circle of life cover - sheena · pdf filecircle of life 1. falling you, where have you fallen...

Circle of Life

Sheena Phillips SATB a cappella based on five Native American song-poems

1. Falling 1:30

2. Waking 1:45

3. Singing 1:45

4. Leaving 1:40

5. Rising 1:30

In these song-poems, human life is portrayed as something that comes to earth from above. After a sojourn here below, the spirit rises again and departs. total duration c. 8:20 (including pauses between movements) perusal score – not for copying, rehearsal, or performance all rights reserved © copyright Sheena Phillips 2012 ____________________________________________________________________________ www.sheenaphillips.com [email protected]

Program Notes Circle of Life is based on five Native American song-poems, originally part of oral tradition, but transcribed and translated by ethnographers in the late 19th and early 20th centuries. I love Native American poetry for the central place given to both grand and down-to-earth images of the natural world. White clouds in one breath, grasshoppers in the next; the ocean juxtaposed with acorns; the Milky Way humming above the salmon-berry bushes, and slushy ice all around…. How better to frame the experience of human life, itself by turn both sublime at times and small at others. In some Native American cultures, a person’s spirit is believed to rise after death – and by the same token, a baby is regarded as having ‘fallen’ to earth. So the sequence starts with Falling, a lullaby addressed to a baby, and ends with Rising, an image of spirits of the dead, gently swaying on their final journey above. Between these two lie Waking, a celebration of the joy of being alive; Singing, which describes the experience of love and immanence that comes from attending deeply to the natural world; and Leaving, in which images of autumn remind us poignantly that we must all one day depart from this earth. Musically, you will hear some parallels and reflections between different sections of the piece. Falling, as you might expect, features a descending phrase, which is turned around in the final movement to portray rising spirits. Waking is exuberant, while Leaving is sad and a little agitated – these two sections use much of the same musical material, but have different mood and tonality. The middle movement Singing portrays the sounds of thunder and grasshoppers with male voices and female voices respectively, singing first separately and then together. Sheena Phillips © copyright Sheena Phillips 2013

Circle of Life

1. Falling

You, Where have you fallen from?

You have been falling, falling. Have you fallen from the top of the salmon-berry bushes?

You, Falling, falling…..

2. Waking

I am happy. This is good!

There is nothing but ice all around. That is good. I am happy!

For land we have slush. That is good. I am happy!

When I do not know enough It is good.

When I tire of being awake I begin to wake. It gives me joy.

3. Singing

The voice that makes the land lovely, Again and again it sounds Among the dark clouds,

The thunder’s voice, The voice above,

The voice that makes the land lovely.

The voice that makes the land lovely, Again and again it sounds Among the little plants,

The voice of the grasshopper, The voice below,

The voice that makes the land lovely.

4. Leaving

It is time for the eagle to depart. It is time for the white clouds to be swept away.

In the west, the ocean is heaving.

In the sky, the colors are changing.

Altair is rising, Antares is rising, Venus is rising,

And the Milky Way hums.

It is time for the acorns to fall, It is time for the eagle to be flying.

5. Rising

The spirits of people will rise above, Swaying like women while men dance.

You, Rising, rising…

The spirits of people rising above.

Falling adapted from Cradle Song (Haida Indian), as published in Native American Songs and Poems ed. Brian Swann (Dover Publications, 1996). First published in Haida Songs, Publications of the American Ethnology Society, Vol. 3 (1912). Public domain. Living adapted from Utitia’q’s Song (Inuit Indian), as published in Native American Songs and Poems ed. Brian Swann (Dover Publications, 1996). First published in an article by Franz Boas, Journal of American Folklore, Vol. 7 (1894). Public domain. Singing adapted from Song from the Mountain Chant (Navajo Indian), as published in Native American Songs and Poems ed. Brian Swann (Dover Publications, 1996). First published in Songs of the Navajo by Washington Matthews, Land of Sunshine, Vol. 5 (1896). Public domain. Leaving adapted from Luiseño Songs of the Seasons (Luiseño Indian), as published in Native American Songs and Poems ed. Brian Swann (Dover Publications, 1996). First published in The Religion of the Luiseño Indians of Southern California by Constance Goddard du Bois, University of California Publications in American Archeology and Ethnology, Vol. 8, No. 3 (1908-10). Public domain. Rising adapted from the first two lines of Dandelion Puffs, no. 4 of Six Dream Songs (Wintu Indian), as published in Native American Songs and Poems ed. Brian Swann (Dover Publications, 1996). First published in Wintu Songs by Dorothy Demetracopolou in the journal Anthropos, vol. 30 (1935). I have an email from Dover Publications confirming permission to use this poem.

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œ ŒYou,

œ ŒYou,

œ ŒYou,

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œœœ Œ

∑

q»∞º molto teneramentep

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p

q»∞º molto teneramente

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piano reduction(for rehearsal only)

meno

meno

meno

œ .œ œyou,

œ .œ œyou,

œ .œ œ

you,

∑

œœœ ...œœœ œœœ

∑

œ Œyou

œ Œyou,

œ Œyou,

‰ Jœ œ œ

Where have you

œœœ Œ

‰ Jœ œ œ

P

P

p

p

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sim.

sim.

sim.

œ .œ œyou,

œ .œ œyou,

œ .œ œ

you,

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fall en from?


