characteristics of romanticism - empire tuition classes
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Characteristics of Romanticism
Introduction
Romanticism often considered as Romantic Age or Romantic Era was an artistic, literary
and intellectual movement of Europe. Many different dates are given for the rise of the
Romantic Age but the publication of Lyrical Ballads by William Wordsworth and S. T. Coleridge
in 1798 is taken as the beginning of the Romantic Era.
Romanticism in literature concerned with the two bed – rock of emotions and
imaginations. It introduces the readers to a world of strangeness and beauty as Pater considers
it as “The addition of Strangeness in beauty.” He further said that –
The desire of beauty being a fixed element in every artistic organization, it is the
addition of curiosity to the desire of beauty.
Thus, the two most prominent elements of romanticism are curiosity and beauty.
Romanticism also stands for freedom and liberty, and therefore it is “Literalism in Literature.”
Rise of The Romanticism
Romantic Movement dates its origin in 1798 with the publication of Lyrical Ballads by
William Wordsworth and S. T. Coleridge. This movement in literature was preceded and
accompanied by the change in literary styles. It was partly a reaction to the Industrial
Revolution and also the social and political norms of England as well as Europe. The rise of the
Romanticism in English literature is somehow concerned with the Age of Enlightenment. The
supreme Romantic Movement in English literature was the Renaissance. It had brought about a
transformation not only in England but also in European life.
Characteristics of Romanticism
[1] Contrast with Neo – Classicism
While talking about Neo – Classicism era, the Romantic era is totally opposed to it.
There is a great contrast between Neo – Classicism and Romanticism. The main difference
between neoclassicism and romanticism is that neoclassicism emphasized on objectivity, order,
and restraint whereas romanticism emphasized on imagination and emotion. The main thing in
the poetry of Romanticism is the break from the thralldom of rules and regulations. W. J. Long
marks –
The Romantic Movement was marked by a strong reaction and protests against
the bondage of rule and custom which in literature, generally tend to fetter the
free human spirit.
[2] Love for Freedom
In Romantic Poetry, the emphasis was laid on liberty and freedom of the individual.
Romantic poets were rebels against tyranny and brutality exercised by tyrants and despots over
humans crushed by poverty and smashed by inhuman laws. English romanticism was an
expression of the desire for freedom from the restraining forces of reason and the assertion of
the rights of feeling and imagination. Thus, Freedom is the breath in which the Romantic poets
breathed freely.
[3] Supernaturalism
Supernaturalism is another outstanding quality of Romantic Poetry. Poets like Coleridge
and Scott gave a sense of wonder and mystery to poetry. It was this supernaturalism that gave
the atmosphere of wonder and mystery to the Romantic Poetry. Most of the romantic poets
used supernatural elements in their poetry. Samuel Taylor Coleridge is the leading romantic
poet in this regard, and "Kubla Khan" is full of supernatural elements.
[4] Subjectivity
Subjectivity is another important feature of the Romantic poets. Subjective poetry is a
kind of poetry in which the poet goes into himself and finds his inspiration from his own
experiences, thoughts and feelings. Most of the Romantic poets are subject in this sense. For
example, Keats’s “Ode to the Nightingale” is basically based on personal matter. Subjectivity
began to have its full play in the poetry of this age as W. J. Long points out –
The Romantic Movement was the expression of individual genius rather than of
the established rules.
[5] Variety of Moods
In Romantic Poetry, we come across an endless variety. The poetry of this age is as varied as the
character and moods of different writers. A noted remark of W. J. Long said that –
In the works of the best romanticists there is endless variety. To read them is
like passing through a new village, meeting a score of different human types,
and finding in each one something to Love or to remember.
[6] Simplicity in Style
The style of the Romantic Poets is varied but the stress was laid on simplicity. Instead of
an artificial mode of expression of classical poets, we have a natural diction and spontaneous
way of expressing thoughts in Romantic Poetry. Romantic Poets believe in the simplicity in their
style. They followed the simplicity in their works. They not followed the artificial mode of the
expression of classical Poetry. They have express thoughts in natural Diction and spontaneity
way.
