clavis acrostica. a key to "dublin acrostics". ii
TRANSCRIPT
Irish Jesuit Province
Clavis Acrostica. A Key to "Dublin Acrostics". IISource: The Irish Monthly, Vol. 25, No. 286 (Apr., 1897), pp. 200-202Published by: Irish Jesuit ProvinceStable URL: http://www.jstor.org/stable/20499111 .
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CLAVIS ACROSTICA.
A KEY TO " DUBLIN Acnos'1ics."
II.
S INCE the first article of this series was sent to the printer for
our March Number, one of the most distinguished contributors
to " Dublin Acrostics" died on the 3rd of February, 1897. The reader will be surprised to learn that I refer thus to the late Baron
Fitzgerald. It was not his high legal fame, but his connection
with the little book wnich I am interpreting and commentating,
that has preserveed the tribute paid to hiim by one whom a competent writer in 7'he Irish Times calls " another great Irish jurist of at
least equal repute." Two days after the death of Baron Fitzgerald,
the Lord Chief Baron, Christopher Palles, opened the day's pro ceedings in the Court of Exchequer with the following words:
" We cannot resume the business of the court without adverting to the distinguished man who, full of years and honours, passed
away from us on Wednesday. The best traditions of the Irish
Court of Exchequer are inseparably linked with the name of Francis
Alexander Fitzgerald. He was appointed a baron of this court
upwards of thirty-seven years since, and he continued to fill his
high office for nearly a quarter of a century. It is not for me to
enlarge on the conspicuous ability which he brought to the discharge
of his duties, to the vast store of legal knowledge which he had
made his own, to his unrivalled powers of reasoning, or to the lustre
which his administration and interpretation of the law shed not only
on this court, but on the entire Irish judiciary. These matters belong
to the history of our law-I may say to the history of the country.
They were known, too, and appreciated by each one who practised
before him-they were recognised and admired by each of his
colleagues on the bench. But I cannot avoid alluding to his kind
liness of disposition, which extended at once to the youngest practitioner at the bar, and to the most senior of his Qolleagues on
the bench. There is no one who owes more than I do to this
marked trait in his character. Appointed as I was to a position
in this court, nominally above that held by Baron Fitzgerald, I
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Clams Acrostica. 201
had the incalculable advantage of his unrivalled experience and assistance, of which he permitted me constantly and freely to avail myself. My intimate association with him early led me to the opinion which I have ever since retained, that he was a model type of the judicial character."
Both Baron Fitzgerald and his brother William, Bishop of Killaloe, contributed to " L)ublin Acrostics." It may be mentioned here that a third brother, Edward, was received by the Rev. John Callan S. J. (whom many remember with reverence) into the Catholic Church a few years before his death and died a fervent
Catholic.
Mr. Reeves has told us that, when they were collecting the best of their acrostics into a little volume, the Editors generally distinguished each acrostic by the initial of its author's surname.
But in the case of the Baron and the Bishop their initial bad
already been assigned to an earlier contributor, the present Lord
Justice Fitzgibbon. Bishop Fitzgerald is represented by E. (perhaps " Episcopus,") and the ex-Baron-who however did not retire from the Bench till long afterwards, in 1882-appears as I.11. Why ? It would be hard or impossible to conjecture the reason, but I heard it from Judge 0'HIagan and Mr. Robert
Reeves: namely, that Baron Fitzgerald joined, as we have said, the little band of acrosticians at a late stage of their proceedings
and that his first attempts were at once so successful that they
dubbed him the Inf ant Hercules; and the initials of this whimsical title form his signature in " Dublin Acrostics."
Next mouth we shall give the solutions of Nos. I and 2 which we proposed last molth. At present we may propose to our ingenious readers No. 3, of which the signature is " F, " denoting
another eminent judge, still living, whom we mentioned a moment ago.
No. 3.
I.
I slow and laborious,
Triumnphant and glorious,
- The same, ever-varying, trundle along,
Now through a multitude,
Now through a solitude,
Theme of a Phean, a Dirge, and a Song,
VOL. xxv. No. 284. 15
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202 The Irlash Monthly.
II. I fond aind capricious, Oft ugly and vicious,
Am loved by the worldling, the maiden, the sage:
Though praised by affection
As nearly perfection, I stamp in a passioin, or bark in a rage.
III.
Mock warriors furious,
And tales of the curious
By coming to me are endowed with renown.
Both small dissipation,
And less information
Are brought upon me for the use of the town.
1. A fish out of water, of slander a name.
2. My fate is a cloud on a hero's fair fame.
3. The Rifleman's iniss, but the Engineer's aimn. F.
The next that follows is Judge O' llagan's famous " Jack and
Jill" which we have before quoted and expounded. Our romaining sample this month may be one of the productions of the Infant
Hercules. To find it we have to go on as far as No. 93 of the
collection; for, like Dr. Russell of Maynooth, Baron Fitzgerald appears only in the additions made in the second edition. As No.
91 is also his and short, we give it.
No. 93.
Mly first precedes a fall, yet who denies
A pardon to it is nor good nor wise.
It often makes my second, when in fume
The cleanly housewife sees her sullied room.
Combined wy first and second form that style
Which Blanches love, and Warringtoius revile.
In ladies' hands the tenderest ties I sever.
2. A lady once, the victor's prize for ever.
3. A lady once, and high, then low.
4. A sly half glince which I can ne'er forego. I. R
No. 94.
Divided, we still muist be one,
And an alticle just in your sight,
Our union, division begun
Betweent man and his earliest delight.
1. Father of many a harmless jest.
2 Seek me when Plxebus sinks to rest. I. Ht.
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