NO MORE ‘NAMVIETNAM PROTEST MUSIC AND POSTERS

It Ain’t Me, It Ain’t Me I Ain’t No

Fourtunate SonCreedence Clearwater Revival

RAPE,MURDER

IT’S JUST A SHOT AWAYthe rolling stones

1

Quote BookBook that combines Vietnam war protest posters and music. (2014)Top right: Rolling Stone - Gimmie ShelterBottom Left: Credence - Fortunate Son

EdwinStarr

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Quote Book - cont.Top spread: Edwin Starr - WarBottom right: Jimi Hendrix - Machine Gun

3

Quote PosterPoster of quote from the movie Blade Runner. (2014)

Quote PosterPoster of quote from the movie Donnie Darko. (2014)

weezerblue album tour

december 3asbury park nj

ticketmaster

brought to you by:

4

Band PosterTour poster for the band Weezer. (2015)

Band PosterTour poster for the Deltron 3030. (2014)

5

Coffee PotCoffee pot created in Illustrator. (2014)

G g e

6

Google LogoLogo created for Record Store day. (2015)

Google LogoLogo created for Pac Man. (2015)

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SorrowImage made in Illustrator and Photoshop.(2015)

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Who Am I?Image made in Illustrator and Photoshop.

(2015)

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Leaves

Walt Whitman

Lea

ves

Gra

ss W

alt W

hitm

an

Grass

n 1855, Walt Whitman published — at his own expense —

the first edition of Leaves of Grass, a visionary volume of

twelve poems. Showing the influence of a uniquely American

form of mysticism known as Transcendentalism, which

eschewed the general society and culture of the time, the

writing is distinguished by an explosively innovative free verse

style and previously unmentionable subject matter. Exalting

nature, celebrating the human body, and praising the senses

and sexual love, the monumental work was condemned as

"immoral." Whitman continued evolving Leaves of Grass

despite the controversy, growing his influential work decades

after its first appearance by adding new poems with each new

printing.

This edition presents the original twelve poems from Whitman's

premier 1855 publication of Leaves of Grass. Included are some

of the greatest poems of modern times: "Song of Myself," "I Sing

the Body Electric," and "There Was a Child Went Forth," works

that continue to upset conventional notions of beauty and

originality even today.

‘Unrestful, ungraspable poetry of thr sheer ptrsent’ D. H. Lawrence

‘Incomparable things said incomparably well’’ Ralph Waldo Emerson

Book CoverCover for the book Leaves of Grass by Walt Whitman. (2015)

10

Listening to Myself on The

MOONMOON

Listening to Myself on The M

OO

N

$25.00 usd

The world is a beautiful place et re, assit magnis rem. Et et quo quia velignis esequas etum autas sum assusam idenden dition repro tenecte dello qui bearum quidunt alique et dolores as net as delescia et ut es maxim es sectorporiorOvidi blaceatquia siminvenis aut aut autate et aruntur? Quiduntur, aspides tiorrumetur? Dit landi vid que dolupta velicim peribusa quistioria volupti orepel iusanda aut

et optatquunt.Ur? Molecus quatur? Vid modia

veliquis dollore henimo blatur?

alicatius quam ut omnimpor rerionsequam ilicid et ra corae nem con resti re id es nonsent lacerumet autemporit occumquo et, ipsandit auditatior apicates eserrovit hilistr untio. Et licipsanto mos conseni hiliquiam accus id eum faccull ecerore volupti blam ratiatus molorum dolor mos por accum quia nonsequi ulparum es doloriam doluptates nam underum ipsuscid ent, totatibus del eosam con por

reium accab.

