed by theCouncil . However, it recognises theproblems that can occur if there is no truecollaboration between the artist an dchoreographer from the conception of thework .

1984185 also saw the Council support a full -length Indian classical ballet for the firs ttime . Mougli - based on the stories ofRudyard Kipiing - was organised by theAcademy of Indian Dance and brough ttogether different styles of classical danc eon one stage . Featuring original music andcostumes from India and twelve o fBritain's leading artists, the productio naimed to make Indian dance moreaccessible to the general public . Mouglitoured Central London venues in the springand a regional tour is being planned forlater in 1985 .

Page 9: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

apartnzentaI Repcvh;

DRAMA

Despite the continuing upward trend inattendances, many companies facedanother financially difficult year. One of th eresults of this has been a marked growth i nthe number of companies pooling resourcesfor their mutual benefit and to achievemore satisfying levels of work . In mos tcases, a larger company has hosted asmaller company's work prior to its tourin gnationally . Leicester Haymarket are th epacesetters in this field, collaborating withFoco Novo, Paines Plough and tw ocompanies funded from the Council'sProjects Allocation -- Bristol Express, aspart of a triple partnership with the Englis hStage Company and Open HeartedEnterprises . Birmingham Rep initiated tw oco-productions in its Studio with small -scale touring companies, Foco Novo andMonstrous Regiment .

Still with an emphasis on touring, Hul lTruck have had a year of remarkableachievement with tours of 13oxnrers,Septertthcr in the Rain and Creonp all beingseen at the company's Sprint; Stree tTheatre base and on tour. The company'sUp 'n' Underwas seen in Hull, tourednationally and had two successful season sin London, where it gained the ticxiety o fWest End Theatres' Lawrence OlivierAward for Best Comedv of the Year .

The year has also been significant forYoung People's Theatre. In July, as a resul tof close collaboration between the ArtsCouncil and The Council of Regional Art sAssociations, a major conference, Theatreand F41m-heat took place at NVarwickUniversity . This was the culmination of aseries of regional conferences held t oexamine the provision and status of theatrefor young people in England . Practitionersfrom the fields of both education and the

theatre attended and there was vigorousdiscussion about the need for greaterrecognition of the high quality of work tha tis often presented in schools and theatres i ndifferent parts of the country . Provision i spatchy and the conference made a numbe rof resolutions aimed at improving th eposition of theatre for young people in all it sforms. Since the conference, the Art sCouncil and the RA-As have been workingon a joint policy paper which will seek to se tout strategy for the development of theatr efor young people over the next few years ,

Despite minimal subsidy increases and th efinancial attractions of television - which

holds too many artists and theatre worker sin London - the quality of work in Englishregional theatre continues to be a source o fgreat pride and satisfaction, also making amajor contribution to England's touris tindustry . But this is achieved at a cost, an dit would be folly to be complacent . Th egeneral level of salaries to performers an dothers who work in publicly funded theatr eis still perilously low, although theCouncil's new strategy will make a starttowards remedying this in some areas in1985. Unless that start can be maintainedand expanded, the effects on the theatre a sa whole will be very damaging and thesituation could become irremediable .

thill "Truck tour John ( ;(O pr's 1 ! r 'n' I )idrr.

Page 10: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Departmental Reports

FRO MGREENWICH

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FORTUN E

I'RODLICTI()NSFRON TI1I:ATRESSLIBSIDISEI)Ii)'TIIEART SCOUNCII . I'I .A1"IN(; IN LONDON'S %%"EST END t)t'RItiG 198.1185 .

Page 11: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Departmental Reporta

EDUCATION

I964ir 5 has p rfpiaaNY teen the husicsl %-ea rso far for tht~ Council's work in education .A budget increase from £85,00l in 198318 4to £1 60,000 enabled a small expansion o fthe Council ' s directly organised activityand, more significantly, of funding for theeducation development projects of th eRAAs, clients and other arts organisations.All projects have attracted a significan tproportion of their funds from localeducation authorities and other sources .

In music education, the list of project ssupported included a week-long visit by th eRoyal Philharmonic to the Northern Art sregion ; the setting up of musiciansresidencies at Newton Aycliffe Hospital fo rthe mentally handicapped in CountyDurham and the Beaford Centre in NorthDevon : projects involving Bournemout hSinfonietta and the Guildford Philharmoni cin the Southern Arts region ; and aneducational programme devised by theCity of Bradford :`'Metropolitan Council an dAndrew Peggie, using the NorthernPhilhannonia . Opera North has extendedits education work with the appointment o fa Community Projects Organiser and KentOpera held a series of experimenta lworkshops at six Isle of Wight schools .

Six innovative projects took place unde rthe Jazz in Education Scheme, which i sdesigned to involve the widest possiblerange of ages and abilities in understandin gand enjoying jazz .

A close and constructive workin grelationship with the RAAs has beendeveloped throughout the year, with manyof the Associations taking a fresh look a ttheir education work and policies . Eas tMidlands Arts followed an earlierconsultative conference with the

publication of a policy statement, heldseminars on its implications for specific ar tforms and produced an educationnew•sheet . The expansion of work has ledto new arts education posts at WestMidlands Arts, the Wells Centre, Norfolk(through Eastern Arts) and Cumbria' sRosehill Theatre (Northern Arts) .

This was also the first year of funding fo rphotography education development .Cambridge Darkroom are establishing a nenterprising education programme, and aPhotographer-in-Residence has bee nappointed at the Blackfriars Arts Centre, inBoston, Lincolnshire . Kendal ' s BreweryArts Centre has mounted an imaginativ eseries of inter-media workshops linkin gphotography with other art forms, an dPhotogaHery in St Leonards-on-Sea, EastSussex, is setting up an extende dprogramme of work with local schools .

The Council also mounted three major

Theatre C , ntre's 15trlrr Eg)u :iin at theThcatrr in Educalieni conlrrc[ir vphoif Jaw flag i .

conferences during 1984185 . Theatre inEducatimt : a national con ewwr wasathree-day meeting at Warwick University .bringing together over 150 theatr epractitioners working for young people,local education authority representative sand funding bodies (see Drama report).

Better communication and closer co -operation were the key objectives of th eone-day conference, Working Together,Independent Booadca ng, The Arls andBdurahon, jointly organised with the IBA .A wide range of delegates frombroadcasting and the arts, discussed way sof developing collaboration .

Photography in Eduratimi was a one-dayconference at the University of London i n'.March . It considered the findings of JimHornsby in the Council's 1n& pen.den tPhotograp ; y and Photographyy in Fdiwationreport and considered strategies fordevelopment .

Since May 1984, Peterborough and threeof its outlying towns have hosted The Artsin Hereward Countig, a pilot projectinitiated by the Council and the IBA . Thescheme is designed to establish a model fo ra local-based open-learning systeminvolving artists, arts organisations, adul teducation and local radio . A full report onthe project's effectiveness and implication swill be provided .

1984 also saw the first of what is hoped willbecome annual meetings with senio rmembers of Her Majesty's Inspectoratewith responsibility for the arts : and, amon gother collaborations with national bodies ,the Senior Education officer took part in athree-day seminar organised by the newl yformed School Curriculum Developmen tCommittee, which planned a three-yearproject for the development of the arts inschools .

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D~Nrtmen421 Reports

LITERATURE

Perhaps the most unusual of the Writer-in -Residence awards made by the Councilduring 1984, 185 was the grant of £6,750 tothe D 13 Lawrence Centenary Festival ,enabling the appointment of novelist an dpoet Glyn Hughes for one year. Th eFestival is being held to commemorate thecentenary of Lawrence's birth o nSeptember 111885, and Glyn Hughes hasbeen based at his predecessor's birthplacein Easnvood, Nottingham . As well asstimulating an interest in literature in the

surrounding communities, Glyn Hughes iscontinuing work on his fiction trilogy, thefirst volume of which, The HawthornGrxWm, has already been published . Thesecond volume, The Red FGnuer, is a storyof mill workers, set in 1812 against abackground of Luddism .

In addition to the continuing annual grant sto the Poetry Society, Poetry Book Society ,National Book League, Arvon Foundatio nand a number of literary magazines an dnon-profit-distributing publishers, specialgrants were made in 1984/85 to many of

the Regional Arts Associations from th eRegional Initiatives Fund . The intention ofthese grants was to enable RAAs todevelop their support for literature mainlyby the introduction of new schemes .Eastern Arts were able to support a literarydistribution scheme at Colchester's St .Mary's Arts Centre; East Midlands Artsfunded a writer's attachment at BBC localradio stations in Leicester, Northampton ,Derby and Nottingham; and Northern Artsinitiated Northern Writers' Week andattachments with the National Union ofPublic Employees and at Durham prisons .In addition, the Yorkshire, Northern ,Merseyside and North West ArtsAssociations combined to support a literarydistribution project for Northern England .

The year also saw responsibility for theadministration of the Poetry Book Societytransferred from the Arts Council to th ePoetry Society .

The Writers' Bursaries and Travel AwardsScheme attracted a wide diversity an dexcellent standard of applications during1984185 . Writers ranging from youngnovelists like Janni Howker and KazuoIshiguro, to poets in mid-career like DerekMahon and David Harsent, and to suchestablished writers as Charles Causley ,Gavin Ewart and John Wain were able tobuy time to work on specific projects.Among the writers who received trave lawards were the poet James Berry, t oreturn to his native Jamaica to make freshcontact with its language and landscape,and the young Nigerian novelist, Ben Okri ,to visit Nigeria to research his third novel.Paul Hyiand's bursary enabled a journeyup the River Zaire to retrace the steps ofJoseph Conrad . Roger Casement and oneof his own ancestors, while Denis Hills' wasfor a visit to Poland to research a book onthe country's history, culture and politics .

Page 13: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Departmental Reports

MUSIC

The Annual Rk poz-t for 198 :1i51 referred tothe high quality of England's orchestras ,and orchestral matters continued t ocommand much of the Council's attentionduring this financial year . The Glnny oP theGarden contrasted orchestral provision inLondon with that in the regions, andproposed a greater investment in th eregional orchestras . It suggested that th eCouncil might usefully limit its subsidy t othree rather than four orchestras inLondon, and as a result, some months werespent on an intensive assessment of each o fthe four London orchestras . The problemhas an additional dimension in that theLondon Orchestral Concert Board, throug hwhich the arts Council and GreaterLondon Council subsidise the Londonorchestras, will cease to exist with th eabolition of the GLC in 1986 . After carefu lconsideration, the Council agreed t ocontinue its support for all four orchestra sin 198x/86, but at a reduced level . Th epresent indirect support becomes direc tsubsidy from 1986, and the Council ha stherefore advised the orchestras of severa lconditions to be attached to future gran taid, which they have readily accepted . TheCouncil believes that with adequateresources, these new arrangements wil llead to an improvement in the capital' sorchestral life and to greater stability forthe orchestras .

The Council also undertook a separate an dmajor study of orchestral provision in theEastern regions . This arose from aproposal in The Glen- of the Garthn that anew orchestra be established there ,possibly in Nottingham . The Council hasreceived a report which recommends boththe establishment of a new orchestra ,planned in an excitingly original way, and anew scheme for making better use of

existing orchestral resources in Londonand the regions through co-ordinated an dsubsidised touring . The Council hopes tha tboth proposals will be realised, though thetime-scale and priorities will deman dcareful consideration . Progress with theseinnovations will only be possible if theCouncil is able to increase its allocation fo rorchestral music .

The year also saw a heartening increase i nattendances at the Wigmore Hall, which ismanaged by the Council . From Septembe rto January, attendances were 7 0% upo nthose for the same period in 1983/94 ,figures which themselves represented anincrease of 17 1y% on 1982/83 . The Hall' sown series proved once again to b eextremely popular, with the newly-revivedLondon Pianoforte Series averaging 9 Vii

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of capacity and the Master Concerts andSong Recital Series each averaging 86'?0 .Twenty concerts were sold out during thi speriod, including two three-concert serie sgiven by pianist Andras Schiff and baritoneHermann Prey . The Early Music seriesalso attracted consistently large houses ,reflecting the continuing growth of interes tin music of this period .

There was also an impressive 21% increasein attendances at concerts organised by theCouncil's Contemporary Music Network,which took ten tours to 26 towns for 79performances. The season included firs tperformances of works by Robert Saxton ,Douglas Young and Soviet compose rEdison Denisov . Two foreign groups, theUnited Jazz and Kock Ensemble and theDutch jazz/wind band Orkest d eVolharding, were touring Britain for th efirst time.

The only group not to play London was th eOpera Factory- and Endymion Ensemble ,whose remarkable production of Harriso nBirtwistl e ' s henc h and jtufv was limited fo rfinancial reasons to eight performances infr,r.3r town, . Some of the LondonSinlonietta's performances of Messiaen' s11c~ rrr r : ow s ar e~ clr,il~<+ were mounteda itltin thc•,llbscription series of major()n hw st ral promoters such as the WesternOrc hesr.ral society, who att racted 1200people to the Colston Hall in Bristol .

The Early Music Network, which is run bythe Earle Music Centre, enjoyed anotherLuccessftil season with bookings frommany new promoters, particularly i nScotland and Wales . Audience figures wereColisistent .ly good with the Netlvork ' s firs tmiddle-,tale tour undertaken by th eEnglish Concert sponsored by Nationa lWestminster Bank - selling out at all bu ttwo venues .

Page 14: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

1_ rpap lmentnlReports

REGIONAL

The Regional Planting nit's %c• .ir wa ssubstantially occupied in implementingThe Glom of I& Garden particularly th eassessment of RAA developmen tsubmissions and negotiations with the localauthorities . The RAAs' development plan salmost certainly constituted the largestsingle consultative plan for the artsundertaken across the country . The yresulted in such major surveys as Arts inthe South West and detailed county planslike that in the East Midlands . They allserved to strengthen even further theRAAs' relationships with their localauthorities and their status as an essentia lpart of the fabric of national arts funding .

1984185 saw some notable successes intouring. The National Theatre's record -breaking tour of She Stoops to Conquerattracted attendances of over 14,000 i nManchester and Sadler's Wells RoyalBallet achieved even bigger audiences inBirmingham for the premiere of its ne wSleepingBeauty . The Manchester RoyalExchange took to the road for the firstnational tour in its mobile theatre with amuch praised production of Hamlet and Si rAnthony Quayle's Compass Theatre begantouring with support from the Arts Council .The latest addition to the country's circuitof major touring theatres - the ne wMarlowe Theatre in Canterbury opene dto large audiences, including those for KentOpera's highly acclaimed KingPriarn . Thethird part of Welsh National Opera's Rin gCycle, Siegfried, opened in Cardiff and

Cambridge Theatre Group (now theTouring Theatre Group) undertook its firs ttour for the Council . In a notable year fo rtwentieth century opera. Glyndebourn eTouring Opera's commissioned operasfrom Oliver Knussen stood out .

Devolution was another important featureas the funding of more community artsprojects became the responsibility ofRAAs . A happy example is that of Aklowa ,the African Dance Company based inTakeley, Essex . The company will

A scene from Nichol . is I Iy-tner' s productio nKing h-irnl for Bent opera .I'tuPhn h'n,rT d; 11 , It

continue its national workshop andperformance programme and now developstronger links with schools and communit yorganisations in their own area, with helpfrom Eastern Arts .

The Council's support for performance ar talso underwent a major change . No longe rare tiny sums given to a wide variety ofindividual artists and small groups . From1985186, subsidy will be offered to venuesto allow them to develop a coheren tapproach to performance art work bot hthrough planned programmes an deducational development .

Arts Centres have been supported throughthe Council's association with theirNational Association and its continuin gsupport for major arts centres. Thewithdrawal of grant to Riverside Studiosbrought an unhappy end to the lon grelationship since its inception .

Ethnic minority arts, always a concern o fCombined Arts, has become anincreasingly important area of activityfolirwing its identification as adevelopment area in The Glory of theGarden and the priority given to the work ofBlack and Asian artists and art sorganisations by the Regional ArtsAssociations .

In Housing the Arts, the year was largel yoccupied with winding up the capita lprogramme and beginning planning for afuture advisory and information role .

Page 15: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

TR.AININ G

The Council supported four major ne wprojects in 1984185 - two short-ter nevents and two long-term schemes .

It funded a three-month trainingprogramme in Tabla playing, organised byArts Worldwide and based in London .Birmingham and Manchester. The highly -respected Indian teacher Latif Khanprovided advanced tuition for establishe dBritish players and more basic training fo rless experienced students . The project was,also designed to assess the demand for thistype of training around the country .

In March I9h:i, the first British School ofCircus and Performing Skills took place attwo London venues . 18 experiencedperformers with backgrounds in dance .mime, clowning, street/comin unity an dphysicallvisual theatre received intensiveadvanced tuition from internationallyrecognised exponents of the trapeze, w•ire-walking, juggling, acrobatics and JapaneseButoh .

Both of these projects were jointly funde dwith the Gulbenkian Foundation .

Two longer-term schemes were alsoestablished . Bursaries in Touring

Marketing and Publicity enabled threerelatively inexperienced artsadministrators to undertake speciall ydevised training programmes in marketin gwith Dance Umbrella, the Roya lShakespeare Company and Welsh Nationa lOpera/Cardiff A_ns'.14arketing for one year .

In addition, two 45-week TheatreElectrician traineeships were established i nconsultation with the Drama Department.Based at Leeds Playhouse and HampsteadTheatre, the traineeships providedadditional experience with tourin gcompanies.

The Council also extended two of itsprevious innovations . Three bursaries i nExhibition Organisation were offered forone year - an experimental comparisonwith the two-Year programmes previousl yan-anged at municipal galleries withpermanent collections . The hosts wereArts Council funded regional galleriesconcentrating on temporary exhibitions o fcontemporary art : The Museum of ModernArt, Oxford ; Southampton's John HansardGallery ; and the Norwich School of ArtGallen .

In the field of Mime, two young artist sbenefitting from the Advanced Mim eBursar Allocation (initiated in 1983184 )were able to complete a second year ofadvanced training at different schools inParis .

Both the Training staff and Committe ewere heavily involved during the year indevising a completely new Training Polic yand framework for Council provision ,taking into account policies outlined in Ilu ,Glon- (~he Garden . Implementation beganin April 1985 and a policy booklet i savailable free of charge from the Art sCouncil .

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Page 16: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

ILOT

F}tllerdetails are givm in the $mttish Arts Omnefl's aura Annual fto?l, published separately.

In June 1984, the Scottish Arts Counci lpublished The Next Fity Years, its review o fpolicies and priorities for the second half ofthe decade . Amongst the Council'sdeclared emphases was the development o fa more broadly-based public for the arts ,with particular reference to young people .

1985 has been designated United Nation sInternational Youth Year, providing a focusand an opportunity for a fresh emphasis onthe encouragement of a new public for th earts .

Already, there are some fine examples ofcommitted work in this area . A number ofrepertory theatres and touring dramacompanies have developed programmeswhich actively involve young people intheir activities . Youth theatres, includin gthe lively Orkney Community Yout hTheatre, are flourishing . Dance throughoutScotland has won a growing and dedicate dfollowing of both participants an dspectators, encouraged by the work ofScottish Ballet and the community dancemovement. Youth orchestras, supported bythe Scottish Education Department, loca lauthorities and sponsors, have achievedhigh standards . Traditional music,including piping, fiddling and clarsachplaying, are growing in popularity .Community arts organisations, many nowconfidently established in their local areas ,have offered a range of opportunities an dexperience for children and young people .Festivals like Glasgow's Mayfest hav efound lively and young-hearted audiences .

In literature, the work of writers for youngpeople has found an eager readershi pwhich has been further developed by theNational Book League, children's boo kgroups and the SAC's writers-in-school sscheme, while the council's literaturedepartment has been able to provide directsupport for the publication of children' sbooks.

At the beginning of International Yout hYear, SAC joined around 50 artsorganisations to launch the Young Scotcard, a national scheme which offere ddiscounts at concerts, festivals, theatres ,dance and opera performances, artscentres and galleries to Scotland's 80,00 0school leavers .

These are all positive and auspicious sign sfor the future of the arts in Scotland andclearly illustrate a very real potential for thearts to be a positive and creative force inthe lives of young people throughout thecountry . In The Next Fine Years, theCouncil clearly indicated its hope that i twould be able to increase further itsexpenditure on arts activities for youngpeople and children during this period .However, the Council recognised that theseand other proposals required reliable an dincreasing support from all fundingauthorities . The news that a financiall ybleak and restrained year for the arts inScotland was to be succeeded in 1985186 b ywhat promised to be an even more difficultone was disheartening, demoralising andfrustrating for arts organisationsdependent upon this support .

The SAC has continued to seek a prope rrecognition of the financial needs of the artsin Scotland. The Council's campaign forrecognition of the shortfall in financialsupport by local authorities which followe dthe 1983 transfer of prime responsibility fo rleisure and recreation from regions todistricts, has been rewarded by a specialgrant of £600,000 for 1985186 . The Councilis grateful not only for these compensatingfunds but also for the support it receive dfrom, amongst others, the Secretary o fState for Scotland and the Convention o fScottish Local Authorities . The Council' spleasure at this success was tempered b ythe fact that while the problems wil lcontinue, these funds cannot at present beguaranteed beyond 1985186, a situatio nwhich causes the Council considerabl econcern .

To describe a financial year as a difficul tone for the arts in Scotland has almos tbecome a tragic cliche in these reports .There can be few areas of publicexpenditure where a relatively smal lamount of additional money could produc eso great a return . We have the capitalassets, we have the work-force ; above all,we have in Scotland the potential to makeour hopes and expectations a reality. Wha twe lack are the necessary resources tobring it all together .

Timothy MasonDirectorScottish Arts Council

Page 17: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

WES

MFuller details a~e~itr~: in thE• ji rish A rah (;~nencil 's rncyr : i n»unl Repart, published scpnmtely.

When this financial year began, the WelshArts Councils immediate task was t oconsider all the statements of hopes andfears submitted by the Council's clients aspart of a major review . With the benefit ofadvice from its committees the Counci levolved a statement of its priorities andhow they should be realised . Piio ties intoPractice, the Council's report, wa spublished early in August 1984, an drequired little change when it was reviewe din December. Despite some scepticismabout the possibility of change in emphasi sand priority in the arts in Wales, 1984/8 5ends with a commitment for 1985186 torealise the entire Stage 1 of Priofi ies intoPractice. This involves a 10% switch of th eCouncil ' s resources - probably the larges tsingle change in direction in the Council ' srecent history . All members of the Councilfound it repugnant to divert resources fromworthy activities to finance ne wdevelopments . Funding the arts wil lcontinue to present painful choices, bu tstagnation is not acceptable to the Council .The report has been widely circulated, andI look for-ward now to malting progress o nStage 2 and later stages .

The draft of [Wmities into Practire wa sleaked to the media, and the Council wa sinvited to discuss its proposals at a meetin gof the House of Commons Selec tCommittee on Welsh Affairs on 19 Jul y1984 . A vigorous defence of the Council' srecord and proposals was mounted by th eChairman and his colleagues . During the

year the media helped to increase publi cdebate of the arts . The Council encourageda higher profile for its work, which i tregards as fully within the public domain .

The Council provides few arts activitie sitself : it is a source of monev, of ideas, o fadvice . The Council rightly takes pride .however, in the achievements durin g1984/85 of the activities aided by theCouncil . The Council 's largest client ,Welsh National Opera, consolidated it sinternational reputation, ending the yea rwith record public support . The BBCWelsh Symphony Orchestra is also fundedby the BBC who generously agreed toincrease its size ahead of a promise dincrease in the C ocincil's grant . Th eorchestra steadily increased its standing, isoften seen on television, and was acclaime dnot only in Wales but also as far afield a sVienna . The third largest grant went t oChapter Arts Centre in Cardiff, again anorganisation which had a year ofunprecedented act ivity . The largest Dram acompany . Theatr Clwyd, went fro mstrength to strength, and is poised forfurther exciting growth . In Visual Art theCouncil assisted the Mostyn Gallery .Llandudno, to initiate Tunwr in Wale's, astunning exhibition of Turner ' s work, seenalso in Swansea . Yr Academi Gymrei gfinished the text of the Welsh and Englishversions of the Oxford Companion to th eLiterature of Wales, and substantia lprogress was made on the new English-Welsh Dictionary . In Dance, the repertory

company based in Wales, Diversions, grewto further maturity . Craft and Film alsoconsolidated previous work . These ar eplums plucked out from a very ric hpudding, any one of which would have bee nreward enough for the Council .

The Council cannot state too often that th earts in Wales are a partnership . I believethat 198.1185 was significant in advancingthe Council ' s partnership with a wide rang eof other organisations .

There was one dark cloud in 1981185 .which had first appeared in the previousyear, as Cwmni Theatr Cymru ceased tooperate in November 1983 . The Council'smajor concern was to continue effectivesupport for Drama in the Welsh language ,and this was achieved . In the meantime, a tthe expense of considerable time and effor tby all those concerned, a new role wasdiscussed for Cwmni Theatr Cymru, whic hwill resume operations in 1985180 with animportant if changed function .

It is already clear that 1985186 will be ayear rich in development and event . Th ededication, talent and energy of colleague sand of all involved in the ferment of artsactivity in Wales during 1984/85 have beena revelation .

Thomas Owe nDirectorWelsh Arts Council

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Page 19: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

MEMBERSHIP OF COUNCIL AND S

CouncilIh Rurruld Henson re , irt-r : fl'om theCouncil, and the following were appointedas Council members :Sir Kenneth Cork GBE - former Chairmanand Governor, Royal Shakespeare Theatre ,Lord Mayor of London, 1978179 ,Rrmald Gnersan - a Director of S GWarburg Co Ltd, member of the Boards o fthe North Carolina School of Arts, of theYoung Concert Artists' Trust and the Ernstvon Siemens Music Foundation (Mimich)

StaffRichard 1'trltorr! relinquished his post a sDeputy Secretary-General to work full-time in preparation for the Council' sassumption of responsibility for the Sout hBank; A nthonr Et rritt was appointed t osucceed him .

Deputy Finance DirectorPcter YounieAC Aand Accountant Ikrn : i Pella»i FC Aresigned . Peter lWartin ACA was appointe dFinancial Controller (Internal Finance), an dRichard Brooks CA Accountant .

