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Column of Marcus Aurelius and Ostia Dr. Lorenzo

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Page 1: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius and Ostia

Dr. Lorenzo

Page 2: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Today’s Topics

The Antonine Period

Ostia

Page 3: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

3rd Extra Credit OpportunityAncient Cypriot Limestone Sculpture and Self-Taught Sculptors in the

Ancient World

The island of Cyprus in antiquity is known for many things, among them an international reputation for concentrated religious activity, and quarries of soft limestone.  These two features come together in the survival of tens of thousands sculptural offerings on the island: diverse in style and form, locally made and locally dedicated.  This lecture will explore the unique experience of worship in ancient Cyprus with a particular focus on these dedications.  I argue that the soft limestone was easily carved, so the sculptors required little training. By examining many works of limestone sculpture, we’ll see the styles, techniques and themes of these artists reflect an environment similar to the self-taught artists working in more contemporary times..

Page 4: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Marcus Aurelius, 161-180

Hadrian chose his next three successors: (1) Antoninus Pius, AD 138-161; (2) Lucius Verus AD 161-169; and (3) Marcus Aurelius AD 161-180.

The bronze equestrian statue of Marcus Aurelius, ca. AD 180.

Page 5: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

He was the last of the Five Good Emperors. He is also considered one of the most important Stoic philosophers. He was not a great builder, being on almost constant campaign trying to defend the empire’s borders.

Marcus Aurelius, AD 161-180

Page 6: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 7: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius 180-185Is located in the Campus Martius. It was designed as a funerary monument in conscious emulation of Trajan’s column. It has an internal spiral staircase, which leads to a viewing platform where the emperor’s statue was. Mausoleum of Augustus

PantheonColumn of M. A.

Column of Ant.Pius

Page 8: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius, AD ca.180-185

Just like Trajan’s column a helical frieze is carved all the way up the shaft of the column. The frieze tells the story of the emperor’s wars north of the Danube, against the Marcomanni (172-3) and the Sarmatians (174-5).

Page 9: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius,180-185

Is both a funerary monument and a commemorative monument, but, unlike Trajan’s column, it was designed from the beginning to be both.

Page 10: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius , AD 180The helical frieze begins at the bottom where the Roman army crosses the Danube River. The ensuing action is almost continuous battle, with the conflicts far more cruel and violent than on Trajan’s column.

The Danube River

The Danube River

Bridge of boats

Roman army

Page 11: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Here is a scene of Romans massacring barbarians. The style of carving is more powerful, more visceral, and deeper than on Trajan’s column, but each scene is much simpler, with fewer figures and less circumstantial detail, than on T.’s column.

Column of Marcus Aurelius,

180-185

Page 12: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The whole frieze is almost continuous battle,with the conflicts far more cruel and violent than on Trajan’s column.

Column of Marcus Aurelius,

180-185

Page 13: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The humanity and human cost of the war, especially for the Marcomanni and Sarmatians, is much more in evidence than was the human cost for the Dacians on Trajan’s column.

The emperor receives barbarians begging for their lives.

Column of Marcus Aurelius,180-185

Page 14: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The barbarians are often depicted as being killed effortlessly, often after being lined up for summary execution. They react with terror sometimes crying out helplessly with facial expressions of pain and fear.

Column of Marcus Aurelius,180-185

Page 15: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The emperor can be seen to be carrying out all his important duties (receiving barbarian prisoners, addressing the troops (adlocutio), etc.)

Column of Marcus Aurelius,

180-185

Marcus Aurelius

Page 16: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Column of Marcus Aurelius,

180-185The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception of an emperor detached from his context and almost an iconic figure would soon become the norm in imperial sculpture.

Marcus Aurelius

Page 17: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What do you know/remember about Ostia?

Ostia

Page 18: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Romans founded the colony of Ostia at the mouth of the Tiber ca. 25 km from Rome in the late 4th cent. BC. What advantages does this location have?

Ostia

Page 19: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The earliest plan of Ostia resembles that of a Roman military camp or castrum.