œ œ œ .œ

œ Œyou,

œ Œyou,

œ Œyou,

‰ Jœ œ œ

Where have you

œœœ Œ

‰ Jœ œ œ

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œ .œ œyou,

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you,

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fall en from?6


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œ Œyou,

∑

œ Œyou,

œ Œyou,

œœ Œ

œ Œ

p

p

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p

œ .œ œ

you,

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œ .œ œ

you,

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you,

œœ ..œœ œœ

œ .œ œ

œ Œyou,

‰ Jœ œ œYou have been

œ Œyou,

œ Œyou,

œ œ œ œ

œœ Œ

P

P

œ .œ œ

you,

œ œ œ .œfall ing, fall ing,

œ .œ œ

you,

œ .œ œ

you,

œ .œ œœ œ Œœœ ..œœ œ .œ

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perusal score - not for rehearsal or performance

1. Falling lyrics: Haida lullaby Sheena Phillips

© copyright Sheena Phillips 2012

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you,

‰ Jœ œ œ

You have beenœ Œ

you,

œ Œyou,

11œ œ œ œ

œœ Œ

œ .œ œ

you,

œ œ œ .œfall ing, fall ing,

œ .œ œ

you,

œ .œ œ

you,

œ .œ œœ œ Œœœ ..œœ œ .œ

∑

œ Œ

you,

œ Œyou,

œ Œyou,

œ Œ

œœ Œ

p

p

p

p

∑

œ .œ œyou,

˙you,

œ .œ œyou,

œ .œ œ

œ̇ .œ œ

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15‰ Jœ œ œ

Have you

œ Œ

you,

œ Œyou,

œ Œyou,

15‰ Jœ œ œ

œœœ Œ

P (repeat p)

(repeat pp)

(repeat pp)

(repeat pp)

œ œ œ œ

fall en from the

œ .œ œyou,

˙you,

œ .œ œ

you,

œ œ œ œœ .œ œ

œ̇ .œ œ

œ œ œ œ œ œ œ

top of the sal mon ber ry

œ Œ

you,

œ Œyou,

œ Œyou,

œœ

œ œ œ œ œ œ

œœ Œ

œ .œ œbush es?

œ .œ œyou,

˙you,

œ .œ œ

you,

œœ .

.œœ œœ

œ̇ .œ œ

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falling 2


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19œ Œ

You,

œ ŒYou,

œ ŒYou,

∑

19œœœ Œ

∑

p

p

p

p

œ .œ œyou,

œ .œ œyou,

œ .œ œyou,

∑


∑

P

œ Œyou,

œ Œyou,

œ Œyou,

œ œ œ œ

Fall ing, fall ing,

œœœ Œ

œ œ œ œ

œ .œ œyou,

œ .œ œyou,

œ .œ œyou,

Œ œ œ

fall ing,


Œ œ œ

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23œ Œ

you,

œ Œyou,

œ Œyou,

œ .œ Œfall ing,

23œœœ Œ

œ .œ Œ

œ .œ œyou,

œ .œ œyou,

œ .œ œyou,œ œ œ œ

Fall ing, fall ing,


œ œ œ œ

π

π

π

p

π

œ Œyou,

œ Œyou,

œ Œyou,

Œ œ œ

fall ing,

œœœ Œ

Œ œ œ

œ .œ œU

you...

œ .œ œU

you...

œ .œ œU

you...

œ .œ œU

fall ing...

œœœ ...œœœ œœœu

œ .œ œU

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falling 3


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‰ œ œ œ œ œ

I am hap py,

œ ‰ Œ .Heh,

œ ‰ Œ .Heh,

œ ‰ Œ .Heh,

‰ œ œ œ œ œ

œœœ ‰ Œ .

qk»¶™ VivaceF

F

F

F

(pronounced 'hee')

(pronounced 'hee')

(pronounced 'hee')

F

qk»¶™ Vivace

‰ œ œ œ œ œ

This is good!

œ ‰ Œ .hí,

œ ‰ Œ .hí,

œ ‰ Œ .hí,

‰ œ œ œ œ œ

œœœ ‰ Œ .

‰ œ œ œ œ œ

I am hap py,

œ ‰ Œ .heh,

œ ‰ Œ .heh,

œ ‰ Œ .heh,

‰ œ œ œ œ œ

œœœ ‰ Œ .

‰ œ œ œ œ œ

This is good!

œ ‰ ‰ ‰ œ œhí, There is

œ ‰ ‰ ‰ œ œhí, There is

œ ‰ ‰ ‰ œ œ

hí, There is

‰ œ œ œ œ œœ œ

œœœ ‰ ‰ ‰ œ œœ

P

P

P

P

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5∑

œ œ œ œ œ œ œnoth ing but ice all a


noth ing but ice all aœ œ œ œ œ œ œ

noth ing but ice all a

5

œœ œœ œœ œœ œœ œœ œœ


* close to the 's' of 'ice' quickly

*

*

** close to the 's' of 'ice' quickly

*

∑

.œ œ ‰round.

.œ œ ‰round.

.œ œ ‰round.

.œ œ ‰

..œœ ..œœ

F

F

F

F

.œ .œb

Ah!

.œ .œ∫Ah!

.˙bAh!

.˙Ah!

.

.œœ..œœb∫

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.˙˙

bF

.œ .œb

.œ .œ∫

.˙

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..œœ..œœb∫

..˙̇

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.œb .œ∫

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.

.œœnb..œœb∫

.

.˙˙

b

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.

.˙˙

n

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2. Wakinglyrics: Utitia'q's Song (Inuit)

Sheena Phillips


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11‰ œ œ œ œ œ

That is good,

œ ‰ Œ .

Heh,

œ ‰ Œ .Heh,

œ ‰ Œ .Heh,

11‰ œ œ œ œ œ

œœœ ‰ Œ .

F

P

P

P

F

P

‰ œ œ œ œ œ

I am hap py!

œ ‰ œ ‰hí, hí,



‰ œ œ œ œ œ

œœœ ‰œœœ ‰

‰ œ œ œ œ œ

That is good,

œ ‰ Œ .

heh,

œ ‰ Œ .heh,

œ ‰ Œ .heh,

‰ œ œ œ œ œ

œœœ ‰ Œ .

‰ œ œ œ œ œ

I am hap py!