(June 1985)

HonoursOur congratulations are extended to thefollowing who were appointed to the Orde rof the British Empire in the 1985 New Yea rHonours :

Professor William Mathias, a membero fthe Welsh Arts Council (CBE )

John Billings, Arts Council AdministrationOfficer(MBE) .

Congratulations also to J(xznwr I)rriv,Director of Art, appointed CBE in the 198 5Birthdav Honours .

OhituarvWe record w-itli gn-eat sorrow the deaths o fAnne Recs- ll)gg, who had been amemberof the Artists ' Film & Video Sub -Committee since. 1981 ; and Rulh,lfarks ,who joined the Arts Council as a TouringOfficer in 1975 and was appointedAssistant 'Pouring Director in 1980 .

Page 20: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

ADVISORY PANELS AND COMMITTEES

A key element of the Council's structure i sits Advisory Panels and Committees .Council appoints their members fro mnominations which are open to the public .Members, who serve voluntarily for up t ofour years, are generally specialists in eacharts discipline : working artists, artsadministrators, scholars and critics. Theyadvise the Council and its officers on theformulation and implementation of policy .

Listed below are members of the Panel sand Committees of the Arts Council o fGreat Britain, and the Scottish and Wels hArts Councils (themselves committees o fthe Council) as at June 1985 .

ENGLAND1' :I\FLON ART

Sir Roy Strong ChairmanProfessor Christopher Frayling

Vice-Chairma nColin AmeryJulian Andrews$Helaine BlumenfeldMarc ChaimowiczJohn ClarkDavid JohnBarbara MorrisDiana Pain tDavid Phillip sRobert Rowe CBENikos StangosDavid Thompson

Exhibitions Sub-Committe eDavid Thompson ChairmanDr Dawn AdesMarc ChaimowiczRobert CummingStephen FarthingTony FostertFrancis GreenacreNerysJohnsonDavid Phillip sEuan Uglow

.1i1VISOR)

1'AIT'i I.1RT5 FTI .Marghanita Laski Chairma nDr Dawn AdesEdward BennettJohn Bradshaw tJane CousinsWayne Dre wPeter FerresCherry PotterA L ReesClare Smith$Michael WhvtePeter Wollen

Artists' Film and VideoSub-CommitteeA L Rees Chainna mMalcolm Allen tJo CominoMick HartneyTina KeaneVera Neubaue rDavid ParsonsRoger Wilson

Colin Nears Chairma nRichard Alsto nVal BournePeter BrinsonRobert CohanSally Gilmou rRichard Jarman TShobana Jeyasing hDesmond JonesJude KellyBrenda LastJune LaysonVeronica LewisDavid PalmerCarole RowbothamJoseph SeeligRobert Sykes $Barry Wordsworth

Dance and :Mime Projects an dAwards Sub-Committe eJude Kelly Clurinma mVal BourneDavid GlassRichard JarmantShobana JeyasinghDesmond JonesMarie McCluskeyChester MorrisonJeremy Rees

~I"t. ' "! "" . ; \\J'LIIVDRll,'1 ATony Church ChairmanDr Robert Woof Vice-Chairma nAlun Bon&Ian Brow nPearl ConnorRobert Fowle rNancy Meckle rRobin MidgleyRoy NevittClive PerryJohn PottsElizabeth Sweeting MBERobert Sykes$John Wallbank

Projects Sub-CommitteeElizabeth AdareKarin Gartzk eRoy NevittCaroline PinderJenny Topper

Theatre Writing and BursariesSub-CommitteePenny GoldSteve Gooc hJohn Wallbank

AIWISORN PAN1 i WLITERATUR EDr Robert Woof ChairmanPaul BaileyDr Harriet Harvey-Wood$

Page 21: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Adcison Paw-L. and Committees

Violet HughesMichael Messenge rMichael RatcliffeJohn RicetTim RixAnne Stevenso nThomas Sutcliffe

ADVISORY P X FI.ON N11 S KSir Brian Young (Yunna nPhilip Jones OBE Vice Chairma nJohn Acton $Susan AlcockLady Barbirolli OBEPeter CropperThe Lady DigbyJohn FordhamIan HorsbrughViram Jasan iTim Joss tPhilip Langridg eDr Peter Mannin gGraham MarchantGeorge PrattIan Ritchi eWilliam Waterhouse

New Music Sub-CommitteeIan Horsbntgh Chairma nSimon BainbridgeMichael BerkeleyJohn FordhamMichael George tSallv Grove sNicholas KenvonDr Peter ManningEddie Prevos tAnthony Wills

!'11()T(H -IRAI I II )Elizabeth Thomas Chairma nStevie BezencenetJohn Bradshaw'Colin FordProfessor Christopher Frayling

Fav GodwinLaxmi Jamdagn iStewart Man nMurray Marti nDaniel MeadowsDavid Watt

RIa ;l0NAI . 111\ ItiOU )("ONI\114"i'I : 1Elizabeth Thomas Chaim=Dr Ronald Henson Vice-0winna nDavid BeetonOliver BennettHelaine Blumenfel dDavid BrierleyDavid Brow nFrederick Emery-Walli sAnthony Everitt tWilliam Forste rChristopher GordontViolet HughesRoger Jefferie sAdrian Kellet tChristopher KerrVeronica Lewi sGeorge Prat tElizabeth Sweetin gDavid WattAndrew Welch

Combined Arts Sub-CommitteeWilliam Forster Chairma nOliver Bennet tFred Brooke sJohn CummingRichard Franci sClare HigneyChrissie IlesChristopher KerrBob RamdhanieCharles Washington

Touring Sub-Committe eDavid Brierley ChairruamVal Bourn eChristopher Durham

Patric GilchristJude KellyGraham ~IarchantClive PerryRobert PettvtIan Reeki eStephen RemingtonAngus WatsonAndrew Welc h

ADVltitllll C ONTNIITTEE'O N'I'R_11\1\( ;The Lady Digby ChainnanPat AbrahamtLady Barbiroll iProfessor S J EgglestonWilliam ForsterNicholas HootonViolet HughesDavid Joh nJune Layso nGerald McDonald OBECaroline PhillipsJohn TurtleJohn Wallbank

+ lint ish Council ex officiot t )bkvrver nominated by the COU1161 of

Regional Arts Association4 Observer nominated by the Inner Londo n

Education Authorit y

till 'I'll BANK (tiOl I 'Ronald Grierson ChairmanSir Gordon BrunstonThe Lady Digb yDavid GordonThe Ladv HarlechSir Ian Hunter MBESimon Jenkin sColin Marshal lThe Lord Rayn eSir Roy StrongThe Lord Weidenfeld

Page 22: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Advisarv Panels and Committees

SCOTLAND Evhibitians Panel Bursaries Panel

•' I `, NTS COUNCILDr Duncan Thomson Chairman Willis Pickard Chairman

Gerald Elliot Chairman * Keith Hartley Enid Gaudli e

Jamey Logan Vi«--Chairman *Atholl Hill lain Crichton Smith OBE

Christopher Allan Andrea Kerr Dr Hilda Spear

Geoffrey Ball Stuart McDonald

N4 ichael Clayton Andy Neil Books Awards Pane l

Cunningham Pamela Robertson Stewart Conn Chairma nPete EPeter Evans Arthur Watson Willie Anderson

Charles Gallacher William Wilson Lt Cdr Diarmid Gunn

Brian Ivory*Professor Rosalind Mitchiso n

Drama Committee Ishbel MacLea nAndrew Johnstone Professor Jan McDonald Chairma nJoan Knight OBE *Robert Logan* John Byrne Grants to Publishers Panel

Professor Jan McDonald* Margaret Gordon Stewart Sanderson Chairma n

Professor Isi Metzstein Marilyn Ireland Peter Cochrane

Alexander Orr* Andrew Johnstone Janis Fox

Professor Donald Pack CBE Joan Knight OBE Ian McGowan

Willis PickardStephen Mulrine Alan Taylor

Stewart Sanderson*Michael PerksIda Schuster Combined Arts Committee

lain Crichton Smith OBE Judy Steel Brian Ivory ChairmanAnn Turner Thomson Gerda Stevenson Clive Andrew s

* Member of Policy and ResourcesAndre Tammes William Cunningham

CommitteeElizabeth Foulkes

Dance and Mime Committee Grace Gran t

Art Committee Joan Knight OBE Chairman Simon Mackenzie

Robert Logan ChainnanHelen Bryce Graeme McKinnon

Christopher AllanMichael Clayton Mary Urquhart

Kenneth DingwallPeter Lincoln Arthur Watso n

Keith Ingham Elaine McDonald OBE

Stuart McDonald Norma Main Music Committee

Professor Isi MetzsteinRoger Spence Alexander Orr Chairman

Jacki ParryGeoffrey Bal l

Dr Duncan Thomson Literature Committee Peter Evans

Ann Turner ThomsonStewart Sanderson Chairman John Maxwell GeddesPeter Cochrane Anne Lorne GilliesStewart Conn Ian Halliburto n

Autards to Artists Panel Janis Fox Robin Mille rKeith Ingham Chairman Deirdre Keaney Professor Donald Pack CBESamantha Ainsiev Willis PickardKenneth Dingwall lain Crichton Smith OBE Touring Committe eGareth Fisher James Logan ChainnanEuan McArthur This committee consists of Scottish ArtsWill McLean Council directors concerned with Touring.Peter Seddo nRita Winters

Page 23: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

%VALE S

Sir Hywel Evans KCB Chairmin 'Mathew Prichard T "ire-Chair ia nProfessor A William Asche rMichael J M Clark eWalford Davies 'Ann Edward sProfessor D Ellis EvansLindsay EvansMarian Evan sProfessor John Eynon 'Professor Richard M Griffith sDavid Jenkin sCllr Norman Lloyd-Edward sProfessor William Mathias CBE 'Professor Brian MorrisCaptain H William Phillips `Mervyn Phillips `Haydn Rees tAled %aughan 'Margaret Williams 'Valerie Wynne-Williams

' :Member of the Finance and Polic yCommitte e

Afulti Medin Pan.c l(a Sub-Committee of (lie Finance an dPolicy Committee )

Mathew Prichard Ciurinna nSteve BrooksOOMargaret Williams

Art CommitteeMathew Prichard ChairmanProfessor A William Assche rMichael J M ClarkePaul DaviesMarian DelythAndrew Laing 0Peter LordRonald Lowe 'Sally Moss

\9en,•-n PhillipsHawin Taylo rMuriel Wilson $Mary Y app

Panels of the Art CommitteeArtist panelArt GallE?*sand Ei:hihilions Pane l

Craft CommitteeProfessor John Eynon ChainnanProfessor A Wiltiam Assche rCeri Barcla yPeter Cambridge xDr Peter Cannon-Brooke sDr David Dougan 0Lindsay Evan sTon- Ford 0Duncan LongdenNliles PepperJacqueline ReesPeter Starke vDerrick TurnerFrank Vinin gGordon Warren "Valerie Wynne-William s

Dance CommitteeMargaret )Williams ChahinanJanek Alexande rDavid Bes tRhidian DaviesAnna Delane yAnn Edward sMargaret Evan sJanet Fieldsen dCIIr Norman Lloyd-Edward sSara Marshal lPenny Nicholas *Geoff PowellDavid Rees

Drama Committee1'rr~fess~ r tli hai 1 .1nt1~ r ;r,n Chairma n1 bivid Aflame

Jane Bt-1 1Lindsay 1~%-an -Professor Richar( t ~rif'it hEirwen Hopkin sDavid Jenkin sLvn JonesIlltyd Lewis `Peter MumfordCharmian SavillLesley StoneMichael William s

Panel of the Drama Committee :1 'nurrgPeoph , 's and Connntrn.ih, Thevin •Panel

The following, who are not members of th emain Committee, serve on the Panel :Jamie GarvenGareth JonesJohn Prior

Film CommitteeAlec] Vaughan Chairma nGill Bransto nSteve BrooksOOHarry Carte rRoland Dennin gBrian DoyleLindsay EvansLo,A i GwilvmCliff McLucasGruffudd Roberts "Medwen Robert sColin Voise vValerie Wvv ne-William s

Literature Committe eVlalford Davies C'hainnrrt :Professor Richard Griffiths Vice-ChuimumProfessor Ellis Evan ,Ann FfranconDavid HughesEmyr Humphreys

Page 24: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Advisory Panels and Cammittees

W Randal Jenkins 'Dr R Brinley JonesRheinallt LlwydProfessor Brian MornsElfyn PritchardCatrin Puw Davie sAlun Richard sEigra Lewis Robert sDr David SmithWynn Thomas

Panels of the Literature Committe eGrant-3 to Publishers PanelChildren's Literature Pane l

The following, who are not members of the[Hain Committee, serve on a Panel :Alun Creunant DaviesGwilym Huw sGwerfyl Pierce Jone sPhilip Wyn Jone sDr. Eurwen PriceEleri RogersMenna Lloyd Williams

Music CommitteeProfessor William Mathias CBE ChairmanJohn DaviesAnn EdwardsKen Evans'

Marion EvansDr David HarriesGeorge HealdCllr Norman Lloyd-Edward sGeoffrey MurphyA J Heward ReesWynford Vaughan-Thomas OBEHuw Tregelles Williams

Regional Committe eCaptain H William Phillips Chairma nProfessor Michael AndersonMichael J M ClarkeGraham DaviesFrank EvansProfessor Richard GriffithsSue Harrie sDr Glyn Tegai Hughe sDavid JenkinsHugo PerkstHaydn Ree slomi ScouxfieldI TElan Closs StephensLlion WilliamsT T

t Observer on behalf of the Council o fWelsh Regional Arts Associations

$ British Council - observer0 Crafts Council -- ex-offici o00 British Film Institute - ex-officio' HM Ix Design Council -observe rG Council of Museurns in Wales - observer$t Regional Arts Association Director -

ex-officio

Each of the Regional Arts Associations is entitledto send a staff observer to ail of the subjectcommittees .

Page 25: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

STAFF

Based at its hc• iriyr< . :rters in Piccadilly, Senior StaffLondon, the. C1LIM il'= staff %work with its HEADQUARTERS ~ r rr trr,

t,r a

'a1l,ulie RittnL: rmembers, advisrrrv panels and committees 105 Piccadilly 1Jrlttrl1 ."v r, : 1rny-64 nr rrrl Anthon;

[ :

;to administer the Council ' s programmes Landon W I V oA A U (from Aagru~t 1985)and to advise on and execute policy and 0 1-629 949 5 h infi rct I1in rtw- Anthonv Blacksttx k FCAfunding decisions . For the Council's work I martial C"nntr?,114-1{Ir,terrral Finanroin England there are nine departments . I'r;ter Martin ACA (from April 19 85 )

I r1 Mn ctor Joanna Dre xIn addition the Council administers the lbrrma Mrrrtwr Dickon ReedHayward and Serpentine Galleries and the .1hisir Ifin ctor Richard LawrenceWigmore Hall, in London, and has its own Dana I)irrchn- Jane Nichola sshop in Covent Garden . Outside London Litr r-ratrnr Din dorCharles Osbornethe Council funds a network of marketing Rri ionul 1)N•rr14,r David Pratlevoffices in major regional centres to support I)irrrlornl Frrtiort,rc l arrtl rlduriaitrulior rits touring programme . Carol I Iarris F1 I' M

Head of &'crrlarial Lawrence MackintoshThe Scottish and Welsh Arts Councils have Arcourrtant Richard Brooks C_>,their own staffs based in Edinburgh and (from May 1987 1Cardiff . SCOTLAND I)rrfrtw-Timothy Mason

19 Charlotte Square Ikl51111 . l.lircr•tnrHan7 , McCan nEdinburgh E112 1F1F Ad IJirrrlorl .ind5av Gordo n031-226 61151 .1111sir• Oi rrrto,-Ch [ .I ,;t is Dunca n

Drama I)irrrlor Bob PalmerLilrraturr I)bvrlor Walter Cairn sT rrn•ing 1]irre lr .n -Tony WraightC nnhlondArlsOirrrtorJohnMurphv

NVAL1:S I)iro lorThomas OwenNolst House rJ PW' Uirc,rnrrrnrl .lrrr~r~ Ilircrtu rMuseum Place Roy Bohana .Mli rCardiff CF13 .NX Art1)i2vr14)rPeter Jonvs02221 -394711 hrama 1Xrertor Roger Tomlinson

Liternhov Mu'dor Meic Stephen sUrrclorof Fin n ct, and Administratio n

Andrew Malin FCA

(June 1987 )

Page 26: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

ANNUAL ACCOUNTS FOR THE YEAR

ENDED 31 MARCH 1985

l An;incv Director ' s notes

26F,>re•%cf. ;rd

2 7Art, Council of (treat Britain accounts 24 1Scottish Art, Council accounts

55,Welsh :art, Council accounts

7 7Table A ll(using the Arts

9 3Table 13 Special .funds beneficiaries

9 5Gonpk)n 1"why Fun dlsuilkcr~uinu .5u,~na Gil tH.-1 Thcu v FundHenri and Lilr Doris FundIfiria p n Licelle .Scholarship

Table C Subsidies to regional art sassociations

96Table D Art exhibitions

98Table E Contemporary music network 102Table F Schemes and awards

103Table G Films financed by the Counci l

during 1994/85

11 5Table H Key publications whichappeared in 198.1/5

116

Page 27: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

MW~CE DIR

0

M1 The accounts show that with a turnoverof C105 million, including direc tpromotions, the Arts Council ended theyear 1984(8) with a net surplus o f£543 .764 . The Scottish Arts Councilshowed a surplus of £ 19,415 and the WelshArts Council a surplus of E34,479 .

2 The Income and Expenditure Accoun tsurplus now stands at U .2 million . This i srequired in part to fund the Council' soperating fixed assets (net book value £0 . 7million, excluding; Covent Gardenproperty) and net current assets (f0 . 3million, excluding grants parable an dreceivable). The Council has agreed not toconsider the remaining sum of i 1 .2 millio nas distributable in view of the very sever efinancial restraints it faces in 1985186 andthe great uncertainties about 1986W .

3 Schedule Ito the accounts details th egrants and guarantees offered by the Art sCouncil in 1984/85 .a) Twi fingThe touring section of Schedule I list sthose organisations which received subsid yfor touring only . Touring activities whichare a part of a total annual programme o fmany music, dance and (Ira maorganisations are included in fig ures show nin those sections of Schedule 1 .

b) Regional Arts AsuxciutinnsThe subsidies Iisted in Schedule 1 fo rRegional Arts Associations comprise thebasic annual subsidies totalling£11,028,950 for 1984185 together with theadditional funds of €1,309,533 mad eavailable by the Council for a range an dvariety of schemes and activities. The fina ltotal of £12,338,483 is analysed in Table C .

0 EdixationAmounts of subsidy offerer/ for educationa lactivities appear in Schedule I to th eAccounts within various art forms an dactivities so that amounts shown mayinclude educational subsidy as well as tha tfor revenue purposes and/or for specifi cprojects . The totals thus included are asfollows :

Regional Arts Associations

78,90 5Music

23,068

In addition a total of £ 6,048 has beenspent on directly provide(/ activities a sshown under Note 6 to the Accounts . Thus ,a total of £138,021 was spent on education ,

4 Some minor changes have been made t othe format of the accounts in the interest o fclearer presentation . Transfers toprovisions, previously separately shown .are now included in operating costs and thebad debts provision on the balance sheet i snow netted off against debtors .

Page 28: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

FOREWORD

31 MARCH 1985

llistorvThe Arts Council of Great Britain wa sformed in August 1946 to continue inpeacetime the work begun withGovernment support by the Council for th eEncouragement of Music and the Arts .The Arts Council operates under a RoyalCharter, granted in 1967 in which itsobjects are stated a s

(a) to develop and improve the knowledge ,understanding and practice of the arts .

(b) to increase the accessibility of the arts t othe public throughout Great Britain .

(c)to advise and co-operate withdepartments of Government . localauthorities and other bodies .

Review of activitie sThe Secretarv-General's preface includes areview of the Council ' s activities .

Council membersFor a list of Council members who hav eser ved throughout the year see page 17 .

Employee communicationsDuring the year various arrangements havebeen pursued to promote effectivecommunications with staff. Al ldepartments have regular staff meetings a twhich matters relating to the Council' sactivities are discussed and staff areregularly briefed on matters discussed atDirector's meetings and Council . When theneed arises, general meetings of all staf fare called .

The Council produces two internalpublications ; a weekly staff bulletin

containing current news and informatio nand it periodic house journal dealing wit hboth general and specific matters includingCouncil policy, service development ,management plans, etc .

A Joint Negotiating Committee meetsregularly to discuss matters relating t oterms and conditions of employment an dthere are frequent informalmanagement/union meetings at whichsimilar matters are pursued . Unionrepresentatives may attend for part o fDirectors' and Council discussions o nrelevant matters and all staff are entitled tosit as observers at Council meetings(attendance regulated by ballot).

Employment policyThe Arts Council is committed to a polic yof equality of opportunity in itsemployment practices .

In particular the Council aims to ensurethat no potential or actual employeesreceives more or less favourable treatmenton the grounds of race, colour, ethnic o rnational origins, marital status, sex, sexualorientation, disability or religious beliefs .

Statement of surplusThe Surplus for the year amounted t o£343,76. 1, for the Arts Council of Grea tBritain, a surplus of 119,415 for th eScottish Arts Council and a surplus of£34,479 for the Welsh Arts Council, all ofwhich has been retained by the Council as acontribution towards the funding of futureactivities .

Page 29: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

The Arts Council of Great Britain

INCOME AND EXPENDITURE ACCOUN T

OR THE YEAR ENDED 3Jj~IARCH 1985

Woome Parliamentary grant in aid Note 2Otherincome N43

Grants and guarantees accrued inprevious year, not now required

1985E

101,900,0006,233

101,906,233

335,445102,241,678

Expenditure Administration of subsidies and servicesStaff costs Note 4

Depreciation Note 9Operattonalcosts Note s

,Graift_

and guarantees Note 6

_

flftacfiAties Note 6

I3bidpromotions: net de6citNote 7General expenditure on the arts in Britain Note 6

uperdUng surplusl(defi6tWote8

_

Interest receivabl e

-

Avow for the financial yea r_

'transfers from reserves Note 14_

Net Surplus_

Accumulated surplus brought forwardko=and expenditure account as previously

_

reportedPrior yearadiwArrient Note 15Restated accumulated surplus brought €onward

Transfer to Covent Gardenproperty reserve Note 9

Accumulated surplus carried forward

1?6,748

-

1,719,585

I ,

.4,099,873

95,124,068 ,~

~

,,•: .

> '

251,516 ~•1

;-. ~2,494,653 ! ~ :: .f :i!

~97,870,237,; .>3El,li~101,970,110 97.0M .,"2

271,568 (4OX-th' )253,599 197,85525,167 1.57,06 7

18,597 5,74 7543,764 1 E i

1,667,`'30

1,667,38 02,211,144

2,211,144

Page 30: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

The .-arts Council of Great Britain BALANCE SHEET

AS AT 31 MARCH 1985

Fisedassets Tangibleassetsl4ote9Investments Note 1 0Loans to clients Note I 1

C urreiit assets Stocks'Vote I 2T }, .},tors and prepayments:

Grant in aid receivable Notc 2

Othe rGrants and guarantees paid in advancelash at bank and in hand

C:urrentliabilitics

Grants and guarantees outstandin gCreditors : amount faling due within one vex

Grants outstanding t oScottish Arts Council and Welsh Arts Council

- -

Net current assets1 , -tal assets less current liabilities

Fin~inced by

Provisions for liabilities: .1 1 c1 charges :

I :! Ienurity provisionsNote 1 3Income and expenditure accoun tRe erve sCovent Garden property Nnk' 9

Other Note 1 4

~ L;~irm;tn

[ .Like Riture r.,nitarv General

31 July 1985

1985s:

c

3 .552,76-13,729

30,0001886,493

504,69 9

10,874,08 4510.90 4782,920236.61 7

9123,4231,109,617

25 .4752,211,144

3,1 X0.05 8- 3, 150,0,-M

13,039,224

Page 31: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

`The Arts Council of Great Britain

RCE AND APPLICATION OF FUND S

FOR THE YEAR ENDED 31 MARCH 1985

1985

-

-

Sotu=ef ]lands

Surplus on ordinary activitm -

525,167 15701 7Adjustment for item not Wvdvbmovement of funds -

:*ansfer to provisions 105 4,ODD.

-

elation

- - ---

8UC69

- -

Total generated from o

bons

-

Flintishonothersourcesftwmeotof loans by clients _

i$,500 fi 5-826,780 flill3;

3 .

Application of funds

Purchase - to

8swdWftb- (296,980) (395.511)-

-

iacreaseinworlan ca 529,800 'x]2,748

TawzVMtR nfHU-7m

T-- -

itorsVie

d Movement in net liquid fund s at banicand in hand

---~- 1300 1

_175,81 1

-

127,552

529,800

- : )",

Page 32: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

The Arts Council of Great BritainNOTES TO THE ACCOUNTS

AS AT 31 MARCH 1955

1 . Accounting policies

a) The financial statements are preparedunder the historical cost convention .Without limiting the information given, theaccounts meet the requirements of th eCompanies Act 1985 and of the Statementsof Standard Accounting Practice issued bymember bodies of the Consultativ eCommittee of Accountancy Bodies so far a sthose requirements are appropriate .

Significant departures from Statements o fStandard Accounting Practice aredisclosed in the notes to these accounts an dthe financial effect is quantified wherepracticable to do so .

b) Accruals conventio n(i) All income and expenditure is taken intoaccount in the financial year to which i trelates . Setting up costs incurred on anexhibition promoted by the Council ar echarged to the year in which that exhibitionis officially opened to the public . Setting u pcosts incurred in a year prior to tha topening are treated as a prepayment .

