christie's - 11 september 2014

5/19/2018 Christie's - 11 September 2014

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S O U T H K E N S IN G T O N

19th CenturyEuropean Art

Thursday 11 September 2014at 1.00 pm


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11/04/14

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[15]

christies.com

19th Century European ArtThursday 11 September 2014

AUCTION

Thursday 11 September 2014

at 1.00 pm Lots 1-152

85 Old Brompton Road

London SW7 3LD

AUCTION CODE AND NUMBER

In sending absentee bids or makingenquiries, this sale should be referredto as LOTTIE-5298

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Front cover: Lot 98Back cover: Lot 72

VIEWING

Saturday 6 September 11.00 am - 5.00 pm

Sunday 7 September 11.00 am - 5.00 pm

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Wednesday 10 September 9.00 am - 5.00 pm

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2

AUSTRIAN/BELGIAN

4VICTOR DE PAPELEN (BELGIAN, 1810-1881)

Repairing nets at the harbour wallsigned Vor papelen (lower left)

oil on board13x 19in. (33.5 x 49.3 cm.)2,000-3,000 $3,400-5 2,600-3

3FRANOIS BACKVIS (BELGIAN, 1857-1926)

Peonies in a blue vasesigned and dated F.Backvis 1898 (lower right)oil on canvas20x 24in. (52.5 x 62.5 cm.)1,200-1,800 $2,100-3 1,600-2

2 (a pair)

2EUGENE H. FREY (BELGIAN, 1864-1930)

Lobster with champagne and oysters on aledge; and Fish with cabbages on a ledgeboth signed and dated Eug. Frey/1891(lower right)oil on canvas27 x 38in. (68.5 x 98.2 cm.)a pair 3,000-5,000 $5,100-8 3,800-6

1FRANZ XAVER WOLF (AUSTRIAN, 1896-1990

A Rabbi readingsigned F.X. Wolf (upper centre)oil on panel19x 15in. (50.1 x 40 cm.)3,000-5,000 $5,100-8 3,800-6

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BELGIAN/CZECH

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6


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CZ

5EMILE LECLERC (BELGIAN, 1827-1907)

Reclining nudesigned and dated E Leclerc/1854 (lower right)

oil on panel12x 16in. (32.5 x 41.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

6FRANTISEK JAKUB (CZECH, 1875-1940)

Fruit pickerssigned Jakub (lower right)

oil on panel21x 29in. (55 x 75.1 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

7FOLLOWER OF HENRI MARTIN

A muse with a lyrewith signature AULE HOFRICHTER

(lower right)oil on canvas25x 28 in. (65 x 71.2 cm.)3,000-5,000 $5,100-8 3,800-6

P ROV ENANC E :

Anonymous sale; Sothebys Olympia, 1 Octob2003, lot 186, as by Martha Hofrichter.After the original by Henri Martin, painted in 18

7
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6

DANISH

9

9

NIELS FRISTRUP (DANISH, 1837-1909)

Picking flowers in a classical gardensigned N. Fristrup (lower right)oil on canvas38 x 25in. (96.5 x 65.5 cm.)4,000-6,000 $6,800-10 5,100-7

8PEDER MORK MNSTED (DANISH, 1859-1941)

The cow refuses to drinksigned P.Mnsted (lower right) and inscribed Koen vil ikke drikke.(lower left)oil on canvas19x 27in. (50.6 x 70.6 cm.)3,000-5,000 $5,100-8 3,800-6For a catalogue note on this artist please see lot 14.

8
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n11CHRISTIAN VIGILIUS BLACHE (DANISH, 1838-1920)

Sunset on a Mediterranean shore, possibly Gibraltaroil on canvas45x 68in. (115.7 x 173.3 cm.)5,000-7,000 $8,500-12 6,400-8

10DANIEL HERMANN ANTON MELBYE (DANISH, 1818-1875)

A barque and a steam ship passing the rock of Gibraltarsigned Anton Melbye (lower left)oil on canvas22x 30in. (56 x 78 cm.)5,000-7,000 $8,500-12,000 6,400-8,800Daniel Hermann Anton Melbye was born in Copenhagen, the eldest brother ofartists Vilhem and Fritz Melbye. He had originally wanted to be a sailor and trainedas a shipbuilder before becoming a pupil of Christoffer-Wilhelm Eckersberg. Hereceived international acclaim as an artist, and depicted shipping lanes around theworld, such as this scene before the rock of Gibraltar. In 1847 Melbye moved toParis where he obtained the patronage of Louis-Philippe and later Napoleon III.

10

11


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DANISH

12

13


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12DANISH SCHOOL, 19TH CENTURY

Fishing on the lake edgeindistinctly signed with initials A.B... (lower left)oil on canvas16x 21in. (42 x 54.5 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

13CARL HOLSOE (DANISH, 1863-1935)

The kitchen pantrysigned C. Holsoe (lower right)oil on canvas25 x 28in. (63.5 x 72.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

n14PEDER MORK MNSTED (DANISH, 1859-194

Cap Martin, Francesigned, inscribed and datedP.Mnsted-Cap Martin-1907- (lower left)oil on canvas27x 39in. (70.5 x 101 cm.)8,000-12,000 $14,000-20 11,000-15

P ROV ENANC E :

Anonymous sale; Christies, New York,30 October 2002, lot 209.Mnsted is known for his highly finished landscdetailing water. The clarity of light which highhis scenes is reminiscent of the Golden AgDutch painting. He is considered the leading Dlandscape painter of the period. Mnsted was tuby Julius Exner and Andries Fritz at the AcademCopenhagen. Throughout Mnsteds long careecirculated Europe, the Middle East and North A

14


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10

DUTCH

16

ATTRIBUTED TO JOHANNES ROSIERSE (DUTCH, 1818-1901)

The night marketoil on panel18 x 13in. (45.8 x 35 cm.)1,000-1,500 $1,700-2 1,300-1

15PETRUS KIERS (DUTCH, 1807-1875)

The wedding nightsigned and dated P. Kiers ft 1856/Amsterdam (lower left)oil on panel15x 12in. (39.8 x 32 cm.)2,000-3,000 $3,400-5 2,600-3Petrus Kiers is best known for his romantic candlelit interiors. In 1841 he wsilver medal at Felix Meritis, Amsterdam.

17 No Lot


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DU

18

18

EIAS PIETER VAN BOMMEL (DUTCH, 1819-1890)

A busy shipping portsigned E. P van Bommel (lower right)oil on canvas25 x 36in. (63.5 x 93 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

19

19

HENDRIK BAREND KOEKKOEK (DUTCH, 1849-1909)

Gathering firewoodsigned H.B. Koekkoek (lower left)oil on canvas30 x 24in. (76 x 63 cm.)2,000-3,000 $3,400-5,100 2,600-3,800


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DUTCH/FRENCH

20 20

20A. VERMEULEN (DUTCH, 19TH CENTURY)

Portrait of a soldier in a red cape, holding a spear in an interior; an

soldier in a suit of armourboth signed A. VERMUELEN (lower left and lower right respectively)oil on panel15x 8in. (38.4 x 22.3 cm) each two in the lot 2,000-4,000 $3,400-6 2,600-5There were many artists in the Vermeulen family. These included CoVermeulen and his son, the landscape painter Andries Vermeulen, who di1814. The present lot is painted later in the 19th Century, and shows the dexof a classically trained artist.

21

21ADOLPHE ALEXANDRE LESREL (FRENCH, 1839-1929)

The sentrysigned and dated A.A. LESREL 1884 (lower right)oil on panel16x 10in. (41.2 x 27 cm.)3,000-5,000 $5,100-8 3,800-6


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22EDOUARD JEAN-BAPTISTE DETAILLE (FRENCH, 1848-1912)

Napoleon Bonaparte in Italy, 1797signed and dated EDOUARD DETAILLE/1883. (lower right)

oil on canvas21x 25in. (51.4 x 65.4 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

P ROV ENANC E :

Anonymous sale; Christies New York, 15 February 1994, lot 27.

L I T E RA TU R E :

M. Vachon, Detaille, Paris, 1898.F. Robichon, Edouard Detaille, un sicle de gloire mlitaire, Paris,2007, pp. 92-93 (illustrated).

The subject of this painting depicts Napoleons victory over the Austrian forcesAustrian prisoners are a mixture of cavalry, infantry and artillery, and are escby French Light Infantry whilst French dragoons in green on right look onwork is directly inspired by his master Meissonier.