œ ‰ œ œ œhí, hí, There is

œ ‰ œ œ œhí, hí, There is

œ ‰ œ œ œ

hí, hí, There is

‰ œ œ œ œ œœ œ

œœœ ‰œœœ œ œœ

F

F

F

F

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15∑

œ œ œ œ œ œ œnoth ing but ice all a


noth ing but ice all aœ œ œ œ œ œ œ

noth ing but ice all a

15




*

*

*

Œ . Œ Jœ

For

.œ Œ Jœround. For

.œ Œ Jœround. For

.œ Œ Jœ

round. For

.œ Œ Jœœ

..œœ Œ Jœœ

f

f

f

f

f

.œ œ œ œland we have

.œ œ œ œland we have

.œ œ œ œ

land we have

.œ œ œ œ

land we have

..œœ œœ œœœ œœœ

..œœ œœ œ œ

.œ .¿slu sh.

.œ .¿slu sh.

.œ .¿

slu sh.

.œ .¿slu sh.

...œœœ Œ .

.œ Œ .

no breath

no breath

- -

-

-- -

-

-

- -

waking 2


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19œ ‰ ‰ œ œ

Heh! That is

œ ‰ ‰ œ œHeh! That is

‰ œ œ œ œ œ

That is good,

‰ œ œ œ œ œ

That is good,

19œœ ‰ ‰ œœ œœ

‰œœ œœ œœ œœ œœ

œ œ œ ‰ œ œ

good, I am

œ œ œ ‰ œ œgood, I am

‰ œ œ œ œ œ

I am hap py!

‰ œ œ œ œ œ

I am hap py!

œœ œœ œœ ‰ œœ œœ

‰ œœœœ

œœ œœ œœ

œ œ œ ‰ œ œ

hap py! That is

œ œ œ ‰ œ œhap py! That is

‰ œ œ œ œ œ

That is good,

‰ œ œ œ œ œ

That is good,

œœ œœ œ ‰ œœ œœ

‰œœ œœ œœ œœ œœ

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22œ œ œ ‰ œ œ

good, I am

œ œ œ ‰ œ œgood, I am

‰ œ œ œ œ œ œ

I am hap py! For

‰ œ œ œ œ œ œ

I am hap py! For

22œœ œœ œœ ‰ œœ œœ

‰ œœœœ

œœ œœ œœ œœ

œ œ œ ‰ œ œ

hap py! We have

œ œ œ ‰ œ œhap py! We have

.œ œ œ œ

land we have

.œ œ œ œ

land we have

œœ œœ œœ ‰ œœœœœœ

..œœ œœ œ œ

.œ .¿slu sh.

.œ .¿slu sh.

.œ .¿

slu sh.

.œ .¿

slu sh.

...œœœ Œ .

.œ Œ .

no breath

no breath

- -

--

- -

- -

waking 3


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25‰ œ œ œ œ œ

When I

‰ œ œ œ œ œWhen I

œ Jœ œ Jœ

When I do

œ Jœ œJœ

When I do

25‰ œœ œœ œœ œœ œœ œ

œœ Jœœ œœ

Jœ

p

p

P

P

p

‰ œ œ œ œ œ

do not know

‰ œ œ œ œ œ

do not know

œ Jœ œJœ

not know e

œ Jœ œ jœnot know e

œœœ œœœ

œœœœœ œœ

œ

œ Jœ œ jœ

‰ œ œ œ œ œ

know e nough,

‰ œ œ œ œ œ

know e nough,.œ ‰ œ œ

nough, it is

.œ œ jœnough, it is

œœœ œœ œœ œœ œœœ œ

.œ œ jœ

‰ œ œ œ .œ ‰

it is good.

‰ œ œ œ .œ ‰it is good.

.œ œ ‰good.

.œ œ ‰good.

œœœ œœ œœœ

œœ œœ

.œ œ ‰

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29‰ œ œ œ œ œ

When I

‰ œ œ œ œ œWhen I

œ Jœ œ Jœ

When I do

œ Jœ œJœ

When I do

29‰ œœ œœ œœ œœ œœ œ

œœ Jœœ œœ

Jœ

f

f

f

f

f

‰ œ œ œ œ œ

do not know

‰ œ œ œ œ œ

do not know

œ Jœ œJœ

not know e

œ Jœ œ jœnot know e

œœœ œœœ

œœœœœ œœ

œ

œ Jœ œ jœ

‰ œ œ œ œ œ

know e nough,

‰ œ œ œ œ œ

know e nough,.œ ‰ œ œ

nough, it is

.œjœ œ

nough, it is

œœœ œœ œœ œœ œœœ œ

.œjœ œ



.œ œ ‰good.

.œ œ ‰good.

œœœ œœ œœœ

œœ œœ

.œ œ ‰

-

-

-

-

waking 4


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33∑

œ œ œ œ œ œ œNoth ing but ice all a


Noth ing but ice all aœ œ œ œ œ œ œ

Noth ing but ice all a

33



p

p

p

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p

∑

.œ œ ‰round.

.œ œ ‰round.

.œ œ ‰round.

.œ œ ‰

..œœ ..œœ

P

P

P

P

.œ .œb

Ah!

.œ .œ∫Ah!

.˙bAh!

.˙Ah!

.

.œœ..œœb∫

.

.˙˙

bP

.œ .œb

.œ .œ∫

.˙

.˙

..œœ..œœb∫

..˙̇

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37 ..œœnb

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Jœ ‰ ‰ Œ .Heh!

Jœ ‰ ‰ Œ ‰Heh!

‰ œ œ œ œ œI am hap py,

‰ œ œ œ œ œ

I am hap py,

Jœœ ‰ ‰ Œ .

‰ œœ œœ œœ œœ œœ

p

p

p

p

p



‰ œ œ œ œ œThis is good!

‰ œ œ œ œ œ

This is good!

Jœœ ‰ ‰ Œ .