(ii) Subsidy exlxnditure i lncur cd in th eform of tn-anas and guarantrr which ar eformahv offered to and accepted by- dieCouncil's clients . Grants and guarantee sare charged to the Income and ExpenditureAccount in the year in which fundedactivities take place ; if this is notdeterminable they are charged in the yearin which activities begin . Any amountsunpaid from grants and guarantees at theyear end are shown as creditors in th eBalance Sheet and any advance payment sto the client in ant icipation of grants an dguarantees to be charged in the followin gfinancial year are shown in the Balanc eSheet as assets .

c) Depreciation and fixed asset sDepreciation is provided on all tangibl efixed assets at rates calculated to write of fthe cost less estimated residual value o feach asset systematically over its expecte duseful life as follows :

Freehold buildings over 50 yearsLeasehold buildings over the life of th e

leaseFixtures and fittings over 4 yearsMotor vehicles over 4 years

Freeholc': land is not depreciated . Work sArt arc hilly depreciated in the year o facquisition .

d) StocksStocks are stated at the lower of cost andnet realisable value .

e) Consolidatio nThe Arts Council of Great Britain is legall yresponsible for the affairs of the Scottis hArts Council and the Welsh Arts Councilwhich are by constitution committees ofthe Council, However in view of the power sdelegated to those committees they presentseparate accounts which are no tconsolidated with those of the Arts Council ,

f) Special fiendsThe Arts Council administers eight trus tfunds, but is not in all cases the sole trustee .The information relating to these fund sshowing total net assets of £273,049 (1984 :£240,068) is shown in schedules 2 and 3 t othe accounts and does not appear on th eface of the accounts .

Page 33: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Vote-,; to the Accotent~-1 its C7mincil of Great B3 itai) ;

2. Grant in AidParliamentary Grant in Aid is voted t o

-( , t the Council's cash payments fallin gduring the financial year . The Counci l

accounts for its expenditure on an accrualsbasis, and incurs liabilities during afinancial year which will not neck] to besatisfied by cash payments until futur .financial years . The Grant in Aid figur eshown in the Income and ExpenditureAccount includes a sum to finance theseanmatured liabilities, which will be metfrom cash Grant in Aid receivable in futtu ,financial years .

Reconciliation of Parliamentary Grant i nAid as shown in the Income andExpenditure Account with the cash gu mvoted by Parliament in 198415 .

Cash Grant in Aid voted by Parliament and paid i nfrill in 1984185 as stated in the OAL Class 5 . _Vote 10 Appropriation account .

L ec ,s debtor for Grant in Aid accrued at 1 April 198 4

flebror for accrued Grant in Aid outstanding1 March 1985

( ;rant in Aid shown in Income and _Expenditure Account

30therincome Donation sSundry incomeSurplus on sale of f -

100,000 .0Q )8,974 0D 4

91 .025,91 6

10,874,08 4

101 .'

Page 34: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Notes to the Accwnts.d its CouncilnjGreat Britain

1Adni istration of subsidiesandservkesstaffoats

5 Administration of subsidies and servicesOperational costs

Salaries and wagesEmployers National Insurano,Arts Councd of Great Britain Retirr ment Plan 11973 !

T}u• Chairman, Council and Panel members are no tfor their services.

T' (- a v -rage weekly numberof employees durin g::r sa, macieunasfnllou s

Administration of subsidies and ser4 x e:;Ilirect promotion s

.~~ ~i

of administrative staffI iii%e been allocated to direct promotion s

u7 Note 7.

Travelling and suhskte . ~Rent and ratesFuel, light and house expensesPublicity and entertainmen tPostage and telephoneStationery and printingProfessional feesEnquiries and investigationsOffice and sundry

1985C

1,67y .f179111,51 9212 .94 2203 .54( 1

19$5

118,84 56$11,254235 .635136,71 0100,22 3124,52 768,90()45,17 2

199,31 91,719,58 5

£132,253

of operational casts have! p een allocated to direct promotions da-Aed in Note 7 .

Page 35: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

;VuPcs to tht' . 1 ,1,I)t(111X

Ails Co naril iii ' G oil Britain

1~38 :i

6 Expenditure by art form

National CompaniesGrants and guarantees 30,597,01 1

Regional Arts Associations

Grants and guarantees 12,338,483

MusicGrants and guarantees 8,687,66 7

Contemporary Music Network schem e

operational costs 52,349

European Music Year 6,968

Wigmore Hall Note 7 159.0558,906,059

Dance and mim eGrants and guarantees 3,050,07 3

Other acti sties 11,030- -3,061,103

Tourin gGrants and guarantees 3,837 ,359

Publicity, salaries and sundry expenses 120,6853,958,044

DramaGrants and guarantees 12,406,71 . 1

Scheme expenses 4,65312,411,36 7

ArtGrants and guarantees 1,252,500

Galleries and exhibitions Note 7 1,817,076

OtheractiAties 7,4053,076,975

Arts films Noti= 7 478,339

LiteratureGrants and guarantees 777,471

Poetry Libyan, 8,31 1

Writers, toura 41 0

Publications ;ind promotions

- -

750 J786.942

C<lrrt~i i~rurml ~ T5.614,323

Page 36: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Notes to theAccrmntsArts C mrtcil of Great Britain

19851r

~

6 Expenditure by art form (Gmtimu

BWht foruurd 75,614,32:Arts centres and community projectsGrants and guarantees 1,243,078Training in the ArtsGrants and guarantees 656,71 2Short courses and training schemes (net deficit) 10,994

667,706Education 36,048Reports and surveys (8,107)PublicationsNote 7 40,189

Housing the Arts

1,145,700Total expenditure for the year in England

78,738,937Grant to Scottish Arts Council

12,024,(100

Grant to Welsh Arts Council

7,107,300

General expenditure on the arts in Great Britain 97,870,23 7

SummaryGrants and guarantees 95,124,06 8Direct promotions 2,494,65 3Other activities 251 .51 6

General expenditure on the arts in Great Britain 97,870, 23 7

7 Direct promotions Wigmore Hall Galleries and Exhibitions Arts films Publications Totals1985 1985 1985 1985 1985

£ £ £ £ £Income 120,843Staff costsSalaries and wages 109,428 785,216 53,430 213,198 1,161,272Employers N.I . 7,929 58,544 3,144 16,081 85,698Retirement Plan 11,266 81,000 5,431 22,011 119 708

(128,623) (924,760) (62,005) (251,290) (1,366,678 )Operational costs (135,098) (2,333,486) (613,427) (550,723) (3,632,736 )Depreciation costs (16,177) (62,102) (17,345) (9,266) (104,890 )

Net deficit (159,055) (1,817,070) (478,339) (40,189) (2,494,653 )

Staff and operational costs include a proportion of administrative overheads as detailed in Note 4 andNote o .

Page 37: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

.Miles to tkr ;Ircounttilrts Cuaau.7l ui (areal B"Inin

1985 +

R Surplus for the year 543,764Stated after chargin g(a) Auditors remuneration 9,700(b) Employees receiving remuneration over £30,000 1

Land & Fixtures Vehicles Works TotalBidgs & fittings of Art

£ £ £ £ £9 Tangible fixed assets

Cost at 1 April 1984 3,870,263 927,131 83,386 1,026,585 5,907,365Additions 56,309 124,19.4 24 .272 92,205 296,980Disposals -

--- - - - -at 31 March 1985: 3,926,572 1,051,325 107,658 1,118,790 6,204,345

-

Depreciatio nat 1 April 1984 263,348 718,685 61,325 1,026,585 2,(69,943

provided 1984185 34,717 131,567 23 .149 92,205 281 .638Less depreciation on disposal s

-

io 1984!85 -- 298,065 850,252 84,474 1,118,790 2,351,5558 1

Net book value at 1 April 1984 3,606.915 208,446 22,061 - 3,837,422Net hook value at 31 March 1985

-

3,628,507 201,073 23,184 -- 3 .852,75.4

"1985 ~

Depreciation is allot aW to

Subsidies and services 176,74 8Direct promotions Nate 7 104,890

281,638

The net book value of land and buildings carrtpr MFreehold

3,259,19 6Short Leasehold improvements

369 .31 13,628,50 7

Lbduded in the freehold land and buildings i sJW58,058 in respect of prnpert held jointlyt.W the Arts Comic] of Great Britain and Roya lOpera F OUK Covent Garden . It 6 held subjectto ad on the terms of a charitable trust knownas the !loyal Opera House Development Land

Trust., and the right, and interest of The ArtsCournil of Great Britain in such property, as se tout in a trust deed dated 27 February 1981 ,include a charge in excess of £3.15m over anyproceeds of sale of such land .

Page 38: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Votes to tlreAcmunts1 r?s Council ni Great Britain

1985 +

10 investments 5% Treasury Stock 19809 (market value £608)

64 7Equities Investment Fund for Charitie s(5870 units market value £17,246)

3,0823 .72 9

11 Loans Balance at 1 April 1984 4-3,50 0Less repayments in year 18 . 3-0 0Balance at 31 March 1985 30,00 0

12 Stock Films 19,76 5Publications and shop 482,962liar 1 .97 2

504,69 9Transfer Approp- Balance at

from riations 31 Marchprovision~ 1995

13 Provisions Provision for indemnity - 1,475

25,475Transfer Approp- Balance at

from riations 31 Marchreserves 1985

£ i

i14 Reserv es Reserve for Special Art Projects 18,597 -

Page 39: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Notes to the AccountsArts Council of Great Britain

198 :5

ti

C1 :5 Prior year adjustment Write back of Capital Account to establish boo k

value of fixed assets brought fonsard(aerating filed assets

-Covent. Garden property

-

Total fixed assets

-Willing-lock of capital reserve

-

Certificate of Comptrolle rand Auditor GeneralI have examined the foregoing Income andExpenditure Account, Balance Sheet and th esupporting information set out in the Statemen tof Source and Application of Funds and theNotes . In my opinion these give, under thehistorical cost convention, a true and fair viewof the state of affairs of the Arts Council o fGreat Britain at 31 March 1985 and of itssurplus and the source and application of itsfunds for the year ended on that date .

149R W LockeDrector of Auditfar Comptroller and Auditor Genera l

National Audit (ice'' August 198.5

Page 40: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Arts Council of Great Britain SCHEDULE TO THE ACCOUNTS~~~~

31 MARCH 198

1 . GRANTS AND GUARANTEE S(including subsidies offered butnot paid at that date )

NATIONAL COMPANIE S

Englisb National Oper aNational Theatre BoardRoyal Opera Mouse, Covent Garden LimitedRoyal Shakespeare Theatre

Total as Note 6 (page 35 )

REGIONAL ARTS ASSOCIATION S

Eastern Arts Associatio nEast Midlands Arts Associatio nGreater London Arts AssociationLincolnshire and Humberside Art sMerseyside ArtsNorthern Art sNorth West ArtsSouthern Arts AssociationSouth East Arts Associatio nSouth West Arts Associatio nWest Midlands ArtsYorkshire Arts Association

Total as Note 6 (page 35)

MUSI C

OperaHandel Opera Society Limited 46,50 0New Opera Company Limited 60,00 0Regional Opera Trust Limite d

(Kent Opera) 693,000Opera North Limited 2,139,50 0Sinfonietta Productions Limited 2,200

Regional orchestras & othermajor music organisations

CBSO Society Limite d

5,918,250 Eastern Authorities Orchestra l

7,005,$70 Associatio n

12,386,891 Early Music Centre Limite d5,286,000 English Sinfonia Limite d

£30,597,011 Halle Concerts SocietyHaydn-Mozart Societ yJazz Services LimitedLondon Orchestral Concert Boar d

889,775 Limite d1,061,119 National Federation of Music Societies1 1 583,722

591,05{) Northern Sinfonia Concert Society

583,903 Limite d

1,938,659 Royal Liverpool Philharmonic Society1,031,953 Western Orchestral Society Limite d

995,088628,99 1970,894

1,221,727 Other Concert s&11,602 Actual Music

£12,338,483 Almeida Theatre Company Limite dAnn Manly Productions Limite dBritish Summertime EndsCompatible Recording & Publishin g

(Promotions) Limite dContemporary Concerts Co-ordinatio nPhillip DwTantElectro-Acoustic Music Associate s

Limite dElms Concerts Limite d

2,941,200 London Musicians' Collective LimitedMomington Trus tMusic ProjectslLondon Trustl1TW PromotionsNational Youth Jazz Orchestra LimitedNew Macnaghten Concerts Limited

2,911,200

507,656

105,00031,72740,000

490,00020,00090,000

1,375,500460,000

233,000505,833915,000

4,773,71 6

15,00017,000

4,0001,000

5,2004,0001,500

19,0004,000

13,84 15,0005,500

5007,000

13,000

Can7vd lfimeard

2,911,200 Gynietl fvnaurl

115,5=11 7,714,916

Page 41: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Bnnight onvardNorthern Music TheatrePark Lane Group Limite dRecedent sRoom for Improvised MusicSanskritik Centre of Indian Arts

Limite dSeven Dials Jazz ClubSociety for the Promotion of New MusicTsafrika ProductionsUK University Circuit for Indian

Classical Musi cVocemWorldwide Arts Touring Organisatio n

Limited

Contemporary Music NetworkCornelius Cardew's MusicEnsemble DreamtigerFires of London LimitedOpera Factory & Endyinion Ensembl eSerious Productions :

Dave Holland (quinte tDe Volharding Orchestr aTrevor Watts. Moir6 MusicUnited Jazz & Rock Ensemble

Sinfonietta Productions Limite dElizabeth Wilson :

Music & Revolutio n

FestivalsAldeburgh Foundation LimitedBath Festival Society LimitedBrighton Festival Society Limite dCheltenham Arts Festivals Limited

Carded jorunrd

&Iwdule 1Arts Council of Grew Britai n

C r £ t:

115,541 7714.916 BroughtfonVard 138,550 8,0ti6,3'192,500 Harrogate Festival of Arts and Science s8,500 Limited 36,50 02,0(X) King's Lynn : St . George's Guildhall

500 Limited 21,00 0Leeds International Pianoforte

8,000 Competition Limited 2,0001,500 London : English Bach Festival Trust 30,0009,000 London Borough of Camden 17,5003,000 Stroud Festival Limited 7,500

Three Choirs Festival Association500 Limited 17,500

1,500 York Festival & MysteryPlays Limited 70,000

1,000340,550

153,541 RecordingsAuracle Records 6,72 5CRD Records Limited 75 0

10,896 Hyperion Records Limited 6,25011,050 Leo Records Limited 2,41 36,914 MMC Recordings 5,47 0

32,255 Nimbus Records Limited 15,00 0Spotlite Records 5,54 0

14,340 Unicorn-Kanchana Records 5,00 011,049 University of East Anglia 4 .30 0

17,428 51 .448

59,351 Other ActivitiesAwards to Artists 132,91 5

9,074 Contact 4,800Music Information Centre Trust 20,000

197 .942 Southern Rag Limited 1,065The Wire 2,000

42,000 Youth and Music Limited 50,00034,75026,050 210,780

35,750 EducationFirebird Trust 4,300Grand Union 3 .000

138.550 8,066.399 Carried fomowd 7.309 8.669377

Page 42: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Broughtfoncard

Midland Sinfonia Concert SocietyLimite d

Orchestra of St John'sUncle Jambo's Pendular Vibration sSinfonitta Productions Limite d

Total as Note 6 (page 35 )

DANCE AND MIME

Academy of Indian Dance.Attic Theatre LimitedChisenhale Dance Space LimitedMichael Clark and CompanyCockpit Theatre and Arts Workshop :

London International Mime Festival 198 5Contemporary Dance Trust LimitedDance Umbrella LimitedMaedee Dupre sExtemporary Dance Company Limite dDavid Glass Mim eIntermediaIntriplicate Mime Compan yInside-Out ProductionsThe KoshLondon Borough of Hammersmith and

Fulham: (Spiral residency )London City Ballet Trust Limite dLondon Festival Ballet Trust LimitedLondon Mime Theatre (Nola Rae )Mantis Dance Company LimitedMercw-y Theatre Trust Limite d

(Ballet Rambert )Mvne and Movement Trust (Moving

PicaLre Mime Show)Mivvy Mime Compan yNatya-Pada mNorthern Ballet Theatre LimitedPratap and Priya Pawar

Schedule 1Arts Council of Great Britain

£ £ £ £7,300 8,669,177 Broughtforuvrd 2,882493

Bisakha Sarker 5004 , 982 Second Stride Dance Company 39,90 0

558 Alpana Sengupta 3,00 0

2,000 Theatre de Compiicite 1,40 0Trestle Theatre Company 2,000

3,650 Trickster Theatre Company 8,18 4

18,490 union Dance Company 1,000Voices Dance Company Limited

£8 .687,667 (,Janet Smith and Dancers) 60,000

2 .998,477Dance and Mime Awards 71,596

1,200 Total as Note 6 (page 35) £3,050,0731,20 0800 02,00 02 ' 000 TOURING

Opera20,000 Cambridge Opera Group 25,00 0

595,458 Glyndeboume Productions Limited 380,00 030,000 Opera 80 Limited 265,16 4

2,500 Scottish Opera Limited 323,00 099,582 Welsh National Opera Limited 2,220,000

1,600 3,213,1642,8006,000 Dance

500 Scottish Ballet Limited 48,00014,000 48,00 0

1 , 000 Drama24,350 Acclaim Productions Limited 32,00 0

9y6 .464 Century Theatre Limited 106,2004 800 Channel Theatre Company Limited 46,66 7

43,520 Chipping Norton Theatre CompanyLimited 17,500

606,641 Compass Theatre Limited 56,500Cheek by Jowl Theatre Compan y

33,598 Limited 63,5722,280 The Flying Tortoise Theatre Company

500 Limited 33,00 0381,000 Gay Sweatshop Limited 6,90 0

3,500 New Theatre Companv 5,500

Carried Ibrward

2,882,493 Carrfedforward

367,839 3,261,164

Page 43: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Arts Cmsncil of Great Britain

£ C £Broughtforuard 369839 3,261 > 16=1 13raughtfonvard 3,013,650The New Vic Theatre 34,500 Leicester Theatre Trust Limited 323,500Robert Fox Limited 60,000 Liverpool : Merseyside EverymanTriumph Apollo Productions Limited 27,856 Theatre Company Limited 156,000WSG Productions Limited 45,000 Liverpool Repertory Theatre Limited 313,50 0

535,195 London: Alternative Theatre Compan y

Visiting Arts Unit of Great Britain 41,000 Limited 114,320Carvl Jenner Productions Limited 200,000

Total as Note 6 (page 35) £3,837,359 Churchill Theatre Trust Limited 90,500Crovdon Alternatives Theatre

Company Limited 73,500English Stage Company Limited 506,727

DRAMA Greenwich Theatre Limited 135,500Building-based companies Hal! Moon Theatre Limited 99,500Ba,ingstuke : Horseshoe Theatre Hampstead Theatre Limited 107,000

Company Limited 72,000 Hornchurch Theatre Trust Limited 148,00 0Birmingham Repertory Theatre Kings Head Theatre Productions

Limited 430500 Limited 55,000Bolton : Octagon Theatre Trust Limited 133,000 Oval House 55,50 0Bristol Old Vic Trust Limited 457,650 Pioneer Theatres Limited 180,62 5Cheltenham : Gloucestershire Everyman Polka Children's Theatre Limited 113,95 0

Theatre Company Limited 22,000 Richmond Fringe Limited 63,50 0Chester: Gateway Theatre Trust Limited 87,500 Soho Theatre Company Limited 62,12 5Colchester Mercury Theatre Limited 185,000 Wakefield Tricycle CompanyCoventry : Belgrade Theatre Trust Limited 89,12 5

(Coven") Limited 197,000 Young Vic Company Limited 227,125Derby Playhouse Limited I67,500 Manchester : Royal Exchange TheatreExeter : Northcott Devon Theatre & Company Limited 580,500

Arts Centre 206,500 Manchester Young People's TheatreFarnham Repertory Company Limited 128,000 Limited 128,500Guildford : Yvonne Arnaud Theatre Newcastle : Tvne and Wear Theatre

Management Limited 126,000 Trust Limited 210,500Harrogate (White Rose) Theatre Trust Northampton Repertory Players

Limited 132,500 Limited 95,500Ipswich : Wolsey Theatre Company Nottingham Theatre Trust Limited 428,625

Limited 148,000 Oldham Coliseum Theatre Limited 108 .000

Lancaster : The Duke's Playhouse Oxford : Anvil Productions Limited 239 .000

Limited 126 500 Plymouth : Theatre Royal (Plymouth l

Leatherhead : Thorndike Theatre Limited 222,000

(Leatherhead) Limited 159,000 Salisbury Arts Theatre Limited 142,582

Leeds Theatre Trust Limited 235,00{) Scarborough Theatre Trust Limited 113,000

Carried fortmrd Carried forunni3,013.650 8,396A54

I,:

Page 44: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Arts Council of Great Britain

Bmught ionarrd 13396,85.1 Bmught ionmrd 1,409,150

9,5%.354Sheffield : Crucible Theatre Trust The Red Ladder Theatre Company

Limited 471,000 Limited 73,000Southend : Palace Theatre Trust 7 :84 Theatre Company (England)

(Southend-on-Sea) Limited 87,500 Limited 92,500Stoke-on-Trent and North Staffordshire Shared Experience Limited 92,500

Theatre Trust Limited 174,500 Spectrum Theatre Trust Limited 34,000Watford Civic Theatre Trust Limited 97,500 Temba Theatre Company Limited 72,000Worcester Arts Association (SAMA) Theatre Centre Limited 149,000

Limited 90,500 Women's Theatre Group Limited 61,80 0Worthing and District Connaught

1,983,950Theatre Trust Limited 76,000York Citizens' Theatre Trust Limited 202,500 Projects

9.596,354

Almeida Theatre Company Limited 20,000Bucket Theatre Limited 3,100

Touring companies Burnt Bridges Theatre Company 10,300Actors Touring Company (London) Changing Woman Theatre Company 15,00 0

Limited 66,500 DAC Theatre Company Limited 18,82 5Avon Touring Theatre Co-operative Fairground UK 15,00 0

Limited 73,000 Mike Figgis 20,00 0Black Theatre Co-operative Limited 63,500 Forkbeard Fantasy 29,000Cambridge Theatre Company Limited 258,500 Graeae Theatre Company Limited 18,000Cast Presentations Limited 47,000 Hesitate and Demonstrate Limited 50,000Eastend Abbreviated Soap-box Theatre 38,125 Hidden Grin 28,000Foco Novo Limited 72,500 Impact TheatreCo-operative 60,000Galactic Smallholdings Limited 93.500 Incubus Theatre Company Limited 54,500Hull Truck Theatre Company Limited 67000 Inner City Theatre Company 8,000Interplay Trust 45,400 Kaboodle Productions Limited 44,000IOU Limited 55,000 !Medieval Players Limited 36,30 0Joint Stock Productions Limited 91,500 The New Theatre 12,50 0Lumiere and Son Theatre Company Northern Black Light Theatre Company 27,13 0

Limited 58,000 Oily Cart Theatre Company 11,00 0M6 Theatre Company Limited •14,500 Open Hearted Enterprises 20,000Major Road Theatre Company 38,000 Pip Simmons Theatre Group Limited 26 .01 3Mikron Theatre Company Limited 29,000 Pop-Up Theatre 6,00 0Monstrous Regiment Limited 66,500 Potheinos Limited (Little Ange lNatural Theatre Company 49,500 Marionette Theatre) 2,40 0Paines Plough Limited 64 .500 Spare Tyre Theatre Company 10,000The People Show Society .11,000 Tara Arts Group Limited 21,30 0Perspectives Theatre Co-operative Taxi Theatre Company Limited 4,00 0

Limited •16,625 That's Not It 15,790

Carriedfontvrd

1,409.150 9,596.354 Caniedjorunrd

586,154 11,580,304

Page 45: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Arts Council of Great Britain

Bmught funtardSolent People's Theatre LimitedTheatre VentureTriangle Arts Centre LimitedWorcester Arts Worksho pTheatre Writing Workshops for WomenWvvern Community Drama Compan y

BroughtfontrardTheatre of Thelema LimitedTheatro Techni sWakey Wakey Theatre Compan yWomen's Plavhouse Trust

Theatre `S'riting Schemes

£

£586.158 11,580,304

50,00022,36010,00 012,000

680,518

£

£38.222 12,260.822

1,250800850750656

1,000

Bursarie sRoyalty Supplement Guarantees

Other subsidie sBritish Theatre AssociationPuppet Centre Trust

Total as Note 6 (page 35)

ART

Visual ArtsBirmingham: Ikon Gallery LimitedBristoi : Arnolfini Gallen LimitedCambridge : Kettle's Yard GalleryLondon : Acme Housing Association

LimitedArts Services, Grants LimitedHalf Moon Photography

Workshop Limite dThe Photographers Gallery LimitedNN'hitechapel Art Gallery

Newhvn : Newlyn OrionGalleries Limited

Oxford : Museum of Modem ArtLimited

Southampton : John Hansard Gallery

Birmingham Fi2c~tn'al Theatre 1 .20 0Buster Yotu)g People's Theatr e

Company 60 5Bristol Express Theatre Company 60 0Cleveland Independem Theatre

Company Limited 2,00 0Campaign for Equal Opportunitie s

in the Arts 1,30 0Colwav Theatre Trust Limited 2,25 0The Combination Limited 3,00 0Common Stock Theatre Company

Limited 71 5Durham Theatre Company 1,98 0Exeter Festival 1,00 0Gainsborough Arts Association 60 0Inner City Theatre Com parry 1,00 0Islington Green Community Play 1,00 0Lambeth Children's Theatre 50 0Librarv Theatre 2,75 0National Youth Theatre of Great Britain 875Northern Studio Theatre 1,050North West Playwrights Co-operative 1,460Northumberland Theatre Company

Limited 2,52 0Oxfordshire Touring Theatre Company 567Phoenix Arts Centre Limited 1,000Platypus Theatre Company 2,12 5Playwrights Ca-operative 1,000Pentabus Theatre Company 4,250Remould Theatre Company Limited 500Rent-a-Role Drama Service 1,200Skin and Bones Theatre Collective 800Snap People's Theatre Trust 375

64, 75015,614

1'2'3,892

16,0006,000

22,000

E12,406,71 4

93,500205,000

43,000

11,00074,000

54,000152,0007300

:x2,000

110,00042,000

929,500

Carriedfomurd

38222 12,260.&92 Caniedientard

9x9,500

Page 46: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Arts Council of Great Bfitafn

Brottghr t "neelydGrants and guarantees towards exhibitionsBradford : Cartwright Hall :