We are grateful to Franois Robichon for his assistance cataloguing this lot.
http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0022}


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14

FRENCH

24 No Lot

23PAUL-LOUIS-NARCISSE GROLLERON (FRENCH, 1848-1901)

A sleeping Napoleonic soldiersigned and dated P. Grolleron 80 (lower right)

oil on panel8x 12in. (21 x 32.3 cm.)2,000-3,000 $3,400-5,100 2,600-3,800Paul Louis Narcisse Grolleron, a pupil of Lon Bonnat, received considerablepublic acclaim during his lifetime for his sincere and highly finished battle scenes.He exhibited at the Salon de Paris from 1873.


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25JEAN-JACQUES HENNER (FRENCH, 1829-1905)

Lady in bluesigned JJ HENNER (lower left)

oil on canvas14x 9in. (36 x 24 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

P ROV ENANC E :

John Paton Sale; Christies, London, 14 July 1906, lot 89.We are grateful to Isabelle de Lannoy for confirming the authenticity of this work.


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16

FRENCH

26JULES DUPRE (FRENCH, 1811-1889)

Les baigneusessigned and dated Jules Dupre 1836 (lower left)oil on canvas9x 13in. (5 x 33.2 cm.)4,000-6,000 $6,800-10,000 5,100-7,600

P ROV ENANC E :

Douglas Fairbanks Jnr., thence by descent to the present owner.

27 No Lot

28HENRY LEROLLE (FRENCH, 1848-1929)

The gleanerssigned H.Lerolle (lower right)oil on canvas18x 24in. (46.2 x 61 cm.)1,500-2,000 $2,600-3 1,900-2Henry Lerolle studied at Acadmie Suisse in the studio of Louis Lamothe. His was exhibited at the Paris Salon from 1868 and throughout the 1870s and 1He is known for painting the large murals in the Hotel de Ville, Paris. Besideown painting, Lerolle was a a friend and collector of such artists as Degas, Dand Vuillard. Renoir painted portraits of Lerolle and his daughters, and Debdedicated piano works to Lerolles daugher, Yvonne. Lerolle was made a ChevLgion dhonneur in 1889. Another example of Lerolles paintings is preselater in the auction.

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28


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29GEORGES JEANNIN (FRENCH, 1841-1925)

Rosessigned G.Jeannin (lower left)oil on canvas15x 18in. (38.7 x 46.2 cm.)2,000-3,000 $3,400-5,100 2,600-3,800

30ANTOINE VOLLON (FRENCH, 1833-1900)

Peachessigned A. Vollon (lower right)oil on panel11x 15 in. (28.6 x 38.2 cm.)2,000-4,000 $3,400-6 2,600-5

P ROV ENANC E :

with Marlborough Fine Art Ltd., London.

E XH I B I T E D :

Marlborough Fine Art, Exhibition of French Masters of the 19th & 20th CenturiNovember 1951, no. 49, where attributed to Alexis Vollon (French, 1865-1945).

29

30


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FRENCH

n32PIERRE BOMPARD (FRENCH, 1890-1962)

Djeuner sur les falaisessigned P Bompard (lower right)oil on canvas63x 51in. (162 x 130.5 cm.)1,500-2,000 $2,600-3 1,900-2

31NARCISSE-VIRGILE DIAZ DE LA PENA (FRENCH, 1807-1876)

Lady in a draped costume (possibly Marie Diaz), seated on a rockdog on her lapsigned N. Diaz. (lower right)oil on board8x 5in. (22.2 x 14.6 cm.)2,000-3,000 $3,400-5 2,600-3


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34HENRI JOSEPH HARPIGNIES (FRENCH, 1819-1916)

A wooded landscapesigned h.harpignies (lower left)oil on canvas17x 12in. (44.2 x 31.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

33

ERNEST PIERRE GURIN (FRENCH, 1887-1952)

Bretons outside Notre Dame de Lotivyinscribed and signed NOTREDAME DE LOTIVY/PRESQUILE DEQUIBERON/ MORBIMAN/BRETAGNE/E. GUERIN (lower right)pencil and watercolour on papertwo parts 19 x 18 in. (49 x 21.5 cm.)and one part 19 x 24in. (49 x 61.5 cm.)a set of three (3)4,000-6,000 $6,800-10,000 5,100-7,600Ernest Guerin studied at the cole des beaux-arts de Rennes before moving toParis. His best known work depicts the customs of Breton peasants and theirreligious festivals. The present work depicts Bretons going about their daily life

before the chapel of Notre Dame de Lotivy, Quiberon

33

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FRENCH

35LUIGI LOIR (FRENCH, 1845-1916)

Les boulevards Parissigned LOIR LUIGI (lower right)oil on panel5 x 8in. (12.5 x 21.5 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

36LUIGI LOIR (FRENCH, 1845-1916)

Forgeronssigned LOIR LUIGI (lower right)watercolour and ink on paper9 x 12in. (23 x 31.5 cm.)1,500-2,000 $2,600-3 1,900-2

35

36


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*37JACQUES EMILE BLANCHE (FRENCH, 1861-1942)

A visitor to the artists studiooil on canvas15x 10in. (39.3 x 26.3 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

P ROV ENANC E :

with Galerie Dr. Raeber, Basel, no. 37993.

E XH I B I T E D :

Basel, Kunsthalle Basel, Kunstwerke des 19. Jahrhunderts aus Basler Privatbesitz,1 May - 4 July 1943, no. 302

This rare unsigned oil sketch by Jacques-Emile Blanche can be dated circa 188when the very young artist was working in Henri Gervexs Paris studio andbe related to another signed oil sketch of two fellow students also aroundsame date which is in a private collection (catalogue raisonn no. 385). The pstanding figure in a frock coat is painted in the same spontaneous way andchair seems to be part of the Gervex studios furniture. This off-the-cuff oil skusually called pochade by the French, does not represent Debussy as statean exhibition label on the stretcher but an unnamed visitor to the atelier. Bladidnt meet Debussy until 1893 when the composer was still a very young m

This painting will be included in the forthcoming Jacques-Emile Blanche cataraisonn being prepared by Jane Roberts.

We are grateful to Jane Roberts for preparing this catalogue entry.


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FRENCH

40

EMILE EISMAN-SEMENOWSKY (FRENCH/POLISH, 1857-1911)

Stepping stonessigned, inscribed and dated 1886/PARIS Eisman-Semenowsky (lower righoil on panel12x 6in. (32.6 x 15.7 cm.)2,000-4,000 $3,400-6 2,600-5

38

JEAN BERAUD (FRENCH, 1849-1936)

Portrait of a lady in masquerade ball costumesigned and dedicated MMKulp/Souvenir affectueux/Jean Braud. (lower left)oil on canvas21 x 10in. (53.3 x 26.6)6,000-8,000 $11,000-14,000 7,600-10,000

P ROV ENANC E :

Anonymous sale; Sothebys, London, 19 April 1956, lot 103.Anonymous sale; Christies, London, 5 July 1974, lot 214.Anonymous sale; Christies, London, 21 June 1976, lot 31.

L I T E RA TU R E :

P. Offenstadt,Jean Braud 1849-1935, The Belle Epoque: A Dream of Times GoneBy, Catalogue Raisonn, Cologne, 1999, p. 291, no. 401 (illustrated).

39 No Lot


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41

JEAN BRAUD (FRENCH, 1849-1936)

Portrait of Hippolyte Tainesigned and dedicated M. Bourdeau/souvenir amical/Jean Braud(centre right)oil on panel18x 14in. (46.3 x 37.8 cm.)4,000-6,000 $6,800-10,000 5,100-7,600

P ROV ENANC E :

Mme. Bourdeau, Paris.Her sale ; Paris, Drouot, 13 March 1974, lot 60.Private collection.

E XH I B I T E D :

Paris, Bibliothque Nationale, Exposition du 3e Centenaire de lAcadmie Franaise,1935, no. 244.Paris, Muse Carnavalet,Jean Braud. Peintre de la vie Parisienne, 1936-1937,wno. 35.

L I T E RA TU R E :

Brisson, travers la quinzaine,La Revue illustre, 15 March 1893, p. 255(illustrated).P. Offenstadt,Jean Braud 1849-1935, The Belle Epoque: A Dream of Times GoBy, Catalogue Raisonn,Cologne, 1999, p. 260, no. 342 (illustrated).