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waking 5


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41

Jœœ œ

Jœ

When I tire of

jœ œ œ jœWhen I tire of

‰ œ œ œ œ œWhen I tire

‰ œ œ œ œ œ

When I tire41 jœœ œœ œœ jœœ


p

p

P

P

P

œ Jœ .œ

being a wake,

œ Jœ .œbeing a wake,

‰ œ œ œ œ œbeing a wake,

‰ œ œ œ œ œ

being a wake,

œœ Jœœ ..œœ


‰ œ œ œ Jœ

I be gin to

‰ œ œ œ Jœ

I be gin to

‰ œ œ œ JœI be gin to

‰ œ œ œ Jœ

I be gin to

‰ œœ œœ œœ Jœœ

‰ œœ œœ œœ Jœœ

.œ> Jœ ‰ ‰

wake!

.œn >Jœ ‰ ‰

wake!

œ œ œ œ œ œ

wake! I am hap py!

œœ œ œ œ œ

wake! I am hap py!

..œœn >>Jœœ ‰ ‰

œœ

œœ œœ œœ œœ œœ

f

f

f

f

f

- -

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- -

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45.œn Œ Jœ

I be

.œ Œ Jœ

I be

‰ œn œ œ œ œ

I be gin,

‰œ œ œ œ œ

I be gin,

45..œœn ‰ ‰ J

œœ

‰œœn œœ œœ œœ œœ

F

F

F

F

F

.œb Œ Jœ

gin to

.œb Œ Jœ

gin to

‰ œb œ œb œ œ

I be gin,

‰œb œ œ∫ œ œ

I be gin,

..œœbb ‰ ‰ Jœœ

‰œœbb œœ œœb∫ œœ œœ

.œn Œ .wake.

.œ Œ .

wake.

‰ œn œ œ œ œ

I be gin,

‰ œb œ œ œ œ

I be gin,

..œœn Œ .

‰œœnb œœ œœ œœ œœ

œn œ œ

It gives me

œ œ œn

It gives me

œ œ œIt gives me

œ œ œIt gives me

œœnJœœ J

œœ œœ

œœJœœ J

œœ œ

œ

-

- - -

- - -

-

waking 6


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bbbbb

bbbbb

bbbbb

bbbbb

bbbbb

49 .˙n

joy!

.˙

joy!

.˙joy!

.˙

joy!

49 ..˙̇n

..˙̇

f

f

f

f

f

.˙

‰ œ œ œ œ œI am hap py!

‰ œn œ œ œ œ

I am hap py!

.˙

œ œœn œœ œœ œœ œœ

.˙

‰ œn œ œ œ œ

I am hap py!

‰ œ œ œ œ œ

I am hap py!

Œ . ‰ œ œ

I am

Œ . ‰ œ œ

I am

‰ œœn œœ œœ œœ œœ

Œ . ‰œœ œœ

‰ œ œ œn œ œ

That is good,

‰ œn œ œ œ œ

That is good,

œ œ œ ‰ œ œ

hap py, That is

œ œ œ ‰ œ œ

hap py, That is

‰ œœn œœ œœn œœ œœ

œœ œœ œœ ‰œœ œœ

-

-

-

-

-

-

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bbbbb

53‰ œn œ œ œ œ

I am hap py!

‰ œ œ œ œ œ

I am hap py!

œ œ œ ‰ œ œ

good, I am

œ œ œ ‰ œ œ

good, I am

53‰ œœn œœ œœ œœ œœ


‰ œ œ œn œ œ

That is good,

‰ œn œ œ œ œ

That is good,

œ œ œ ‰ œ œ

hap py! I be

œ œ œ ‰ œ œ

hap py! I be

‰ œœn œœ œœn œœ œœ


P

P

F

F

F

.œn .œb

Ah!

.œ .œ∫Ah!

.œ œ Jœ

gin to

.œ œ Jœ

gin to

..œœn ..œœb∫

.

.œœ

œœ J

œœ

.œ .œ

.œ .œ∫

.œ ‰ œ œwake, I be

.œ ‰ œ œ

wake, I be

.

.œœ..œœ∫

..œœ ‰œœ œœ

- - -

-

-

- - -

waking 7


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bbbbb

57 .œn .œb

.œb .œ∫

.œ œ Jœ

gin to

.œ œ Jœ

gin to

57 ..œœn ..œœb∫

.

.œœ

œœ J

œœ

.˙

œ ‰ œ œ œ

It gives me

œ ‰ œ œ œ

wake, It gives me

œ ‰ œ œ œ

wake, It gives me

œœ ‰ œ œ œ

œœ ‰

œœ

œœ

œœ

f

f

f

f

.˙

Joy!

.˙n

joy!.˙

joy!

.˙

joy!

..˙̇n

..˙̇

f .˙

.˙

.˙

.˙

..˙̇

..˙̇

waking 8


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?

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?

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bbbb

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43

43

43

43

T

B

jœœThe

Jœ

The

∑

Jœœœ

q»§ºF

F

sonore

sonore

q»§º

F

..œœjœœ œœ œœ

voice that makes the

.œ Jœ œ œ


∑

...œœœ Jœœœ œœœ œœœ

œœ œœ ..œœ œœland love ly,

œ œ .œ œ

land love ly,

∑

œœœ œœœ ...œœœ œœœ

‰ jœœ œœ œœ œœA gain and a

‰ Jœ œ œ œ

A gain and a

∑

‰ Jœœœ œœœ œœœ œœœ

œœ œœ ..œœjœœ

gain it sounds a

œ œ .œ Jœ

gain it sounds a

∑

œœœ œœœ ...œœœ Jœœœ

- - - -

- - - -

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?

&

?

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bbbb

bbbb

bbbb

T

B

6œœ œœ œœ œœ

mong the dark clouds,

œ œ œ œ


6∑

œœœ œœœ œœœœœœ

‰Jœœ œœ-

œœ œœThe thun der's voice,

‰ Jœ œ- œ œ

The thun der's voice,

∑

‰ Jœœœ œœœ

-- œœœ œœœ

‰jœœ œœ œœ œœ

The voice a bove,

‰ Jœœ œ œ

The voice a bove,

Œ œ œ œ

‰ Jœœœ œœ œœ œœ

‰ Jœœ ..œœ J

œœ

The voice that

‰ Jœ.œ Jœ

The voice that

‰ jœ .œ jœ

‰ Jœœ ..œœ J

œœ

- -

- -


3. Singinglyrics: Navajo tradition

Sheena Phillips


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S

A

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B

10∑

∑


makes the land love ly...