8th British International Prin tBiennale 11,000

Cambridge : Fitzw•iiliam MuseumSamuel Palmer and the Ancients 3,000

Canterbury: Canterbury Fringe FestivalAspects of British Sculpture 484

Crewe : Crewe and Alsager CollegeHenry Moore Drawings and Small

Sculptures 1,70 0Exeter: Roval Albert Memorial Museum

A Singular Vision 2,50 0Leicester : Leicester Polytechnic

Roger Hilton - The Early Years 2,00 0London : Ben Uri Gallery

Jacob Kramer - The Best Years 1,50 0Central School of Art and Design

W $ Lethaby 3,500New Contemporaries Association

New Contemporaries 1984 3,000Public Art Development Trust

Art Within Reach 1,500Royal Academy

Peter Greenham 5,000Manchester: Whitworth Art Gallery

Foster Associates 2,00 0William Morris and the

Middle Ages 4,00 0Milton Keynes Developmen t

CorporationExhibition Officer appointment 5,50 0

Newcastle : Hatton GalleryArt at Work 2,50 0

Norwich : Norwich School of ArtHenry Tonks 2,50 0

Preston : Harris Museum and ArtGaller y

Still There's Still Life 1,50 0Rochdale : Rochdale l%luseum and

Art GalleryMeans of Escape 1,625

500 BroughtfonvardSheffield : Mappin Art Gallery

Afro-Caribbean Art in Britai nSouthport: Atkinson Art Gallery

Print Making - Making PrintsWoodstock: Fletcher's House

William Turner of OxfordYork : Art and Architecture Group

Artists ' and Architects 'collaboratio n

Artists in Residenc eJonathan Froud : Walker Art Gallery,

LiverpoolDhruva Mistry : Kettl e' s Yard Gallery ,

CambridgeHughie O'Donoghue : National Gallery,

Londo nNicholas Pope : Museum of Modem Art ,

Oxford

Art in public site sLiverpool : Merseyside Garden Festiva lLondon : Public Art Development Trus t

Provision of studio sLondon : Acme Housing Associatio n

Limite dLondon : Arts Services Grant s

Limite d

Magazine distribution serviceArts Express Limited

Art magazinesAfterimageArtists' Newslette rArt Language

£

E

51,809

929.500

3 .50 0

1,00 0

2,50 0

3 .500

65,309

4 .000

6,000

2,250

6,000

18,25 0

30,0005,000

35,00 0

20,000

2,500

22,500

15,000

15,000

1,50 02,50 0

70 0

4,700 1,085.559Can ed, fortvard

54,809

929,500 Carriedjorward

Page 47: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Sehedule 1Arts Council of Great Britain

E £ LITERATUREBrarrght fonmrd 4,700 1, 6R5, 559 An 017 1'(1LU1(]atlf)n Limited 44,00 0Art MonthlyArt

1 513,

,500000 English Centrr (if International PEN 7,00 0

Federation of Worker Writers andAudio Arts 3,000 Community Publishers 11,11 0Block 700 National Bork League 82,50 0Undercut 4,500 The Poetry Book Society 10,000

41,400 The Poetry Society 95,000

Photography commissionsThird World Publications Limited 5,000

Rochdale Art Gallery : commission by 254,61 0John Davies 1,975 Literary magazines

1,97a Agenda 15,900

Photography magazines AmbitBooks For Your Children

8,0009,000Creative Camera '?5,000 Encounter 14,Of}0Scree n

Ten 83,60 0

21,000Indent on Censorship 16,500Interzone 4,000

49,600 London Magazine 37,300

Photography publishing London Review of Books -10,000

Martin Parr:A Fairaiv 3,800 PN Review 15,450

Jonathan Cape: The He me Frrmt 895 Thames Poetry 3,000

4 .695 163,15 0

Photography research Grants to publishers

Michel Fuirer 700 Anvil Press Poetry Limited 46,000Calder Educational Trust Limited : 35,000

700 Carcanet New Press Limited : 52,000

Artists film and video Cecil Woolf:

Awards to Film MakersiVideo Artists 45,557 An Approach to tltc Ftietry of Willia m

Leicester Independent Film and Video Morn,+ by Dr JMS Tompkins 3,000

Association 456 English Centre of International PEN :

London : Bermondsey Artists' Group 1,000 PEN11'he R)elm 1 1,500

Black Audio Film 413 Enitharmon Press 7,500

Circles 1,250 Faber and Faber Limited

London Film Makers Coop 2,460 Author.'Author.'edited by Richard

London Video Arts 11,000 Findlater 2,000

Royal College of Art 6,300 Marion Boyars (Publishers) Limited :

Northampton's Arts Centre 135 a collection of plays by Edgar White 2,500Martin Secker and Warburg Limited :

68,571 in respect of nine poetry titles 3,000Total as Note 6 (page 35) £ 1,252,500

Canied inncnrd 151,50(1

417.760

Page 48: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Brriff rid i J, il'?ri; r>:

Peterluo Pie tRoutledgt~ & licgan Paul PLC :

Thr: chart A- nt -d &1st by PeterRedgrove.

C1 .52.500

22 .000

1 .600

Writers' FellowshipsAndover : Cricklade College

(John Milne )Barnsley : Northern College

(Jane Rogers )Bingley : Nab Wood Grammar Schoo l

(Jan Needle )Cambridge : Parkside Community

College (Rodney Pybus)Canterbury : The University of Bent

(Carol Rumens)Eastwood : DH Lawrence Centenar y

Festival (Glyn Hughes )Farnham College (Matthew Sweeney )Lancaster: S Martin's College (U<A

Fanthorpe )Leeds : Trinity and All Saints' College

(Anita Mason )Liverpool : University of

Liverpool (Barry Unsworth)South Normanton : Junction 28 Art s

Project (June Oldham )Sheffield Citv Polytechni c

(Ian McMillan )Sunderland Polytechni c

(Zoe Fairbairns )Wakefield : Bretton Hall College of

Higher Education (Elizabeth North)Winchester School of Art

(Grace Ingoldbv )

Augmentation of PrizesThe Authors ' Club :

First Novel Award & Sir BanisterFletcher Award

6,75 0

6,750

6,75 0

6,75 0

7,000

6,7506,750

4,500

6,750

6,600

6,750

4,500

2,508

6,595

4,500

600

Schedule 1Ans Cmaictl of Great Britain

E417,760 BroughtJonvard

Children's Book Circle :Eleanor Farjeon Award

English Centre of International PEN :Silver PEN Award and JR Ackerle y

1761100

PrizeFaber and Faber Limited :

Geoffrey- Faber Memorial PrizeThe Federation of Children ' s Boo k

Groups : Children's Book AwardNational Book League :

John Llewelym Rhys Memorial Priz eThe Poetry Society :

Alice Hunt Bartlett Award and th eDylan Thomas Award

Royal Society of Literatur eWinifred Holtbv Priz e

Society- of Authors :Scott-Moncrieff Prize ,

Schlegel-Tieck Prize an dJohn Florio Prize

Trustees of the Hawthornden Prize :Ha ,.vthomden Prize

11,10 8

Awards to writers

82,30 0

Total as Note 6 (page 35)

£777,47 1

ARTS CENTRES AND COMMUNITY PROJECT S

Arts CentresBirmingham: Cannon Hill Trust

Limited 232,50 0Bracknell : South Hill Park Trust

Limited 119 .00 0London : Institute of Contemporary Arts

Limited 402 .00 090,203

The Riverside Trust 103,50 0National Association of Arts Centres 4 .000

E

C

600

684,06.3

75 0

1,90 0

500

59 5

90 0

1,36 0

75 0

2,45 5

1,298

861,00 0

Carried) mvard

600

684,063 Garried .ionva~d

861,000

Page 49: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IArcs Council of Great Britain

Bmtcifltf lorrcrrrr! 861 .000 Brottgittlonvard 1,207.218Community Arts CarnivalAction Space Mobile 4,000 Ballisaye Carnival Club 1,000Aklowa Association 15,600 Carnival Industrial Project 800Arts and Technology Laboratory- Cocoyea 1,300

Limited 20,800 Design in Mind 550Charivari 15,000 Dominica Carnival and Arts 400Creation for Liberation 2,000 Ebony Steel Band 2,100Cultural Partnerships Limited 30,000 Elimu Centre 2,000Ekome Dance Company 4U,500 510 United Carnival Club 550Fantasy Factory Video Limited 13,900 Finsbury Park Carnival Committee 3,000Free Form Arts Trust Limited 40,000 Flamingo Carnival Club 250Lanzel Co-operative 9,000 Genesis 1,800Major Mustard's Travelling Show 6,000 Grenada Isle of Spice 250Markandey Mishra 3,150 Grenada Shortney and the Juju Warriors 400National Association for Asian Youth 6,573 Hackney United Club 1,200Priya Pawar 3,150 Hippos Carnival Mas 800Shelton Trust 10,300 Lion Youth Carnival Club 1,800Steel an ' skin (Arts) Limited 42,000 Metronomes Steel Orchestra 600Suitcase Circus 900 blotting Hill Carniva] and ArtsTara Arts Group 8,500 Committee 6,400Word and Action (Dorset) Limited 5,000 Peoples War Carnival Band 400

Perpetual Beauty Carnival Club 2,100276,373 Quintessence 1,10 0

Minorities Arts Advisory 5er4nce St . Clements and St . Franciste d LinuLi 9,078 Carnival Group 35 0

Shape Lmited 21,000 St . Man- of the Angels Church 70 030,578 Starland United Club 500

Special Applications Starlite Mas Association 1,700

Centre Ocean Stream 9867 Stardust Steel Mas and Pan 35 0

VS Gilmour 800 Sugumugu Sunday 25 0

Horse and Bamboo Theatre Company 13,000 SukuyaTwelfth Century

1601,800

Industrial and Domestic Theatre Tyehimba Community Arts andContractors 2,000 Education Project 400Performance Magazine 11,000 West Indian Development Organisation 600Projects UK 1,000 Zulu Warriors 250Hannah O'Shea 900Silvia C Ziranek 700 35,860

39,267 Total as Note 6 (page 36)

£ 1,2#3,07 8

C' mied, 16ncurrd

1,20T.218

Page 50: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

S4wdide 1.4 r?s Council of Great Britain

TRAINING Brought . fi)nr ni 43,400

Benesh Institute of Choreology Limited 75,000 Dram aNational Opera Studio 153,076 Cheltenham Borough Council :Training schemes Everyman Theatre 93,000

Administrators : Diploma Course Ipswich : Wolsey Theatre Compan yBursaries 43,660 Limited 7,500

Practical "Raining Scheme Bursaries 13,400 Leeds : Interplay Trust 10,000In-Service Bursaries 26,225 London - Lambeth : Young VicThe City University 48,000 Company Limited 5,000

Exhibition Organisation Bursaries 14,15 :5 Tower Hamlets : Half Moon TheatreCommunity/Ethnic Arts 8,990 Limited 100,00 0Dance/Mime Animateurs 5,600 Westminster : Soho Theatre CompanyDesigners 20,35-5 Limited 3 .00 0Directors 32,000 Northampton Repertory PlayersJoint Training Fund 10,890 Limited 10,00 0Performers: Advanced Mime Bursaries 4,150 North Staffordshire : Victoria Theatre

Advanced Training for Musicians 4,640 (New Theatre) Limited 305,000

Circus Skills 2,500 Worcester Arts Association (SAMA )National Centre for Orchestral Limited 16,00 0

Studies 22,500 549,500National Opera Studio 30,300Puppeteer 4,500 Touring

Royal Northern College of Music 17,400 Birmingham : Hippodrome Theatre

Theatre Performers 13,664 Trust Limited 50,000

Technicians : Association of British Liverpool : Empire Theatre (Liverpool )Theatre Technicians 94,000 Trust Limited 2,000

Bursaries 11,707 52,00 0

428,636 ArtTotal as Note 6 (page 36) 1:656,712 Cambridge Darkroom 7,000

Cheltenham : Axiom Centre for the Arts 20,000

HOUSING THE ARTS Liverpool, Bluecoat Society of Arts 1,000London - Tower Hamlets :

National Companies Whitechape) Art Gallery 75,000Mitional Theatre lio ird 31400 Oldham Metropolitan Borough (Art

33,400 Gallery) 6,00 0

Music 109,000

York : University of Fork (Central Hall) 10,000 Regional10,000 Aldershot : West End Centre 15,50 0

Alnwick : Northumberland "TheatreCompany Limited 16,000

Carried fom ,ard

43 .400 Canicd 1_017rard

31„500

~,i3.~10(J

Page 51: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Arts Council of Great B?ilaln

E tBnnlght fonvatzi 31,500 753,900Belper: Fleet Arts Project 4,000Birmingham : Cannon Hill Trust

Limited 5,000Boston : Blackfriars Theatre Limited 20,000Canterbury City Council (Marlowe

Theatre) 45,000Durslev : Prema Project 7,000Frodsham: Castle Park Arts Centr e

Limited 6,00 0Gainshorough Area Arts Association 20,000Helmsley : The Old Meeting House

Trust 3,800Hexham : Northumberland County

Council ((queens Hall Arts Centre) 30,000Horsham District Council

(New Capitol Arts Centre) 45,000Kirklees Art Space Society

(Mirfield Arts Project) 5,000London - Hounslow : Hounslow Arts

Trust Limited 27,000Islington : Almeida Theatre Company

Limited 20,000?Manchester: Community Arts Mobile

Workshop Team (North West )Limited 7,200

Greater Manchester Arts Centr eLimited 96,30 0

Newcastle : Live Theatre Company 3,00 0Salisburv St . Edmund's Arts Trust

Limited 6,00 0Tunbridge Wells: Trinity Theatre &

Arts Association 10,000

391,800

Total as Note 6 (page 36) £1,145,700

Page 52: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

S-,1wWuk,2Arse Count l of Great Britain

Schedule 2 Special Funds 19M Compton

Pwrr Dio GJhffmin a

Fund Fund Su p Gift

f f f

Income and expenditure

income 6,915 442 2,67 6

Lcssexpendmn, 2,666 A 2,423

5urpw(detis t) 4249 1581 24 7

BaiattcebrVtioiward 14,479 1 .6M 5 5

Balance K,27 1,580 312

4ii6arn A C Trust

He

& u l} Iscette H A Thm Thornton for Special

Davi Fud Sd»

p Fend Fund Furxl;

Totals

£ f f £

£

9,992 _i, 1,556 1,531 1561

36.532

5,'66 6 M 1,450 3,555

23,758

4,626 (2333) 56 81 6

6.774

3,272 1 .917 495 5116

.792

24,169

7,898 (516) 552 M 6.798

35.943

Balance sheet

Investment̀

Debtor s

CashTotal current assess

Creditors

Net cimnt assets

Total net assets

financed by

Capital Account at I Ap611984

Additions

Surpl tMdefici) on We of investmenrs

Balanceat31 March 198 5

Reserves

f .1,615

24115

6 .898

106,517

2 ;1,4211

5,334

4,228

29,271

242.28?

?,''l9

AW

1P

2_, i

569

106

31

849

6,740

37,1101

451

2llkk)

111v0

9 4

4.19`Z

26,651

19,314

4699

4,925

41.052

33,391

1 ;133

]55

-

21

500

415

-

2,624

18,281

1 .575

314

4 .425

6151

35s

94

5At 1

31),767

82,896

3,580

7;212

111 .440

22 .911

,,w

4,8I2

31,312

273,(419

21(),899

14 399 Ag I

45,957 2 .000 6.900 95.690 23,421 i 4 .'i'?(1 27 .,M

- - - - - - - 143

I8,212 - - TK-12 - - - -

(54,169 2,0!1!1 6,9(K) 103,512 ?3,427 5,L l 1 .2: .}0 27 .51 4

13,727 1,580 312 7 .898 (516) 352 592 6,798

82,8% 3,58!1 7.212 111 .440 22 .911 .5&16, 4,812 34,312

Page 53: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

S tk3

I

'IArb CmtaxdofGmdBr&rbt

I

S

3Sp *Fun& IW1 c mptm Mh ur ACTnst

RZT I'm fvillrrsm HL-my

L,;£ Ii

-vt HA -nzw 'ri

u &r*CW

NW FLW 5ug1 .Gift 1kmisrund SdAa,sW Ford Fmd Fun& Tub

-

-- - -lnaortmendespebditun .~ _ _ -_-

- _

-Inoinrte 5,997 36,1 I,f~7? 9 .549 3.112

- -

1,0 in, 2,413 ' If 9fi

c

e E 1%20 - - -- 2.l9 i 1(,12

55

3, VIi l ^(~) I,9~

1Iy0

~ -~Al

wrpWde.kii 1 .42, :VA

-

] ym

Umm~sr

r<1 13,651 01 188 3,5i5 1,c-) 30 1_:111_ 4 25:5M

IM78 1 .62 65 3272 1917 496 511 V92 1 1M

Bal wshwtlownim - -

-r, 2gi ?.(05 6.0 A471 1UXi a,3~u I?E6 19271 2I 6

I?ehl

761

LA

_ _ 2''

1.1''

(I

r'

a

fi35f1

- 4

14,14,

1AI

w " ` - 1

46 - - 1112

UR

MOM

fntalcurrt~,ta~ez

I5.9~

1,0

3M

?,fifiB

_-M

4,,M2

_?9848

Gs

- -

2.733

- -

t 2

; i

-

5.6488

Net m7was& I'll Im 1,633(3

[y~1911.913 4 513.

y~IX)

~I~~y', OWTurnlnet 1

-

- - ~h •h ~SI~O 6 ,W* 9LK, N.'x I'm 4,1,31 34,II3 4Y

Cap9al Ammt at 1 Apn110 45A7 ? UOU 4,`31 1 913?"t ?a iZi a.

-- -4-M _ 2648 2£6.¢13

455 45.

lialan

at 1111ar,i,?!~tl

- - fii,H i «I.(

) 5,9W ~6,1w B,42i i.ut 1,.x+1 2 ;.371 210,4199

Hr

t°c im-;8 1A33 ~5 32-1'_' 1,41; - -

4% 311 5,r~T 29 .166+

60r0 3.0 fi4k- 46,9%2 a3m :, .Q) 9, ;.i? :A,11B -14010

Page 54: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

L

ginr

r.

- . .

-

1

-

-

ti

J

Tr

_

I

~

Page 55: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Scottish Arts Council

INCOME AND EXPENDITURE ACCOUN T

FOR THE YEAR ENDED 31 MARCH 195 5

198 5

Income Grant from Arts Council of Great Britain

12,024,00(1Other operating income N*2

3,,%512,027,565

Grants and guarantees accrued inpmious year, not now required

9-1,02 812,121,593

Expenditure Administration of subidies and servicesStaff costs Note3Depreciation Note 8Operational costs Note 4

Grants and guarantees Note 5Otheractivities N45Direct promotions: net deficit Note 6

General expenditure on the arts in Scotland Note 5

Operating (deficit)tsurplusInterest receivableSurplus for the financial yearAccumulated surplus brought forward

_Income and expenditure account as previously

_reporte d

Prior year adjustment N*9Restated accumulated surplus brought forwardAccumulated surpluscarried forward

419,'?6944.894 I•~ . .,~,~

._

715,035 697,0 111,121,638 11,012,46 0

97:?21 96,39 72U,(i72 294,36 7

11,136,531 11 .4 01.22412,151,566

(29,973 )49,39819,41 5

469,825

469,825

; 8 ii1 0

489,240

469,82 5

1 l . .'1 . `

Page 56: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Scottish Arts Council

BALANCE SHEET

AS AT 31 MARCH 1985

1985

L'

£Fixed assets Tangible assets Note 8

243,82 1

Current assets Debtors_ and prepaymentsGrants due from Arts Councilof Great Britain

750,00 0Other

230,82 7Grants and guarantees paid in advance

298,40 0Cash at bank and in hand

6,92 11 .22- l48

Current liabilities

Grants and guarantees outstanding 975, 7 .1 7Creditors : amount falling due within one year 65,982

1,041, 729Net current assets 244,41 9Total assets less current liabilities 489,24 0

Financed by

Income and Expenditure Account 489,2404R4 240

Gerald ElliotChairman of the Scottish Arts Council

Luke RittnerSecretary General

31 July 1985

Page 57: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Scottitih Arts Council

SOURCE AND APPLICATION OF FUND S

FOR THE YEAR ENDED 31 MARCH 1955

1985

19,41 53,683

Source of funds Net surplus on ordinary activitiesSale proceeds of fixed tangible as9@[8'Adjustment for items not involvirgj*

movement of fund sProfit on sale of tangible fixed adsDepreciation

( 1 •555)

54,53952,98476,082Total generated from operations

1 1 )plicationoffund,

Purchase of tangible fixed assetsIncrease in working capital

(21,139)54,943

Cmnponents of intrease (dense)- - in working capital

- -Debtors

(43,935):, rditors

100,018

197,11 4

t-iiL, nt in netligviditmds~ : ;:•h .rt' ,nhandinhand

(1,140)54 .43

Page 58: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Scottish --arts Council

NOTES TO THE ACCOUNT SAS AT 31 MARCH 19 8

1 . _accounting policie s

a) The financial statements are prepare dunder the historical cost con vention .Without limiting the information given . theaccounts meet the requirements of theCompanies Act 1985, and of th eStatements of Standard Accountin gPractice issued by member bodies of theConsultative Committee of Accountanc yBodies so far as those requirements areappropriate .

Sig mificant departures from Statements o f.-V :counting Practice are disclosed in thenotes to these accounts and the financia leffect is quantified where practicable to d oS(l .

b) Accruals conventionI i i AH inron)t and expenditure i,; taken into;wcom t in the financial year to which i trel,:i It's . Sit t ing up costs incw-red on anf,shiNtion 1)r-onulted by the Council ar eclrar.L;cd to the V(-a :- in which that exhibition •is I If f kJally opener] to the public . Setting u pcost~ incurred in a year prior to tha topening are treated as prepayments .

(ii) Subsidy expenditure is incurred in theform of grants and guarantees which ar eformally offered to and accepted by theCouncil's clients . Grants and guaranteesare charged to the Income and ExpenditureAccount in the year in which funde dactivities take place ; if this is notdeterminable they are charged in the yea rin which activities begin . Any amoun tunpaid from grants and guarantees at theyear end are shown as liabilities in th eBalance Sheet and any advance payment sto the client in anticipation of grants andguarantees to be charged in the followingfinancial year are shown in the Balanc eSheet as assets.

c) Depreciation and freed assetsDepreciation is provided on all tangiblefixed assets at rates calculated to pyrite offthe cost less estimated residual value o feach asset systematically over its expecteduseful life as follows :

Freehold buildings over 50 yearsLeasehold buildings over the life of the

leaseFixtures and fittings over .l yearsMotor vehicles over 4 years

Freehold land is not depreciated . Works ofArt are fully depreciated in the year o facquisition .

Page 59: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Nola to the A( aunts

.Scvttish Arts C auneil

2 Other operating income Donation sSundry incom eProfit on sale of fired assets

3 Administration of subsidies and services Salaries and wage sStaff costs Employers National Insurance

Arts Council of Great Britain Retirement Plan (1975 )

T'he Chairman, Count and Committe eMembers are not paid for theirservices .

The average weekly number of employeesduring the year was made up as follows ,.

Administration of subsidies and servicesNrect promotions

£50,636 . .- of administrative staf fcuts have been allocated to direct promotion sdetailed in Note 6.

4 Administration of subsidies & servces Travelling and subsistenceOperational costs Rent and rates

Fuel, light and house expensesPuhlicih, and entertainmen tPostage and telephon eStationery and printingProfessional feesAudit feeOffice and sundry

less administration chargefor exhibitions

have been allocated to direct promotions detailedin Note 6 .

19$5

1 Ott€ I

2 .010

r e

1,555

1

3,565

: + .

362,68 721,46035,122

419,269

; : .

N o43

75 0

44 .33 158,02427,28035,46830,58230,084

2,4035,700

47,000280 .872

26,000

-

254,872

f2fi.W0

for operatiorWoosts

Page 60: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

' s fo thc,^ caan , .

1 . : , :`fish Arts Gur ;

i Expenditure by art form MusicGrants and ,gizarante e-

)weeand Mim e

Grants and guaramz t -

Tourin g

Grants and guarantt t ,

Less: Local Authoriti- Contrihuti, a , ?Aberdeen District Counci llaiinburtgh District Coon i !i dasgow District Council

Kirkcaldy District Counci l_

h'. It, & Carrick District Count 1Strathclyde Regional Counci l

Drant aGrants and Qimmni oInternational CXL 11 '.IT 1 :

_

1 rtc Yran is and guarautcc ~Net cost of exhibitionsPt ~ oriNion of studio- Amsterdam

_

t -,~t+ of maintaining collectio n1 ; 1 iluitours

_

l ~ ,clures scheme

Other activities

Fil mGrantsand t,Uarantees

_

Cur7urd1irrurird

1985

~ .fifti: , i X9 1

1 .2(16 . 71 1 2

.152

60,30031 .276

`'9,&57

6 .1307,000

29,856

175,133

_',2f3f'i,11 6

2392,286,355

865,693217,672

2,7347 .829

16,039

1,110,251

Page 61: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

1,) l1wAamods) ,i tr! ' (wolci l

jjj)T,at cs Scho Fi t

I 0111billedArts1,1528

I c L ports, surveys and seminars

u, r

I lousing the Arts

r,-Fidftumon the arts in RoWd

Page 62: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

A '14es to the AccinnttsScnttich Arts Council

l y8 :i

S '

6 Direct promotions

IncomeExhibitions

Staff costsSalaries and wages (74,41 9_Employers National Insurance (5,6421Arts Council of Great Britain Retirement Plan (1970 (7209)

(87 270)Operational cost (including administrative charge) (152,368)

Depreciation (13,645)

Net deficit (217 .672)

7 Surplus for the year 19,41 5

Stated after charging(a) Auditor 's remuneration 5,700(h) Employees receiving remuneration over E30100 nil

Page 63: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

if, the Accrmmlls''1WI AnN Cnr(nril

Land & 1,i :•: ; : ; :! Works Tota lbuildings 8: fittin~!< of Art

£ L i £ £

:,97 .026 85,235 +12 251,514 749,11 72,50 9,440 x,159 6,290 21,13 9

!667()) (3,531) (7.5112) - (57,103)351,206 91,144 63,5119 257,504 763,75 3

67 .141 26,019 25I,514 519,368

- 12 .834 19,387 6,290 54,53 9

(3,278) (5,627) - (54,975)1I-l .:i;r? 76,997 39,779 257,804 518,932

_

t' k value at I April 1

222 .633

17 .7 94

39,923

--

280,349

Net book value at 31 March

1985

206,854

14,147

23,820

-

244,82 1198 5

btmsxm."a

tmotians NWS

_

The net book value of land and buildings comei reehol dLong leasehold improvemShort leasehold improveni .