Jean Braud is best known for his boulevard scenes of Belle poque Paris, wcombined a sense of panache with an acute eye for anecdotal detail, but in wfigures are often rendered as stock types. His portrait of the great French and historian Hippolyte Taine, however, is unusually penetrating. A study fogroup portrait, La Salle de redaction du Journal des dbats (The Editorial Rof the Journal des Dbats), in which Taine is depicted alongside other pre-emFrench intellectuals, here he is seated in profile against a plain background whighlights his thoughtful features, captured as if in casual conversation, a cigadangling from his right hand. Braud presents a spontaneous and sympaimage of a man who is both engaging and distinguished, as hinted by flacolour the Legion dHonneur pin on his lapel, and his wire-rimmed spectacle

Jean Bourdeau (1848-1928), to whom the painting is dedicated, also featurthe same group portrait; he was a friend of Brauds and a regular contributthe Journal des Dbats.


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24

FRENCH

42GEORGES STEIN (FRENCH, 1855-1930)

Galerie Lafayette, Parissigned and inscribed G. Stein Paris (lower left)pencil and watercolour on paper12 x 16 in. (30 x 40.2 cm.)2,000-3,000 $3,400-5 2,600-3

43FELIX JOSEPH BARRIAS (FRENCH, 1822-1907)

Une lgantesigned and dated Felix Barrias 86 (lower right)oil on panel12x 9in. (33 x 24 cm.)2,000-4,000 $3,400-6 2,600-5

44 No Lot

42

43


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FR

45

EDOUARD-LON CORTS (FRENCH, 1882-1969)

Porte Saint Martin, Parissigned and dated EDUARD CORTES 1905 (lower right)oil on canvas16x 21in. (42.5 x 54.3 cm.)7,000-10,000 $12,000-17,000 8,900-13,000

L I T E RA TU R E :

This painting will be included in Volume III of EDOUARD CORTES,Catalogue raisonne de luvre peintcurrently being prepared by Nicole Verdier.


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FRENCH

48EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)

A country lane

signed with pseudonym E.Galiany (lower left)oil on panel18 x 25in. (46 x 64.5 cm.)

2,000-4,000 $3,400-6

2,600-5

*47EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)

Figures on a lakeside trackall signed with pseudonym L Dupuy(lower right and lower left respectively)oil on panel7 x 14in. (17.8 x 36 cm.)and three other landscapes with figures by the same hand

varying sizesfour in the lot

2,500-3,500 $4,300-5

3,200-4

n46

EUGENE GALIEN-LALOUE (FRENCH, 1854-1941)

A bonfire by a woodland tracksigned with pseudonym E.Galiany (lower left)oil on canvas25x 36in. (65.5 x 92.5 cm.)

2,500-3,500 $4,300-5

3,200-4


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FR

50


A bustling marketsigned with pseudonym E.Galiany (lower left)oil on canvas13x 18in. (34 x 46.5 cm.)2,000-3,000 $3,400-5 2,600-3

49


Parisian street scenesigned E.Galien-Laloue (lower left)watercolour and bodycolour on paper12x 18in. (31.7 x 46.5 cm.)6,000-8,000 $11,000-14,000 7,600-10,000

49

50


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FRENCH

28

51JULES RENE HERVE (FRENCH, 1887-1981)

The boat racesigned Jules R. Herve (lower left)oil on canvas15x 18in. (38.2 x 46.25 cm.)2,000-3,000 $3,400-5,100 2,600-3,800

52

JEAN-CLESTIN-TANCRDE BASTET (FRENCH, 1858-1942)

Bords de Marne, Franceindistinctly signed ... (lower left)oil on canvas13 x 18.1 in. (33 cm x 46 cm.)2,000-3,000 $3,400-5 2,600-3

51

52


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FR

n53ALEXANDRE RENE VERON (FRENCH, 1826-1897)

The regattasigned AR Veron (lower right)oil on canvas30x 51in. (78.5 x 131.5 cm.)

6,000-8,000 $11,000-14,000 7,600-10,000Alexandre Ren Veron was a pupil of Paul Delaroche. Hemade his Salon debut in 1848, and exhibited only landscapesat the Salon over a period of three decades. Among these hedepicted figures relaxing on river banks. In the present lot hehas captured the exhilaration of a boat race, which dominatesthe foreground of his landscape.

54ALEXANDRE-LOUIS JACOB (FRENCH, 1876-1972)

A cottage on the river bankssigned Jacob (lower right) and inscribed la sciesie beautemps Avril; de Pont r, Braye (on the reverse)oil on board16x 15in. (41 x 38 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

P ROV ENANC E :

Anonymous sale; Christies, South Kensington, 25 March2004, lot 10.

53

54


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FRENCH

30

56RENE CHARLES EDMOND HIS (FRENCH, 1877-1960)

A river landscape; and A pathway by a riversigned E. Rene-His (lower right and lower left respectively)

oil on canvas12x 18in. (33 x 46 cm.)a pair

3,000-5,000 $5,100-83,800-6

P ROV ENANC E :

with Stacy Marks, London.

55ALEXANDRE-LOUIS JACOB (FRENCH, 1876-1972)

A lakeside crossingsigned A. Jacob (lower left)

oil on canvas25x 32 in. (65 x 81.5 cm.)3,000-5,000 $5,100-8,500

3,800-6,300

56 (a pair)

55


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FRENCH/ARM

58CHARLES GARABED ATAMIAN

(ARMENIAN, 1872-1947)

On the shore, possibly Saint-Gilles-sur-Vie,Francesigned Atamian/Ch. (lower right)oil on canvas13x 18in. (33.5 x 46.3 cm.)4,000-6,000 $6,800-10,000

5,100-7,600

57PAUL JEAN GERVAIS (FRENCH, 1859-1936)

A classical idyllsigned PGervais (lower left)oil on canvas25x 32 in. (66 x 81 cm.)4,000-6,000 $6,800-10,000

5,100-7,600

Charles Garabed Atamian was an Ottoman-French painter of Armenian descent. He was a of Antonio Paoletti. He exhibited at the Salon Socit Nationale des Beaux-Arts between 19131942, and at the Salon des Indpendants in 1938-1945. Between 1923 and 1939 he spesummers painting the beach in Saint-Gilles-sur-the Pays de la Loire region of France.

57

58


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32

FRENCH/POLISH

59

n59

FRENCH SCHOOL, 19TH CENTURY

Summer blooms in a vase on a ledgeoil on canvas54x 41in. (137.5 x 100.5 cm.)

5,000-8,000 $8,500-14,000

6,400-10,000

60

n60

PAUL ANTOINE DE LA BOULAYE

(FRENCH, 1849-1926)

Cabbages, carrots and apples with a jug on awooden tablesigned and dated la Boulaye 85 (upper right)oil on canvas32x 51in. (82.5 x 130 cm.)

4,000-6,000 $6,800-10,000

5,100-7,600

61

61

JAN GAUSZKIEWICZ (POLISH, D. 1896)

A Parisian lgante with her dogsigned inscribed and dated Gauszkiewicz/a Paris/1835 (middle right)oil on canvas, in a painted oval24x 19in. (63.3 x 50.2 cm.)

1,500-2,000 $2,600-3

1,900-2


35/90

BELGIAN/FR

62ATTRIBUTED TO JEAN FRANOIS PORTALS (BELGIAN, 1818-1895)

Scented flowerssigned J Portals (lower right)oil on canvas16 x 19in. (40.5 x 50.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

P ROV ENANC E :

Private collection, Salem, Massachussetts.Anonymous sale; Sothebys, New York, 2 February 2013, as by Jean FranoisPortals.

63CHARLES CHAPLIN (FRENCH, 1825-1891)

Young lady with a catoil on canvas28x 19in. (73 x 50.2 cm.)4,000-6,000 $6,800-10,000 5,100-7,600

P ROV ENANC E :

Anonymous sale; Christies, South Kensington, 18 September 2003, lot 156.Acquired at the above sale by the present owner.


