choreography: alvin ailey performance theatre
DESCRIPTION
Second year semester long project on the body in motionTRANSCRIPT
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ChoreographyASC 401: Portfolio Submission
April 13, 2012Christopher Chown 5
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001
“ a sequence of spaces which arouse one’s curiosity, sense of anticipation,
beckons and impels one to rush forward to find releasing space, which
dominates and is a climax and therefore gives directions.” - Paul Rudolph
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Table of Contents
002
Alvin Ailey Performance Theatre Final DrawingsSite Plan - Building Floor Plans - Building Sections - Building Elevations - Structure - HVAC - Perspectives
Alvin Ailey Performance Theatre Final Model
Experiential Section
Critical DissectionGenerative Sketch - Analysis and Inspiration - Interiors - Exteriors
Alvin Ailey Performance Theatre Interim DrawingsSite Plan - Building Floor Plans - Building Section - Building Elevations - Perspective
Alvin Ailey Performance Theatre Interim Model
Site AnalysisContext - Climactic Conditions - Locale
Process Work Models - Diagrams - Sketches
Initial Exercise - Four DancersModel Photographs - Generative Sketches - Final Parti
3-24
25-26
27-30
31-36
37-48
49-50
51-56
57-66
67-70
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Alvin Ailey Performance Theatre Final Drawings
004
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Site Plan
005
1:500
A A
C
C
B
B
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006
Ground Floor Plan 1:200
2
3
6 5
4
9
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88
7
10
1
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BF BF1 Vestibule2 Main Lobby3 Cafe4 Offices5 Women’s Washroom6 Men’s Washroom7 Men’s Change room8 Women’s Change room9 Main Theatre10 Stage Right11 Stage Left12 Backstage13 Service/Loading 14 Parking
12
13
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UP
UP UP
UP
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O.T.B O.T.B
Second Floor Plan 1:200
1 Studio2 Secondary Training3 Control Room4 Main Theatre
1 12 2
3
4UP
UP UP
UP
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008
O.T.B
Third Floor Plan 1:200
1 Theatre Lobby2 Exterior Patio3 Main Theatre4 Public Washrooms5 Fly loft6 Residence Lounge7 Residence Kitchen8 Residence Accommoda-tions
1 12 3
56
7
4
8
DN
DN
DNDN
DN
DN DN
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009
Basement Plan 1:200
1 Service Elevator2 Storage Room3 Service Room
2
3
1
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Section A-A
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1:200
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Section B-B 1:200
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Section C-C 1:200
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South Elevation 1:200
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East Elevation 1:200
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West Elevation 1:200
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North Elevation 1:200
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Detail 1-Glass Connection 1:5
Detail 2-Skylight 1:5
Detail 3-Roof 1:10
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Wall Section 1:100
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2011
1 Metal Plate2 Anchor Bolt3 Double Paned Skylight4 50mm x 100mm Steel I Beam5 50mm x 100mm Steel I Beam 6 Flashing7 EPDM Roof/Bonding Cement/75mm XPS Insulation/Vapour Barrier/Steel Decking/Gypsum Board/Finish Ceiling8 Sealant9 Blocking10 EPDM Roof/Bonding Cement/ 75mm XPS Insulation/Vapour Barrier/Steel Decking/Gypsum Board/Finish Ceiling11 300 mm Concrete Shear Wall12 Web Stiffener13 50mm x 150mm Shaped Truss14 M24 Web Bolt15 Hardwood Flooring/Subfloor/50mm x100mm Steel I Beam/Gypsum Board/ Structural Wood Decking16 M20 Web Bolt
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17 Joist Hanger18 Embedded Steel I Beam19 Open Riser Wood Stair20 Bolt Through Stair and Glass Panel21 Stair Spacer22 Frosted Glass Panel23 Hardwood Flooring/ Subfloor/ 9mm Acoustic Underlayment/50mm x 150mm Steel I Beam/Gypsum Board/ 9mm Acoustic Underlayment/ Structural Wood Decking24 Hardwood Flooring/Subfloor/50 mm x 100mm Steel I Beam/Base Slab/ 75mm Insulation/ Waterproof Membrane/Gravel Backfill/Earth 25 Expansion Joint26 Gravel Backfill27 Subsoil28 Foundation Drain 29 Keyed Foundation with Anchor Bolt
Detail 4-Second Floor 1:10
Detail 5-Stair 1:10
Detail 6-Theatre Floor 1:10
Detail 7-Foundation 1:20
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28 29
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Structure
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1 2 3 4 5 61 2 3 4 5 6
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Structural Wood Decking
Hardwood Flooring
Subfloor
50mm x 100mm Steel I Beam
Gypsum Board
400mm Diameter Concrete Columns