R Tangible fixed assets Cast at 1 April 196Addition sDial :=

:A March 1:?N .

at 1 Apr ;( I :ln !;ft.mded 195 .118 5

_

Lm depreciation on-

&mosak in 19&1185

Page 64: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

9 Prior year adjustment Writing back of undepreciatedassets following thechange of accountingpolicy on depreciatio n

W icing back of capital reserve s

Certificate of Comptrollerand Auditor Genera lI have ummined the foregoing Income an dExpenditure Account, Balance Sheet and th e<upporting information set out in the Statemen tof Source and Application of Funds and th eNotes . I n my opinion these give, under th ehistorical cost convention, a true and fair view ofthe state of affairs of the Scottish Arts Council at31 March 1985 and of its surplus and the sourc eand application of its funds for the year ended o nthat date .

R W LockeDirector of Audi tfor Comptroller and Auditor Genera l

National Audit Office2 August 1 M5

Page 65: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

ScottishArts Council

SCHEDULE TO THE ACCOUNTSAMINO-

AS AT 31 MARCH 1985

2,00 01,50 02,7501,30 02,00 01,50 01,20 0

2 ,777,20 0

2,90 0

2,8003,350

300970

3,5001,200

•1951,200

500790150

3,76015 0

1,85 060 060 0

2 51,20 0

90 075 0

1,50040 0

1 . GRANTS AND GUARANTEE S(includingsubsidies offered bu tnot paid at that date )

MUSIC

OperaAberch-cm Haddo House Choral Vinc i

Operatic "'(wietyAyr Intimate OperaDundee : Tayside Oper aEdinburgh : Edinburgh Opera Compan yGlasgow : Glasgow Grand Opera Society

Glasgow Opera GroupKirkcaldy : Fife GeraScottish Opera Limited

Concert sAberdeen : Aberdeen Chamber

Music ClubHaddo House Choral and Operati c

SocietyPlatform Aberdee nUniversityof Aberdee n

Arran Music SocietyAyr : Ayr Arts Guil d

ANT Music ClubB,adenoch arts ClubBanffshire Arts GuildBearsden & Miingavie Arts Guil dBeith Arts Clu bBerrierav Community Associatio nBigger Music Clu bBrechin Arts Guil dBridge of Allan and District Music ClubBute Arts Societ yCarnoustie Music ClubCove and Kilcreggan Literary SocietyCowal .%Iusic Clu bCumnock 14usic ClubDalkeith and District Arts GuildDingwall : The FyTish TrustDollar Music Society

, . - ;~~lrF ion~rrrrfIh,T1 r K.hArea Communit y Counci l

`

Ihnui1ies :TheGuild oft'laver sllumfrics Folksong Clu bDumfries Music C Iti b

Dunblane Cathedrai Arts Guil dDundee: Dundee Chamber :Music Club

Dundee. Z;niversi[y 4luricai Sex:iety.University of DundeePlatform Dundee

Dunfermline Arts Guil dDurriess Community CouncilEast Kilbridc Music ClubEast Lothian District Counci lEastwood Music Society

2,792,450 Edinburgh : Bach Easter Trus tClarsach Society (Edinburgh Branch )Edinburgh Academ yEdinburgh Chamber Music TrustEdinburgh Contemporary Arts TrustEdinburgh District CouncilGeorgian Concert SocietyMondrian Trio TrustNew Town Concerts Society LimitedPlatfonn EdinburghScottish Philharmonic ClubSchola Cantorum of Edinburg h

LimitedUniversity of Edinburgh

Forfar Arts GuildForres Entertainments CominitteeFort Augustus : Clarsach Society'

(Highland Branch )Gadie Folk ClubGalashiels Arts Associatio nGatehouse Musical SocietyGlasgo«- : Jahn Currie Singer s

Friends of Scottish OperaGlasgow Classical Guitar SocietyNew Academy Concerts Sck ieLy of

ScotlandNew Glasgow Music Srn iet yPlatform Glasgow

C

C" 1000 ? 792,450

1,6002,750

1001,0501,1002,000

5002,1)002,500

911580

7003 .500'x ,9002,000

40023

15,5003,900

2503,7501,5005,7505,900

450

'x ,0001,200

250500

lol l180

1,60075 0

15,0001,795

70

1 .20 01,68 04,700

1».365 Z, 7 92,450Carried tore,ard

29,890 2.792.450 Curried jnncard

Page 66: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottish Arts Council

£

t< C CBrought "Ward 122.365

2, 7(12,450 Broughtloneard 10'0 .217 2.792.450Society of Friends of Glasgow Orkney : Orkney Arts Society 2,950

Cathedral 297 Orkney Islands Council 15 0University of Glasgow 100 Perth Chamber Music Society 68 0University of Strathclyde Music Society 650 Prestwick Arts Guild 200

Glenboig Pnma.r School 30 Renfrew District Arts Guild 2 .80 0Glenkens and District Music Club 1,200 St Andrews: St Andrews Jazz Society 35 0Golspie : Golspie High School 20 St Andrews Music Club 93 0

Golspie Primary School 30 Shetland Arts Society 1,20 0Gordonstoun Concerts Society 600 Skye : Skye Arts Guild 90 0Greenock: Greenock arts Guild 1,350 Isle of Skye Accordion and

Greenock Chamber Music. Club 1,100 Fiddle Club 56 0Hamilton District Arts Guild 700 L rras an Eilein 2,29 8Hawick Music Club 1,050 Stonehaven Music Club 1,00 0Helensburgh :Music Society 1,600 Stranraer Music Association 1,70 0Invergordon Arts Society 1,365 Strathear Arts Guild 1,60 0Inverness : Platform Inverness 2,500 Sutherland Arts Committee 80 0Irvine Bums Club 1,000 Thurso : Live Music Association 5 .80 0Kelso: Kelso Music Society 4,000 Troon Arts Guild 20 0

Platform Borders 200 tlllapooI Folk Club 45 0Kilmardinm• Music Circle 2,000 West Linton Music Society 20 0Kintyre Music Club 2,100 Wick Arts Club 1,68 0Kirkcaldy : Platform Fife 1,34 0Kirkcudbright Audience Club 500 British Accordeon Musicologica lLanark Arts Guild Music Club 700 Society 30 0Lesmahagow School 20 John XfacFadyen Memorial Trust 30 0Lewis and Harris Piping Society 850 National Federation of Music Sox ieties 28,000Linlithgow Arts Guild 700 New Music Group of Scotland Trust 1,40 0Lochaber Music Club 575 Platform (Music Societies) Limited 20, 70 0Lockerbie Musical Society 245 Scottish Baroque Ensemble Limited 82,00 0Melrox• Music Society 750 Scottish Chamber Orchestra Limited 430,50 0Miingavie : Douglas Academy 30 Scottish Early Music Association 6 .50 0

Miingavie Music Club 2.600 Scottish Friends of Denmark 20 0Moffat and District Music Society 470 Scottish National OrchestraMonklands District Council 170 Society Limited 977,00 0Moray Arts Chub 400 1,733,06 5Motherwell and District :Music

Contemporary musicSociet yMusic in Peebles

50(1500A y r Music Club 34 0

Mull : Lor Arts and Crafts Association 500 Platform

eenDund 640

Newton Stewart and District Music Platform Dundee904

64 0

Club 1 280 Platform Edinburgh 2,-190

ClubOban Music Society 3 , 650 Platform Glasgow 1,490St Andrews Music Club 670

Carried tonvard ft;(l. 217

2, 792" . 4.50 Can•ied forward 6.270 1.526 .015

Page 67: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottish Arts Council

C CBrought jtmwal 6.270 4, :526017University of Aberdeen 1,510 DANCE AN1)111111:University of Dundee 1,150 Ahei•{iccn : ti

> :u

1) ;

"I h+,urr.u„University of Edinburgh 670 Ni,rth E :a<t

~,u hUniversity o€Glasgow 1,960 Dun

in

,-

D)<i1ii"t+,.G (, r

11 11 )unkuri t tRoyal Scottish Academy of

nili nDwlf

eenlline ; IVhikml :+It :in+ "

M ut~ir and Drama 2,(j00 Edinburgh : Basic Spact •13,560 Dance Theatre Linrit+•c i

Belford Centre for Dat wt ,Other activities Dance Connection:%wtrds 6,428 DancescapersConnlli~4:;ions and Pe rfonning %laterial 18,788 Dunfermline College of Physical

2 ;5,216 Education

LiVe INILI is Now Limited 1,500Khoros Dance TheatreThe Krary Kat Theatre Compan y

OLICCn '

Ilall (Edinburgh) Limited 11,500 The Mime Theatre ProjectScwi h :Music Archive 15,900 Annie Staine rScottsh Society of Composers 1, :500 Falkland! Antics Community Dance

Compan y nyFife Regional Counci l

Plovers ,(;uif Player, Dumfrie sGuild of800gpq

Fife Youth Dance Compan y

'Ml;

Cumnr-li =1 0500

0Glasgow: Dolphin Arts Centre

LsicClu b

Glasgow

ClubFaceback- Movement Theatre

1,000 Peg Dance TheatreLhrnlfriellusic Club " l[ ► {~

Liz Ingra m3,100 Hark Saunders

Glenrothes : Lomond Centre. Tap DanceRecordings : Grou p

Temple Records 1 . ;5(10 Paisley: Renirewahire Donee ProjectChamber Orc•he~stni Limited 5,0[:10 Stromness : Orkney Falk Dance an d

6,300 Music Grou p

Capital : English Dance Theatr eHis Majesty' s Theatre 2,000 Greg

Nash ash

(Scottish Baroque Ensemble Limited 1 .500 is

Company LimitedMantis

mp

3• ~I10 The Scottish Ballet Limited

Total as Note 5 (page 60) £4,608 .091Scottish Council for Danc e

Bursaries : ?dimeDance

Commissions : Dance

Total as Note 5 (page 60)

PC

£

70021 5:350350

93, 50 01,69 1

4T 0:15 0

1,25 02 ;5 0

5,50 01,(10[ 1

K8 2

2,50 02,00 01,05 0

25 072 735 0250

1,75 0

852,40 0

2,00 0

1,6 i1,3871,00

1, 066,00018 9

5,11 05,8302,150

E1,206,702

Page 68: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottiih Arts Untntil

Brought fontlard 18.5.25.5Mental Guerillas 5,00 0

TOURING Royal Lyceum Theatre Compan yCompass Theatre Limited 4 .729 Limited 349344E & B Productions (Theatre) Limited :5, :770 Traverse Theatre (Scotland) Limited 216,87 2Flying Tortoise Theatre Company Galashiels : Ettrick and Lauderdal e

Limited 13,645 Arts Working Party 275Frisby and Kemp Limited 21,628 Glasgow: Cathcart Youth Theatre 20 0Mark Fwne s Limited 23,118 Channel 5 Theatre 5,450Hiss and Boo Productions Limited 6,640 Citizens ' Theatre Limited 357,64 5London Contemporary Dance Theatre 32,526 Glasgow Drama Workshop 400Mercury Theatre Trust Limited Glasgow Gaelic Drama Association 2,380

(Ballet Rarnhert) 10,855 Tron Theatre Limited 93,700National Theatre of Great Britain 93,800 University of Glasgow 1,1500Portman Theatrical Productions Writers and Actors Workshop 499

Limited 10,000 In,-ine : Borderline Theatre CompanyThe Royal Lyceum Theatre Company Limited 116,22 6

Limited 6,000 Kirk vall : Orkney Community Yout hScottish Theatre Trust Limited 78,639 Theatre 8,91 6Triad Stage Alliance 5,61 :5 MUSSelburgh : East Lothian Distric tTriumph Apollo Productions Limited 12,745 Council 15,500Tynewear Theatre Company 11,642 North I."ist . Common Drama Uibhist 359Visiting Arts Unit of Great Britain 6,000 Perth : Perth Repertory Theatre Limited 174,31 5

Total as Note 5 (page 60) E343,152 Pitlochry : Pitlochry- Festiva l

where local authori ty contributions of Society Limited 155,923

£167,719 are detailed St :Andrews : Byre Theatreof St Andrews Limited 71,12 1

Black Box Puppet Theatre 1,500Burnt Bridges Theatre Company 840111{

41Communicado Theatre Company 1 .8,600

Cumbernauld : On Yer Bike Theatre Compass Theatre Company 3,098Company 7:i0 Doric Arts Productions 14,439

Den,aig : Mull Little "Theatre Limited 22,500 Fablevision 6,450Dundee : Dundee Repertory Theatre Horse and Bamboo Theatre 4,854

Limiter] 157 .755 Inv ention's Mother 450Edinburgh : Edinburgh Hindu Mandir Joint. Stock Theatre Group 1,000

and Sanskritik Kendra 250 The Medieval Players Limited 5,000Edinburgh Play wrights'Workshop 4,000 Moving Being Limited 1,19 5

The Netherbow 5,10 1Network 450North UmberlanclTheatre Compan y

Limited 12,640Prime Productions 450

Carried forward 785.255 Carried r'orzvard 1 .836,947

Page 69: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IScottish Arts Council

Broughtjom,ard 1 .336,9=17 Boughtfonmrd 33.1147 :84Theatre Company Limited 125,81€0 Peacock Printmakers (Aberdeen )Soyikwa African Theatre 1,073 Limited •18,00 0Theatre PKF 400 Angus District Council 1,742Theatre Vortex 3,019 Bearsden and Miingavie DistrictTony and Derek 2,675 Council 297Torch Theatre 28,9 Clackmannan District Council 26 7Triad Stage Alliance 2,000 Cupar: Gallery 22 2,440Whisper and Shout Puppets 750 Dollar Summer School in the Arts •100Wildcat Stage Productions Limited 134,665 Dundee: Duncan of JordanstoneWinged Horse Touring Productions College of Art 439

(Edinburgh) Limited 410 Dundee Art Sowiety 75 0Dundee Group (Artists) Limited 8,300

Bursaries 12,014 Dundee Museums and Art Galleries 25 0Dumfries and Galloway Regional Dundee Printmakers Worksho p

Council 3,750 Limited 26,62 0Highland Regional Council 450 Dundee Training for Employment andAlan Lyddiard and Carl MacDougall 5 .000 Enterprise Project 20 0Christine Macdonald 1,002 Artists Collective Gallery 1,07 6Royal L

yceum, Traverse and Scottish The Meadow-place Trust 50

Theatre Company Working Party 280 Dudhope Arts Centre 170Scottish Community Drama Association •150 Edinburgh : City of Edinburgh Distric tScottish Puppet Festival Limited 5,000 Council 246Scottish Society of Playwrights 29,000 The Cockbum Association 500Scottish Student Drama Festival 690 Richard Demarco Gallery Limited 33,000Scottish Youth Theatre Limited 8,825 John Donald Publishers Limited 2,973Scottish Theatre Trust Limited 110 .380 Edinburgh Books Collective 250Theatrical Management Association Edinburgh College of Art 900

Limited 171 The Environment Centre :300Total as ]dote 5 (page 60) U .286,116 The Fruitmarket Gallery Limited 216 .81 1

Graeme Murray Gallery 5,000New 57 Gallery Association Limited 3,50 0

ART Printmakers Workshop Limited 43,20 0

Aberdeen : Aberdeen Art Gallen_• and Royal Edinburgh Hospital 3,00 0

Museum 1,244 Talbot Rice :~r4 Centre 11,00 0

Artspace Galleries (Aberdeen) The 369 Gallen? Limiters 25,000

Limited 31,500 Alexander ZN'W 1,500

Department of Health & Social Ettrick and Lauderdale District Council 58

Security 300 'Fnt:tEvanton : F3rish 689Falkirk District Council 68Fife Regional Council 2,81 3Glasgow: Compass Gallery Limited ?0 .50t)

Glasgow Group 3,000

Carried ian(urd 33,044 Can ed i{lncard 193,353

Page 70: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottish Arts Counci l

£ V C CBrot;;iaj 'Onerard 19&353 Brought-lbrrcru-d 62.1,95 6

Glasgo«- Print Studio Limited 4 71, 7150 Royal Incorporation of Architects i nGlasgow School of Art 500 Scotland 2 .77 5Glasgow- Buildings Guardian Scottish Photography Group Limited 40,00 0

Committee 2,50 Scottish Sculpture Trust 20,500Glasgow Arts Centre 4,500 Scottish Young Contemporaries 6,500Mackintosh School of Architecture 500 School of Scottish Studies 500Motorola Limited 1,000 Scottish Georgian Society 500Transmission 5,000 South West of Scotland GalleriesUniversity of Glasgow 1,500 Association 1,590University of Strathclyde 2,826 Societe of Scottish Artists 1,000

Grampian Regional Council 955 Workshop and Artists Studio Provisio nHaddington : Peter Potter Gallery Scotland Limited 51,325

(.Haddington) Trust Limited 400 749,64 6Highland Regional Council 5,80 2Kilmarnock and Loudon District Artists in residence

Council 1,961 Amsterdam Studio : Robert Black 6,150Kirkcaldy Museums and Art Gallery 105 Cranhill Community Arts Project :Kyle and Carrick District Council 1,308 Alastair McCallum 10,000Lanarkshire Health Board 694 East Kilbr-ide Developmen tLasswade High School Centre 120 Corporation : Jim Cathcart 7,00 0Lumsden : Scottish Sculpture Workshop 10,450 Soulisquoy Printmakers : Keith Fraser 1,15 0Midlothian District Council 60 Scottish Development Agency : Kat eMotherwell District Council 1,500 Lorimer 6,00 0Perth : Fair- Maids House Gallery 943 University Marine Biological Statio nPeterhead : The North East of Scotland Millport : Joanna Scott 2 .84 0

Library Service 3,600 University of Edinburgh to be

Renfrew District Council 150 appointed 6 .50 0Roxburgh District Council 4,730 39,6.1 0Stirling: Stirling Smith Art Gallery and Awards 42,47 3

Museum 1,010 Commissions 33,934Stornoway : An Larmtair Limited 2,154 76,40 7Strathclyde Regional Council 2,135 Total as Note 5 (page 60) £865,693Stromness : Pier Arts Centre Trust 18,000Tain and Easter Ross Civic Trust 200

Artic Producers Publishing Company FILMLimited 2,000 Scottish Film Production Fund Limited 55,(.10 0

Association for the Protection of Scottish Film Training Trust 5,00 0Rural Scotland, The Saltire Society Total as Note 5 (page 60) £60,00 0and Scottish Civic Trust 1,00 0

The Contemporary Art Sox: iety 3,500

Carried orward

6,2-1 . 95 6

Page 71: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IScottish Arts Counci l

t: I= I~

£Brought jortaini 214,0251_ITERATI ItF. Grants to publishers

A,4~nciatiun tor')C( ttish Literary Aberdeen University Presstit ud is s 9,000 1r,Iom the C h.& to Califonria by

EdiTihur-t ;h Book Fair Limited 17,500 R L Stevenson edited byEdinburgh Children's Book Group 150 Andrew Noble 2,000Thc• Ft ,dorriticm of Children's Book Ane RrturrrwigitfArre Scottis

440 and Inglis Merrhand), iCtil In ~l,ikazn3i 585 by William Lamb edited by`I'hr. GaL=lip_ licvlk~ Council 49,000 Roderick Lvall 1,000Meet the Author 2,000 A Rr:srfrrerlion ofa BindMonklands District Council 5,000 by Christopher Rush 900National Book Lui -~,2ie 17,900 Aberdeen University- Pres sSchool of Scottish Studies 6,000 Perspectives of the ScotlishScottish Poetry Library Association 10,000 ON edited by George Gordon 1,500Scottish Publishers Association 31,700 Th , Gritg•Dtrucarr Folk SongUniversity of Edinburgh 2,000 Collection Volume .? edited b yFriends of the Dictionary of the Emily Lyle 2,00 0

Older Scottish Tongue 7,000 A Tivelr.rm finth and a Dav b_v158,275 Christopher Rush 2,00 0

The Goal Scots Diet : 14,7zat HappenedPublications to iN by Maisie Steven 1,00 0Bcx)kS in Scotland 5,550 Acair LimitedCe.nc rastus 11,750 Rh; a Bin7di aidr : Criticism an dChapman 4,500 Prose 111'rilings by Sorley MacLean 1,000Gair m 8,250 The Bodley Head LimitedLallans 900 Hen nr Bmugharrr 1778-1868: Hb.Leopard Magazine 1,250 Prfblic Garrerby Robert Stewart 1,75 0Lines Review 4,600 Winterjourney by Ronald Frame 2,00 0New Edinburgh Review 7.000 Caedmon of WhitbyThe Scottish Review 6,250 Drjohn Rae by R L Richards 1,00 0Tocher 1,250 Canongate Publishing Limited

51,300 Canongate Kelpie Series :Stela by Lavinia Derwent

Literary events Thud othian Rrut by Mollie HunterEdinburgh University Students Snake Ainong the Suryloicern

Publications Board 175 by Joan LingardPakistan Art and Literary Circle 350 Flash the Sheepdog by Kathleen Fidler 4,500Scottish Publishing; and Book Society 60 Retunr to Stela by Lavinia Derwen tStrathcih-de Writers Festival 750 Hake the Shetland Pony byStratlikelvin District Libraries 190 Kathleen Fidle rUn-as an Eilein 2,000 Ribbon of Fire by Alla nWomens Bix)k--week (Scotland) Group 650 Campbell :Maclea nWorkers' Ecluaitiopal Association 275 Young Barbarians by fan Nlacl aren 5,000

4 .45 0C'unzr rl . runf rrrci 21 .1 .025 Carried jor ward 25. .50

214.0-15

Page 72: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottish Arts Counci l

Brough foncardThe FallgfKelvin Walker b y

Alasdair Gra yThe Linton Porcupine by Ross LaidlawFrom Time to Time by Willia m

MontgomerieGrantnik: Sharp Pattisrm by

F L M PattisonW & R Chambers Limited

Scottish lVursciy Rhymes by NorahMontgomeri e

Scottish Gravel>arehs by Betty WillsherChatto and Windus

Collected Prxmrs of Norman MacCaigWilliam Collins Sons and Company

LimitedScottish Short Stories 1985

Constable and Company LimitedRam ps and Black Rain

by Elizabeth SutherlandJohn Donald Publishers Limite d

Lords and Men in Scotland:Bonds of Manrent 1442-1603by Jenny Wormald

Scotkind and the Crusades, 10,95-1560by Alan Macquarri e

John Donald Publishers LimitedThe Scottish Enlightenment an d

the ?lfilitur I.ssrw byJohn Robertso n

Th.c Scottish Hosren- and KnitwearIndusby 1680-1980 b yClifford Gulvin

The Makingr~f the Shetland Larulscapeby Susan Knox

Richard Drew Publishing LimitedMy Unck, George by Alastair Phillip s

Galloping Dog PressIntimate Voices : Selected Work

1965-1983 by Torn Leonar dGourdas House

The Grampiem Baflk iclds b yPeter Marren

is

£

25,650

214,025

1,2501,000

1,300

1,750

1,30 095 0

3,00 0

1,70 0

1,500

1,500

1,000

1,50 0

75 0

2,00 0

1,00 0

850

'x ,000

Brought .1ortt-ardHamish Hamilton Limited

The betters of Hugh 1lfacDiannidedited by Alan Bol d

Paul Harris Publishin gDeath is or the Living b y

Anne Gordo nVoices of rely Kind: Srottis h Poctn

1920-85 edited by Alexander Scot t.Valural Light- Portraits of Scottis hWfiters

photographed by Angela Catlin an dedited by Trevor Royl e

Luath Press LimitedPoe» rsin ThrreLeidsarth.e Wild

Places by William Neil lThe Edge of the IVrxxi by Alan BoldThe Croftrng Ymrs by Franci s

ThompsonMagna Print Book s

Green voe by George Mackay BrownDancing in the Streets by Clifford

HanleyAnother Time, AnotherPlare

by Jessie Kesso nDocherty by William McIlvanne y

Macmillan London Limite dEigh tsome Reel by Magda Sweetland

Mainstream Publishing Limite dNo Pope ofRoine by Steven BruceThese: l I''ords: IVecldingfs acrd A_I tier b y

William N-1clivanne yThe House by the A ., ina b y

Eugenie Frase rThe Poetry ofr,Wotion : The l arse

of Sport edited by Alan Bol dThe Lipstick Circmti an d

Other Stories by Brian McCabeThe :41 ariscat Press

Sonnets f)-wn Scotland byEdwin Morgan

£

£

50,000

214,025

3,00 0

75 0

1,50 0

2,00 0

1,50 050 0

1,25 0

1,00 0

1 .00 0

1,0001 .000

2,500

1,75 0

1,250

2,50 0

1,250

1,750

45 0

Carriedfnricard

50,000

214,025 Carried fortcard

7:1,950

211 .025

Page 73: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IScottish Arts Council

£

£Brought fonvard 7.5,950

214,025John Murray (Publishers) Limited

The last of the Vikings byJames Miller 1,000

Phaidon Press Limite dRr)&W and jamec Adam : Designs for

CaslksandCountrr Villasby Alistair Rowan 3,500

Polygon Book s7hce Crmlessions by Liz Lochhead 750ON rrf the West by Jessie M. King 375The Gre v Citv ol- the

North by Jessie M . King 375The &y Who Minteud Pcru-e by George

Friel 900A Highland Liie by F R Dart an d

J B Pick 1,500Reaktion Books

Ian Harnilknr Finkuv: A Visua lPrinw.rby Yves Abrioux 5,000

The Saltire SocietyWhy Qxlic Matters by

Derick S . Thomson 350Scottish Academic Press Limited

.-Alexander,tfuntgonune byR D S Jack edited by- David Daiches 1,000

Longer&-ottrsh Poems 11i 1zane2edited by Thomas Crawford, David

Hewitt and Alexander Law 1000Martin Secker and I1'arburg Limite d

Ragtime in Otfivniliar Bars byRon Butlin 1,00 0

7 :84 Publicationsfix, Cane: Pkry:s. Poems awl Theatre

Cr%ti".51ns

edited by Linda MacKermey 2,00 0The Gorbals St o7y b y

Robert McCleish . edited byLinda MacKenny 1,25 0

Charles Skilton LimitedAlcrander a-smvth 1758-1,44 0

His LiIi and CVmk b yJ C B Cooksey 3,500

Carried fanvaM 101.450

214,025

£

£Broughlforward 101,450

214.025Souvenir Press

The Well at thF, Morld's Endby Neil M Gunn 1,000

SPA Books LimitedThe shaping (fNineteenth

Centun° Aberdetwshire by.