36/90

34

FRENCH/UKRAINIAN

64CHARLES EUPHRASIE KUWASSEG (FRENCH, 1838-1904)

A coastal harboursigned C. Kuwasseg E. (lower right)oil on canvas15 x 18in. (37.8 x 46 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

65ELIE ANATOLE PAVIL (UKRAINIAN, 1873-1948)

Barges on the Canal Saint-Martin, Parissigned E. Pavil (lower left)oil on canvas21x 32 in. (54.2 x 81.2 cm.)3,000-5,000 $5,100-8 3,800-6

64

65


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FR

67PAUL MICHEL DUPUY (FRENCH, 1869-1949)

Au Jardin des Tuileriessigned P. M. Dupuy (lower left)

oil on canvas21x 32 in. (54 x 81.3 cm.)1,200-1,800 $2,100-3,100 1,600-2,300

P ROV ENANC E :

Anonymous sale; Sothebys, New York, 16 February 1994, lot 172.

n66FRANCOIS CHARLES BAUDE (FRENCH, 1880-1953)

Farmers crossing a bridgesigned and dated FRANCOIS CH. BAUDE 1934 (lower right)oil on canvas39x 32 in. (100 x 81 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

66

67


38/90

36

FRENCH

68

AUGUSTE HADAMARD (FRENCH, 1823-1886

Amphitritesigned A.HADAMARD (lower right)oil on canvas18x 32in. (46.9 x 82.5 cm.)3,000-5,000 $5,100-8 3,800-6Auguste Hadamard was a pupil of Paul Delaroch

exhibited at the Paris Salon between 1846 and 1The artist depicts Amphitrite with Poseidons doAmphitrite was a Nereid, who became the wiPoseidon. According to Hyginuss Poetical AstronPoseidon saw Amphitrite dancing at Naxos.escaped his advances to Atlas, at the farthest of the sea. It was there that Poseidons dofound her, and persuaded her to accept Poseidmarriage proposal. Delphinus himself took charthe wedding. Neptune rewarded him by placinform of a dolphin among the constellations.

69

PAUL SIEFFERT (FRENCH, 1874-1957)Reclining nudesigned P.Sieffert (lower left)oil on panel18x 24 in. (46.3 x 60.7 cm.)4,000-6,000 $6,800-10 5,100-7

THE PROPERTY OF A GENTLEMAN

n70C. DUVAL (FRENCH, 19TH CENTURY), AFTER

ANNE-LOUIS GIRODET DE ROUCY-TRIOSONThe Sleep of Endymionsigned C. Duval (centre right)oil on canvas, unframed51 x 64 in. (129.5 X 162.6 cm.)6,000-8,000 $11,000-14 7,600-10After the work in the Louvre, Paris, painted in 1

VARIOUS PROPERTIES

71GUILLAUME SEIGNAC (FRENCH, 1870-1929)

The cherry girlsigned G-SEIGNAC (lower right)oil on canvas28x 19in. (73.5 x 50.5 cm.)8,000-12,000 $14,000-20 11,000-15A student of William Bouguereau, Tony Robert Fand Gabriel Ferrier, the artist exhibited regulathe Paris Salon, where he won an honorable mein 1900 and a third class medal in 1903.

68

69

70


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71


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FRENCH

38

74HENRY LEROLLE (FRENCH, 1848-1929)

La toilettesigned H.Lerolle (lower right)oil on canvasboard13x 10in. (35 x 27 cm.)3,000-5,000 $5,100-8

3,800-6For a note on this artist please see lot 28.

73

73GEORGES PICARD (FRENCH, 1857-1946)

Romance under the blossom treesigned G.Picard (lower right)oil on panel15x 11in. (39.5 x 29 cm.)3,000-5,000 $5,100-8

3,800-6

74

72EMILE-OCTAVE-DENIS-VICTOR GUILLONNET (FRENCH, 1872-1967)

An odalisque in a gardensigned with initials EODV-GVI (lower left)oil on panel13x 10in. (35 x 27 cm.)4,000-6,000 $6,800-10

5,100-7P ROV ENANC E :

The artists family.Private collection, Paris.Duncan R. Miller Fine Arts, London.

72


41/90

FR

75PHILIPPE JACQUES LINDER (FRENCH, 1835-1914)

In a Japanese gardensigned P Linder (lower right)oil on canvas18x 24in. (47 x 61.6 cm.)6,000-8,000 $11,000-14,000

7,600-10,000

P ROV ENANC E :

Anonymous sale, Sothebys, New York, 16 February 1994, lot 149 ($25,300).with Frost and Reed, London.

Philippe Jacques Linder was a pupil of Charles Gleyre. He exhibited in the Paris Salon between 1857 and 1880.


42/90

FRENCH

40

76LUCIEN LVY-DHURMER (FRENCH, 1865-1953)

Minervasigned LDhurmer (lower left)pastel on paper22x 18 in. (57.5 x 45.5 cm.)3,000-4,000 $5,100-6,800

3,800-5,000

Minerva (Athene in Greek mythology) was the daughter of Jupiter (Zeus) andthe Roman goddess of wisdom. She is the patroness of institutions of learncrafts and the arts. Above all, she became known as a goddess of wisdHowever, she was born fully armed, as we see her here, as a goddess of fighting for the defence of just causes.

Lucien Lvy-Dhurmer was one of the leading painters of the Symbolist ideal aturn of the century together with Fernand Khnopff and Edmond Aman-Jeanwas awarded a distinction at the Salon des Artistes Franais in 1896, and a brmedal at the 1900 Exposition Universelle in Paris. In 1902 he became a Cheof the Lgion dHonneur.


43/90

GERMA

77FRITZ VON UHDE (GERMAN, 1848-1911)

Portrait of a girl in a red dresssigned and dated F Uhde/78. (upper left)oil on canvas30 x 24in. (76.2 x 61.6 cm.)5,000-7,000 $8,500-12,000

6,400-8,800

P ROV ENANC E :

with Galerie von Negelein, Kiel (1999).Private collection, Germany.Anonymous sale; Lempertz, Cologne, 14 May 2011, lot 1282 (14,400).Acquired at the above sale by the present owner.

n78ANSELM FEUERBACH (GERMAN, 1829-1880)

Bust portrait of a monk in profilesigned with monogram AF (lower left)oil on canvas29x 24in. (75.5 x 62.2 cm.)3,000-5,000 $5,100-8,500

3,800-6,300

P ROV ENANC E :

Private collection, Rome.M. Blumenfeld, Berlin.Private Collection, Berlin.Anonymous sale; Lempertz, Cologne, 14 May 2011, lot 1283.Acquired at the above sale by the present owner.

L I T E RA TU R E :

H. Uhde-Bernays, Feuerbach. Beschreibender Katalog seiner smtlichen Gemlde,Munich, 1929, p. 85, no. 260 (illustrated, no. 216, p. 211).

J. Ecker,Anselm Feuerbach. leben und Werk. Kritischer katalog der Gemlde,lskizzen und lstudien,Munich 1991, p. 271, no. 434 (illustrated).

79 No Lot


44/90

42

GERMAN/FRENCH

8280

81


45/90

GE

VARIOUS PROPERTIES

n83ANTON BRAITH (GERMAN, 1836-1905)

Cows and sheep in a fieldsigned and indistinctly inscribed A. Barith./... (lower right)oil on canvas46x 70in. (119 x 180 cm.)

8,000-12,000 $14,000-20

11,000-15

P ROV ENANC E :

Mr Dagobert Oppenheim, Cologne.

A gift from the above to the Wallraf-Richartz Museum, in 1885.

with Galerie Paffrath, Dsseldorf.

Acquired from the above by a German private collector, 1927.

Anonymous sale; Lempertz, Cologne, 12 May 2012, lot 1535.

L I T E RA TU R E :

H.-P. Bhler,Anton Braith-Christian Mali. Tiermalerei der Mnchner Schule,

Mainz, 1981, fig. no. 63, catalogue no. 11 (illustrated).U. Degreif et al., Tiermaler in Mnchen, Biberach, 2005, fig. no. 121 (illustrat

n81HEINRICH BHMER (GERMAN, 1852-1930)

A woodland gladesigned H Brhmer (lower left)oil on board28x 40in. (73 x 103.2 cm.)

1,500-2,000 $2,600-3,400

1,900-2,500

THE PROPERTY OF A GENTLEMAN82F. MULLER (GERMAN, 19TH CENTURY)

Looking out to seasigned F. Muller (lower left)oil on panel9x 6in. (24 x 16.2 cm.)

2,000-3,000 $3,400-5,100

2,600-3,800

P ROV ENANC E :

with Frost and Reed, London.

80CIRCLE OF ALFRED DE DREUX (FRENCH, 1810-1860)

Portrait of a man, bust length, in a black cravat and coatoil on canvas10x 8in. (25.6 x 20.5 cm.)

2,000-4,000 $3,400-6,800

2,600-5,000

81


46/90

44

GERMAN

84

PROPERTY OF PRINZ MAXIMILIAN ZU FRSTENBERGFROM SCHLOSS WERENWAG

84HANNO RHOMBERG (GERMAN, 1820-1869)

The first smokesigned and dated Hanno Rhomberg./1854. (lower right)oil on canvas, with an arched top34x 29in. (88.3 x 74.3 cm.)2,000-4,000 $3,400-6 2,600-5

85

VARIOUS PROPERTIES

85WILHELM SCHTZE (GERMAN, 1840-1898)

The posysigned and inscribed Wilh. Schtze. Mnchen (lower left)oil on canvas29x 23 in. (84.9 x 58.4 cm.)3,000-5,000 $5,100-8 3,800-6

P ROV ENANC E :

with Cooling Galleries, London.