œ œ œ œ œ

makes the land love ly...

10

œ œ œ œ œ


Œ ‰ jœœ œœThe voice

Œ Œ ‰ jœThe

˙̇ Œ

˙ Œ

.œjœœ œœ

˙̇‰ J

œ

p

p

p

p

p

leggiero, eighth notes poco staccato (like grasshoppers!)

leggiero, eighth notes poco staccato (like grasshoppers!)

œœ œœ œœ œœ œœthat makes the land

œ œ œ œ œvoice that makes the

∑

∑


œ œ œ œ œ

œœ œœ œœ œœlove ly,

˙ œ œland love ly,

∑

∑

œœ œœ œœ œœ

˙ œ œ

-

-

-

-

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S

A

14

œœ,

œœ œœ œœ œœA gain and a

œ,

Œ œ œA gain

14

œœ,

œœ œœ œœ œœ

œ ,Œ

œ œ

œœ œœ œœ ‰ jœœgain it sounds, A

œ œ œ œ œand a gain it sounds,

œœ œœ œœ ‰ jœœ

œ œ œ œ œ

œœ œœ œœ œœ œœmong the lit tle plants,

‰ jœ œ œ œ œA mong the lit tle


‰ Jœ œ œ œ œ

œœ ‰jœœ œœ

The voice

œ Œ ‰ jœplants, The

œœ ‰jœœ œœ

œŒ ‰ J

œ

- - - -

- - - -

singing 2


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S

A

18œœ œœ œœ œœ œœof the grass hop per,

œ œ œ œ œvoice of the grass hop

18œœ œœ œœ œœ œœ

œ œ œ œ œ

œœ ‰jœœ œœ œœ

The voice be

œ Œ ‰ jœper, The


œŒ ‰ J

œ

..˙̇

low,

œ œ ˙voice be low,

..˙̇

œ œ ˙

‰Jœœ ..œœ J

œœThe voice that

‰ jœ .œ jœThe voice that

‰jœœœ

...œœœjœœœ

∑

œœ œœ ˙̇

makes the land

œ œ ˙makes the land

œœœœœœ

˙̇̇

∑

- - -

- - -

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S

A

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B

23œœ œœ œœ J

œœ ‰

love ly...

œ œ œ jœ ‰love ly...

Œ Œ ‰ jœœThe

Œ Œ ‰ Jœ

The

23œœœ œœœ œœœ

jœœœ ‰

Œ Œ ‰ Jœœœ

f

f

f

sonore

sonore

∑

∑

..œœjœœ œœ œœ


.œ Jœ œ œ


∑

...œœœ Jœœœ œœœ œœœ

Œ ‰ Jœ œ

The voice

‰ jœœ ..œœjœœ

The voice that

œœ œœ ..œœ œœland love ly,

œ œ .œ œ

land love ly,

Œ ‰ jœ œ‰ J

œœ ..œœ Jœœ

œœœ œœœ ...œœœ œœœ

F

F

F

sonore

sonore

œ œ œ œ œ

that makes the land

œœ œœ ˙̇makes the land

‰ jœœ œœ œœ œœA gain and a

‰ Jœ œ œ œ

A gain and a

œ œ œ œ œœœ œœ ˙̇


- - -

- - -

-

-

singing 3


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S

A

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B

27 œ Jœ .œ ,

love ly,

œœ œœ ˙̇,

love ly,

œœ œœ ..œœjœœ

gain it sounds a

œ œ .œ Jœgain it sounds a

27 œ jœ .œœœ œœ ˙̇

œœœ œœœ ...œœœ Jœœœ

Œ œ œ œ œ

A gain and a

œœ œœ œœ œœ œœ œœA gain and a gain it

œœ œœ œœ œœmong the dark clouds,

œ œ œ œ


Œ œ œ œ œœœ œœ œœ œœ œœ œœ

œœœ œœœ œœœœœœ

œ œ œ œ œ œ

gain it sounds, A mong the

œœ œœ œœ œœ œœ œœsounds, A mong the lit tle

‰Jœœ œœ œœ œœ


‰ Jœ œ œ œ


œ œ œ œ œ œœœ œœ œœ œœ œœ œœ


œ œ œ Œ

lit tle plants,

˙̇ ‰jœœ

plants, The

∑

∑

œ œ œ ‰ jœœ˙̇

∑

- -

- -

- - - - -

- - - - -

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S

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31‰ Jœ œ œ œ

The voice of the

œœ œœ œœ œœ œœvoice of the grass hop

‰jœœ œœ œœ œœ

The voice a bove,

‰ Jœœ œ œ

The voice a bove,

31 ‰ jœ œ œ œœœ œœ œœ œœ œœ

‰ Jœœœ

œœœ œœœœœœ

œ œ œ ‰ Jœ

grass hop per, The


per, The voice be

œœ Œ Œ

œ Œ Œ

œ œ œ ‰ jœœœ ‰ Jœœ œœ œœ

œœœ Œ Œ

œ œ ˙

voice be low....

..˙̇

low....

‰ Jœœ ..œœ J

œœ

The voice that

‰ Jœ.œ Jœ

The voice that

œ œ ˙̇̇œœ

‰ Jœœœ ...œœœ J

œœœ

.˙

..˙̇

œœ œœ ˙̇

makes the land

œ œ ˙

makes the land

...˙̇̇

œœœœœœ

˙̇̇

.U̇

..˙̇U

œœ œœ ˙̇U

love ly...

œ œ U̇

love ly...

...˙̇̇U

œœœ œœœ ˙̇̇U

-

-

- - -

- - -

-

-

singing 4


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86

86

86

86

86

86

S

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jœ. ‰ ‰ œ ‰It is

Jœ. ‰ ‰ œ ‰

Jœn . ‰ ‰ œ ‰It is

Jœ.

