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Page 1: Chicago, The Art Institute8

http://www.authorstream.com/Presentation/sandamichaela-2163739-chicago8/

Page 2: Chicago, The Art Institute8

The Art Institute of Chicago was founded as both a museum and school for the fine arts in 1879, a critical era in the history of Chicago as civic energies were devoted to rebuilding the metropolis that had been destroyed by the Great Fire of 1871.

Page 3: Chicago, The Art Institute8

NazcaSouth coast, PeruBeaker Depicting Human Head and Abstract Costumed Figures, 180 B.C./A.D. 500

NazcaSouth coast, PeruBeaker Depicting Ritual Figure Wearing Costume with Bird Attributes, 180 B.C./A.D. 500

Page 4: Chicago, The Art Institute8

NazcaSouth coast, PeruBeaker Depicting Human Head and Rows of Geometric Motifs, 180 B.C./A.D. 500

NazcaSouth coast, PeruBeaker Depicting Rows of Abstract Human Heads, 180 B.C./A.D. 500

Page 5: Chicago, The Art Institute8

ZuñiZuñi Pueblo, New Mexico, United StatesPolychrome Jar, c. 1890

CochitiCochiti Pueblo, New Mexico, United StatesPolychrome Jar, c. 1900

Page 6: Chicago, The Art Institute8

Maria Montoya Martinez (1886-1980) and Santana Roybal Martinez (1909-2002)PuebloSan Ildefonso Pueblo, New Mexico, United StatesPlate with Feather Motif, 1943/56

Maria Martinez. c. 1950

Page 7: Chicago, The Art Institute8

Maria Montoya Martinez (1886-1980) and Popovi Da (1923-1971)San Ildefonso Pueblo, New Mexico, United StatesJar with Feather Motif, 1956-1971

Panamint Northern California, United States

Basket, c. 1900

Page 8: Chicago, The Art Institute8

Maria Montoya Martinez (1886-1980)San Ildefonso Black-on-blackSan Ildefonso Pueblo, New Mexico, United StatesPlate with Four-Part Geometric Pattern, c. 1935

ChimúNorth coast, PeruBlackware Jar in the Form of an Animal, Possibly a Llama, A.D. 1200-1450

Page 9: Chicago, The Art Institute8

White mountain red ware

Sara Fina Tafoya (1863-1949)Santa Clara Pueblo Black ware Santa Clara Pueblo, New Mexico.Storage Jar, c. 1900

Page 10: Chicago, The Art Institute8

Isabel Medina Toribio (Aitiye’)

(c. 1882 to 1889–1940)Zia Pueblo,

New Mexico, United States

Polychrome Jar, c. 1920

NazcaSouth coast, Peru

Beaker Depicting a Costumed Performer Holding Decapitated Head, 180 B.C./A.D. 500

Page 11: Chicago, The Art Institute8

NazcaSouth coast, PeruBeaker with Repeated Circular Motif, 180 B.C./A.D. 500

Tomasita Shije Medina (Husreiti’) (1897–1990)Zia Pueblo, New Mexico, United StatesPolychrome Jar, 1920/30

Page 12: Chicago, The Art Institute8

NazcaSouth coast, PeruBridge-spouted vessel with flying figures

Rebecca Lucario (born 1951)Acoma Pueblo, New Mexico, United StatesSeed Jar, c. 1991

Page 13: Chicago, The Art Institute8

Kiua polychromePossibly Cochiti Pueblo, New Mexico, United States

Polychrome Jar, 1775/1900

Page 14: Chicago, The Art Institute8

Joseph Lonewolf (born 1932)Santa Clara Pueblo, New Mexico, United StatesBlack Seed Jar, 1974

ParacasOcucaje area, Ica Valley, south coast, Peru

Jar with Anthropomorphic Figure, 650-150 B.C

Page 15: Chicago, The Art Institute8

Paulita PachecoSanta Domingo Pueblo, New Mexico, United StatesPolychrome Jar, c. 1990s

