composing music
TRANSCRIPT
Composing
Music…Where to start…
What are the fundamental
building blocks of music?
• Melody
• Harmony
• Rhythm
• Texture / Timbre
STYLE OF
MUSIC
These aspects need
to be established
appropriately and
stylistically to ensure
the coherency of the
composition
Questions? How do composers make music interesting?
What is the context of the piece of music?
How do composers develop music during a piece?
What kind of feeling / mood / message does the music
evoke?
Are there any further influences?
Patriotism? Technology? Love? Anger? Imagery?
Composing at A2 Level:
3 compositional briefs to choose from:
Music for Image (Film / TV / Video Games)
Words and Music (Poems / Song writing)
Soundscapes (Electro-Acoustic music)
Film Music: Used to emulate and extend on the image on
screen – this can be done by:
Creating mood
Mickey Mousing (think Tom and Jerry!)
Building tension
Emulate and Juxtapose between music and
image
Aaron Copland said that the purpose of film
music was to do the following:
Create a convincing atmosphere of space and time
Underlining psychological refinements – the
unspoken thoughts of a character, or the unseen
implications of a situation
Serve as a neutral background filler
Building a sense of continuity
Underpinning the theatrical build up of a scene, and
rounding it off with a sense of finality
Some terminology and concepts:
Diegetic (music in the film)
Non-Diegetic (underscoring)
Leitmotif (Origins in opera – a musical theme representing a character, event, place or time)
Theme development variation (the same theme varied to represent different moods)
Ostinato (a repeated theme or motif that is established and developed throughout)
Different approaches to film scoring:
Orchestral (traditional) – John Williams, Hans Zimmer,
Michael Kamen, James Horner
Orchestral (innovative) – Jerry Goldsmith
Electronica – Vangelis, Brad Fiedel
Others of note:
Danny Elfman, John Barry, Bernard Hermann, Enio
Morricone, Michael Nyman, Lalo Schrifrin
Some musical ideas: Harmony and Melody:
Tritone creates tension, can be chordal or melodic
Minor 6th Interval – a tone for sadness, loss or despair
Diatonic harmony (within the key)
Tertial (patterns built on 3rd intervals)
Chromatic (outside the key) can create dissonance / atonal shapes
Homophony (2 or more parts move together rhythmically creating chords
Polyphony (2 or more parts creating harmony but rhythmically independent)
Counterpoint (2 or more parts rhythmically and harmonically independent)
Imitation / Repetition / Patterns / Shapes