‰ ‰ œ ‰It is

Jœœ.. ‰ ‰ œœ ‰

Jœœn ..

‰ ‰œœ ‰

poco agitato, piangenteπ

π

π

π

π

qk»¶™

.œ œ ‰time,

.œ ‰ œ œIt is

.œn œ ‰time,

.œ œ ‰time,

..œœ œ œ œ

..œœn œœ ‰

P

p

p

p

P

jœ ‰ ‰ œ ‰it is

Jœœ ‰ œ œ

time for the

Jœ ‰ ‰ œ ‰it is


jœœ œ œ œ œ

Jœœ ‰ ‰

œœ ‰

sim.

sim.

sim.

.œ œ ‰time,

œJœ œ œ œ

ea gle to de

.œn œ ‰time,

.œ œ ‰time,

œ jœ œ œ œ.œ œ ‰..œœn œœ ‰

- -

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5 jœ ‰ ‰ œ ‰it is

œ jœ .œpart.



5

œ jœ œœ jœ

Jœœ ‰ ‰

œœ ‰

.œ œ ‰time,

Œ . ‰ œ œ

It is

.œn œ ‰time,

.œ œ ‰time,

.œ œ œ œ

..œœn œœ ‰


Jœœ ‰ œ œ

time for the



jœœ œ œ œ œ

Jœœ ‰ ‰

œœ ‰

.œ œ ‰time,

œ Jœn œ œ œwhite clouds to be

.œn œ ‰time,

.œ œ ‰time,

œjœn œ œ œ.œ œ ‰

..œœn œœ ‰perusal score - not for rehearsal or performance

4. Leavinglyrics: Luiseño tradition

Sheena Phillips


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9 jœ ‰ ‰ œ ‰it is

œJœ

.œswept a way.

Jœb ‰ ‰ œ ‰it is


9œœ Jœ

œœ Jœ

Jœœb

‰ ‰œœ ‰

.œ œ ‰time,

.œ œ ‰

.œn œ ‰time,

.œ œ ‰time,

..œœ œœ ‰

..œœn œœ ‰

F

F

.œ .œn

Ah!

.œ .œAh!

.˙Ah!

.˙Ah!

.

.œœ ..œœn

..˙̇

F

F

F

.œb .œn

.œ# .œ

.˙

.˙

.

.œœ#

b ..œœn

..˙̇

-

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bbbb

bbbb

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13 .œ .œn

.œ .œ

.˙

.˙

13 ..œœ ..œœn

..˙̇

.œb œ ‰

.œ ‰ œ œ

In the

.œ œ ‰

.œ œ ‰

..œœb œœ œ œ

..˙̇

F

jœ ‰ ‰ œ ‰It is

Jœœ ‰ œ œ

west, the

Jœ ‰ ‰ œ ‰It is


jœœ œ œ œ œ

Jœœ ‰ ‰

œœ ‰

p

p

p

p

.œ œ ‰time,

œJœ œ œ œ

o cean is

.œn œ ‰time,

.œ œ ‰time,

œ jœ œ œ œ.œ œ ‰..œœn œœ ‰

P

P

P

-

leaving 2


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17 jœ ‰ ‰ œ ‰it is

œ jœ .œheav ing.



17

œ jœ œœ jœ

Jœœ ‰ ‰

œœ ‰

sim.

sim.

sim.

.œ œ ‰time,

.œ ‰ œ œ

In the

.œn œ ‰time,

.œ œ ‰time,

..œœ œ œ œ

..œœn œœ ‰


Jœœ ‰ œ œ

sky, the



jœœ œ œ œ œ

Jœœ ‰ ‰

œœ ‰

.œ œ ‰time,

œ Jœn œ œ œco lors are

.œn œ ‰time,

.œ œ ‰time,

œjœn œ œ œ.œ œ ‰

..œœn œœ ‰

--

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21 jœ ‰ ‰ œ ‰it is

œ Jœ .œchang ing.

Jœn ‰ ‰ œ ‰it is


21œœ Jœ ..œœ

Jœœ

n‰ ‰

œœ ‰

.œ œ ‰time,

.œ œ ‰

.œn œ ‰time,

.œ œ ‰time,

..œœ œœ ‰

.

.œœn œœ ‰

.œ .œ

Al tair

.œn .œAl tair

.œb .œ

Al tair


...œœœnb ...

œœœ

Jœ ‰ ‰ œ ‰F

F

F

F

F

.œ .œ

is

.œ .œnis

.œ .œb

is

.œ œ ‰time,

...œœœ ...

œœœnb

.œ œ ‰

- -

-

-

leaving 3


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25.œ .œ

ris ing,

.œ .œris ing,

.œ .œ

ris ing,


25...œœœ

...œœœ

Jœ ‰ ‰ œ ‰

œ ‰ .œ

An

œ ‰ .œAn

œ ‰ .œ

An

.œ œ ‰time,

...œœœ...œœœ

.œ œ ‰

.œ .œ

ta res

.œ .œta res

.œb .œ

ta res


...œœœb

...œœœ

Jœb ‰ ‰ œ ‰

.œ .œ

is

.œ .œis

.œ .œb

is

.œb œ ‰time,

...œœœ

...œœœb

.œb œ ‰

- - - -

- - - -

- - - -

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29.œ .œ

ris ing,

.œ .œris ing,

.œb .œ

ris ing,


29...œœœb

...œœœ

Jœb ‰ ‰ œ ‰

.œ Œ .

.œ Œ .

.œ Œ .

.œb œ ‰time,

...œœœ Œ .

.œb œ ‰

.œ .œ

Ve nus

.œ .œVe nus

.œn .œ

Ve nus

.œ .œVe nus

...œœœn

...œœœ

.œ .œ

f

f

f

f

f

.œ .œ

is

.œ .œis

.œ .œ

is

.œ .œis

...œœœ

.