86

n86ATTRIBUTED TO CARL (KARL) GEHRTS (GER MAN, 1853-1898)

A hunt of the imaginationoil on canvas51x 47in. (130.5 x 120.5 cm.)2,000-4,000 $3,400-6 2,600-5As well as being an accomplished painter, Carl Gehrts was a celebrated illustrator. Dwarfs, such as the one in the lower right corner, appear frequenGehrts fairy tale illustrations.


47/90

GE

n87RUDOLF ZINK (GERMAN, 19TH CENTURY)

The hurdy gurdy playersigned and dated R. Zink. 1850. (lower left) and with atelier wax seal (on the reverse)oil on canvas38x 51in. (98 x 131 cm.)8,000-12,000 $14,000-20,000 11,000-15,000


48/90

ITALIAN

46

*90VITTORIO MATTEO CORCOS (ITALIAN, 1859-1933)

The artists modelsigned and dated V Corcos 88. (upper right)oil on canvas29x 18 in. (75.3 x 46 cm.)6,000-8,000 $11,000-14

7,600-10

88ALESSANDRO ZEZZOS (ITALIAN, 1848-1913)

Contemplationsigned, inscribed and dated Zezzos/Venezia 1903. (lower right)watercolour on paper21x 15in. (54 x 39.5 cm.)2,500-3,500 $4,300-5

3,200-489 No Lot


49/90

GE

91FERDINAND WAGNER THE YOUNGER (GERMAN, 1847-1927)

Allegory of youthoil on canvas66x 19in. (169.6 x 49.5 cm.)

a set of four (4)10,000-15,000 $17,000-25,00013,000-19,000


50/90

48

ITALIAN/DANISH

92

93


51/90

S

n92CARLO ADEMOLLO (ITALIAN, 1825-1911)

Travellers in the mountainssigned and dated C Ademollo 1850 (lower left)oil on canvas46x 63in. (117.3 x 160.7 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

n93CARL BUDTZ-MOLLER (DANISH, 1882-1953)

Shepherds at Girgenti, Sicilysigned C Budtz. M. (lower right), inscribed and dated Girgenti 1929

(lower left)oil on canvas41 x 55in. (104.2 x 143.5 cm.)2,000-4,000 $3,400-6,800 2,600-5,000

n94FRANZ KNEBEL (SWISS, 1809-1877)

Lake Nemi, Italysigned, inscribed and dated F. Knebel fece./Roma 1874 (lower left)oil on canvas39x 54in. (101 x 138.5 cm.)12,000-18,000 $21,000-31 16,000-23

P ROV ENANC E :

Barratt Collection, Crowe Hall, Bath.Their sale; Christies, London, 16 December 2010, lot 121.Anonymous sale; Sothebys, London, 7 April 2000, lot 209.Knebel was fond of depicting Lake Nemi. The present view focuses on the laancient times it was known as Speculum Dianae) surrounded by volcanic hithe background one can see Mount Circeo and the coast up to Anzio, whichEmperor Caligulas (12-41 A.D.) native town.

Important European literary figures including Lord Byron would go on excursions to the Colli Albani when residing in Rome on their Grand Tour.

94


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50

ITALIAN/GREEK

n99CLOVIS CAZES (FRENCH, 1833- CIRCA 1922)

A classical idyll before an island, possibly Caprisigned Clovis Cazes (lower left)oil on canvas33x 51 in. (95.6 x 129 cm.)

3,000-5,000 $5,100-8

3,800-6

98

ULISSE CAPUTO (ITALIAN, 1872-1948)

An evening at the operasigned U. Caputo (lower right)oil on canvas, unframed28x 36in. (92 x 72.5 cm.)

3,000-5,000 $5,100-8

3,800-6

Ulisse Caputo began his artistic training at the School of Finein Naples. At the turn of the century he moved to Paris. Ibeginning his work charmed Europe; his paintings appearthe 1907 Venice Biennale, he won a medal in the 1909 Salthe Socit des Artistes Franais, and a gold medal in the Munich exhibition. In the 1920s he went on to exhibit internationally in North and South America.

In this work the viewer is placed directly in the stalls otheatre, taking in the movement of the orchestra, the dramthe centre-stage, and the frisson of the swordfight in the upright, all under the backdrop of a clear crisp night sky.

97

VIKENTIOS BOCCHECIAMPE (GREEK, 1856-1933)

Castel SantAngelo with St Peters beyond, Romesigned and inscribed V. Boccheciampe Roma (lower rightwatercolour on paper10x 24 in. (27.3 x 61 cm.)

1,500-2,500 $2,600-4

1,900-3

97

96 (part lot)

96GABRIELLE CARELLI (ITALIAN, 1820-1900)

Four Italian landscapesRome from the Pincian Hill; The Roman Campagna; Temof Hercules Victor in the Forum Boarium, and Capri fromSorrentowatercolour on paper6x 14in. (16.4 x 36 cm.); 4 x 14in. (9.8 x 36.5 cm.);x 9in. (17 x 24.5 cm.); 3in. x 8in. (8.6 x 21 cm.)the first and fourth signed G. Corelli (lower left); the seconand third signed and inscribed G. Corelli/Roma (lower leffour in the lot

3,000-5,000 $5,100-8

3,800-6

95

ATTRIBUTED TO IPPOLITO CAFFI (ITALIAN, 1809-1866)

St. Peters Square, the Vaticanpencil and watercolour on paper10x 16in. (27.2 x 42 cm.)

1,200-1,800 $2,100-3

1,600-2

95

96 (part lot)
http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0099}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0098}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0097}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0096}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=5298&lot=0095}


53/90

ITALIAN/FR

99

98


54/90

NEAPOLITAN

52

100NEAPOLITAN SCHOOL, 19TH/20TH CENTURY

The bay of Naples, Vesuvius beyond; and A Neapolitan fishingvillagegouache on paper11x 14in. (29 x 37 cm.) to mount edgea pair (2)1,000-1,500 $1,700-2,500

1,300-1,900

100 (a pair)

101

NEAPOLITAN SCHOOL, 20TH CENTURY

Isola di Capri; and Grotta Azzuraboth inscribed with titles on painted bordersgouache on paper11x 16in. (29.3 x 43 cm.) excluding painted bordersa pair1,000-1,500 $1,700-2

1,300-1

101 (a pair)


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NEAPO

102NEAPOLITAN SCHOOL, 19TH CENTURY

A collection of ten Neapolitan scenesTen Neapolitan scenes, each inscribed with locationbelowwatercolour on papereach measures approximately 3x 4in.(7.7 x 10.5 cm.) to mount edgea set of ten (10)1,000-1,500 $1,700-2,500

1,300-1,900The scenes depicted are: Sepolivo di Virgilio sopra laGrotta; Napoli da Capodimite; Veduta dellIsole dalliBagnoli; Veduta delli tre Tempi a Pestam; La Porta diPompei; Il Molo di Napoli; Napoli da Posillipo; Stradadi S.Lucia; Palazzo Realle di Napoli; Napoli dai Granili

102 (part lot)

104104 104

103103

104NEAPOLITAN SCHOOL, 20TH CENTURY

Veduta di Napoli da Mergellina; Veduta di Napoli da Granari di Pdella Maddalena; and Veduta di Napoli dal Ponte della Maddalenaeach inscribed with title on painted bordersgouache on paper13x 20 in. (33.3 x 50.4 cm.) excluding painted bordersa set of three1,500-2,000 $2,600-3

1,900-2

103NEAPOLITAN SCHOOL, 19TH/20TH CENTURY

Veduta di Napoli presa dal Carmine; Veduta della riviera di Chiaia;and Veduta di Napoli da Posillipoeach inscribed with title on painted bordersgouache on paperall three 16 x 25in. (40 x 65.7 cm.) excluding painted bordersa set of three (3)2,000-4,000 $3,400-6,800

2,600-5,000

103

102 (part lot) 102 (part lot)

102 (part lot) 102 (part lot)


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DANISH/ITALIAN

54

106

CIRCLE OF GIACINTO GIGANTE (ITALIAN, 1806-1876)

An Italian villaoil on canvas11x 15in. (29 x 40 cm.)2,000-4,000 $3,400-6

2,600-5

106

105

HOLGER HVITFELDT JERICHAU (DANISH, 1861-1900)

On the shore, Vesuvius beyondsigned with initials H.J. (lower right)oil on canvas10x 13in. (27 x 35 cm.)1,500-2,000 $2,600-3,400

1,900-2,500

105


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ITA

n107

E. TORRINI (ITALIAN, 19TH CENTURY)

The suitorssigned E. Torrini (upper right)oil on canvas23x 35.1/5 in. (60 x 89.5 cm.)2,000-4,000 $3,400-6,800

2,600-5,000

108

107

108ORESTE CORTAZZO (ITALIAN, B. 1836)

Peeking behind the curtainsigned and dated O. Cortazzo/1871 (lower left)oil on canvas18x 15 in. (46.4 x 38 cm.)2,000-3,000 $3,400-5,100

2,600-3,800

P ROV ENANC E :

Anonymous sale; Sothebys, London, 19 June 1991,Lot 365Cortazzo was a pupil of Bonnat. He worked inParis for the art dealer Goupil and he received anhonourable mention at the Exposition Universelle inParis in 1889.