Ostia

Forum DecumanusDecumanus

Cardo

CardoN

Gate

Gate

Gate

GateCapitolium

Wall

Page 20: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

ca. 400 BC-late antiquity

Ostia

Forum

Decumanus

Decumanus

Cardo

Cardo

Gate

Gate

Capitolium

Theater and Forum of the Corporations

Baths of Neptune

Page 21: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 22: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Capitolium, Ostia, ca. 120-130Under Hadrian Ostia’s forum took final shape when a Capitolium was built at its north end. It stands on an exceptionally tall podium and was sheathed with…? What cult or cults?

Page 23: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

An aerial view of the CapitoliumDecumanus

Capitolium, Ostia, ca. 120-130

Page 24: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

An aerial view of the CapitoliumDecumanus

Capitolium, Ostia, ca. 120-130

Page 25: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 26: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

While Ostia never had a amphitheater it did have a theater with portico originally built by Agrippa and remodeled under Domitian, Hadrian and Commodus. Its attached portico is now call the Forum of the Corporations. Why?

The Theater and Forum of the Corporations, Ostia, ca. 20 BC-AD 190

Page 27: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The layout of this complex reminds you of what structure in Rome? Other than as sturdy floors what function(s) did the complexes mosaics serve?

The Theater and Forum of the Corporations,

Ostia, ca. 20 BC-AD 190

Page 28: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 29: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Baths of Neptune, Ostia, ca. 20 BC-AD 190The baths were financed directly by the imperial treasury under Hadrian and Antoninus Pius. What does this mosaic depict? Why? What is its color scheme? Why and for what purpose(s)?

Page 30: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Baths of Neptune, Ostia, ca. 20 BC-AD 190Poseidon being pulled by four horses is surrounded by a multitude of creatures mostly marine and mostly mythological and then some not.

Page 31: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 32: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Horrea Epagathiana, ca. 145-150The Horrea Epagathiana or Warehouse of Epagathius is one of the finest examples anywhere of the Roman’s new taste for exposed brick (see what Trajanic monument?)

Page 33: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Horrea Epagathiana, ca. 145-150The architectural details show a continued respect for the Greek architectural vocabulary, as well as the transformation of that vocabulary into a new and distinctly Roman style.

Entrance with two locked doors

Page 34: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 35: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Insulae are apartment blocks. Archaeologists estimate that what percentage of Ostia’s population lived in insulae? Their ground floors consisted of what? Inside the insula where did the majority of the light and air come from? Where did cooking take place? What about going to the bathroom? Where were the best apartments?

The Insula of Diana, Ostia, ca. 150

Page 36: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Imperial period insulae were usually 2-5 floors high and made of brick faced concrete especially after the Great Fire in Rome of ca. 64. Nero instituted new building codes. What was urban life like in 2nd-century Ostia and Rome?

The Insula of Diana, Ostia, ca. 150

Page 37: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 38: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The Tomb of Tiberius Claudius Eutychus, Ostia, ca. 110-115

A good example of a standard tomb type that developed on the roads leading out of Ostia and Rome. It has exposed brick work like that used in houses, markets and warehouses. It very often consists of a facade with a doorway leading into a barrel vaulted chamber.

Page 39: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What do the panels on the facade depict? Why are they important? The tomb’s architectural vocabulary is similar to Ostian houses so this tomb was meant to be….? Was Eutychus’s tomb and other similar ones for a single occupant or multiple burials?

The Tomb of Tiberius Claudius Eutychus, Ostia, ca. 110-115

Page 40: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 41: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

The exterior is exposed brick work like Eutychus’s tomb but inside it is more elaborate. The layout of the inside is important because it has evidence for the shift in what funerary custom?

Interior of Tomb of the Caetennii, ca. 150-160 small cinerary (ash) urns

Page 42: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

See you on Tuesday for Roman sarcophagi and Severan art…

Page 43: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 44: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Funerary relief of vegetable vendor, ca. 150-200

A small painted terracotta plaque immortalizing the life of a vegetable vendor. What style is it done in? What is interesting about how the scene is depicted?

Page 45: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

What is it? What is it made out of? Where is it? What’s the date? Why is it significant?

Page 46: Column of Marcus Aurelius and Ostia · Marcus Aurelius, 180-185 The emperor now appears very often as the central figure in a triad that faces outwards towards the viewer. This conception

Funerary relief of the midwife, ca. 150A small painted terracotta plaque immortalizing the life of a midwife. What style is it done in? Why do we think the midwife looks out and not at what her hand is doing?