Svdnev Wood 1,000103,45 0

Writers in residenceJames Kelman : Renfrew District

Library (Paisley) 500Tom Leonard : Renfrew District

Library (Paisley) 6,500Carl MacDougall : Renfrew District

Library (Linwood) 500Tom McGrath : Duncan o f

Jordanstone College of Art 6,800Brian McCabe : Stirling District Library 7,000Donald John MacLean : Sabhal Mor

Ostaig 6,50 0James Rankin : University of Dundee 6,20 0Alastair MacLeod: ScottishlCanadia n

Fellowship at Edinburgh University 8,00 0Bernard MacLaverty : University

of Aberdeen 6,75 0Marcella Evaristi : Universities o f

Glasgow and Strathclyde 4,500Ron Butlin : University of Edinburgh 6,750

60 .000Book awards 7 .800

Bursaries

48 .25 0

Special awards

50 0

Travel grants

11,27 0

Total as Note 5 (page 61)

£44 :5,29 5

Page 74: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IScottish Arts Council

Brought joniard 797,440

COMBLNED .A-RTS Strathclyde Community RelationsCouncil 200

Aberdeen Arts Centre Association 1,924 Ullapool Entertainments 85 0Bellsbank Festival Society 130 Wick : Lyth Arts Centre 4,200Clydebank Arts and Leisure Enterprises 3,000 An Comann Gaidbealach 4,00 0Ciunbernauld Theatre Trust Limited 67,847 Red Ladder Theatre Company 20 0Easterhouse Festival Society 17,700 Scottish Trades Union Congress 10,00 0Edinburgh : Craigmi .llar Festival Society 14,600 Training Bursaries 2,63 8

Edinburgh Indian Association 50 0Festival Fringe Society Limited 13,500 Total as Note 5 (page 61) £'819,52 8Pilton Central Association 3,000 FESTIVALSShaping Light Project 2,500 Aberdeen: Aberdeen Arts Carniva lSuitcase Circus 495 Committee 4,750Theatre Workshop Edinburgh An Comman Gaidhealach 65 0Limite dWester Hailes Festival Association

91,3297,700 Ayrshire Arts Festival 4,75 0

East Lothian Community History and Barra Festival Society 2,05 0

Arts Trust 6,500Crisis Limit Productions 25 0

Ettrick and Lauderdale District Council 1,384Cycle Celtique 85 0

Fife Regional Council/Arts in Fife 9,050Dumfries and Galloway Art s

Findhonr Foundation 675Festival

Dunkeld and Birnam Arts Festival4,85 7

Cilla Fisher and Artie Trezise 212 Society 1,500Gateway Exchange 250 East Kilbride Arts Council 1,500Glasgow: Asian Artistes Association 5,100 Edinburgh : Clarsach Society EdinburghGlasgow Arts Centre 3,500 Branch 1,87 9Govan Festival SocietyThird Ere Centre (Glasgow) Lunited

100218,100

Edinburgh Festival Society Limited 437,800

Haddington : Lamp of Lothian Collegiate Edinburgh Folk Festival 3,500

Centre 5 .670Girvan Folk Festival 1,200

Inverness : Arts Hive 7,000Glasgow: Glasgow International

Eden Court Theatre 140,300Folk Festival Society 600

Irvine : Harbour Arts Centre 4,099Marfest Limite d

Govan Community Council13,000

140Lochgelly Centre 250 Highland Traditional Music Festival 297Lothian Play FormMid-Argyll Arts Association

1 .60 01500

Inverness Folk Festival 1500

St Andrews : Crawford Centre Kirkwall : St Magnus Festival 11,000

for the Arts 35,300Kirriemuir : The Traditional Musi c

St.irling : MacRobert Arts Centre 123,125and Song Association of Scotland --

Stirling District Council 6,000 Tayside Branc hLivingston Festival Committee

50 030 0Stirling Fringe Festival 1,000 Lothian Adult Basic EducationStornowav : An Comann Gaidhealach 750 :association 30 0Strathhaven Arts Guild 750 The Moving Art Show 20 0

Orkney : Orkney Folk Festival Society 10 0

Carried forward 797,•140 Carried )i maid -192,473

Page 75: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Scottish Arts Council

Bruic~j6ri li+~unrrl 4.92,4 :3Orknev Traditional Folk Festiva l

Society 107Perth Festival of the Arts Limited 12,750Royal Burgh of Pittenweern Art s

Festival 350St Andrews Festival Society Limited 3,500Stirling District Festival Limited 540Urquhart Folk Weekend 100Total as Note 5 (page 61) £509,780

HOUSING THE ARTSDramaPerth Repertory Theatre Limited

100,00 0

ArtPrintmakers Workshop Limited

10,00 0

Combined ArtsPlayhouse Entertainments Centre

Limited

35 .000Total as Note 5 (page 61)

£115,000

Page 76: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

f7

~

Page 77: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Welsh ArtsCouticil INCOME AND EXPENDITURE ACCOUN T

FOR THE YEAR ENDED 31 MARCH 198 5

198 5

liomme

GMM&U An unnho &A U511T I

%min QU AV -Loo p i~

Grant Trnnn hri

1- iiw 1 :i>timte 14SN6 12 2

Grants and gwv-antec~ accrutd i npreviow years, not now r(•(IWT'ed ills-,

7,24421 1

Expenditure

Administration of subsidiir, and service sStaf f costs Note 3 37 'x .'.J^ O

Operational costs Nale 4 ISISV ~DeprcTiafion -V*8' 101K

37h OMI TGrcuiv, and MArMtCtS A74 5Other actMLies Nott, 5

63 Q8J89 .857

6 .24674Direct pn-)rnotions : net deficit 438,854General expenditure on th p irT : !n W

7=,608Operating deficit I=sterest recdable ARMSurplusAdeficit) for Lhv f4=c4y-=ArwA,xurnubted surplus brotight fmvarda~ pre-iou-sly reported 11224 -

p rin' year adiu-stment .vo"i- 10 IR 1556Raved awcurnilatril surph., ., brought fom-ardaccumulated surplus carried forward 166. It T

Page 78: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

We lsii .art. Council

BALANCE SHEET

AS AT 31 MARCH 1985

198 5

Fixed assets Tangible assets .'OkS

106,1 5

Current assets St cLs VoteY

47,K5Debtors and prepaymentsGrant due from Arts Council of Great Britain

456,UU0Other

116317G rants and guarantees paid in advance

128,5 WCash at bank and in hand

12,224"1 1- 1

Current liabilities

Grants and guarantees outstanding

dD8 .10 8Creditors: amount falling due within one year

172,09 86$0 .2011

Net current assets

80 .72 0Total wets less current liabilities

186,87 7

Financed by

Income and expenditure account

186,87 7

Hywel EvansChairman of the Welsh Arts Council

Luke Rimie rSe(retary General

31 July 1985

Page 79: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

TINhAusCounvil

SOURCE AND APPLICATION OF FUND S

FOR THE YEAR ENDED 31 MARCH 198 5

Soy me of funds N oso mm? A w

am,Ad jummuri I fi ir

i : I,, ,

in s

UNRAWO m W Q WK; Am wm ~

Dqmmmiltsion3404 7

ToWpDeWedfromi(absorbedb~'joi)---riii~ln~

7795 7

198ic

MA 7197 .43 1

AppHewdonothabmMd=m) in working capital

gffqpmydwem in

squmpoo -a

Mama k met 64WWCmhai*- k*iabmd

M.130)16.K~ 7

(1104)16,827

Page 80: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Welsh Arts Council

NOTES TO THE ACCOUNT S

AS AT 31 MARCH 1955

1 . :accounting policies

a) The financial statements are prepare dunder the historical cost convention .Without limiting the information given . th eaccounts meet the requirements of th eCompanies Act 1985 and of the Statement sof Standard Accounting Practice issued h v_rnernber Wier of the Consultativ eCommittee of Accountancy Bodies so far a sthose requirements are appropriate .

Significant departures from Statements o fAccounting Practice are disclosed in thenotes to these accounts and the financialeffect is quantified where practicable to d o~a .

W Accruals convention6) All income and c xpenditure is taken intoaccount in the financial vear to which i tre)ates . Setting up costs incurred on a sevent promoted by the Council are charge dto the year in which that event takes place .Setting; up costs incur red in a year prior t othat opening are treated as a prepayment .

(ii) Subsidy expenditure is made in the formof grants and guarantees which arefonnally offered to and accepted by th eCouncil's clients . Grants and guarantee sare charged to the Income and Expenditur eAccount in the year in which funde dactivities take place ; if this is notdeterminable they are charged in the yea rin which activities begin . Any amountsunpaid from grants and guarantecs at th eyear end are shown as creditors in th eBalance Sheet and any advance payment sto clients in anticipation of grants an dguarantees to be charged in the followin gfinancial year are shown in the BalanceShuct as debtors.

c) Depreciation and fixed assetsI)eprec•iation is provided on all tangiblefixes] assets at rates calculated to write offthe cost less est imated residual value o feach asset systematically over its expecte duseful life as follows :

over 50 yearsover the life of th eleas eover 4 yearsover 4 years

Freehold land is not depreciated . Works ofArt are fully depreciated in the year o facquisition ,

d) StocksStocks are stated at the lower of cost andnet realisable value .

Freehold buildingsLeasehold buildings

fixture and fitting smotor vehicles

Page 81: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

1Vvte,~ to theArcounI;WH> h :4lt. Coerru7!

2 Other operating income Sundryincom eProfit/(Loss) on sale of fixed assets

3Administration ofsubsidies and,enices Salaries and wagesStaff costs Employers National Ins~umc e

Arts Council of Great Britain Retirement Alan (1975 )

The Chairman, Council and Committee Membersare not paid for their services.

The average weekly number of employees durin gthe year was made up as follows .

Administration of subsidies and servicesDirect promotion s

£35,054 of administrative staff cost shave been allocated to direct p umotionsdefi WinNote 6.

4 Administration of subsidies and services Travelling and subsistenc eOperational costs Rent and rates

Fuel. light and house expensesPublicity and entertainmen tPostage and telephone

SWticoery and printingPt+o6eattalfeesli~esand investigationsWdebtswrift off

--

Office and smdryA%& fee

£11,617

, Hof operational costs uallocated m thediretx promotions detaaed in note &

1985C

4,64 9

1,773

6.4K)

322,448

321, : 1 1 1?"l.21,+631

3U&J

-378,080

ri3

Page 82: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Notes to the Accaunts14 He h Arts Gained

I985

£

C5 Expenditure by art form Regional Arts A,sociation s

(;rants and kuarant ues

5l y .[h K I

Mijsi cG r dnt~ and t .saranu :s 2,107,44 2S' hem • expenses and income f 1-19)Concert programme Note() 148,892

2,2 :6,1 KFestival st iwitsand~niaranwes 126,2377DanceGrifaLS and guarantees 183,840Scheme expenses 1,27 9Training -

18.5, 11 :1Dramatirants and guarantees l,t47,775Scheme rxpenses 525

U;48,300

Ar t(g rants and guarantees 360,276ExhlbltlontouringserTice Noted 98,053Publications 7 .64 0Visual Art Development SchemeSalarvEmployers National Insurance 13,1)1)Other costs

13,155Maintenanceof Welsh Collection -C01](Morplan, Artists register, Slid ulibran and other activitie sSalaryEmployers National InsuranceOther cost.~ l 7 .1 f<t7

17,097Sdieme expenses 5,111 2l.k, preciation 2,068

.514 .20 1Liua icrt lorzt r~i~t 5. ~3J, 077

Page 83: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Notes to the it ecounis11(11'4 .4,7< Council

198 5

Bn&ght Jcmcurd

5,ZN 077

FilmGrants and guarantees 76,989Other activities 2,87 5Depreciation 6,536

86,400LiteratureGrants and guarantees 569,20 0Scheme expenses 83 8Publications -Competitions and events 2,08 0Other activities 1,509

574,127Multi medi aGrants and gmantees 309,WPresence at the Royal National Eisteddfodof wale 1,349

--

Depreciation 1,IN.i4312,263

Regiona lGrants and guarantees 95 .000

CraftGrants and guarantees 4`1 .868Scheme expenses 530Showcase network and exhibitions 13,98 7Publications and records 903

-

other activities -Eon 1 .264

68,452,farwurd 6,375.319

Page 84: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

°1t,les to the Accounts

U'rb:h Arts Council

1985

£

£Brought lonaard

6.375,31 9Oriel bookshop and gallery Note 6

191,909

Housing the .art sGrants

409,300

General expenditure on the arts in Wales

6,676,528

SummarvGrants and guarantees

6,147,81 7Other activities

89,857Direct promotions Note 6

438,854General expenditure on the arts in Wales

6,676,528

6 Direct promotions

Exhibitions

Concerts

Oriel Bookshop

service

and Gallery

1985

1985

1985

1985

Income

-

48,522

126,991

175,51 3Staff costsSalaries and wages

_

52,339

12,173

122,048

186,560Employers National Insurance

3,636

845

8,711

13,222_Arts Council of Great Britain

Retirement Plan (197,9)

6,877

1,665

13,779

22,32 1

(62,852)

(14,683)

(114,568)

(222,103 )Operational costs

(31,616)

(182,731)

(167,480)

(381,827)Depreciation

(3,585)

-

(6,852)

(10,437 )Net deficit

(98,053)

(148,892)

(191,909)

(438,854 )

Staff and operational costs include a proportion of indirect overheads as detailed in note 4

Total

Page 85: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

:V(les h) llte "I rrotrratsli'F'lshAPls Council

1985

_

7 Surplus/(deficit) for the year 34,47 9

Stated after chargingT

(a) Auditors remuix.•r;+ti+,n 75 30i i

M

mplr,e

- n

,'Jnn over 00,000 ril l.

Y-^ Land & Fixtures Vehicle : Works 'Dotalbuildings & fittings of art

1' £ 1 1 £

8Tangildt

., .k ;I .,,

t 1 ;31,679 54,433 127,215 387,259

1-1 .198 16,632 - 61,130

I4 .,3191 (10 .1-14) (85) (1 .1,878 )

l :il March 1985 70,532 174,828 60 .621 127 .130 433,51 1

f )' preciationat 1 April 1984

_ 30,413 109,753 31 .373 127,215 298,75 4

Prmided 19WM 4,417 21,423 11 .980 - 37,820__

1_c=s depreciation on _ lils in 1984 - (4,263) (4,872) (85) (9,220 )

-

- 34,$3(} 126,913 38,481 127,130 327,354

Net br.K,k value a, 1 Apr) i- ,11, ,;19 2.1926 23 .060 - 88 .505

~cr

H i 11- .

. . . 11 ,12 1

+1 :; -11 :1) - 106 .15 7

a l "

.ti 'oty S

~?h value of land and buildings cunrl,r:

Ii .]d improvements

_

111,11provemenls

26,3i1t ~_

36,102: : ;-l ude property atxxM*#1̀ £$ SQQ at19, vacation

Page 86: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Xot<s to the Armunts141 lsh Acts C.'ounril

9 Stock Bookshop trading stockStationer y

10 Prior year adjustment Writing hack of undepreciated assets followin gthe change of accounting policy on depreciatio n

Writing back of capital reserve sAdjustment for assets over depreciatedin previous year

Certificate of Comptrollerand Auditor GeneralI have examined the foregoing Income an dExpenditure Account, Balance Sheet and thesupporting information set out in the Statemen tof Source and Application of Funds and th eNotes. In my opinion these give, under thehistorical cost convention, a true and fair view ofthe state of affairs of the Welsh Arts Council at31 March 1985 and of it_s surplus and the sourc eand application of its funds for the v_ ear ended onthat date .

1985

47.030825

4"r .855

10,15 610 .156

R W Lock eDirector of Audi tfor Comptroller and Auditor General

National Audit Office2 August 1985

Page 87: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

SCHEDULE TO THE ACCOUNTS

AS AT 31 MARCH 1985

1. GRANTS AND GUARANTEE S(including subsidies offered but FESTIX'A I . 5not paid at that date) L

is Cardiff F(-. : .

w M : .-, 21,50 0

REGIONAL ARTS ASSMIATIONSL' i

r F 1

%I u,

i

•, : <, i ,

. l 14 ,00 0Llandaf daf f Fe~,tivai 24,00 0

No1Th Wales Arts Association 1 :15,110 Llangollen, In~t-i-iii111(Jnal ~~IU> ;l_South-East Wales Ar , Association 23l .J(~0 Elsteddlod 26,0f )I 1

West Wales Arts Association 115,730 Llandlio Crossenny Festival of k1usk' l'otai as Note 5 (page 82) £519,000 and Drama 2,70 0

Lower Machen festival 1,7 .3 0

MUSICNorth Wales Music Festival 7,68 7St David's Cathedral Bach Festival 2,150

Opera Swansea Festival of Music and the Arts 17,700We l-Ii N ;rlional Opera 1,564,700 Vale of Glamorgan Festival 8,80 0Otheractivities Total as Note 5 (page 82) £126,277B13C Welsh Symphony Orchestra 295 .000Merlin Music S(Wiety 4, :300 DANCESt David' ; Hall, Cardiff 56,000St Donats Music. Theatre Revenue Clients Performing Companies

Ensemble 8,500 Diversions (formerly known as

l'niversity College, Cardiff: Welsh Jumpers Limited) 75,00 0Alusic infor niation Centre 24,000 Revenue clients cofnnnunity danc e

l_ r~iversit~ CE)ileg:• of North Wales : Footloose Dance. Company- 26,000Archive of Wc.-Is i Traditional Music . 3,000 South-East Wales Arts Association -

Welsh Amateur Music Federation 82,850 Cardiff Community Dance Project 3,000Welsh Jazz Sociew 14.000 Welsh Dance Theatre Trust - Cardiff

487,650 Community Dance Project 33 .000

Piano 62,00 0Swansea City Council - Brangwyn Hall 8 .942 Project clients community danceRecordings of contemporary Welsh Music Clwyd Dance Project 4,898Chandos Records Ltd 9 .7 00 Gwynedd Dance Project LOWPhoenix Records Soo South-East Wales Arts Association -

10,500 Rhondda Dance Project 3,700

Commissions to contpvsers 17,650 TIC West Glamorgan 4,00 0

Bursaries for advanced study° 13,400 Valley and Vale Community Arts 2 .500

Publications 16,098

Guild for Promotion of Welsh Xhisic 4,00 0Soundings 600

4,600

Total as Note n (page 8'1) 1'2 .107 .4-42

C'anied ynvard 153,098

Page 88: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1l*lsh Arts Counci l

E E C £Brought fo7ward 153,998

Project aid and commissions DRAhi_a1

Cwmni Dawns Gwylan 2,740 Receiving theatres and arts centresDance Wales 7,500 Aberystw vth : Arts Centre 35,000Hijinx Theatre 350 Bangor : Theatr Gwynedd 35,000Howard and Eberle Dance Theatre 6 .000 Cardiff : New Theatre 20,000South-East Wales Arts Association - Sherman Theatre 40,000

Rhondda Dance Project 336 Swansea: Grand Theatre 18,00 0Sherman Theatre - Jumpers Youth 148,000

Dance Theatre 500St Donat's ]Music Theatre Ensemble 2,000 Marketing project sAwards to Individuals 920 Cardiff Arts Marketing 12,00 0

Swansea Arts Marketing 4,00 020,34 6

Tuurint;IRwidence~+ I6,[l0U

Chapter Arts Centre 400 Drama companiesNord, Wales Arts Association 290 Action Pie 31,00 0Second Stride Dance Company 250 Theatr Bara Caws 59,00 0South-East Wales Arts Association 1,336 Brith Got 41,00 0Theatr Hafren 8,54 Cardiff Laboratory Theatre 57,50 0Torch Theatre 500 Cl%-vd Outreach 38,00 0Valley and Vale Community Arts 2 .195 Theatr Clwyd 228,000West Wales Arts Association 1,250 Coracle 16,000Wyeside Arts Centre 84 Theatr Crwban 23,00 0Awards to Individuals 100 CNamni Theatr Cymru 30,00 0

7 , 259 Gwent TIE 33,000Gwynedd TIE 25,000

Audience development project MovingMovng Being 96 .000Cwmni Dawns G A elan 553 Paupers Carnival 38,000Dance Wales 880 Theatr Powys 52,000Howard and Eberle Dance Theatre 1,617 Spectacle Theatre 31,000

3,000 TIC West Glamorgan 33,000Torch Theatre 161,000

MiscellaneousYr Academi Gymreig 70 992,50 0Awards to Individuals 67 Theatre project s

137 Cwmni '85 28,36 1

Total as Note 5 (page 82) i 183,840Cwmni Cyfri TriC%vmni Hw,l a Fflag

21,00051,500

Fresh Claims Theatre 1,625

Canicd forward

102,486 1 .156,500

Page 89: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IWelsh Arts C n)unc l

I: C £

Brought jorward 102,486 1,156,500 Brought fonaard 5,308Hijinx Theatre 30,000 Theatr Hafren 2,000Made in Wales 98,000 Made in Wales 2,500Masquerade Theatre 14,000 Paupers Carnival 31 8Onnni Panto'84 15,500 Taliesin/Tara Arts Group 300Cwmni Panto'85 73,500 Welfare State 900Theatre Wales 61,000 Awards to individuals 4,754Cwmni ' W hare Teg 21,532

416,018 MiscellaneousAmateur and ouch drama University College of Wales, Aberystwyth 200Drama Association of Wales 28,500 Cymdeithas Theatr Cymru :3,368National Youth Theatre of Wales 5,800Cwrs Drama Ieuenctid Cymru 2,000

36,300 Total as Note 5 (page 82 )

Theatre writin gYr Academi G}m7reig 1,630 ART

Theatr Bara Cares 1,225 Grants and guarantees towards galleries andTheatr Clwyd 2,000 exhibitionsCoracle TIE 440 Abervstw with Arts Centre 220Theatr Crwban 1,150 Association for Photography in Wales 34,840Gwynedd TIE 500 Chapter 2 .840Cwanni Hwyl a Fflag 1,750 National Centre for Children' sMade in Wales 2,625 Literature LOWCwmni Panto '84 1,000 Clwyd County Council 22,100Theatr Powys 3,000 Contemporary Art Society of Wales 480Sherman Theatre 750 Cowbridge Arts Group 420South-East Wales Arts Association 500 Dyfed College of Art 42 0Spectacle Theatre 880 Dyfed County Council 500Torch Theatre 1,109 Gwyl Llanelli Festival 650Cwmni ' Whare Teg 750 Gwynedd County Council 7,120

19,309 Llanelli Borough Council 4 0Llanover Hall Arts Centre 1,26 0

Training Llantarnam Grange Arts Centre 6,100Actors Institute 500 Monmouth District Council 560Theatr Bara Caws 558 Mostyn Art Gallery 85,000Brith Gof 3,000 Newport Borough Council 140Theatr Clwyd 450 Ogwr Borough Council 140Doubletake Theatre 800 Oriel 31, Welshpool 6,260

Polvtechnic of Wales 560South Glamorgan Institute of Higher

Education 42 0South West Arts Association 1,00 0

Carried forward 5.308 1 .628.I27 Carried•fm and 172,070

C1,628,12 7

16,08 0

3,568

£1,647,775

Page 90: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1147elsh Alts Crnrnctl

£ £ E £Brough1 . i+nazid 172.070 BroughtTaneard 310,70 7

St Donats An Centre 140 Artists in ResidenceSwansea City Council 7,020 Llanover Hall Arts Centre 2,000Torch Theatre 700 North Wales Arts Association 3,000Torfaen Borough Council 420 South-East Wales Arts Association 5,000University College of Wales, Swansea City Council 3,000

Aberystwyth 140 West Wales Arts Association 6,200University College of North Wales, 19,20 0Bangor 5,400 Grants to individual artist sUniversity College, Cardiff 840 Loans to artists 33,51 5University College, Swansea 560 less ; amounts repaid (30,146 )West Glamorgan County Council 560Wyeside Arts Centre 910 3,36 9

188 .760 Setting up grants 12,00 0Special projects grants 15,000

Grants for gallery staffing improvements 30,36 9Ciwvd County Council 3,500Clwrvd Exhibition Services 3,082 Total as Note 5 (page 82) 1260,276University College of Wales ,

Aberystwyth 3,500 FILMWest Wales Arts Association 4,115

Bwrdd Ffilntiau Cymraeg 14,00 014,197 Production grant s

Grants to artists organisations Awards to individuals 26,14 0

Association of Artists and Designers in Small production project awardsWales 55,000 lnited Idren of Israel 1,180

Bethesda Community Arts Centre 1,500 Llantrisant Film Workshop 1,44 0Contemporary Art Society for Wales 2,000 South Wales Voice Group 1,50056 Group Wales 2,000 4,12 0Live Support Systems 2,500

Completion grantsThe Pioneers 11,000Boadicea Films 520

Welsh Sculpture Trust 20, 000Cardi 11 0

94,000 Llantrisant Film Workshop 7 5

Grants towards commissions Awards to individuals 8,57 5

Delyn Borough Council 2,450 9, 28 0Gwy] M} ,rddin 1,100 Distribution grantsHywel Dda Committee, Whitland 5,200 Chapter Film Workshop 80Powys Sculpture Trail 2,500 Awards to individuals 400St Peter's Church, Pentre 2,000

48 0Wales Tourist Board 500

13,750 Exhibition grant sSwansea Film Society 10 0

Carried forward 310,707 Can led fonceird 54 .120

Page 91: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule 1Welsh Arts Council

E C I; CBno4gh t fom w ad 54,120 Brrmghtfonvard 45,730 25.5. OW

New film and video workshops Poetry Wales Press 20,000Aberystwyth :Media Group 7,740 University of Wales Press 3,050West Glamorgan Video and 68'780Film Workshops 4,70 0Wrexham Community Video 2,000 Children's literature