Page 16: Chicago, The Art Institute8

Acoma Pueblo, New Mexico, United States

Polychrome Jar with Rainbow, Macaw, and

Floral Motifs, 1880s

Page 17: Chicago, The Art Institute8

AcomaAcoma Pueblo, New Mexico, United StatesBlack-and-White Storage Jar with Abstract Geometric Motifs, 1890s

Page 18: Chicago, The Art Institute8
Page 19: Chicago, The Art Institute8

AcomaAcoma Pueblo, New Mexico, United StatesBlack-and-White Storage Jar with Abstract Geometric Motifs, 1890s

Page 20: Chicago, The Art Institute8

Totonac, Remojadas Veracruz, Mexico Figure of a Seated Leader, A.D. 300-600

Page 21: Chicago, The Art Institute8

MocheNorth coast, PeruAbstract Portrait Vessel of a Ruler with Head reasing on Legs, 100 B.C./A.D. 500

MocheNorth coast, PeruAbstract Portrait Vessel of a Ruler with Painted Face Resting on Feet, 100 B.C./A.D. 500

Page 22: Chicago, The Art Institute8

MocheNorth coast, PeruAnthropomorphic Flat-sided Flask with Molded Head and Painted Textile Tunic, 100 B.C./A.D. 500

NazcaSouth coast, PeruBeaker Molded in the Form of a Costumed Figure or Animal, 180 B.C./A.D. 500

Page 23: Chicago, The Art Institute8

ContemporaryPiura, north coast, PeruBean-Shaped Vessel with Handle in the Form of Monkey, Early 20th century

NazcaSouth coast, Peru

Beaker in the Form of a Head with Eye Markings, 180 B.C./A.D. 500

Page 24: Chicago, The Art Institute8

MayaQuezaltenango, Guatemala

Belt (Faja), 1900/50 NazcaSouth coast, PeruBowl with Repeated Spiral-Like Motifs, 180 B.C.-A.D. 500

Page 25: Chicago, The Art Institute8

MocheNorth coast, PeruBottle in Form of a Figure Carrying a Burden with a Tumpline, 100 B.C./A.D. 500

Ah MaxamLate Classic Maya Vicinity of Naranjo, Petén region, GuatemalaWater-Lily Vase, A.D. 750/800.

Page 26: Chicago, The Art Institute8

Ancestral Pueblo (Anasazi), Black Mesa

Black-on-whiteKayenta area, northeastern Arizona, Storage Jar with Horizontal Bands of

Interlocking Scrolls, 875-1130

Page 27: Chicago, The Art Institute8

Chavín.North coast, PeruGold Pectoral with Zoomorphic Face, c. 500 B.C

Jennie Williams (active early-mid-20th century) Paiute Pyramid Lake, Nevada, United States Beaded Basket, 1924

Page 28: Chicago, The Art Institute8

Chimú North coast, Peru Ceremonial Knife (Tumi), A.D. 1100-1470

Page 29: Chicago, The Art Institute8

HuaxtecPánuco River Valley, northern Veracruz, Mexico.Ballplayer Figurine, A.D. 800-1400

Chupícuaro Guanajuato or Michoacán, MexicoFemale Effigy, 200-100 B.C.

Page 30: Chicago, The Art Institute8

Frog Woman (Joy Navasie) (born 1919)Hopi-Tewa Hopi, First Mesa, Arizona, United StatesPolychrome Jar, c. 1954