“Fly me to the moon,let me play among the stars, Let me see what spring is like on jupiter and mars” - Frank Sinatra

Christian Maitner

Chritian M

aitner

useful or dangerous in two others.” - CAITLIN FLANAGAN “The New York Times”

“A playful novel shaped by inventive collaborations.” - JIM KRUSOE “NPR”

“A story collection traces lives tinged with comedy and strain.” - HELENE WECKER “The Atlantic”

Christian Maitner archiliae per-chil magnistios et faceptaesto tesse-qui de doles aut moluptat eni volup-tis verit, ni tem faccumq uiaepernam doloremo eum aspisci duntiur, quis sitissequi iditem cus eum verorehent quiae nobitatem ut velliquo evel-loreprem quat et eturiae. Um de cus aut as velloru ntibust rumquia quis doluptat aribus, omniandae odip-sum se cone eos dendaecero cuptat-ur atiis simus vollicimin pa sunt ipsanimpel magnatione ab incia quae cument arum et aut autatint, te culparumquas delitam ex etur, te quae. Itatemodi dernatatio odit ea que nim fugia aut denitatia dolupis magnis incilla boreici mendaec ea-quiam que eum recatemposti que expelluptat debis corpore, as a ar-chita eribus accum nonsequi dole-nim uscimaximpos expereh enimet fugia quam im aut oditatur repedis moluptate dollit eiustio ex ea dol-

luptatiis eos core voloreriat.Fersper rorepra elenitias eossitaqu-

os simpelitisOre, cuscia sitat et am sitatem si ve-

lest, sus.Gentempor remporum saecere sti-berunt, si vererepro is ad quideru piciis dolora dolupta tionser itatius voluptam undanitae conesequi nos ma consequ atibus rerum iumquam ea pre voluptaspis renimol orendam

William Morrow and Company10 East 53rd Street New York NY 10022 USA

William Morrow and Company10 East 53rd Street New York NY 10022 USA

www.harperpress.com

$25.00 usd

Book CoverCover for an autobiography. (2015)

s m t w t f s 1 2 3

4 5 6 7 8 9 10

11 12 13 14 15 16 17

18 19 20 21 22 23 24

25 26 27 28 29 30 31

I hear b

abies c

ryin

'. I w

atch

them

gro

w. T

hey'll l

earn much more than I'll ever know And I think to myse

lf W

hat a

won

der

ful w

orl

d

Yes,

I th

ink to myself What a wonderful world

I see friends shaking hands, sayin', "How

do

you d

o?" They're really sayin', "I love you."

The colors of the rainbow,

so p

rett

y in

the

sky

, A

re a

lso

on th

e fa

ces o

f people going by.

The bright blessed day, the dark

sacr

ed n

ight

And

I th

ink

to m

ysel

f W

hat

a w

onde

rful w

orld.

And

I thi

nk to

myself W

hat a wonderful world

. I s

ee

sk

ies

of b

lue,

and

clo

uds

of w

hite

,

I see tre

es of green, r

ed ro

ses,

to

o,

I se

e th

em b

loom

, for

me

and

you

Louis Armstrong

OCTOBER

Louis Armstrong

2016Come

OnFeelThe

Noise

11

Poster CalenderPoster sized calender for 2016 using instuments combined with songs by famous musicians. (2015) From left to right: Louis Armstrong - What A Wonderful WorldJimi Hendrix - Purple HazeThe Beatles - Because

Purple Haze all in my brain,

lately things don't seem the sam

e,

actin' funny bu t I don't know w

hy 'scuse me while I kiss the sky.

Purple Ha

z e all around, Yeah, Purple Haz e all in m

y eyes,

don't know if it's day or night,

you've got me blo

w ing, blowing my mind

is it tomorrow or j u st the end of time?

Help me, yeah, P urple Haze!

don't know if I'm coming up or d

ow

n . Am I happy or in misery?

Whatever it is, that g ir l put a spell on m

e.

Help

me

Help me

Oh

no, o

h

NOVEMBER

Jimi Hendrix

s m t w t f s 1 2 3 4 5 6 7

8 9 10 11 12 13 14

15 16 17 18 19 20 21

22 23 24 25 26 27 28

29 30 31

Because the world is round it t

urns me on

Because the w

orld is

round

Beca

use

the

win

d is

high

it b

low

s my

min

d

Beca

use

the

win

d is

hig

hLo

ve is

old

, lo

ve is

new

Lov

e is

all,

love

is y

ou

Beca

use

the

sky

is b

lue,

it m

ake

s m

e cr

y

Beca

use

the

sky

is b

lue

TheBeatles

Decembers m t w t f s 1 2 3 4 5

6 7 8 9 10 11 12

13 14 15 16 17 18 19

20 21 22 23 24 25 26

27 28 29 30 31

12

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AA01 02

Massimo Vignelli was born in Milan, Italy in January 1931. He is widely regarded as one of the greatest graphic/ industrial designers and architects of the 20th century. His modernist and “intellectually elegant” approach has had an immense influence on various disciplines of design, including graphic design, houseware design, furniture design, apparel design and architecture.

