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Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA <[email protected]>

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Page 1: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Computational Artistic Creativity and its Evaluation

DAVID C BROWNComputer Science Department

WPI, Worcester, MA 01609, USA<[email protected]>

Page 2: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Motivation

“What are the appropriate methods and measures to objectively verify and validate creative behavior in artificial systems?”

• Evaluation by people• Evaluation by computational system

• Evaluation of artifact• Evaluation of process

Page 3: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Your Research Goals?

1. Producing creative artifacts using computational means.

2. Study what knowledge and reasoning might be part of process that produces creative artifacts.

3. Study the criteria that a person or a system might use to judge whether an item is creative or not.

Page 4: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Your Research Goals? (continued)

4. Produce a formal theory of creativity.

5. Produce new “computational means”.

Page 5: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Creativity Evaluation

• How to judge impact of decision or quality of partial solution during synthesis?– E.g., using constraint to reduce search space

• How to judge artifact (or its description)?

Page 6: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Necessary or Helpful?

• Is it necessary for system to evaluate during synthesis and/or evaluate the resulting artifact?

• If not, is it helpful?

Page 7: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Criteria?

What factors are used

to evaluate creativity?

Page 8: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Examples

• Besemer has 3 factors in the Creative Product Analysis Model.

• Abrams has 4 ways of considering the analysis, criticism or evaluation of art.

Page 9: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Besemer’s CPAM:Creative Product Analysis Model

• Factors: Novelty, Resolution & Style • Novelty: newness

– Surprising, Original

• Resolution: meets needs– Logical, Useful, Valuable, Understandable

• Style: refined, developed, coherent whole– Organic, Well-Crafted, Elegant

Page 10: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Abrams• Mimetic - imitating aspects of the observable

universe, but not artifact, artist or audience.• Pragmatic - the relationship between the

artifact and audience, including teaching & producing emotional reactions.

• Expressive - externalizing artist’s inner life. • Objective - viewing artifact in isolation.

• Combinations are possible.

Page 11: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Some Computational Challenges

• Surprising: what is “normal” art?

• Useful: what is purpose of the artifact?

• Valuable: knowledge of art market?

• Understandable: user friendly art?

• Pragmatic: does it provoke emotion?

• Expressive: artist’s “inner life”?

Page 12: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Overall Challenge

A Computational Artistic Creativity system must be able to evaluate its own output for creativity, and be able to evaluate its decisions and partial solutions for creative potential.

Page 13: Computational Artistic Creativity and its Evaluation DAVID C BROWN Computer Science Department WPI, Worcester, MA 01609, USA

Conclusions

• For Computational Design Creativity systems that design products I thinkthis is possible.

• For Computational Artistic Creativity systems I have very grave doubts.

8 July 2009