NazcaSouth coast, Peru

Vessel Depicting a Composite Shark, Feline, and Human Figure, 180 B.C.-A.D. 500

Page 31: Chicago, The Art Institute8

Artus van Briggle (1869-1904)Vase

Page 32: Chicago, The Art Institute8

Edward Kemeys Pitcher,1890

Page 33: Chicago, The Art Institute8

Edward Kemeys Pitcher,1890

Page 34: Chicago, The Art Institute8

Edward Kemeys Pitcher,1890

Page 35: Chicago, The Art Institute8

George Paulding Farnham (American 1859-1927)Pueblo Bowl

Page 36: Chicago, The Art Institute8

Classic Veracruz Los Tuxtlas, southern Veracruz,

Mexico Bowl, A.D. 500-750

Page 37: Chicago, The Art Institute8

Jalisco Ameca Valley, Jalisco, Mexico

Storyteller Figure, A.D. 100-800

Possibly OtomiMexico.Bag, 1900-50

Maya Possibly San Cristóbal Totonicapán, Guatemala Blouse (Huipil), 1900-50

Page 38: Chicago, The Art Institute8

Teotihuacan, Mexico Mask from an Incense Burner Portraying the Old Deity of Fire, A.D. 450-750

Page 39: Chicago, The Art Institute8

Talavera poblana Puebla, Mexico Basin Depicting a Cistern, Tower and Domed Building, 1775-1825

NazcaSouth coast, PeruBeaker Depicting Abstract Plants, Possibly Cacti, and Abstract Figures, 180 B.C.- A.D. 500

Page 40: Chicago, The Art Institute8

Kiua polychromeSanto Domingo Pueblo, New Mexico, Polychrome Bowl, 1880-1900

Probably We'wah (c. 1848-1896)Zuñi Pueblo, New Mexico, United States

Polychrome Bowl, c. 1890 San Carlos Apache San Carlos, Arizona, United States Basketry Jar, 1890-1915

Page 41: Chicago, The Art Institute8

Salado branch of the MogollonSoutheastern Arizona, United States

Ritual Cache, 1300-400

OtomiMexicoAyate, 1900-40

Page 42: Chicago, The Art Institute8

Provincial IncaProbably south coast, Peru

Bag, A.D. 1476-1532

NazcaSouth coast, PeruDouble-Spouted Vessel Depicting a Landscape with Coyotes and Cactus, 180 B.C.-A.D. 500

Page 43: Chicago, The Art Institute8

Pomo California, United States Basket, Late 19th century

Page 44: Chicago, The Art Institute8

Pomo Northern California, United States

Wedding Basket, c. 1895

Page 45: Chicago, The Art Institute8

NazcaSouth coast, PeruBeaker Depicting Bands of Spotted Birds and Geometric Motifs, 180 B.C.- A.D.500.jpg

NazcaSouth coast, PeruBeaker Depicting Human Head and Abstract Costumed Figures, 180 B.C.- A.D. 500

Page 46: Chicago, The Art Institute8

NazcaSouth coast, PeruBeaker Depicting Abstract Hummingbirds or Insects, 180 B.C.- A.D. 500

NazcaSouth coast, PeruBeaker Depicting Abstract Figure and Geometric Motifs, 180 B.C.- A.D. 500

Page 47: Chicago, The Art Institute8

NazcaCoyungo, Nazca Valley, south coast, PeruBorder Fragment, 100 B.C.- A.D. 200

Page 48: Chicago, The Art Institute8

Nazca Probably south coast, Peru Band, A.D. 400-900

Nazca Probably south coast, Peru

Band, A.D. 800-900

Page 49: Chicago, The Art Institute8

Dance skirt and Apron Yurok or Hupa 1850-60Northern California coast

Page 50: Chicago, The Art Institute8

NavajoGanado area, Arizona, United StatesBlanket or Rug, c. 1900

Luiseño Southern California, United States

Basket, Late 19th-early 20th century

Page 51: Chicago, The Art Institute8

MocheChimbote, Santa Valley, north coast, PeruVessel in the Form of a Deer Impersonator, 100 B.C.-A.D. 500

MocheNorth coast, PeruVessel in the Form of a Royal Messenger with Ritual Runners, 100 B.C.- A.D. 500

Page 52: Chicago, The Art Institute8

MocheNorth coast, PeruBlackware Spouted Vessel in the Form of a Composite Face, Animals, and Fish, 100 B.C.- A.D. 500