[7] Emotion and Imagination
In Romantic Poetry, reason and intellect were subdued and their place was taken by
imaginations, emotions and passion. In the poetry of all the Romantic Poets, we find
heightened emotional sensibilities and imaginative flights of genius bordering on heavenly
heights uncrossed by the poets of the previous age.
Authors of The Romantic Era
William Wordsworth, born in 1770 and died in 1850, is considered as the father of
Romantic Movement. In fact, the Romanticism in English literature began with his publication
of Lyrical Ballads with co – author and his friend S. T. Coleridge. He was also the Poet Laureate
of England from 1843 till his death in 1850.
Samuel Taylor Coleridge, born in 1772 and died in 1834, was another great poet of
Romantic Era. He was a good friend of William Wordsworth, and they two together published
Lyrical Ballads which marks the beginning of Romanticism. Coleridge contributed in Romantic
Movement with his two best poems The Rime of Ancient, Christabel and Kubla Khan.
John Keats, born in 1795 and died in 1821, was one of the prominent figures of the
second generation of English Romantic poets. However, his reputation grew after his death. His
famous works are Ode to Nightingale and When I Have Fears.
P. B. Shelley, born in 1792 and died in 1822, was an English poet and friend of John
Keats who contributed in English Romanticism along with John Keats. His great works of the
time were Ode to The West Wind and A Defense of Poetry.
William Blake, born in 1757 and died in 1827, was highly influential figures in the
history of Romantic era. His poetry often accompanied by fantastic imagery. Songs of Innocence
and Songs of Experience are the two great works of Blake.
Works of The Romantic Era
Lyrical Ballads, The Rime of Ancient, Christabel, Kubla Khan, Ode to Nightingale, When I
Have Fears, Ode to The West Wind, and Songs of Experience are some of the great works of the
Romanticism of Literature.
Conclusion
The Romantic period was one of major social, political and literary change in England.
Romanticism in literature concerned with the two bed – rock of emotions and imaginations. It
introduces the readers to a world of strangeness and beauty as Pater considers it as “The
addition of Strangeness in beauty.” Thus, the two most prominent elements of romanticism are
curiosity and beauty. Romanticism also stands for freedom and liberty, and therefore it is
“Literalism in Literature.”
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The Oxford Movement
Introduction
The Oxford Movement was a movement of High Church members of the Church of
England. Its philosophy was known as Tractarianism after the publication of Tracts for The
Times from 1833 to 1841. The Oxford Movement was deeply conservative in its attempts to
revive the Catholic roots of the Angelical Church. The evolution of the Oxford Movement was
displayed in literature as well as in religion and political journals of the time. Many recent
authors claim that –
The Oxford Movement prefigured issues that confront current religions
institutions and generated impassioned responses to the central conflicts of
nineteenth century thoughts.
The Oxford Movement stood against too much insistence on reason and proof in religions, and
sought to revive the faith of Roman Catholic Religion.
Background of the Oxford Movement
The Oxford Movement began in 1833 by Angelical clergyman at the University of Oxford
to renew the Church of England. It ended in the year of 1841. The most prominent leaders of
the movement were John Henry Newman (1801 – 1890), a clergyman; John Keble (1792 –
1860), a clergyman and a poet; Edward Pusey (1800 – 1882), a clergyman and professor at
Oxford University.
Cause of the Oxford Movement
Oxford of the 19th century was an impactful source of the movement. The Oxford
Movement began when Newman’s colleague, John Keble gave a sermon called “National
Apostasy.” In it Keble called for a renewal of the English Church by reviving ancient Christian
practices. Also the interest in Christian origins caused to reconsider the relationship of the
Church of England with The Roman Catholic Church which later resulted as The Oxford
Movement.
Cardinal Newman and the Oxford Movement
John Henry Newman also known as Cardinal Newman was born in 1801 and died in
1890. He is one of the most influent leaders of the Oxford Movement. John Henry Newman
played an important part from the beginning to the end in the movement which changed the
views of the University of Oxford. He contributed twenty of the ninety “Tracts for The Times,”
resigning his position in the Angelical Church.