14,440Cyngor Llyfrau Cyni aeg 6,000Gwasg Omer 1,200

Training and education grants National Centre for Children' sBlack Film and Video Workshops in Literature 15,760

Wales 100 Perey Thomas Partnerslups 2,69 0Chapter Film Workshop 1,650 Sain (Recordiau) Cyf 1,50 0Chapter Video Workshop 100 Tir na n-0g Festival 1,400Polytechnic of Wales 3,700 Welsh Books Council 4,85 0University College, Cardiff : Extra Awards to individuals 55 0

Mural Department 350 33,950Welsh Black Arts and Medi aAssociation 200 Periodical s

West Glamorgan Video and Film The Anglo-Welsh Review 7,80 0Workshops 250 Barn 15,00 0

Wrexham Community Video 2,000 Y Casglwr 90 0Awards to individuals 79 Y Faner 50,000

8,429 Llafur 550Maximum Load 150

Total as Note 5 (page 83) £76,989 Poetry Wales 6,000The Powys Review 2,470

LITERATURE Spectrum 200

Cvmdeithas Cerdd Dafod 16,000TaliesinY Traethodydd

6,0003,600

Welsh Books Council 161,000Yr Academi Gymreig 78,000 92,67 0

255,000 Writers on tou rNorth Wales Arts Association 2,00 0South-East Wales Arts Association 2,000

Grants to publishers West Wales Arts Association 2,00 0Yr Academi Gymreig 2,750D Brown & Son 500 6,000College of Librarianship - Wales 50 Readings and other activitie sCymdeithas Cerdd Dafod 5,000 UniversiCollege, Cardiff 10 0Gwasg Gomer 22,800 University*

Wales Press 10,00 0Gwasg Gregynog 5,450Gwasg Pantycelyn 1 .750 10,100Gwasg y Dref Wen 6,930 Special Publications Gran tPeoples' Publications 500 Yr Academi Gymreig 50,00 0

Carried fvncard 45,730 255,000 Carried forWard 515,500

Page 92: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Schedule IWelsh Arts Council

£ E £ £Brought tone d 516,500 B~msght fontvrd 6,100Prizes, bursaries and residencies ProjectsSouth-East Wales Arts Association 4,000 Aberystwy-th Arts Centre 2,440St David's University College, European Centre for Folk Studies ,

Lampeter 8,000 Llangollen 1,500North Wales Arts Association 3,000 Glynn Vivian Art Gallery and Museum 2,298West Wales Arts Association 4,000 Llanelli Festival 300Awards to individuals 33,700 Mostyn Art Gallery 280

North Wales Potters 250-02,700 North Wales Potters/South Wales

Total as Note 5 (page 83) £569,200 Potters 150Royal Welsh Agricultural Show 150

REGIONAL South Glamorgan Institute of Highe r

Harlech : "I`heatr Ardudwy 25,000 Education -1984 Group of NIA

Royal National Eisteddfod 70,000 (Ceramics) Students 75 0South Wales Potters 250

Total as Note 5 (page 83) (:95,000 West Wales Arts Association 900Awards to individuals 4,30 0

MULTIMEDIAChapter 293,000 13,568

Grants for special projects Craft residencies and regional activities

Arts for Disabled People in Wales 3,000 North Wales Arts Association 4,50 0

British Council Visiting Arts Unit 4 ,000 South-East Wales Arts Association 6,00 0

Gregynog Fellowship 5,250 West Wales Arts Association 3,50 0

Women in the Arts 1,000 14,000

13,250 Regional craft centreGeneral training grant 3,600 Gwasg Gregynog 5,500

Total as Note 5 (page 83) £309,850 Ceramic Research -A-war dAwards to individuals 1,500

CRAFT Development of Showcase NetworkCommission Aid Dyfed County Council 2,200

Hvwel Dda Memorial Committee 375 Total as Note 5 (page 84) £42,868Our Lady of the Taper RC Church 800St Nlichael's Church, Tongwynlais 225 HOUSING THE ART SWyn Thomas and Partners 2,00 0Welsh Health Technical Services Chapter, Cardiff 2,300

Organisation 2,500 Grand Theatre, Swansea 90,000

West Wales Arts Association 200 Theatr Hafren, Newtown 14,000Rubicon, Cardiff 3,000

6,100Total as Note 5 (page 84) £109,300

Carried font urd

6300

Page 93: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table A

HOUSING THE ARTS OUTSTANDIN

COMMITMENTS

ENGLAND

Music

-Cambridge City Council :

Corn Exchange Concert Hall

2501000250,000

In 1984185 the Arts Council's Grant-in-Ai dof £101,900,000 included £1,400,000 forHousing the Arts . The details of how thiswas spent can be found at the end ofSchedules 1, where £1,145,700 isaccounted for in England, £145,000 i nScotland and £109,300 in Wales . The sumof £33,400 was paid to the NationalTheatre Board in 1984185, being the finalinstalment of the special grant of £350,000earmarked in 1980181 for the cost ofcompleting the South Bank Theatrecomplex .

At the end of March 1984, the Counci ldecided to withdraw from capital fundingas part of its future strategy for the arts :outstanding Housing the Artscommitments at that date totalled£1,922,200. In April 1984 the Counci lreviewed all other capital projects in whichit had expressed an interest, and agreed toreceive applications from a further thirty -seven projects. The Council setamaximum limit of £3,205,000 available forthese applications . A total of £991,300 wascommitted in respect of these project sduring 198415 which, after allowing for th ecash payments referred to in the firs tparagraph, left oustanding commitmentstotalling £1,513,500 as at 31st March 1985 .The details of these commitments are setout below :

Drama

_Cheltenham Borough Council

Everyman TheatreNorth Staffordshire :

Victoria Theatre (New Theal re) Limite d

ArtLiverpool : Bluecoat Society of ArtsLondon - Tower Hamlets :

Whitechapei Art GalleryMiddlesbrough : Cleveland County Council

(Art Gallery)

RegionalBanbury : Spicehall Arts and Community

Association LimitedFrodsham: Castle Park Arts Centre

Limited

_Manchester: Community Arts

Mobile Workshop

_Team (North West) Limited

Manchester. Greater Manchester ArtsCentre Limited

Carried forward

10,000

75,{)Ot r

15,00091,00 0

20,000

4,000

-

2,800

28 .700

- -

55,500

701,0100

DunceLondon - Tower Hamlets: Art Place Trust

Limite d(Chisenhale Dance Space) 5,000

Torfnng

_Oxford: Apollo Leisurt.iUK)Limit .

Page 94: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Ta61e A

L;»,ughl , rnntard 55,500 ;01,000

Newcastle : North Eas tTheatre Trust Limited 00,000

Oxford Area Arts Counci l(St Paul's Project) 25,000

Salisbury : St Edmund's Arts Trus tLimited 4,000

Sheffield : The Leadmill Co-operativ eLimited 30,000

South Shields: Arts and Live :Music:association (North East) Limited 10,000

184,50 0

SCOTLANDAberdeen : His Majesty ' s Theatre 100,00 0D=fries : The Guild of Players 10,00 0Edinburgh : Printmakers Worksho p

Limited 10,00 0Edinburgh : The Playhouse Entertainmen t

Centre Limited 25,00 0Glasgow: Citizens Theatre Limited 193,00 0Glasgow : Scottish Ballet Limited 20,00 0Irvine : Borderline Theatre Company

Limited 40,000398,000

WALESSwansea Grand Theatre 210,000Swansea : University College Arts Centre 20,000

230,00 0£1, :13,500

Page 95: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table B

~91NECIAL FUNDS

Beneficiaries during the year ended 31st March 1985

Arts Council Trust for Special Funds Nottingham Youth Theatre

1,200Drama Space

900Geoff Hannan

1,00 0

Compton Poetry Fund Adelaide Festival of Arts Incorporated

1,550Poetry Book Society Limited

75 0Schools' Poetry Association

55 0Scottish Poetry Library Association

100Versewagon 1,000

Dio Fund

Sinan Savaskan 500Guithermina Suggia Gift

Daire Fitzgerald 65 0for the 'Cello

Jonathan Manson 65 0Corinne Morris 10 0Emma-Jane Murphy _Jacqueline Phillip sOren Shevli n

H A Thew Fund Felicity BrysonEmma ChestersStephen KeeNational Association of Youth Orchestra sHelen Sorrel lSouthport Bach SocietyJanet P ThomasLee War dKaren Whitehead

50

Henry and Lily Davis Fund Fiona Canfield

50 0"Fairer Sax" 1,60 0Heather G Keens

_ 350Vanessa McKeand 35 0Anthony Michaels-Moore 200Laura Rowley 200David J Wilson

38 2

Miriam Licette Scholarship Colette McGahon

2,25 0Caroline Simcoe-erson

2,25 0Thornton Bequest Michael Lyons

800William Pye

65 0

15 010030 0

20 015010010 010020 0400

Page 96: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

1 «11t_

SUBSIDIES TO REGIONAL ART S

ASSOCIATIONS

Aw #

An analysis of'jundl nu :«,

iIt by th (in~~url <uanng the}earended 31 1 fo -{, I9en5

Basic

Da.ncc

Dram.:

Subsidy-

Music

(including touring)

(including tourin gf it, tern

a

713 . ~~ nr)

-

-

-

1 .457

7,000

13,90 0C

-

16,650

2 .506

-Fast Midlands

a

,x8 .000

-b

-

979

308

17,fz 2 3c - 11,500 6,233 4,60 0

Greater a 1,127 .000 - - -London b - 822 6,992 18,14 0

C - - 2,80 0Lincolnshire a 532,000 - - -&- Humberside b

_- - 5,800 20,80 0

C -- 1,500 3 .200 -

Mersevsicle a 536,500 - - -h - - 2,100 5,86 3

c - 6,500 3,000 -Northern a 1,810,000 - - -

b - 1,562 5,581 20,11 6- 8,000 1,250 -

North West a 927,000 - - -b - 2,372 8,000 14,05 0C - 21,700 4,000 -

Southern a 880,500 - - -b - 2 .60-5 3,620 18,13 0

c - 12,700 •1,050 -

South East a 5711,500 - - --b - 1,025 4,431 11,30 0c - 8,000 6,000 _ -

South West a 874,500 - - -b - 1,759 3,000 24,50 0c - 15,900 4,000 -

West Midlands a 1,070,000 - - -b - 992 15,010 46,72 5C - 1.0,000 - -_

Yorkshire a 690,950 - - -la - 1,377 4,639 18,37 5

11,000 - -Totals £11,028 .950 £138,350 £108,074 1234,122

ra) Basic subsidies and additional fund : for

which the Regional Arts Associations are

with subsidy hander] errc,r h ,; 01, , A ;-t~,rr .",uii itions Ind events in their arr° i~ for

expected to nuike provision in future rears

Colin ciI .

Page 97: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table C

Art

Literature

Education

Other

Sub totals

Total s- - - 50,500 763,50 0

24,500 - - - 46,857 889,7755,933 23,980 14,855 15,500 79,418

- - - 11,474 899,47419,000 - - - 41,470 1,061,11 99,000 14,410 6,185 68,247 120,175

- - - - 1,527,00012,000 - - - 37,954 11 583,72213,238 - 2,730 - 18,768

- - - - 532,00014,000 - - - 40,600 591,050

- 7,750 5,700 300 18,450- - - 13,000 549,500- - - - 7,963 583,90 3

2,000 9,800 4,640 500 26,44 0- - - 31,000 1,841,000

27,300 - - - 54,559 1,938,65 9

-

8,850 9,000 15,500 500 43,10 0_

- - - 18,500

i _ 945,50 024000 - - - 48,422 1,031,953

2,871 - 5,460 4,000 38,03 1- - - 23,500 _

904,00015,500 - - 40,905 995,088

- 10,700 2,233 20,500 50,183- - - - 579,500

9,000 - - - 25,756 628,99 1- 2,500 6,735 500 23,735- - - 12,000 886,500

13,000 - - - 42,259 970,89410,079 7,400 4,756 - 42,135

- - - 31,500 1,101,50018,500 - - - 81,227 1,221,7278,000 14,000 6,000 1,000 39,000

51,250 - - 28,000 770,20015,000 - - - 39,391 841,6022,000 13,900 4,111 1,000 32,01 1

£305,021 £113,440 £78,905 031,521 £12,338,483 £12,338,483

(b) Subsidies made available for small scale Public Spaces(Residencies which are

(c) Other subsidies made available to thetouring schemes, and the Regional

schemes administered through the

Regional Arts Associations .Contemporary Music Circuit, and Art for

Associations .

Page 98: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table D

EXHIBITIONS HELD IN GREAT BRIT

DURING 198418 5

ARTS COU CIL OF GREAT BRITAPN-Not e

1-9 Total number of shmvings in financial Fear 8118 5L Exhibited in l.i)ndon other than at the Hayward or Serpentine GalleriesS Also exhibited in Scotlan d

W Also exhibited in Wales

Hayward Gallery1 1066: English Romanesque Art 1066-120 04 Josef Koudelka, Photograph s1 The Drawings of Henri Matisse (organised with the collaboration of th e

Museum of Modern Art, New York )3S The Sculpture of Henri Matiss e

1 Renoir1 John Walker : paintings from the Alba and Oceania Series 1979-84

Serpentine Gallery3 Anthony Caro : sculpture 1969 .8 41 Hans Coper: artist potter 1920-81 (organised by the Sainsbury Centre for Visua l

Arts )1 Coracle Press, Matt's Gallery, Graeme Murray Gallery1 Cross Currents in Swiss Art1 Home and Abroad : recent acquisitions for the Arts Council and British Counci l

Collection s2 Michael Kidner : painting, drawing and sculpture 1959-841 Landscape, Memory and Desire: an exhibition of paintings selected by Robert

Ayers and Tony GodfreyI Problems of Picturing: recent work by Tony Bevan, David Leapman, Lisa

Milroy, Amikam Toren and [Nigel Gill, selected by Sarah Ken t1

Recalling the Fifties 1950-1960 : British painting and sculpture selected byBryan Robertson

Touring Exhibitions2W Gillian Ayres : recent paintings (shown Serptentine Gallery 1983 )

1 David Bailev : Black and White Memories7 Drawings by Bonnard

4S The British Art Show: old allegiances and new directions 1979-198 43 Julia Margaret Cameron 1815.1879

9S Constructed Images : Approaches to Modem Art II I1 Raoul Dufy 1877-1953 (shown Hayward Gallery 1983 )5 Elements of Nature: pictures of Earth, Air and Wate r2 Experimental Photography 1920.40

7SW Four Rooms: Howard Hodgkin, Marc Camille Chaimowicz, Richard Hamilto nand Anthony Caro

Page 99: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table D

6 George Fullard: drawings9S Giacometti's Paris : lithographs from Alberto Giacometti's'Paris sans Fin '7L Peter Greenham: paintings and drawings 19501983 (organised in association

with Norwich School of Art)5 Headhunters : an exhibition of fantastic faces3 Hockney's Photographs (shown Hayward Gallery 1983 )4 Henry lamb 1883-196 09 Leaves never grow on trees : Max Ernst's'Histoire Naturelle '2 Marketa Luskacovd : Pilgrims

1S Leonard McComb (organised in association with the Museum of Modern Art ,Oxford) (shown Serpentine Gallery 1983)

9W Prints by Manet8 Matisse : illustrations to Ronsard

5W Matta: the logic of hallucination4 The National Gallery Lends : A Capricious View, an exhibition of townscapes8 Painter as Photographer4 Private Views: an Arts Council Collection exhibition6 Questions about Sculpture: an Arts Council Collection exhibition3 Bridget Riley Screenprints 1965-197 86 Romanticism Continued: Approaches to Modern Art N

5 L W Room for Thought : eight works from the Arts Council Collection5W Semi-detached : pictures of people and places

1 Sounds of Colour2 Ten Twentieth Century Houses : documentary2 That's Shell - That is! (organised by the Barbican Centre Gallery )2 Timber Framed Buildings: documentary

2L James Tissot (organised in association with the Barbican Centre Gallery )3 The Village Green : documentary

7W Andy Warhol: portrait screenprints7 What's New in the Arts Council Collection?8 Working with Colour : recent paintings and studies by Bridget Rile y

3W Edward Wright : graphic work and painting

55 exhibitions were held in 125 separate galleries in 96 different places (21 2showings including 18 held in London at the Arts Council's Hayward Galleryand Serpentine Gallery, and other galleries including the Royal Academy o fArts) . A number of exhibitions listed received showings prior to the year underreview and are already listed in the annual report of 1983184 .

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Table D

SCOTTISH ARTS COUNCI LNote

Ed Exhibited in EdinburghT Tour in Scotlan dE Exhibited in England

W Tour in Wales

Ed The British Art Show (ACGB )T Etching and Other Intaglio Technique sT Grease and Water : The Art & Technique of Lithograph yT Anthony Green : One Day in the Life of a PictureT Natural Responses : A selection from the SAC CollectionT Nijinsky 1912 - photographs by De Meye r

TE On and Off the Wheel : Studio ceramics from Paisley (collaboration wit hRenfrew District Museums and Art Galleries Service)

T One City a Patron - British Art of the 213th century, from collections o fSouthampton Art Gallery

TE Picasso Print sT Portraits on PaperT Sculptors Drawings

TW Graham Sutherland in Pembrokeshire (collaboration with Welsh Arts Council

Twelve exhibitions were held in Scotland (20 venues in 13 centres, 3 0showings) . in England (3 centres, 3 showings) and in Wales (8 centres, 8showings)

Tra-yelling Gallery-Different Kinds of Good Weathe rThe P'eople's Pictures (collaboration with Edinburgh District Council )Scnttish Ligh t

Book Table Project sBill Gibb : Fashion DesignerAlexander ;Moffat : Portrait Drawing s

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TableD

WELSH ARTS COUNCELNoteAll exhibitions were shown and/or toured in Wales .

Ex Organised by others with Exhibition Services from the Welsh Arts CouncilT Tour transport by the Welsh Arts CouncilO Oriel exhibitio nE Also shown in England

ExTE The Artist and the Castle (National Library of Wales )Continued from previous year

O A Birthday Celebration - 56 Group WalesO Breaking the Surface - Jean Gibson (Oriel/Minories)

ExT Bolognese Etchings (56 Group Wales/National Museum of WalesJWelsh Art sCouncil )

O Cymbals - Peter N LewisO Eight Sculptures : Two Decades - Welsh Arts Council Collectio nT Great Little Tin Sheds of Wales (The Ffotogallery, Cardiff )

ExT Gutfreund, Janecek & Others (Contemporary Art Society for Wales/Welsh Art sCouncil )

TE Heads and Masks -- David Tinker (Cl,ayd Exhibition Services )O Homage - Frank Watkin sO Journey in Morocco - John Rogers

OTE Sasha Kagan (Welsh Arts Council Craft/Oriel )ExTE New Faces - Jack Crabtree (Clwyd Exhibition Services )

ExT Pride of the Parlour (National Museum of Wales) . One showing only.ExT Graham Sutherland in Pembrokeshire (Scottish Arts Council, toured in Wale s

by the Welsh Arts Council )ExTE Feliks Topolski (Graham Sutherland Gallery/Welsh Arts Council )

ExT Charles F Tunnicliffe RA (Isle of Anglesey Borough Council/Welsh ArtsCouncil) continued from previous year

ExT Turner in Wales (Mostyn Art Gallery/Welsh Arts Council )O Woodcuts & Watercolours - Jonathan HealeO The Young Ones (Oriel/The Ffotogallery, Cardiff)

Ten exhibitions organised with Exhibition Services from the Welsh ArtsCouncil and 4 from the Arts Council of Great Britain were shown in Wales at 1 7centres in 24 different buildings, giving 37 showings in all . In addition, 8 newexhibitions were originated at Oriel . The Welsh Arts Council helped withtransport and/or other assistance for a further 28 showings of 24 exhibition sorganised by others.

The Craft and Design Department of the Welsh Arts Council, with the supportof the Crafts Council, has commissioned Showcase Displays at centres i nCardiff, Newport, Wrexham and Mold . During the year, 31 touring displayswere originated, showing the work of over 40 crafsmen, and giving a total of 62showings at the four centres_

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Table E

CONTEMPO

IC NET'V

1984185 TOUR

-- -

-MMusic and Revolutio nBradford

ManchesterHull

Norwic hLeicester

YorkLondo n

Opera Factorv and Endvmio nEnsembleBracknell

CoventrvBristol

Manchester

Sinfonietta Productions Limite dBournemouth LeedsBracknell LiverpoolBristol LondonCoventry OxfordDurham

Trevor Watts Moire MusicBirmingham

LonclonBristol

SheffieldCoventry

SouthamptonLiverpoo l

Fires of Londo nBirmingham Keele United Jazz and Rock EnsembleBracknell Liverpool Bracknell Mansfiel dCoventry London Coventry NewcastleHull Manchester Durham Sheffiel d

Kendal Southampto nLondon YorkManchester

Cornelius Cardew's Musi cBristol

LondonDartington

Nottingha mLeicester

Sheffield

Dave Holland QuintetBirmingham Mancheste rBristol NewcastleHuddersfield NottinghamLondon Sheffield

De Volharding Orchestr aBristol

LondonKendal

SheffieldLeicester

York

Ensemble Dreamtige rBirmingham LondonBristol Mancheste rHuddersfield Norwic hKeele NottinghamLiverpool

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TableF

SCHEMES AND AWARD S

ENGLAN D

BursariesMichael Abbensetts Chris HawesYemi Ajibade Leigh JacksonKarim Alwari Roy KendallBruce Birchall David MairowitzJeremy Brooks Michael McMillanRib Davis Daniel MominNick Dear James SaundersJohn Downie Neil ShentonAlan Drury Jeremy James TaylorMichael Ellis Michael WallAlfred Fagon John WoodPeter Flannery Mick YatesDavid Halhwell

Contract Writers Awards07WnLwtran WriterBristol Express Theatre Company Dick Edward sBuster Young People's Theatre Michael HastingsCleveland Independent Theatre John BondColway Theatre Trust David Edgar, Sheila YegerThe Combination Limited Debbie HorsfieldCommon Stock Theatre Company Limited Tony Coul tCompass Theatre Company Rex DoyleDAC Theatre Company Ron RoseDurham Theatre Company Mike McGrath, Margaret PineExeter Festival Alan DruryGainsborough Arts Association Jonathan AramGay Sweatshop Limited Sue FruminInner City Theatre Company Les MillerIslington Green Community Play Brian ClarkLambeth Children's Theatre Company Ken Campbel lLibrary Theatre Company Dave SimpsonThe Medieval Players Limited Edwin Morga nNational Youth Theatre of Great Britain Roger StennettNew Vic Theatre Ray Herman, Phil Wood sNorthern Black Light Theatre John BondNorthern Studio Theatre Frances McNeilNorthumberland Theatre Company Richard Cooper, Peter Dillon ,

Limited Shaun PrendergastOxfordshire Touring Theatre Company Gary PowellPhoenix Theatre Company Steve Gooch

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Table F

Pip Simmons Group Limited Noel Grei gRemould Theatre Company Rupert Creed, Averil Coul tRent A Role Drama Service Richard Pinne rSkin and Bones Theatre Collective Nick Munb ySnap People's Theatre Trust Roger ParsleySolent People's Theatre Company Phil Smith . David CowanThat's Not It Theatre Company Natasha Morga nTheatre Venture Penny O'Conno rTriangle Arts Centre Les Smith~N'orcester Arts Workshop Patrick INlasefiel dWyvern Community Drama Company Richard Pinner

Resident Dramatist Attachment s6?jran: ,;athm WriterThe Combination Limited Jonathan MooreEastend Abbreviated Soap-box Theatre Nigel TownsendLibrary Theatre Dave Simpso nNottingham Theatre Trust Limited Martin Lew-tonPentabus Arts Limited Peter Cann;'erspectives Theatre Co-operative

Limited Julie WilkinsonPioneer Theatres Limited Vince FoxallPlatypus Theatre Company Jan PageSoho Theatre Company Limited Tony CrazeWakefield Tricycle Company Limited Anthony MinghellaYoung Vic Company Limited David Holman

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Table F

Royalty Supplement GuaranteesWriterIan Barnett & Guy Hollan dShirley BarriePeter CannShane ConnaughtonHelen CooperPeter CooperTony Coul tNick Dark eRex Doyl eMike EnglishAlan FranksBerta Freistad tJudith HepburnJazmine JuddDeborah LevyGeorgina LockStephen LoweLes Mille rEdwin MorganJames PettiferChris Stag gSheila Yeger

Administrator sDiploma COMMDavid BellEllen BileyGabrielle BridgesMarion Daniel sAnthony FloodChristine GaleJohn Harma nKaren Lev iRichard MorganOona O'CaseyPaliline Scott-GarrettHelen SkerrattDiana Treache rKatherine TyndallVincent GladeEliTabeth Wright

PlavWally's Paradis eSawdus tA Concert PartyLil yMrs Gaugui nLittle Arthur's History of Englan dThe Missing ElementThe Earth Turned Inside OutThe Odyssey (translation)Getting I nOur BoysA Fine UndertakingBig World, Small WorldA Few Weeks Awa yDream Mam aThe Handbag ShowSea ChangeBlack Saturda yThe Second Shepherd's PlayThe Pale HorsemanThe High Wire Act & Doctor on the Bea tFree n' Lovely

Practkwl Training SchemeKeith CooperRichard Hal lHilary Harri sDenise Hurst

In-Service BursariesSally Alle nScott AnthonySandra BaileyJoanna BakerKenneth ChubbJane ClarkeSara CopleyJane DawsonSophie DawsonGerald DeslandesShirley EscottKarin Gartzk eMelanie GilbertCarolyn Graham

OrganisationTheatre of Thelema LimitedChats Palace LimitedPentabus Arts LimitedThe Irish Compan yAlmeida Theatre CompanyOxfordshire Touring Theatre CompanyCommon Stock Theatre Compan yRestormel Community PlayCompass Theatre Compan yBalthazar ProductionsOur Boys Theatre CompanyNo Boundaries Women's Theatre GroupCarib Theatre Production sPlaywright's Co-operativeCommon Stock Theatre Company LimitedElephant TheatreRiverside StudiosInner City Theatre Company LimitedThe Medieval Players Limite dYorick Theatre Compan yBrighton Actors WorkshopTheatre Venture