..œœœ

.œ .œ

.˙

ris

.˙bris

.˙

ris

.˙ris

...˙̇˙b

.˙

- - - - -

-

-

- - - -

-

-

- - -

- - -

leaving 4


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34.œ ‰ œ œ

ing, And the

.œn ‰ œ œing, And the

.˙

.˙

34..œœn

‰ œœ œœ.˙

.˙

F

F

F

œ Jœ.œ

Milk y Way

œ Jœ .œ

Milk y Way

.˙

.˙

œœjœœ ..œœ.˙

.˙

p

p

.œ œ ‰

.œ œ ‰

.œ œ ‰ing,

.œ œ ‰ing,

..œœ œœ ‰.œ œ

.œ œ ‰

.˙hums....

.˙

hums....

.˙b

mmm....

.˙mmm....

...˙˙̇b

.˙

F

F

close quickly to 'm'

close quickly to 'm'

.œ ‰ œ œIt is

.œ ‰ œ œ

It is

.œ Œ .

.œ Œ .

...œœœ ‰ œœ œœ

.œ Œ .

S

S

S

S

F

F

F

-

- - - - - - -

- - - - - - -

-

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39

.œ ‰ œ œtime for the

Jœœ ‰ œ œ

time for the



39 jœ œ ‰ œ œœ.œ

Jœœ ‰ ‰

œœ ‰

P

P

œ jœ jœ œa corns to

œJœ œ œ œ

a corns to

.œn œ ‰time,

.œ œ ‰time,

œ jœ œ œ œœ Jœ Jœ œ

..œœn œœ ‰

F

F

œ jœ .œtum ble,

œ jœ .œtum ble,



œœ jœœ ..œœ

Jœœ ‰ ‰

œœ ‰

sim.

sim.

Œ . ‰ œ œIt is

Œ . ‰ œ œIt is

.œn œ ‰time,

.œ œ ‰time,

Œ . ‰ œœ œœ

..œœn œœ ‰

- -

- -

leaving 5


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43

.œ ‰ œ œtime for the

Jœœ ‰ œ œ

time for the



43 jœ œ ‰ œ œœ.œ

Jœœ ‰ ‰

œœ ‰

œ Jœ Jœ œea gle to

œ Jœn œ œ œ

ea gle to

.œn œ ‰time,

.œ œ ‰time,

œjœn œ œ œœ Jœ Jœ œ

..œœn œœ ‰

œ Jœ.œ

soar a bove.

œJœ

.œ

soar a bove.

Jœn ‰ ‰ œ ‰it is


œœ Jœ..œœ

Jœœ

n‰ ‰

œœ ‰

.œ œ ‰

.œ œ ‰

.œn œ ‰time,

.œ œ ‰time,

..œœ œœ ‰

.

.œœ

n œœ ‰

- -

- -

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47 .œ .œn

Ah!

.œ .œAh!

.˙Ah!

.˙Ah!

47 ..œœ ..œœn

..˙̇

p

p

p

p

p

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.œ# .œ

.˙

.˙

.

.œœ#

b ..œœn

..˙̇

.œ .œn

.œ .œ

.˙

.˙

.

.œœ ..œœn

..˙̇

.œb Œ .

.œ ‰ œ œ

And the

.œn Œ .

.œ Œ .

..œœb ‰ œ œ

..œœnŒ .

p

leaving 6


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51∑

œ Jœ .œMilk y Way

∑

∑

51œ Jœ .œ

∑

Œ ..œ

Ah!

.œ œ ‰hums.

Œ . .œ

Ah!

Œ . .œ

Ah!

.œ..œœ

Œ ...œ

œ

F

F

F

F

.˙

.˙Ah!

.˙n

.˙

..˙̇

..˙̇n

F

.˙

.œ ‰ œ œIt is

.˙

.˙

.˙

.œ‰

œ œ

..˙̇

F

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55 .˙

œ Jœ .œ

time.

.˙

.˙

55 .œ̇ Jœ .œ

..˙̇

.˙

.˙

.˙

.˙

..˙̇

..˙̇

.˙

.˙

.˙

.˙

..˙̇

..˙̇

.˙

.˙

.˙

.˙

..˙̇

..˙̇

.˙

Mmm.

.˙

.˙Mmm.

.˙

Mmm.

..˙̇

..˙̇

close to 'm'

p

p

p

p

p

.˙

.˙

.˙

.˙

..˙̇

..˙̇

leaving 7


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42

42

42

42

42

42

S

A

T

B

‰ jœ œ .œThe spi rits

∑

∑

∑

‰ jœ œ .œ

∑

q»∞§p

sereno

p

q»∞§

œ œ œ œof peo ple

∑

∑

∑

œ œ œ œ

∑

‰ Jœœ

will rise


∑

∑

‰ jœ œJœ

œ .œ

∑

p

cresc.

cresc.

œ œ œ .œ

a bove,


∑

∑

œ œ œ .œœ œ œ œ

∑

- - -

- -

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5‰ jœ œ .œ

The spi rits

‰ Jœœ

will rise


∑

5‰ jœ œ

Jœœ .œ

‰ Jœœ .œ

P

P

P

P

œ œ œ œ

of peo ple

œ œ œ .œ

a bove,


∑

œ œ œ œ œœ œ Jœ ‰

œ œ œ œ

‰ Jœœ

will rise


‰ Jœœ

will rise

‰ Jœœ .œ

The spi rits

‰jœ œ

Jœœ .œ

‰jœ œ

Jœœ .œ

P

cresc.

cresc.

cresc.

cresc.

œ œ œ .œ

a bove,

œ œ œ œ

of peo ple

œ œ œ .œ

a bove,

œ œ œ œ

of peo ple



- - -

- - -

- - -

- -


5. Risinglyrics: Wintu tradition Sheena Phillips


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9 .œJœ

Sway ing

‰ Jœ œwill rise


‰ Jœœ

will rise

9 .œ jœ‰ Jœ œ

‰jœ œ

Jœœ .œ

P

F

F

dolce

F

cresc.

