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Color Theory the study of a powerful element of art

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Color Theory. the study of a powerful element of art. WHAT IS COLOR? What we see as color is the way light waves in the visible part of the electromagnetic spectrum are absorbed or reflected by everything around us. White light = all of the colors mixed together. - PowerPoint PPT Presentation

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Page 1: Color Theory

Color Theorythe study of a powerful element of art

Page 2: Color Theory

WHAT IS COLOR?What we see as color is the way light waves in the visible part of the electromagnetic spectrum are absorbed or reflected by everything around us.

Page 3: Color Theory

White light = all of the colors mixed together.

Rainbows = white light that is broken apart by moisture in the air.

Page 4: Color Theory

How is color important in nature?Helps ensure survival:

camouflage helps animals hide from predators

Can you find the animals in these images?

Page 5: Color Theory

How is color important in nature?Helps ensure survival:

tells predators, “If you eat me, you will be sorry.”Left: poisonous frog from Madagascar.

Below: toxic nudibranch (tiny sea slug)

Page 6: Color Theory

Color helps us understand the world around us, such as…

How is color important in our daily lives?

…the interior quality of objects, andwhether food is good to

eat.

Page 7: Color Theory

Color helps us understand…

properties of surfaces.

Much better to know that this is hot without having to touch it to find out!

Page 8: Color Theory

Color helps us understand… information… from charts and graphs to when to stop our cars.

Page 9: Color Theory

PIGMENTS (colored powders) imitate the colors of light.

Theyprovide the color in ink, paints, markers, etc.

How do we create color?

Page 10: Color Theory

Ground colored material, from natural substances like clay to engineered chemical

compounds.

What are pigments made of?

Early paint (10 – 17,000 years ago) = ground earth/clay + spit or fat.

Modern paint = sophisticated chemical engineering.

Page 11: Color Theory

Expressive = affects our emotions directly and immediately, so creates moods in

artwork.Color also catches our eye – creates focal points and guides our eyes around artwork.

Color is the most EXPRESSIVE element of art

Page 12: Color Theory

How do the moods created by the artists’ use of color differ in these two paintings?

Below: Damien Hirst. Beautiful Inside My Head Forever.Right: Picasso. Woman with Crossed Arms.

Page 13: Color Theory

Now, let’s learn some more art-specific words…

Roni Horn. Steven's Bouquet, 1991.

Page 14: Color Theory

Technical Vocabulary: HUE

HUE: the technical term for the word “color.”

Red, green, and purple are all HUES.

Page 15: Color Theory

Technical Vocabulary: VALUE

VALUE: the lightness or darkness of a hue.

TINTS = any hue + white

SHADES = any hue + black

TONES = any hue + gray

Page 16: Color Theory

TINTS =a hue’s light values

hue + white

Page 17: Color Theory

SHADES =a hue’s dark values

Mixing in a color’s complement instead of black is another way of creating a shade (e.g. red + a little green = darker red)

hue + black

Page 18: Color Theory

The Color Wheel

Page 19: Color Theory

The foundation of all other colors.

RedYellowBlue

Primary Colors(first layer of the color wheel)

Page 20: Color Theory

Two primary colors mixed together

Red + Yellow = Orange

Yellow + Blue = Green

Blue + Red = Purple

Secondary Colors(second layer of the color wheel)

Page 21: Color Theory

Tertiary Colors(third layer of the color wheel)

One primary color +

the secondary color next to it

The tertiary colors are:

Page 22: Color Theory

Created by mixing:- a complementary pair- all three primaries

Neutral Colors: Colors not on the color wheel.

Leonardo da Vinci. Perspective study for The Adoration of the Magi (unfinished),1481. Oil on canvas.

• Browns• Grays• Black• White

Page 23: Color Theory

Now that we know about color in general, we’ll learn how to arrange it in our artwork to create the

most visually engaging pieces possible

Sol LeWittWall Drawing #1136, 2004Tate Liverpool, 24 yardsAcrylic on wall

Page 24: Color Theory

Color Schemes:Planned combinations of colors that create harmonious visual experiences

Page 25: Color Theory

Primary Color Scheme:primary colors - red, yellow, blue

Jasper JohnsTarget,1958

Oil and collage on canvas

Page 26: Color Theory

Roy Lichtenstein, who used comic strips as his inspiration, consistently used a primary color scheme in his work.

Roy Lichtenstein (1923-1997)In the Car, 1963

Page 27: Color Theory

Secondary Color Scheme:only, or predominantly, secondary colors

orange, green, purple

Henri MatisseThe Open Window, Collioure, 1905Oil on canvas

Page 28: Color Theory

Neutral Color Scheme:only, or predominantly, neutral colors

Margaret Kilgallen, Untitled (mural in LACMA garage), circa 2005

Giorgio Morandi. Natura morta (Still Life), 1952. Oil on canvas, 16x18 inches

Page 29: Color Theory

Warm colors make objects come forward toward the viewer.

Warm Color Scheme:only, or predominantly, warm colors

orange, yellow, red

Wayne Thiebaud Gumball Machine, 1971Oil on canvas

Page 30: Color Theory

Warm colors symbolize/evoke in the viewer: excitement, passion, liveliness, anger...

Above left: Sidewalk drawing by Kurt Wenner.

Below left: Joseph Mallord William Turner (1775-1851)The Scarlet Sunset, circa 1830-1840Oil on canvas

Page 31: Color Theory

Cool Color Scheme:only, or predominantly, cool colors

green, blue, and purple

Cool colors recedeaway from the viewer.Paul CézanneMount Sainte-Victoire view from Lauves, 1904-06Oil on canvas

Page 32: Color Theory

Cool colors symbolize/evoke in the viewer: serenity, sadness...

Right: Pablo Picasso, The Tragedy, 1903

Oil on wood, 41 x 27 inches

Below: sidewalk drawing by Kurt Wenner

Page 33: Color Theory

Mono - oneChroma - color

Monochromatic Color Scheme:shades, tones, and tints of any one color

Gerhard RichterRoter Kopf Red Head, 1965Oil on canvas, 26x24 cm

Page 34: Color Theory

Edward HopperChair Car, 1965Oil on canvas40x50 inches

Monochromatic color schemes create strong unity.

Page 35: Color Theory

Complementary Color Scheme:only, or predominantly, a complementary color

pair

Orange/Blue

Yellow/Purple

Red/Green

Complementary colors = two colors opposite each other on the color wheel

They are:

Page 36: Color Theory

What complementary color pair is featured in this Warhol Print?

Andy WarholElvis I and II, 1964silkscreen on acrylic on aluminum208.3 x 208.3 cm

Page 37: Color Theory

Camille PissarroLe Boulevard Montmartre, effet de nuit (The Boulevard Montmartre at Night), 1897Oil on canvas

Complementary color schemes have the most color contrast of any simple, two-color, color scheme.

Page 38: Color Theory

• 3 primary colors (aka primary color scheme)

• 3 secondary colors (aka secondary color scheme)

Triadic Color Scheme:three colors evenly spaced on the color

wheel

• 3 evenly spaced tertiary colors, e.g. yellow-orange + green-blue + red-violet

TYPES

Page 39: Color Theory

André DerainMountains at Collioure1905.Oil on canvas32x29 inches.

Which type of triadic color scheme is this painting?

This abstract use of color is characteristic of Fauvism (French for “wild beasts”), an art movement from the early 1900s that emphasized strong, emotional color over realism.

Page 40: Color Theory

One color dominates; related colors enhance.

Analogous Color Scheme:colors that are adjacent on the color wheel

Paul GauguinWasherwomen, 1888Oil on canvas, 29x36 inches