Concrete Shear Wall
Shaped Steel Truss
Bowstring Truss
Half Bowstring Truss
1:500
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020
HVAC
Space C=0.3 W/m2oC Tdiff=38oCVolume (m3) ACH (1/hr) q (infiltration W) tonne
Ground FloorLobby 716.528 4 32 673.677 9.291Café 517.47 14 82 588.212 23.484Washroom 227.6 4 10 378.56 2.95109Offices 111.315 4 5 075.964 1.443Changeroom 603.9 4 27 537.84 7.83
Second FloorStudio 542.194 13 77 685.55 22.089Secondary 136.443 13 20 220.853 5.749Control Room 65.846 17 12 760.955 3.629
Third FloorTheatre 2720 8 248 064 70.536Foyer 224.475 4 10 236.06 2.911Lounge 254.967 4 11 626.495 3.306Kitchen 219.169 18 44 973.478 12.788Laundry 48.865 13 7 241.793 2.059Rooms 75.645 4 3 449.412 0.981
ProductData
ZONECC(2, 4, 8)KIT01-BComfort Zone IIZoning System
Copyright 1999 Carrier Corporation ZONEKIT-3PD
Comfort Zone II is a zoning system capable of providing zone control requirements for 2, 4, or 8 living or business areas. This system allows the home or business owner to control the living environment in an individualized and energy efficient way. The Comfort Zone II kit includes the User Interface, Equipment Controller, Remote Sensors, an Outdoor Temperature Sensor, and Leaving Air Temperature (LAT) Sensor. Comfort Zone II is the control center for Comfort Heat.
FEATURES/BENEFITSThe auto changeover User Interface
has a backlit display. The home or business owner has the option of programming all zones over a 7-day period by following a few simple, well defined steps. The program allows for period, day, and zone functions to be copied, allowing for easier programming.
There are 4 program periods: Wake, Day, Eve, and Sleep. The desired temperature range spans from 40°F to 90°F and there are separate heating and cooling set points. Fully modulating dampers respond to the program as set by the home or business owner and provide enhanced comfort.
Along with a diagnostic error display the User Interface informs the home or business owner when the HVAC system needs to have a filter change. The indoor humidity is also displayed so that comfort can be maximized.
The home or business owner can also control their indoor humidity depending upon the components in their HVAC system. Optional Smart Sensors allow users to adjust temperature settings from the zone. Optional Wireless Sensors allow for easy retrofit installations.
8 Zone Kit
4 Zone Kit
2 Zone Kit
Residential Aspect
Chiller System for theater space that is capable of 250 kW, similar to the data collected for my theatre space. This unit would be stored in my base-ment mechanical room along with other services.
Accumulator
Discharge PumpsSource: Gavernik, M. Design of a Chiller System for specific theatre air-conditioning application. Chemical Engineering Transactions. Volume 18, 2009. Accessed April 10, 2012. Print.
Layout of duct network in plan and section through the organization of spaces
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Exterior Perspective
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1
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31 Warm-up Space2 Exterior view from promenade3 Theatre Performance
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Cafe
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31 Aerial View2 North West Aerial3 South East Aerial
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1
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Physical Model1 South Elevation View2 South East Aerial3 North West Aerial
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Experiential Section
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Critical DissectionForum 3 - Novartis Campus
Diener and DienerBasel, Switzerland
032
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the campus was conceived of as a reaction vessel in which human beings and ideas encounter each other as often as possible, like molecules that are intended to react with each other.
the goal then was to not think of the individual office space out but rather work from the whole inward in order to foster communication, interaction and teamwork.
the coloured glass facade moves, gleams and shimmers responding to the light throughout different times of day and in different weather conditions, with immensely large panels that dance weightlessly.
although the campus is comprised of many big name firms in charge of the buildings of the Novartis campus there was a great deal of care taken in respecting the historical layout of the site and its building heights. It is a campus of different experiences and innovation that represents the company as a whole, and with the forum 3 building, the facade was a springboard for what became my final design.
being located at the south-west corner of the campus forum 3 is a gateway into Novartis, and with reference to Roman history, the building is the hub of activity and the heart of the company.