Elizabeth GraingerMartin HortonGwyneth Lam bRoger Lan gHelen Lannagha nSarah LavelleDebbie LloydRebecca LloydKathy LoizouAlexandra LumleyJaki McDougallSally MeaderAnna Meurig-JonesStuart Midgle yJanet MorrowJacqui Neav eJean NicholsonAnne PiersonAlasdair RamseyShirley ReadMaggie Rogers

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TableF

Simon SheminDiana SpiersCarol Wightman

Sheffield City Polytechnic(photography course )

Exhibition Organisation BursariesPaul BonaventuraAngela Kingsto nHelena TomlinTim Wilcox

Community and Ethnic Art sDerrick AllwoMArts ['Worldwid eFrancis Gomil aRichard Hayho wClare Higne yMinorities Arts Advisory Service LimitedHoward RifkinOlive Robinso nShelton Trus tSocial Arts Trus tAndy Stam pPaul WilsonSarah Wyl d

Dance/Mime AnimateursDebi BarnardJudith BirdEvelyn LichotaKarin Wilkinson

DesignersElizabeth AscroftMark BaileyClare BirksGlenis BurgessVanessa CleggCath Fitzgeral dAnne GruenbergKenneth Harriso nMichael Hunte rIan MacNei lAshley Martin-Davis

Alison %IcCa wDavid Nea tManse RoseEve StewartHelen Turne rSteve Whitso n

DirectorsRobert BettisonGill ClarkeJane CollinsWilfred Harriso nBarbara HousemanElizabeth LawlessJonathan MartinPaulette Randal lPaul Um&Roger Watkins

Joint Training FundPhilip Chambo nMichael CorderAnna FursePat Keysel lSarah MoorePeter Purd yRoger RedgateShape LimitedAnn SholemMalcolm Singe r

PerformersAdtw nmed Mince BursariesLeslie BubbBim Mason

Adraamed Tram ngfirrMaw-iansMarilyn de Bliec kGeorge Dzil.-unuNeil McLare nChristopher PyneSara Stowe

Circus SkillsSchool for Performing and Circus Skills

National CentreforOrchestra I StudiesJanet ArmstrongPhilip Hunte rKim KeebleAlison Lee-Brown eKenneth McDougallShona McFavenPaul MungallGregory TearnanGlenis Tunnicliff

National Opera StudioChristopher Adam sYvonne BarclayAndrea BoltonPeter BronderSusan Bulloc kMark DorrellAlasdair ElliottJulia JonesHelen Lawso nPamela Lidiar dJady PearlDeborah Stuart-Robert s

Organisatw sBow Gamelan EnsembleCentre Ocean StreamEnglish Dance TheatreExtemporary Dance Theatre LimitedIndustrial and Domestic Theatr e

ContractorsInterplay Community TheatreKneehigh Theatre Trust LimitedPeta Lily and David GlassMime and Movement Trus tMivvy Mince CompanySecond Stride Dance Compan yStation House OperaThe Whole Works

PuppeteerPeter O'Rourk e

Royal Northern College gj'Music SinfimiaPeter BoltonCharles Brewer

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TableF

Martin Court Douglas 5annachan Glyn BushNigel Evans Diane Sherlock Regional Contemporary Music CircuitAmanda Highton Elizabeth Spender Gary CarpenterElizabeth Lloyd Victoria Steer GainsborgfEdwards/Nicholson TrioJane MacFarlane Emma Stephenson Gordon Car rRobert Martin David Tysall Locke Brass ConsortSonia Nash Leslee Udwin John Caske nNicholas Smith Marc Urquhart St Albans International Organ Festiva l

Michele Wade SocietyIris Walton Michael Chown

Theatre Performers Don W illiams Regional Contemporary Music Circui tJuliet Alderdice Colin Wood Symon ClarkeJane Arden Peter Yates Andrew BallNorma Atallah Edward CowieGeraldine Bone Technicians Park Lane Group LimitedCatalina de Botello Bursaries Martin DalbyJill Bruce Dominic Adams Neil MackieCarl Campbell A K Bennett-Hunter Odaline de ]a MartinezMadeleine Cemm David Clough Roth String QuartetRon Copsey Tamara Essex Christopher DenchRuddy Davis Lanzel Afrikan Arts Co-operative Limited Arditti String QuartetSally Eldridge Simon Marchant Professor Peter Dickinso nTimothy Fleming Christina Reeves St James's Church, PiccadillyMike Gallant Anne Smith James DillonCornelius Garrett Ian Somerville Sinfonietta Productions LimitedCelia Gore-Booth Gerald Wells John Duart eTony Gouveia Michael Edmonds and Jacqueline Fo xMarcia Gresham AWARDS Brian EliasPaul Grinbergs Fires of Londo nCaroline Guthrie Commissions Richard EmsleyAnne Haydn David Bedford Elizabeth DavisMartyn Hesford Royal Liverpool Philharmonic Society Fires of Londo nStephen Jacobs Gordon Beck Michael FinnissyTom Kelly Eastern Jazz Limited Arditti String QuartetAnnabelle Lanyon Richard Rodney Bennett Metanoi aElizabeth Lynch British Association of Symphonic Bands

Sebastian ForbesThomas Marandola and Wind Ensembles London Cantata ChoirMaureen Morris Michael Berkeley Christopher FoxNelly Morrison Anthea Gifford Peter HannanCarmen Munroe Schubert Ensemble of London Erika FoxSteinvor Palssan Gilbert Biberian Charles RamirezAlan Radcliffe Amsterdams Gitaartrio Anthony GilbertJohn. Rogan Christopher Brown Nieuw EnsembleJulia Rowe Peterborough String Orchestra

Patrick GowersTim Rubidge John Buller Park Lane Group LimitedLiza Sadovy Nash Concert Society

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Table F

Barn Gtr }Robin Cante rContraban d

Jonathan Harve ySpectrum

Robin HollowavCheltenham Arts Festivals Limite d

Peter Innes sMornington Trust

John Paul JonesJames Fulkerson

Wilfred JosephsNorfolk and Norwich Triennial Festival

Jonathan LloydBlewbury Players

Benedict MasonCapricorn Concerts Trus t

Colin MatthewsRegional Contemporary Music CircuitSinfonietta Productions Limite d

Nicholas MawKing's Lynn Festiva l

Dominic Muldowne ySinfonietta Productions Limite d

Peter NelsonThe Contemporary Chamber Orchestra

David NieldCambridge Festival Associatio n

Michael Nyma nArditti String Quarte t

Paul PattersonHuddersfield Choral Society

Melvyn PooreJane Mannin g

Bernard Rand sOdine Ensemble

Mark RowsonRegional Contemporary Music Circui t

Nicholas Sackma nPeter Lawso n

Timothy Salte rPark Lane Group Limite d

Leonard SalzedoEnnead/Londo n

Robert SaxtonAlbany Brass Ensemble

Robert SimpsonFestival TrioWestern Orchestral Society Limited

Tim Souste rArditti String Quartet

Robert SpearingConcertone

Richard SteinitzEnsemble Dreamtige r

Roger SteptoeAnn Radzinowicz

Keith Tippet tSouth West Jazz Limited

Stan TraceyNewcastle Jazz Festival

Robert WalkerMarkham and Nettle Piano Du oYork Festival and Mystery Plays Limited

Judith WeirMusicon

Mike WestbrookD H Lawrence Centenary Festival

Hugh'Aloo dNicholas Co x

BursariesIan Ballam yDjango BatesStephen BerryDavid BlakeGary BoyleKeith Charters-RoweJon Corbet tTerry DisleyPhillip Durran tAllan GanlevTim HodgkinsonColin Lazzerin iDavid Lumsdain eGillian McGregorRobert Mill sMichael Mowe rJoseph Pali nEvan Parke rStan RobinsonProfessor Edwin Roxburgh

Nicholas StephensPeter StrangeMark.Anthony TurnageJohn Warre nJohn WilliamsAndrew Wilson

ChoreographersDerrick Anderson

Versatility Dance Compan yKeith Barlow

Gambolling Guizer sKim Brandstrup

Spiral Contemporary Danc e(Merseyside) Limited

Rosemary ButcherRosemary Butcher and Dancer s

Carl Campbel lDance Co . 7Youth Dance Performance Project(London)

Hilary CartyVersatility Dance Company

Emilyn ClaidCipher - Brighton Youth Dance GroupNational Youth Dance Theatr e

Howard CooperMerseyside Youth Association

Peter Darrel]English Dance Theatr e

Siobhan Davie sSecond Stride Dance Company

Marv FulkersonDance Allianc e

Peggy HarperDance Co . 7

Matthew Hawkin sLurching Dart s

John Bayne sGambolling Guizers

Claud Paul HenryLondon Youth Dance Theatre

Suraya HilalRaks Sharki Youth Group

Tim LamfordKnowsley Youth Dance

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Table F

Deidre Lovel lHarehills Youth Dance Theatre

Royston MaldoomYouth Dance Performance Project(London )

Jabu Mbal oUthingo Dance Company

Tamara McLorgSabata Dance Company

Barrington MoncrieffeKokuma Performing ArtsMara Ya Pil i

Mapopa MtongaDelado

Gregory NashJointwork Dance Group

Francis Ni YarteyKokuma Performing Art s

Andre ProkovskyLondon City Ballet Trust Limite d

Peter PurdyThamesdown Contemporary YouthDanceNational Youth Dance Theatre

Ian SpinkSecond Stride Dance Company

Wolfgang StangeAmid Integrated Dance TheatreCompany

Jonathan ThorpeGambolling GuizersMidlands Dance Company Limite d

ComposersBill Brookman

Midlands Dance Company LimitedOrlando Gough

Second Stride Dance CompanyAlan Lisk

Ludus North West Dance in EducationLimited

Steve McNicholasDavid Glass Mime

Molefe PhetoUthingo Dance Company

Peter WestLondon Mime Theatre

DesignersDavid Bucklan d

Second Stride Dance CompanyTim Dodd

David Glass MimeElisabeth Dalton

London City Ballet Trust Limite dCeleste Dandeker

Union Dance CompanySara Easby

Midlands Dance Company LimitedTony Francombe

Kokuma Performing ArtsWendy Freeman

English Dance Theatr eCraig Givens

Maedee DupresSpiral Dance Company (Merseyside)Limited

Caroline HumeEnglish Dance Theatre

Alison McCawTrickster Theatre Company Limited

Antony :McDonaldSecond Stride Dance Company

Peter MumfordSecond Stride Dance Company

Joao PenalvaSpiral Dance Company (Merseyside)Limited

Ralph SteadmanDavid Glass Mime

Helen TurnerLudus North West Dance in Educatio nLimited

Charles WoodDance Co . 7

DirectorsNigel Jamieson

Trickster Theatre Company LimitedElliot Nguban e

Uthingo Dance CompanyEmil Wol k

London Mime Theatre

Dance BursariesLaurie Boot hLucy Burg ePhilippe Giraudea uShobana JeyasinghPeta LilyJohn MowatSally OwenToby SedgwickNahid SiddiquiDavid Ward

Film-Makers and Video ArtistsKevin AthertonIan BournRosemary Butcher/Jane RigbyChris CheshireKevin Chicke nSteve Chivers (3)Brian CleaverNina DaninoMichael DentonCatherine ElwesMargaret GillanN Gordon SmithSandra GoldbacherRoberta GrahamNicky Hamlyn (2)Amy HardieRon HaseldenSteve HawleyKenneth HenwoodRoger Hewins (2 )Tony HillDick JewellDavid JohnstoneIsaac JulienPatrick KeillerSandra LahireStephen LittmanJohn MayburyTimothy MacMillanPatrick McCarth yKatherine MeynellWill Milne

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Table F

Sophie MullerLucy PanteliJayne ParkerJulia Perc yGrayson PerrySally PotterWilliam RabanPhilippe RegniezLis Rhode sGeorge Saxo nHelen Sea rGuy SherwinJohn Smith:Marty St James/Anne WilsonAnna ThewHelen UnderwoodIvan UnwinHolly Warburton (3 )Jeremy WelshFiona Wire

1 ll : It l :WritersLinda Anderso nMichael BaldwinElizabeth BartlettJames BerryJohn CampbellCharles Causle yIan Cochran eKay DickGavin EwartKyril FitzlyonRoger GreenDavid Harsen tJanni Howke rPaul HylandAnthony HymanDenis Hill sKazuo IshiguroDerek MahonJohn Hope :MasonKenneth McLeishPete MorganBen OkriWilliam Scammell

Penelope ShuttleRichard ThomleyBarbara Trapid oFred UrquhartPeter VansittartJohn WainDaniel WeissbortPaul WinstanleyKen WorpoleKit WrightMalcolm York e

SCOTLAND

Special AwardsLyell Cresswel lBruce Frase rJohn Maxwell Gedde sJames Hutto nEdward McGuireRob Morsberge rAlasdair NicolsonMichael J NorrisPhillip Norri sRonald Stevenso nWilliam Sweene yThomas Wilso nWilliam Wordswort h

CommissionsDavid Bedfor d

Scottish Amateur Music Associatio nRory Boyl e

Biggar Music ClubLyell Cresswell

Scottish National Orchestra Societ yLimited

Peter Davidson and Simon Ree sGillian Crai g

Alexander GoehrEdinburgh Festival Society Limited

Edward Harpe rSt Magnus Festival Orkney IslandsLimite d

John HearneCaledonia Brass

Geoffrey King:Michael Bonaventure

Ronald McAlliste rScottish Youth Theatre Limited

Edward :McGuireNew Academy Concert Society Limited7 :84 Theatre Company Limite d

John McLeo dPeter Mountain

Raymond Monell e;Michael Beesto n

Rob Morsberge rSt Cecilia Chamber Orchestra

Havelock NelsonNational Association of Choir s

Alasdair Nicolso nEdinburgh University Musical Society

Per NorgardScottish National Orchestra SocietyLimited

Philip Norri sBurrell-Mercer Duo

David RamsayScottish Opera Limited

Jeremy RandallsLinda Hansford

Bernard ShawScottish Youth Theatre Limited

Ronald StevensonNew Academy Concerts Society o fScotland

William SweeneyJames Durran t

Jane WellsBasic Space Dance Theatre Limited

Thomas WilsonSociety of Friends of Glasgow Cathedral

BursariesCarol-Anne Alsto nMary BreatnachLydia FlettWilija KaniTimothy PaxtonJames ReadyJohn Steer

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TableF

DANCE Stephen Dilworth Yet to be appointedCommissions Alan Donaldson Scottish Photography Group LimitedJane Dudley and Craig Givens Gareth Fisher Murdo Macleo d

Basic Space Dance Theatre Limited Linda Green James Parr and PartnersGregory Nash George MacDonald Haig Teresa Latina

Scottish Ballet Limited Wendy Halstead Dolphin Arts CentreBill Potter Lys Hansen Jake Harvey

Basic Space Dance Theatre Limited Ian Howard Scottish Sculpture Trust LimitedMatthew Inglis George Donal d

Bursaries Owen Logan Neil MacDonaldPauline Brooks Euan McArthur University of GlasgowJanice Galloway Nicola McHargFrank McConnell Duncan MacMillan 1 .ITIRATi'R ELesley Main Michael McVeigh BursariesRoyston Maldoom Pradip Malde Rosalind Brackenbur yPeter Royston Eric Marwick Alistair Campsi e

Kathleen Murray Douglas DunnMI ~1 F: David Oudney Una FlettBursaries Jim Pattison Andrew GreigEric MacLennan Barbara Rae George GunnMark Saunders Philip Reeves J F HendryRobin Thomson Elaine Shemilt Agnes Owen sGordon Wilson Denis Shields Trevor Royle

Hugh Stevenson Christopher Rus hWilliam Taylor Alan Spence

Bursaries Joseph Urie Ronald StevensonMary Brennan Nigel Walsh Betsy Whyt ePaul Bassett David William sJulian Crouch Michael Windle Travel GrantsJohn Haswell Adrian Wiszniewski Alan BoldRita Henderson Peter Yates Elizabeth CascianiDee Hepburn Olaf CuthbertDarren Jensen Commissions Margaret Thomson DavisElaine Kyle Yet to be appointed Enid GauldieLinda Mackenney Renfrew District Council Frank KuppnerBer ie Scott Yet to be appointed Lorn MacintyreAlbert Jon Tinlin Dundee District Council Soriey Maclean

Ken Currie Dawn MacLeodI : T Keith Donnelly Ian S Munro

Bursaries and Awards Brian Kelly Doreen TaylorRobert Breen Scottish Development Agency Peter WhitebrookSteven Campbell Vincent Butler James Wilki eChris Carrell Jake Harvey Duncan WilliamsonAngela Catlin Glasgow District County Jack WithersPaul CosgroveFiona Dean

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Tabk F

Book AwardsJohn BarringtonGeorge Mackay BrownDavid Kerr CameronRonald Fram eEugenie FraserValerie Gillie sFrank Kuppne rLiz LochheadBrian ;McCab eAlasdair MacleanEdwin MorganAgnes Owen sAlfred Smyt h

Training BursariesSheila FaichnevHeather InnesMhairi !Mackenzie-RobertsonPatricia McSevene yRona Mood yDavid Renni eIan Ritchi eDavid Shillingla wJohn Stalke rSusan William sJohn Wood

WALES

Awards for Advanced Stud yPeris Wvn -Alba nHelen BishopChristopher Davie sRhian DaviesHelen EdwardsChristopher Ensto nMichael Henderso nBuddug Jame sAlUn JonesKari Jone sJohn Pott sBruno Pric eVivienne Sage

Commissions to ComposersMen-vn Burtc h

Lower Machen FestivalClarinets in Concer tHowells School . LlandaffDavid HarriesSouth Glamorgan County Council

Lyn DaviesElizabethan Madrigal Singers

Dylan FowlerWelsh Jazz Festival

Peter Racine FrickerUniversity College Cardiff

Gareth Gly nNicholas Jones

Dalwyn HenshallUniversity College Singers, Universit yCollege of North Wales, Bango r

Alan Hoddinot tSt David's Cathedral Bach FestivalRhos Orpheus Male Choi r

Arwel HughesRhos Orpheus Male Choi r

Brian HughesSt David's Girls Choir, [WrexhamSirenian Singers, Wrexham

Conrad JonesGwent Youth Big Band

Richard Elfyn JonesUniversity College Cardiff

Richard Roderick Jone sDavid HarriesLower Machen Festival

Jeffrey Lewi sJana FrenklovalUniversity College ofNorth Wale s

Cyril LloydChristopher Davies

David Lloyd-HowellsWelsh American Youth

William Mathia sUniversity College of North Wale sGuild for the Promotion of Welsh Musi c

John McCabeBass 86

John Metcal fSwansea Festival

David Neven sHowells School, Llandaf fSouth Glamorgan Youth Brass Ban dGuiting Festival of Music and the Art sClarinets in Concert

Ian ParrottUniversity College Aberystwyth

Philip ThomasEly Festival, Cardiff

Simon Thorn eChapter Arts Centr e

Project Aid and Commission sCaroline LambBelinda Neav e

Touring/Residencie sAnna Delane y

Traini gFrank Rozelaar-Green

New Artists GrantsSian AustinAlain AyersStephen BlakeMichael BrownSimon BurdgeTerry Chin nSian Marie DuffEryl Michael Elli sVictoria Evan sDavid GarnerMichael GriffithsDereck Harrie sJanet HedgesGraham HembroughJane HubbardMaggie Jame sChristopher J Kell yRobert Kenned yIndra Khanna

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Table F

Rona Lee Peter Leslie Jones BursariesRoger D Lewis Mary Lloyd Jones Duncan Bus hGodfrey Meggitt John Langton Pennar Daviesldris Morgan Juliette McCullough Emyr Humphrey sBrenda Oakes Anthony Meadows Gerallt Lloyd Owe nGlyn Lloyd Probert John Morris Alun Richard sLawrence Quigley Brenda Oakes Jacqueline Stephe nSusan Ray Tim Rees Chris Torranc eJonathan Owen Roberts Sian Elissa Richards Rhydwen WilliamsMatthew Roberts John RogersRobert Soden John Boydel] RogersPaul Storey Gerda Roper Awards to individualsRose Warnock June Rovaretti Michael FlynnJohn Wigley Cecil Rama Samaraweera Beverley Bell Hughe sEmrys Williams Michael Sanderson Trefor Owe nRichard Wiltshire David Shepherd David PearlBridget W ishart Phil Sky Philip Roger s

Richard WatsonSpecial Project Grants Ray Witchard Ceramic Research AwardChris Kinsey Frances Woodley Madeleine Keele rJohn Nesbitt Lillemore PeterssonPhilip Nicol FIL't lOzi Osmond Film-making GrantsDenv_ s Short Marc Evans Training Award

Steve Gough Jennifer MathesonLoans to Artists Dane GouldColin Ainsworth Sian IfanRolando Alvarez Julian Kelly Training AwardsMarion Helen Ash Caroline LimmerAlain Avers Serena Rule Training AttachmentsTerry Bailey Penny Stempel Nicholas JohnsonThomas Alban Barrance Mike Stubbs Theatr HafrenPauline Carter Christine WilksSteven Coulson Training Awards to IndividualsErica Daborn Training and Education Gilly Adam sDorian Spencer Davies John Hartley Rosalind ButlerPau] Dyer Terry ChinnRay Elliott Margaret Cole sEd Fisher Children's Literature Vanya ConstantKay Fisher Gmryn Thomas Katy Dymok eMarcia Gibson-Watt Tessa GearingJohn Hessey Prizes Sarah HarmanAudrey Hind Geraint Bowen Jim HawesRodney Houghton Bryan Martin Davies Eirwen HopkinsBen Jones Christopher Meredith Cathy KeirBerwyn Jones Ivor Wilks Dek Leverton

Glanmor Williams Jonathan Morgan

Page 114: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Tahk F

Elizabeth PearceJohn Prio rAlicia ProwseJudi Richard sEsyllt RobertsAngela Smit hDave SouthernJoan SouthernHelen Valli sRosie WallGeoffrey WrightAngela Wyndham Lewis

Mime BursariesPeter Burto n

Theatre Writing Schemes

Commissions and Royalty Supplement Guarantee sOrganisation PlayTheatr Bara Caws Yechyd daCoracle TIE Mawredd Jemim aTheatr Crwban FfynnonbedrTheatr Crwban Bwrw ' r SWCw^mni Hwy] a Fflag/Sgwar Un Ffatri SerchGwynedd TIE Ceiniog i CadiMade in Wales Strike a Ligh tMade in Wales CityMade in Wales Government Inspector

(adaptation)Panto ' 84 BivouacPanto ' 84 Miss Julie (adaptation )Sherman Theatre OzSpectacle Easy Term sTorch Theatre The Harvesters FeastTorch Theatre Untitled ("Jim Driscoll" )' Whare Teg Assistance to writers

Resident Dramatist AttachmentsOrganisation

Write rTheatr Powys

Greg Cullen

WriterMei Jone sValmai JonesElan Closs Stephen sR Gerallt JonesGareth MilesSian Edward sNigel JenkinsSion EirianWilliam Ingram

Meirion Penna rEirian Owe nMike JamesFrank VickeryDenise DeeganAlexander Cordel lUrien William, Siwan JonesiJanetAethwy

Page 115: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

TableG

FILMS FINANCED BY THE COUNCIL

DURING 198418 5

Buildings - Who cares? (52 Mins )Wall of Glass (52 Mins)Jessye Norman (52 Mins)Derry in Photography (52 Mins )Pottery Ladies (4 x 26 Mins )Dance Black (60 Mins)Gavin Bryars (52 Mins)Leonard McComb (video completion)

Page 116: CONTENTS SImping Beauty was a highlight of the year in dance. Premiered in Birmingham, it also toured nationally. The Hayward's Re;wirproduced a plethora of mind-boggling statistics,

Table H

KEY PUBLICATIONS WHIC H

APPEARED IN 1984185

Tier Gb,n of the Garden : the Developnurnt of The Turn ofL~rtce..'rl Fcr~sihilin u!i ;ilic A its in England. A strategy for a

totcar& the establish nuw of o No t &,o, "

decade .

Dance House.44pp

191 pp.Discussion document .

Publiesubsldl- forthearr in France!.Reference sheet 13 )

21pp -A briefing note on how the arts are funde din France .

The Arts in Metropolitan Areaslopp .The Council's response to the Minister forthe Arts on the Government's White Pape r'Streamlining the Cities ' .

Prays mailing and contacts lists2 vols -Comprehensive specialist arts media lists .The mailing list is for press releas edistribution and the contacts list includesa wider selection of reporters and critics .

SetP4vs list 1984-1 Ipp .Details of plays set for the 'O' and 'A' leve land CSE examinations in EnglishLiterature .

Art within reach: aalists and eraftuvrkers .architects and palrons in the makingofpublicart: edited by Peter Townsend (inassociation with Thames and Hudson) .112pp.A major study of how and why sculpture ,paintings, craft work and murals ar ecommissioned for public places. Contains agazetteer of recent commissions i nEngland .

Pholograplzv and edawal ian: slralegics forarlsorganisations .46pp .Report of a seminar for arts administrators?g eld at the University of Aston, :March1983.

Reading list on biminess sponsorshipof the arks59pp .A list of books, reports and articles held inthe Arts Council Library .

Pliotograplien ' Gallery ducat ion wpor t29p pExamines the potential educational role ofthe Photographers' Gallery .

Writers in schools : a report of tlieschep ru inEngland up to 1983.64pp.Assessing the value and effectiveness o fthe Writers in Schools Scheme betwee n1969-1983 .

Rama fora writer-'

Dance in education.

The Political economy ofart ,Booklet indicating the kinds of thing a

52pp .

by Sir William Rees-MoggWriter-in-Residence can do and the

Report of a course jointly organised by the

8pp .benefits and costs to the host organisation .

Arts Council, and the DES at Leicester

A speech delivered by the Chairman of th ePolytechnic in 1982 .

Arts Council at the IBM Headquarters o n11th March 1985 .

Guide to awards and schemes 198418:1(folder)Details of grants and bursaries offered bythe Arts Council .

Fortieth Annual Repon and Account ., 1985ISSN 0066. 8133

Published by the Arts Council of Great Rntai n105 Piccadilly, London W1V nAI_ 'Telephone of-6.1 9 949 5

Designed by The Jenkins GroupPrinted by Bow-Towning Ltd