109

109ANTONIO PAOLETTI (ITALIAN, 1834-1912)

Stealing a sip of the communion winesigned, inscribed and dated A. Ermolao PaolettVenezia 1878 (lower left)oil on canvas32x 25in. (82 x 65 cm.)4,000-6,000 $6,800-10

5,100-7


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56

VENETIAN

110BOUVARD (FRENCH, 20TH CENTURY)

A gondola on a Venetian backwatersigned Bouvard (lower left)oil on canvas13x 10in. (35.2 x 27.3 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

111BOUVARD (FRENCH, 20TH CENTURY)

A gondola on a Venetian backwater, Santa Maria della Salutebeyondsigned with pseudonym Marc Aldine (lower left)oil on canvas21x 18 in. (55 x 46 cm.)4,000-6,000 $6,800-10 5,100-7Marc Aldine is a pseudonym used by the Bouvard family.

110 111


59/90

112ANTONIO PAOLETTI (ITALIAN, 1834-1912)

A stroll beside the Rialto bridge, Venicesigned and inscribed Antonio Paoletti di Giov./Venezia. (lower left)oil on panel13x 21 in. (33.5 x 53.3 cm.)5,000-7,000 $8,500-12,000 6,400-8,800

VEN


60/90

VENETIAN

58

114 (a pair)

114NOEL GEORGES BOUVARD (FRENCH, 1912-1975)

A gondolier on a quiet Venetian backwater; and A gondolier on aVenetian backwater, Santa Maria della Salute beyondboth signed Bouvard (lower left)oil on canvas10x 13in. (27.5 x 35 cm.)a pair2,500-3,500 $4,300-5

3,200-4

113ANTOINE BOUVARD (FRENCH, 1870-1956)

A gondolier passing a bridge on a Venetian canalsigned Bouvard (lower right)oil on canvas13 x 18in. (33 x 46 cm.)4,000-6,000 $6,800-10,000

5,100-7,600

113


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VEN

115ANTOINE BOUVARD (FRENCH, 1870-1956)

Vessels before the Doges Palace, at the entrance to the Grand Canal, Venicesigned with pseudonym Marc Aldine (lower left)oil on canvas23x 47in. (60 x 120 cm.)10,000-15,000 $17,000-25,000

13,000-19,000


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60

VENETIAN

118KARL KAUFMANN (GERMAN, 1843-1901)

Vessels before the Doges Palace, Veniceindistinctly signed with pseudonym and dated Charles Marchand 1851(lower left)oil on canvas19x 32in. (50.2 x 82.3 cm.)1,500-2,000 $2,600-3 1,900-2

118

117CIRCLE OF FEDERICO NERLY (ITALIAN, 1824-1919)

Crossing a bridge, Veniceoil on canvas29 x 21in. (73.5 x 54.5 cm.)1,500-2,000 $2,600-3 1,900-2

117

116ATTRIBUTED TO FRANCESCO ZANIN (ITALIAN, 1843-1890)

A Venetian squareoil on canvas13 x 17 in. (33 x 43.2 cm.)2,000-3,000 $3,400-5 2,600-3It has been suggested that this square is inspired by the reverse of SantaVenice.

116

119-120 No Lots


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VEN

122MARCO GRUBAS (ITALIAN, 1839-1910)

St. Marks Square, Venicesigned M Grubas (lower left)oil on panel10x 5in. (27 x 14.5 cm.)1,500-2,000 $2,600-3 1,900-2

121ANTONIETTA BRANDEIS (HUNGARIAN, 1849-1910)

Santa Maria della Salute, Venicesigned ABrandeis (lower right)oil on panel10 x 6in. (25 x 15.9 cm.)4,000-6,000 $6,800-10,000 5,100-7,600


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62

VENETIAN/AMALFI

123

J. GIRANDEL (FRENCH, 19TH CENTURY)

Vessels on the Venetian lagoonsigned and inscribed J. Girandel/Paris (lower right)oil on canvas32x 24in. (83 x 61.7 cm.)1,500-2,000 $2,600-3 1,900-2

124ANTONIETTA BRANDEIS (HUNGARIAN, 1849-1910)

On the Amalfi coastsigned ABrandeis (lower right)oil on panel9x 6in. (25 x 15.5 cm.)3,000-5,000 $5,100-8 3,800-6


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CROATIAN/RU

126RICHARD ALEXANDROVICH BERGHOLZ (RUSSIAN, 1864-1920)

Snow covered cottagessigned Rich. A. Bergholz (lower left)watercolour on paper laid down on board18x 37in. (46.3 x 95.5 cm.)3,500-4,500 $6,000-7 4,500-5

n125JOSEPH PISECKY (1878-1954)

The old town, Dubrovnik, overlooking the island of Lokrum,Croatia.signed J. Pisecky (lower left)oil on canvas41 x 59in. (104.2 x 150 cm.)4,000-6,000 $6,800-10,000 5,100-7,600

127 No Lot

125

126


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64

SPANISH

128JUAN PABLO SALINAS (SPANISH, 1871-1946)

In the tavern

signed and inscribed Pablo Salinas/Roma (lower right)oil on panel6x 8in. (15.9 x 20.6 cm.)2,000-3,000 $3,400-5,100 2,600-3,800

128

129HERMENEGILDO ANGLADA CAMARASA (SPANISH, 1872-1959)

Tambourine playersigned Hermenegildo Anglada Camarasa (upper left)

oil on board6x 4 in. (16.5 x 10 cm.)2,000-3,000 $3,400-5,100 2,600-3,800

129


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SPANISH/SWISS/CROA

132NIKOLA MAIC (CROATIAN, 1852-1902)

Gathering firewood in wintersigned NIKOLA MA IC (lower right)oil on panel7x 13 in. (19 x 33 cm.)6,000-8,000 $11,000-14,000

7,600-10,000

*131FRITZ ZUBER-BHLER (SWISS, 1822-1896)

Fording the torrentsigned Zuber Buhler (lower right)oil on canvas, unframed10 x 12in. (25.5 x 32.6 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

130

ATTRIBUTED TO ENRIQUE SERRA Y AUQUE(SPANISH, 1859-1918)

A lakeside at duskoil on canvas29 x 46in. (73.5 x 118.2 cm.)2,000-4,000 $3,400-6,800 2,600-5,000


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66

ARGENTINIAN

133RICHARD DURANDO-TOGO (ARGENTINIAN,

B. 1910)Reclining nude with a blue shawlsigned D.T. Richard (lower left)oil on canvas21x 32in. (54.2 x 81.4 cm.)1,500-2,000 $2,600-3 1,900-2

134RICHARD DURANDO-TOGO (ARGENTINIAN,B. 1910)

Reclining nude with mirrorsigned D.T. Richard (lower right)oil on canvas23x 47in. (60 x 120.5 cm.)1,500-2,000 $2,600-3

1,900-2

135RICHARD DURANDO-TOGO (ARGENTINIAN,B. 1910)

Reclining nude

signed D.T. Richard (lower right)oil on canvas24 x 47in. (60.5 x 120.5 cm.)1,500-2,000 $2,600-3 1,900-2

133

134

135


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ORIENT

136

n136AFTER HANS MAKART

Cleopatra on the Nilewith signature Makart (lower right)oil on canvas33x 89 in. (85 x 226 cm.)3,000-5,000 $5,100-8,500 3,800-6,300After the work in the State Gallery of Stuttgart, paintedin 1895.