Vignelli studied architecture in Milan and Venice between 1950 and 1953. He started his early career working as a designer at Venini Glass in Venice. He married his long-time collaborator, Lella Valle, in 1957. Within a few months, they moved to the US. They were both on fellowships. Massimo went on to teach at the Institute of Design, Illinois Institute of Technology, and later joined Container Corporation of America as a designer.

In 1965, Massimo Vignelli became co-founder and design director of UnimarkInternational Corporation. With Lella Vignelli, he established the offices of Vignelli Associates in 1971, and Vignelli Designs in 1978. His work includes graphic and corporate identity programs, publication designs, architectural graphics, and exhibition, interior, furniture, and consumer product designs for many leading American and European companies and institutions.

Mr. Vignelli has had his work published and exhibited throughout the world andentered in the permanent collections of several museums; notably, the Museum ofModern Art, the Metropolitan Museum of Art, the Brooklyn Museum, and theCooper-Hewitt Museum in New York; the Musee des Arts Decoratifs in Montreal; and the Die Neue Sammlung in Munich. Mr. Vignelli has taught and lectured on design in the major cities and universities in the United States and abroad.

His work covers nearly every field of design including advertising, identity, packaging, product, industrial, interior and architectural design.

He has designed identities for international corporations including American Airlines, Bloomingdales and Knoll. He favors a clarity in design and is a fan of using Helvetica.

His first major foray into the field of identity and branding was through Unimark International, which quickly became one of the largest design studios in the world.

History & Works

Massimo VignelliMassimo Vignelli

1931-2014

Christian Maitner

Designer BrochureBrochure about Designer Massimo Vignelli. (2015)

14

Heller03 04

Vignelli also turned his attention to designing furniture for Sunar, Rosenthal, Morphos and Knoll, including the well-known Handkerchief Chair and Paper Clip table for Knoll. The Vignelli’s are extremely versatile designers whose work is distinguished by clean, bold lines and a confident use of pure color.

In furniture design he and his wife favoured the use of wood, leather, plastics, marble, stone and glass.

Their award-winning designs were exhibited internationally, and in 1981 the Parsons School of Design, New York, devoted an exhibition to their work and later in the Museum of Modern Art.

Vignelli was as skilled at articulating his design philosophy as he was at actually designing his aphorisms are as distilled and elegant as his visual work. “The correct shape is the shape of the object’s meaning,” describing his preference for a creative

process that investigated its subject from the inside out. Which he expressed in his books, The Vignelli Canon (2009) and Vignelli A to Z (2007).

New York Subways

Though the MTA ultimately opted for a new design in 1979, Vignelli was tasked in 2011 to create an interactive interpretation his System Map for the MTA’s “Weekender” program.

Through their long career, Lella and Massimo Vignelli have taken advantage of their various strengths, working together and separately. It is said that Massimo perceives what could be done, Lella what can be done.

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He made his arrival in New York known in a big way, with his drastic redesign of the New York City subway map. After the map’s introduction by the MTA on August 7th, 1972, complaints from passengers started flooding in—about stations that seemed misplaced, about its weirdly square-shaped rendering of Central Park, about water that was beige instead of blue. Instead of striving for geographical accuracy, Vignelli had turned the labyrinthine tangle of subway lines into a neat, clear diagram. Color-coded lines ran at 45- or 90-degree angles, and each station was represented as a dot.

He has had work published all over the world and has several items in the permanent collections of various museums including the Museum of Modern Art, the Metropolitan Museum of Art and the Cooper-Hewitt Museum. Together with his wife he has established a legacy of design that lives on through their work. He has also recived many awards throught out his career from various international art and design associations. He has shared his design knowlege and philosophies in many ways from books to films and also teaching in different universities. Massimo Vignelli’s designs will be used as an example of 20th century design that will last well past his lifetime and teach new designers who can be inspired by his works. Massimo Vignelli passed away in his New York home in May 2014.