As the leader of the Oxford Movement, Newman repudiated Protestant individualism,
and nineteenth century liberal Christianity. He upheld devotion, faith rituals, and dogmas in
preference to reason and proof. Newman wrote in defense that –
After all man is not a reasoning animal, he is a seeing, feeling, acting animal. Life
is not long enough for a religion of interference; we shall never have done
beginning, if we determine to began with proof.
Cardinal Newman’s conversion to Roman Catholicism becomes an object of severe
criticism and Charles Kingsley charged him of duplicity in changing from Protestantism to
Roman Catholicism and propagating the Oxford Movement. Newman had the better of the
argument, his defense is still read while Kingsley’s attack is forgotten.
Literary Aspects of the Oxford Movement
The Oxford Movement was basically a religious movement, it had nothing to do with
literature as W. H. Hudson remarks –
The Oxford Movement certainly belongs to the history of English religion more
definitely than to the history of English Literature
However, the numerous writings had some contemporary styles and religion themes.
Newman’s “The Idea of University” provides the basic principle concerning the site of the
University to the modern University. Another notable writing of Newman is “Apologia.”
Newman employed a classical way of writing in the expression of his thoughts. His prose style is
characterized by lucidity, transparency and balance. Newman, truly, knows how to make the
use of irony in an effective manner.
Failure of the Oxford Movement
The Oxford Movement failed to have any influence on the psychological life of the day,
and its impact on the growth of literature was not substantial. It could win the allegiance of a
few poets and had some effect on the movement, but unfortunately it had not. It was failure at
the end.
Conclusion
An Angelical priest Eugene R. Fairweather said –
The Oxford Movement, for all its profound conservatism, seriously altered the
accepted patterns of the Angelical thought and practice.
The Oxford Movement directed the attention of the people to the personal holiness. It
re – oriented the common views about apostolic authority. It also made the Church of England
conserve of the onslaught of Liberalism. Thus the Oxford Movement was more than a passing
ripple on the surface of “The Sea of Faith.”
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Dover Beach
Introduction
Matthew Arnold was an English poet and cultural critic who was born in 1822 in
Middlesex, England. He has worked as an inspector of schools. Arnold was a great literary figure
in Victorian Literature, and Dover Beach was the best among his many works.
Dover Beach is a lyrical poem written by the English poet Matthew Arnold. It was
originally published in 1867. Dover Beach is one of the most popular and the most
representative poems of Arnold. It is a short cry against the decay of Religious faith and it
reveals Arnold’s outlook on Life.
Theme of The Poem
The central theme of the poem that Arnold depicts is the loss of faith in religions and
loss of cultures in societies, and the present world full of cruelty, uncertainty and violence. The
very eye – catching line of the poem “The Sea of Faith” tells us about the central theme of the
poem. The line presents the loss of faith in religions.
Technique of The Poem
Dover Beach consists of four stanzas, each containing a variable number of verses. There
is no apparent rhyme scheme, but rather a free handling of the basic iambic pattern.
Time and Place in The Poem
Matthew Arnold wrote Dover Beach shortly after he visits Dover District Beach of
England in 1851. The poem was written in the year of 1851 just a few months after the
marriage of Arnold. The town of Dover, where the poem took place, is much closer to France
than any other cities of England.
The Sea of Faith
Dover Beach is a short cry on religious faith of people that was revealed in the line “The
Sea of Faith.” It tells us the decaying of religious faith in the world and increasing hold of doubts
and fears among the minds of Victorian people. The poet says that the sea of faith was once full
and was dominating the world, but now it was losing faith and holds doubts and fears among
the minds of the people which could be harmful to the peace of mankind.
Criticism of Life
Arnold points out –
Only excellent poetry can offer criticism of life.
Dover Beach is nothing but a criticism of life. It is the best example of Arnold’s concept
of criticism of life as it contains the expressions of his favorite theme the loss of faith of in
material world. The poem reveals Arnold’s outlook on life. Arnold says that –
Only Love can make our Life purposeful and meaningful. Unrest and Anxiety
would be disappeared by Love.
Conclusion
To conclude, Dover Beach is a great poem with the criticism of life of modern world.
Though the poem was not written in a particular rhyming scheme and looks complex to many,
it is considered as one of the best works of Matthew Arnold. With many themes like losing faith
in religious, love and the life of the people of modern world, the poem became the cornerstone
of Arnold’s success.