137

*137AGAPIT STEVENS (BELGIAN, 1849-1917)

The red fansigned A. Stevens (upper left)

oil on canvas29x 21in. (75.7 x 55.4 cm.)3,000-5,000 $5,100-8,500 3,800-6,300


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ORIENTALIST

68

139GEORGES ANTOINE ROCHEGROSSE (FRENCH, 1859-1938)

An eastern beautysigned G. Rochgrosse (lower right)oil on canvas28x 21in. (73.5 x 54.5 cm.)7,000-10,000 $12,000-17 8,900-13

P ROV ENANC E :

Anonymous sale; Christies, London, 15 June 2005, lot 64.Georges Rochegrosse was abandoned by his father as a child, and whemother remarried he became the stepson of the great poet Thodore de BanAt the age of 12, he became a pupil of Gustave Boulanger and Jules Lefebvthe Acadmie Julian, where he later taught draughtsmanship. While enjoyinbenefits of the more liberal teaching at the Acadmie Julian, he enrolled acole des Beaux-Arts, and was a finalist in the Prix de Rome competition twicpainted murals for the staircase in the Sorbonne library.

In 1883 he won the Prix du Salon, which enabled him to visit Italy. He subsequtravelled to Belgium, Holland and Germany. Around 1890 he married his love Marie Leblond, who became the model for the heroines in his paintingabout 30 years. From 1900, Rochegrosse and Marie spent the winter moin El-Biar, in the hills above the Bay of Algiers, where the painter often fthe Oriental backgrounds for his compositions. He died in El-Biar, but heburied in Montparnasse Cemetery in Paris. He was made an Officier of the LdHonneur in 1910. He was also a permanent member of the Salon jury.

His fame was international, commensurate with the ambitious nature of his mhistorical, mythological and literary compositions. In Sherlock Holmes, CDoyle praises one of his paintings.

139

138

n138

ATTRIBUTED TO WOLDEMAR FRIEDRICH (GERMAN, 1846-1910)

Outside an Indian templeoil on canvas70x 51in. (179.5 x 131 cm.)5,000-7,000 $8,500-12 6,400-8


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ORIENT

141

141SILVIO POMA (ITALIAN, 1840-1932)

Arriving at the lakesigned S. Poma (lower right)oil on canvas20x 32in. (52 x 83 cm.)

3,000-5,000 $5,100-8

3,800-6

140HERBERT CARMICHAEL (BRITISH, B. 1856)

Balbec; and Smyrnathe first signed and inscribed Herbert Carmichael Balbec (lower left); thesecond signed and inscribed Herbert Carmichael Smyrna (lower left)oil on panelboth 14x 17in. (37.4 x 45 cm.)a pair (2)

1,500-2,000 $2,600-3,400

1,900-2,500

Herbert Carmichael studied in Antwerp and at the Royal Academy in London.

140 140


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70

ORIENTALIST

142EMILE LVY (FRENCH, 1826-1890)

Dispute at the wellsigned EMILE LVY (lower right)oil on canvas12x 19in. (31.8 x 48.6 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

143HENRI EMILIEN ROUSSEAU (FRENCH, 1875-1933)

Arab warriorssigned Henri Rousseau (lower right)oil on board10 x 12in. (25.3 x 31 cm.4,000-6,000 $6,800-10 5,100-7We are grateful to Association Henri Rousseau for authenticating this work obasis of a photograph.

142

143


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ORIENT

144LOUIS TESSON (FRENCH, 1820-1870)

Conversations in the bazaarsigned L. Tesson (lower right)watercolour and bodycolour on paper11x 17in. (28.2 x 43.4 cm.)1,500-2,000 $2,600-3,400 1,900-2,500

145JOSEPH AUSTIN BENWELL (BRITISH, 1816-1886)

The board gamesigned and dated JA BENWELL.1870 (lower left)watercolour and bodycolour on paper25x 19in. (65.4 x 50.2 cm.)2,000-3,000 $3,400-5,100 2,600-3,800


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72

ORIENTALIST

*146LEOPOLD ZILLER (GERMAN, 19TH CENTURY)

Vessels on the Bosphorussigned Ziller (lower right)oil on canvas

21x 32 in. (54.4 x 81.2 cm.)3,000-5,000 $5,100-8,500 3,800-6,300

147ETIENNE DUVAL (SWISS, 1824-1914)

Constantinopleindistinctly signed E. Duval (lower right)oil on canvas16 x 26 in. (40.6 x 66 cm.)2,500-3,500 $4,300-5,900 3,200-4,400

149HERMINIE HENRIETTE GUDIN (FRENCH, 1825-1876)

Vessels on the Bosphorus, Hagia Sophia Mosque beyondsigned H. Gudin (lower left)oil on canvas5x 8in. (14.3 x 21.5 cm.)2,000-4,000 $3,400-6 2,600-5

148EDMUND THOMAS PARRIS (BRITISH, 1793-1873)

Figures in the Turkish cemetery at Ayoub above the Bosphorus,Constantinoplewatercolour on paper

7 x 9in. (17.5 x 24.5 cm.)2,500-3,500 $4,300-5 3,200-4P ROV ENANC E :

Anonymous sale; Christies London, 26 May 1961 Lot 89.

146

147


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ORIENT

148

149


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74

ORIENTALIST

THE PROPERTY OF A GENTLEMAN

151SALVADOR SNCHEZ-BARBUDO (SPANISH, 1857-1919)

A standing Moroccan mansigned, inscribed and dated a mio amigo. R. Roguera/Barbudo 77 (centre right)watercolour and ink on paper12x 8in. (31.7 x 20.9 cm.)

2,000-3,000 $3,400-5 2,600-3

P ROV ENANC E :

Sr. Santiago Macho, Madrid (in 1954).with Galeria Renom, Cordoba.

VARIOUS PROPERTIES

152CIRCLE OF WILLIAM LUKER SR. (BR ITISH, 1828-1905)

A camel train crossing the desert at nightoil on canvas20 x 35in. (51 x 90.5 cm.)2,000-4,000 $3,400-6 2,600-5

150JEAN BAPTISTE PAUL LAZERGES (FRENCH, 1845-1902)

A conversation at the wellsigned and dated PAUL LAZERGES 1882 (lower right)oil on canvas22x 15in. (56 x 38.6 cm.)7,000-10,000 $12,000-17 8,900-13A student of his father, Jean-Raymond-Hippolyte Lazerges, he debuted at the Salon in 1

After a trip to Algeria, he began painting Orientalist subjects, and remained in North Afor some time. He was bestowed several awards including a bronze medal at the ExpoUniverselle in 1900. His works have been conserved by museums in Amiens, Arras, NantePrigueux.

END OF SALEPlease note: we are currently accepting consignments for our forthcoming

31 January 2015 19th Century European Art sale

150

151 152


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Index

AAdemollo, C., 92

Aldine, M., 116Atamian, C., 58

BBackvis, F., 3Barr ias, F., 43Bastet, J., 52Baude, F., 66Benwell, J.A., 145Beraud, J., 38, 41Bergholz, A., 126Blache, C., 11Blanche, J., 37Boccheciampe, V., 97Bompard, P., 32Bouvard, 110-111Bouvard, A., 113, 115Bouvard, N., 114Braith, A., 83Brandeis, A., 121, 124Brhmer, H., 81Budtz-Moller, C., 93

CCaffi, I., 95Camarasa, H., 129Caputo, U., 98Carelli, G., 96Carmichael, H., 140Cazes, C., 99Chaplin, C., 63Corcos, V., 90Cortazzo, O., 108

Cortes, E., 45

Dde la Boulaye, P., 60Detaille, E., 22Diaz de la Pena, N., 31Dupre, J., 26Dupuy, P., 67Durando-Togo, R., 133, 134, 135Duval, C., 70Duval, E., 147

EEisman-Semenowsky, E., 40

FFeuerbach, A., 78Frey, E., 2Friedr ich, W., 138Fristrup, N., 9

GGalien-Laloue, E., 46-50Galuszkiewicz, J., 61Gehrts, C., 86Grme, J., 24Gervais, P., 57Grolleron, P., 23Grubas, M., 122Gudin, H., 149Gurin, E., 33Guillonnet, E., 72

HHadamard, A., 68Harpignies, H., 34Henner, J., 25Herve, J., 51His, R., 56Holsoe, C., 13

JJacob, A., 54, 55Jakub, F., 6Jeannin, G., 29Jerichau, H., 105

KKaufmann, K., 118Kiers, P., 15Knebel, F., 94Koekkoek, H., 19Kuwasseg, C., 64

LLazerges, J., 150

Leclerc, E., 5Lerolle, H., 28, 74Lesrel, A., 21Lvy, E., 142Lvy-Dhurmer, L., 76Linder, P., 75Loir, L., 35-36

