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, < t Charleston The dance sensation that best typified the zestful spirit of the 1920s was the high-kicking Charleston, which also happened to be the name of a song. Introduced in the 1923 all-Negro revue Runnin' Wild, it soon became the favourite dance in ballrooms around the world. In the 1950 film Tea/or Two Billy De Wolfe and Patricia Wymore danced and sang the Charleston. With spirit. '\ l Words and Music by Cecil Mack and Jimmy Johnson I @.. 111' l' f .. I "-' .. "-' Charles - ton,_ Charles - ton,- Made in__ Car - 0 - Ii . fl t @.. . I'J I @.. 0 0 \ 28 - na,_ I' r\ 1\ I I I' I l- I "I ",'-'I -1 "I -P-I 1 I "I - p..... ;::. r 07 o Gdim. F7 m mmmm r-= I I ... I "'r I p-r r I'r I p-r Some dance,_ Some prance,_ b. .trJ ...I .ihJ Dm A7 mm ir - I I 1 I --wr i C j i I rr "'r I'll .J .J "/ r J-'r r G7 000 mm r r"-'u ffr , p Ev-ry step_ you do, Lea.ds to some - thing new, cresco 'ff "r r There's noth-ing fin - er than the J bJ J r D7 o ;m - - r "I f--f 07 0 m - r -r Man I'm tell - ing you, - o

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    Charleston The dance sensation that best typified the zestful spirit of the 1920s was the high-kicking Charleston, which also happened to be the name of a song. Introduced in the 1923 all-Negro revue Runnin' Wild, it soon became the favourite dance in ballrooms around the world. In the 1950 film Tea/or Two Billy De Wolfe and Patricia Wymore danced and sang the Charleston.

    With B~ spirit.

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    Words and Music by Cecil Mack

    and Jimmy Johnson

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