034
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31 Central Staircase2 Meeting Room3 Lounge Space
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31 Exterior Perspective2 Detail View3 Layered Facade View
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Alvin Ailey Performance Theatre Interim Submission
038
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Site Plan 1:500
A
A
B B
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Ground Floor Plan 1:200
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Second Floor Plan 1:200
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Third Floor Plan 1:200
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Section A-A 1:200
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Section B-B 1:200
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South Elevation 1:200
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East Elevation 1:200
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Exterior Perspective
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Exterior Perspective
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31 Aerial Plan View2 South East Aerial3 South West Aerial
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Interim Physical Model
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31 South East Aerial2 South Aerial3 North West Aerial
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Site Analysis
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31 Building Height Axo2 Site Area and Dimensions3 Buildable Setbacks
12m
Area: 3996 m2
61.8m
49.8m
11.9m
38.4m
71.5m 32.6m
R.3
Not part
of Bylaw
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31 Density Change 2 Building Construction3 Surrounding Zoning
2500
2000
1500
1000
500
0U
ntil
1946
1946
-196
0
1960
-197
0
1970
-198
0
1980
-199
0
1990
-200
0
2001
-200
6
1884
1890
1923
2012
Commercial ResidentialResidential
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31 Processional Pictures2 Sun Studies3 Views on Site
Summ
er 63.5
Winter 20
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31 Processional Pictures2 Youth by Occupation3 Expanding Industries
Pro
cess
ing
Trad
es/T
rans
port
Prim
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Indu
stry
Sal
es a
nd S
ervi
ce
Sal
es a
nd S
ervi
ce
Hea
lth O
ccup
atio
ns
Nat
ural
and
App
lied
Man
agem
ent
Bus
ines
s Fi
nanc
e
400
300
200
100
0
Creative Industries
Apparel Food and Beverage
Medical and BiotechnologyTourism
Business Services
Financial Services
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Process Work
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31 View Through Corridor2 Side View3 Aerial View
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31 Initial Formal Iterations2 Intent3 Plan and Section Analysis
To create an intertwining relation-ship of the public and the dancer as a sequence of spaces that draw ones attention and pulls you into the performance all in relation to movement and the human body.
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31 Circulation/Structure and the Body2 Reciprocal Framing and the Body3 Highlighting Individual Spaces
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1 Zone Separation2 Buildable Area Diagram3 Connection with Site
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New Integration
Corridor
Lawn
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31 Circulation and Form2 Analysis of Pavilion3 Formal Iteration
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31 Program Section2 Circulation Analysis3 Cafe Sketch
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1 Panelled Facade and Materials2 Stair and Handrail Detail3 Theatre Panels and Roof
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1 Formal Development2 Facade Generation3 Conception of Lawn
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Amphitheater Sledding Hill
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Initial Exercise - Four Dancers
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31 East Aerial View2 South Aerial View3 North Aerial View
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This initial exercise challenged us to think about what it means to dance, what dance is and dance in relation to movement and the body. With my installation on site my four dancers were uniquely their own yet relied on one another. The entity became a space one circulates through and experiences ‘in the round’. With this ex-ercise I developed my understanding of dance in relation to the patterns of movement and the body and began to think on the experience of what I wanted my performance theatre to be for both the dancer and the viewer. Throughout the project I was challenging the experience and how this is represented formally, and though my iterations varied and sketches saw a range of dif-ferent options, I feel that my final project repre-sents what I was trying to achieve and what was originally found in this model.
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31 About and Parti2 Evolution Sketches3 Movements as 2D and 3D
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