MocheNorth coast, PeruBlackware Vessel in the Form of a Figure Fishing, Possibly Ai-Apec, with a Crab, 100 B.C.- A.D. 500

Page 53: Chicago, The Art Institute8

Moche North coast, Peru

Portrait Vessel of a Ruler, 100 B.C.-A.D. 500

Maya Probably San Juan Sacatepéquez, Guatemala, Guatemala Blouse (Huipil), 1900-1950

Page 54: Chicago, The Art Institute8

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Nazca South coast, Peru Vessel in the Form of an Achira Root, 180 B.C.-A.D. 500

Page 55: Chicago, The Art Institute8

Moche North coast, Peru Vessel in the Form of a Seated Ruler with a Pampas Cat, A.D. 250-550

Mississippian Possibly Arkansas, United StatesBottle with Underwater Serpents, A.D. 1300-1500

Page 56: Chicago, The Art Institute8

Double-spouted vessel depicting Masked felines

Nazca. South coast, Peru180 B.C./A.D.500

Ceramic and pigment

Page 57: Chicago, The Art Institute8

Concho Belt NavajoNorthern Arizona or New Mexico 1880-95Silver and leather

Navajo (Diné)Northern New Mexico or

Arizona, United StatesSquash-Blossom Necklace,

c. 1915

Page 58: Chicago, The Art Institute8

Navajo (Diné)Northern New Mexico or Arizona, United StatesBow Guard (Ketoh), 1900-1920

Navajo (Diné)Northern New Mexico or Arizona, United StatesBow Guard (Ketoh), 1900-1920

Page 59: Chicago, The Art Institute8

McKinlock Court, Fountain of the Triton

Page 60: Chicago, The Art Institute8

McKinlock Court..

It's a 11,640 square foot outdoor court at the Art Institute of Chicago.. Centerpiece of this court is "Fountain of the Tritons" by Carl Milles.. The court has beautiful Dutch Elm trees.. The McKinlock Court is attached to the Garden Cafe..

Page 61: Chicago, The Art Institute8

This court is open for dining during the summer months..

Page 62: Chicago, The Art Institute8

Fountain of the Tritons..

Sculptor: Carl Milles..

Monument to commemorate John Ericsson

and other Swedish

Americans. Ericsson created the "Monitor", the

first iron-clad turret ship, which did battle with the Merrimack in the

Civil War

Page 63: Chicago, The Art Institute8

The book Chicago's Public Sculpture by Ira J. Bach and Mary Lackritz Gray, has some interesting observation on the artist and this sculpture fountain:

Page 64: Chicago, The Art Institute8

“Although Milles studies in Paris, where Auguste

Rodin was one of his teachers, his

fountains and memorials in his

native Sweden and in the US represent

a conscious departure from the

naturalism that dominated

sculpture at the turn of the century...”

Page 65: Chicago, The Art Institute8

“Although Milles studies in Paris, where Auguste

Rodin was one of his teachers, his

fountains and memorials in his native Sweden and in the US represent a conscious

departure from the naturalism that dominated sculpture at the

turn of the century...”

Page 66: Chicago, The Art Institute8
Page 67: Chicago, The Art Institute8
Page 68: Chicago, The Art Institute8

“They reflect the artists independent

spirit, his appreciation of

classical and Gothic sculptures and his very strong Nordic

roots...”

Page 69: Chicago, The Art Institute8

“These qualities are seen in the way

Milles imbued his rather elongated

and stylized Tritons, characters from

Greek mythology, with the spirit of

water deities from Scandinavian chronicles...”

Page 70: Chicago, The Art Institute8

Carl Milles (1875-1955) was a Swedish sculptor, best known for his fountains.

Page 71: Chicago, The Art Institute8
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Text: InternetPictures: Internet & Florica ChiraCopyright: All the images belong to their authors

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