F

œ œ œ .œlike wo men,

œ œ œ .œa bove,

œ œ œ œ

of peo pleœ œ œ .œ

a bove,

œ œ œ .œœ œ œ .œ

œ œ œ œ œœ œ Jœ‰

.œJœ

Sway ing

.œ jœSway ing

‰ Jœœ

will rise

‰ Jœœ .œ

The spi rits

..œœJœœ

‰jœ œ

Jœœ .œ

P cresc.



œ œ œ .œ

a bove,

œ œ œ œ

of peo ple

œœ œœ œœ .œ


- - - - - -

- - - -

- - -

- - -

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13

.œ JœSway ing,

.œjœ

Sway ing,

Œ œ œ œ

Sway ing like

‰ Jœ œ

will rise

13

..œœjœœ

œ œ œ‰ Jœ œ

P

P

P leggiero

P

˙

˙

œ œ œ œ œ

wo men while men dance,

œ œ œ .œ

a bove,

˙̇

œ œ œ œ œœ œ œ .œ

.œ JœSway ing,

.œjœ

Sway ing,

Jœ ‰ œ œ œ

Sway ing like

Œ œ œ

Sway ing,

..œœjœœ

Jœ

‰œœ œ œœ

P

˙

˙

œ œ œ œ œ

wo men while men dance,

œ œ œ œ œ

sway ing while men dance,

˙̇

œœ œœ œœœœ œœ

- -

- -

-

- - - -

- -

rising 2


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17.œ Jœ

Sway ing,

.œ jœSway ing,

Jœ ‰ œ œ

Sway ing,

Jœ ‰ œ œ

Sway ing,

17..œœ

Jœœ

Jœœ ‰

œœ œœ

F

F

poco

poco

F

˙

˙

œ œ œ œ œ


œ œ œ œ œ


˙̇


.œ Jœ

Sway ing,

.œ jœSway ing,

Jœ ‰ œ œ

Sway ing,

Jœ ‰œ œ

Sway ing,

..œœJœœ

Jœœ ‰

œœ œœ

˙

˙

œ œ œ œ œ


œ œ œ œ œ


˙̇


- -

- -

- - - -

- - - -

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21 .œJœ

Sway ing...

.œ JœSway ing...

Jœ ‰ œ œ

Sway ing...

Jœ ‰ œ œ

Sway ing...

21 ..œœJœœ

Jœœ ‰ œœ œœ

P

P

P

U̇

U̇

U̇

U̇

˙̇U

˙̇U

.œ JœYou,

.œjœ

You,

˙

You,

œ œ œ œ

Ri sing, ri sing,

..œœjœœ˙

œ œ œ œ

π

π

π

p

π

˙

˙

˙

Œ œ œ

ri sing,

˙̇̇

Œ œ œ

.œ JœYou,

.œjœ

You...

.œ Jœ

You,

œ œ Œri sing,

..œœjœœ.œ Jœ

œœ œ Œ

˙

˙

˙

œ œ œ œ

Ri sing, ri sing,

˙̇̇

œ œ œ œ

P

P

- - - - - --

-

-

-

rising 3


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27.œ Jœ

You,

˙You...

.œ Jœ

You,

Œ œ œ

ri sing,

27...œœœ J

œœœ

Œ œ œ

˙

˙

˙

œ œ œ

ri sing...

˙̇̇

œ œ œ


∑

∑

∑

‰ jœ œ .œ

∑

p

p

‰ Jœœ œ

of peo ple


∑

∑

‰jœ œ œ

Jœœ .œ

∑

p

.œJœ

ri sing,

.œJœ

ri sing,

‰ Jœœ .œ

The spi rits

∑

.œ jœ.œJœ

‰ Jœœ .œ

p

˙

˙

.œJœ

ri sing

‰ Jœœ .œ

The spi rits

˙̇.œ

Jœ

‰ Jœœ .œ

p

- - -

- -

- -

-- -

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33‰ jœ œ .œ

The spi rits

∑

œ œ œ .œ

and sway ing

.œ Jœ

ri sing

33 ‰ jœ œ .œœ œ œ .œ

.œ Jœ

P

P

‰ Jœœ œ

of peo ple


œ œ œ

high a bove,

œ œ œ .œ

and sway ing

‰jœ œ œ

Jœœ .œ

œ œ œœ œ œ .œ

P

.œJœ

ri sing,

.œJœ

ri sing,

‰ Jœœ .œ

The spi rits

œ œ œ

high a bove,

.œ jœ.œJœ

‰jœ œ .œ

œ œ œ

P

˙

˙

.œJœ

ri sing

‰ Jœœ .œ

The spi rits

˙̇ .œJœ

‰ Jœœ .œ

P

- - - - -

- - - -

- - - - - -

- - - - - -

rising 4


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37‰ jœ œ .œ

The spi rits

∑

œ œ œ .œ

and sway ing

.œ Jœ

ri sing

37 ‰ jœ œ .œœ œ œ .œ

.œjœ.œ Jœ

P

‰ Jœœ œ

of peo ple


œ œ œ

high a bove,

œ œ œ .œ

and sway ing,

‰jœ œ œ

Jœœ .œ

œ œ œœ œ œ .œ

P

.œJœ

ri sing,

.œ Jœ

ri sing,

‰ Jœœ .œ

The spi rits

œ œ œ

ri sing

..œœ Jœœ

‰jœ œ .œ

œ œ œ

P

F

F

Fœ ,U œ œ .œ

a

œ ,Uœ œ .œri sing a

œ ,Uœ œ .œ

ri sing a

Jœ,U

‰ œ

a

œœU , œœœœ

.

.œœ

œ

u

,œ œ .œ

Jœ‰

œ

rit.

F

rit.

U̇

bove.

U̇

bove.

U̇

bove.

U̇

bove.

˙̇U

˙

u

˙

F

F

F

-

-

-

- - -

-

-

- -

- -

-

- - - -

-

-

- -

-

rising 5


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