MMakart, H., 136Masic, N., 132Melbye, D., 10Mnsted, P., 8, 14Muller, F., 82

PPaoletti, A., 109, 112Papelen, V., 4Parris, E., 148Pavil, E., 65Pisecky, J., 125Poma, S., 141Portals, J., 62

RRhomberg, H., 84Rochegrosse, G., 139Rousseau, H., 143

SSalinas, J., 128Sanchez-Barbudo, S., 151Schtze, W., 85

Seignac, G., 71Serra y Auque , E., 130Sieffert, P., 69Stein, G., 42Stevens, A., 137

TTesson, L., 144Torrini, E., 107

UUhde, F. von, 77

Vvan Bommel, E, 18Vermeulen, A., 20Veron, A., 53Vollon, A., 30

WWagner, F., 91Wolf, F., 1

ZZanin, F., 116Zezzos, A., 88Ziller, L., 146Zink, R., 87Zuber-Bhler, F., 131


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76

Important Notices and Explanation ofCataloguing Practice

IMPORTANT NOTICES

CHRISTIES INTEREST IN PROPERTY

CONSIGNED FOR AUCTIONFrom time to time, Christies may offer a lot whichit owns in whole or in part. Such property isidentified in the catalogue with the symbol nextto its lot number.On occasion, Christies has a direct financialinterest in lots consigned for sale, which mayinclude guaranteeing a minimum price or makingan advance to the consignor that is secured solelyby consigned property. Such property is identifiedin the catalogue with the symbol next to the lotnumber. This symbol will be used both in caseswhere Christies holds the financial interest on itsown, and in cases where Christies has financedall or part of such interest through third parties.When a third party agrees to finance all or partof Christies interest in a lot, it takes on all orpart of the risk of the lot not being sold, and willbe remunerated in exchange for accepting this

risk. The third party may also bid for the lot.Where it does so, and is the successful bidder,the remuneration may be netted against the finalpurchase price. If the lot is not sold, the thirdparty may incur a loss. Where Christies has anownership or financial interest in every lot in thecatalogue, Christies will not designate each lotwith a symbol, but will state its interest at the frontof the catalogue.In this catalogue, if property has Xnext to the lotnumber, Christies guarantee of a minimum pricehas been financed through third parties.

ALL DIMENSIONS ARE APPROXIMATE

CONDITIONChristies catalogues include references to conditiononly in descriptions of multiple works (such asprints, books and wine). For all other property,only alterations or replacement components arelisted. Please contact the Specialist Departmentfor a condition report on a particular lot. Thenature of the lots sold in our auctions is such thatthey will rarely be in perfect condition, and arelikely, due to their nature and age, to show signsof wear and tear, damage, other imperfections,restoration or repair. Any reference to conditionin a catalogue entry will not amount to a fulldescription of condition. Condition reports areusually available on request, and will supplementthe catalogue description. In describing lots, our

staff assess the condition in a manner appropriate tothe estimated value of the item and the nature ofthe auction in which it is included. Any statementas to the physical nature or condition of a lot, in acatalogue, condition report or otherwise, is givenhonestly and with appropriate care. However,Christies staff are not professional restorers ortrained conservators and accordingly any suchstatement will not be exhaustive. We therefore

recommend that you always view propertypersonally, and, particularly in the case of any itemsof significant value, that you instruct your ownrestorer or other professional adviser to report to

you in advance of bidding.

11/04/14

PROPERTY INCORPORATING MATERIALS

FROM ENDANGERED AND OTHER

PROTECTED SPECIESProperty made of or incorporating (irrespectiveof percentage) endangered and other protectedspecies of wildlife are marked with the symbol ~in the catalogue. Such material includes, amongother things, ivory, tortoiseshell, crocodile skin,rhinoceros horn, whale bone and certain species ofcoral, together with Brazilian rosewood. Prospectivepurchasers are advised that several countries prohibitaltogether the importation of property containingsuch materials, and that other countries require apermit (e.g., a CITES permit) from the relevantregulatory agencies in the countries of exportationas well as importation. Accordingly, clients shouldfamiliarise themselves with the relevant customs lawsand regulations prior to bidding on any property

with wildlife material if they intend to import theproperty into another country. Please note that it isthe clients responsibility to determine and satisfy the

requirements of any applicable laws or regulationsapplying to the export or import of propertycontaining endangered and other protected wildlifematerial. The inability of a client to export or importproperty containing endangered and other protectedwildlife material is not a basis for cancellation orrescission of the sale. Please note also that lotscontaining potentially regulated wildlife material aremarked as a convenience to our clients, but Christiesdoes not accept liability for errors or for failing tomark lots containing protected or regulated species.

RECENT CHANGES TO IMPORTS OF

ELEPHANT IVORY AND OTHER WILDLIFE

MATERIAL INTO THE USA

The USA has recently changed its policy on theimport of property made of or containing elephantivory. Only Asian Elephant ivory may be importedinto the USA, and imports must be accompanied by

DNA analysis and confirmation the object is morethan 100 years old. We have not obtained a DNA

analysis on any lot prior to sale and cannot indicatewhether the elephant ivory in a particular lot isAfrican or Asian elephant. Buyers purchase theselots at their own risk and will be responsible for thecosts of obtaining any DNA analysis or other reportrequired in connection with their proposed import ofsuch property into the USA.

The USA is also currently requiring all imports ofproperty made of or containing wildlife materialto be accompanied by a sci entific confirmation ofspecies and in some cases an addit ional confirmationof age. We have not obtained such confirmationsprior to sale (unless specifically indicated) andbuyers will be responsible for the costs of any suchadditional confirmations or opinions required fortheir proposed import into the USA.

A buyers inability to export or import any lot

containing elephant ivory or other wildlife material

is not a basis for cancelling the purchase.

POST 1950 FURNITUREAll items of post-1950 furniture included in thissale are items either not originally supplied for usein a private home or now offered solely as worksof art. These items may not comply with theprovisions of the Furniture and Furnishings (Fire)(Safety) Regulations 1988 (as amended in 1989 and1993, the Regulations). Accordingly, these itemsshould not be used as furniture in your home intheir current condition. If you do intend to use such

items for this purpose, you must first ensure thatthey are reupholstered, restuffed and/or recovered(as appropriate) in order that they comply with theprovisions of the Regulations.

EXPLANATION OF

CATALOGUING PRACTICE

The following expressions with their accompanyingexplanations are used by Christies as standard cata-

loguing practice. Our use of these expressions does not

take account of the condition of the lot or of the extent

of any restoration.

FOR PAINTINGS, PRINTS AND

WORKS OF ART

A work catalogued with the name(s) or recognised

designation of an artist or maker, without any quali-

fication, is, in our opinion, a work by the artist or

maker. In other cases, the following words or expres-

sions, with the following meanings are used:

Buyers are recommended to inspect the property

themselves. Written condition reports are usually avail-

able on request.

Attributed to

In our opinion probably a work by the artist or maker

in whole or in part.Circle of

In our opinion a work of the period of the artist or

maker and showing his influence.

Manner of

In our opinion a work executed in the style of the artist

or maker but of a later date.

After

In our opinion a copy of any date of a work of the

artist or maker.

Signed /Sealed /

Has a signature/seal which in our opinion is that of

the artist

With signature / With seal /

Has a signature/seal which in our opinion is not that

of the artist

Dated

Is so dated and in our opinion was executed at about

that date.

With date /

Is so dated but was not in our opinion executed at

that date.

FOR PORCELAIN AND CERAMICS

(a) A piece catalogued with the name of a period,

reign or dynasty without further qualification

was, in our opinion, made during or shortly after

that period, reign or dynasty (e.g. a Ming vase)

(b) A piece catalogued in the style of a period,

reign or dynasty is in our opinion, quite possibly

a copy or imitation of pieces made during the

named period, reign or dynasty (e.g. a vase in

Ming style)

(c) A reference to a mark and of the period means

that, in our opinion, the piece is of the period of

the mark (e.g. Kangxi six-character mark and ofthe period).

(d) A reference to a mark without reference to

and of the period means that, in our opinion,

although bearing the mark, the pieces were

possibly not made in the period of the mark (e.g.

Kangxi six-character mark).

(e) Where no date, period, reign or mark is men-

tioned, the lot is, in our opinion, of uncertain

date or 19th or 20th century manufacture.


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Buying at Christies

CONDITIONS OF SALEChristies Conditions of Sale and Limited Warranty are set outlater in this catalogue. Bidders are strongly encouraged to readthese as they set out the terms on which property is bought

christie's - 11 september 2014

Documents

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