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Ode to a Skylark
Introduction
Percy Bysshe Shelley was one of the major English Romantic poets born in August 1792.
He was the most important figure of Romanticism in English Literature. Shelley is perhaps best
known for romantic poems such as Ode to the West Wind. Shelley did not see fame during his
lifetime, but recognition of his achievements in poetry grew steadily following his death.
To a Skylark is a poem composed in 1820 by P. B. Shelley and published in the same
year. Shelley was inspired to write the poem when he heard sweet songs of the bird while he
was strolling with his friend Halesworth in Italy. The poem is addressed to a bird that sings
songs of joy.
Theme of The Poem
The theme of the poem is the true joy and positive feeling that derives from nature and
greatness rather than sorrow and negative emotions. Shelley says that –
All human songs are sad, but the birds song is just pure joy.
At last, the power of nature is another concentrating theme of To a Skylark.
Technique of The Poem
The poem consists of twenty one stanzas made up of five lines each. The rhyme scheme
of each stanza is ABABB. The first four lines of all the stanza are metered in Trochaic Trimeter,
the fifth line in each stanza is made of iambic hexameter.
The Skylark in the Poem
The poem begins with the poet’s description of the bird Skylark with these following
lines:
Hail to thee, blithe Spirit!
Bird thou never wert,
That from heaven, or near it
Purest thy full hear,
In profuse strains of unpremeditated, art.
In the poem, poet addresses the bird as blithe spirit that sings songs of joy. The poet uses vivid
images for the bird as the poet says that it flies higher and higher like a cloud of fire in the blue
sky. The poet further said that no one knows what the skylark is, for it is unique; even the
rainbow clouds do not rain as brightly as the shower of melody that pours from the Skylark.
The Power of Nature
The poem perhaps has the description of the power of nature somewhere and
somehow in the poem. In To a Skylark, the poet wants to know everything about skylark and
nature. He wants to know the secrets and the power of nature, to know what birds feel when
they sing. He is fascinated of the power of nature as well as of the Skylark. In the poem, Along
with skylark, there is also a description of the power of nature and how the humans are
connected with it.
Sadness of The Poet
Throughout the poem, the poet feels sad. He feels things so deeply throughout the
poem and so establishes sadness.
The poet seems jealous of freedom of the Skylark, which travels where it wants,
whereas poet has restriction and limitations in his life. Although the sadness of the poet is not
the important thing in the poem, it just mentioned in the poem when the poet talks about
human beings and their life.
Conclusion
The Sonnet is represents of Wordsworth’s poetic genius throughout the poem. The
World Is Too Much with Us by William Wordsworth represents modern humanity's lost spiritual
connection with nature. The poem presents the conflict between nature and modern progress.
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The World is Too Much with Us
Introduction
The World is Too Much with Us is a sonnet written by the English romantic poet William
Wordsworth. William Wordsworth was born on 7th April, 1770. His father was a law agent and
rent collector. William Wordsworth began his career as a poet when he was yet a student. In
1798, Wordsworth and Coleridge published The Lyrical Ballads. In 1839, he was honored by
Oxford University. In 1843, he became the poet Laureate. And in April 1850, he was died in
England.
The World is Too Much with Us is a poem that we often call like a sonnet. It was
published in 1807. The World is Too Much with Us is written in the Petrarchan Sonnet form of
14 iambic pentameter lines. The poem is concerned with poet’s love for nature.
Theme of The Poem
There are many important themes in the poem such as morality, sadness, man and the
natural world and some others.
Getting and spending, we lay waste our powers;
Little we see in nature that is ours,
We have given our hearts away, a sordid boon.
In these lines, Wordsworth criticizes the materialism. Wordsworth feels that the blind belief in
materialism prevents the people from realizing the true meaning and purpose of the Life.
Technique of The Poem
The World is Too Much with Us is a sonnet written in fourteen lines of iambic
pentameter rhyming in the form of ABBA ABBA CDCDCD. The credit of such sonnet goes to the
Italian poet Petrarch. Therefore, we may call The World Too Much with Us is a Petrarch Sonnet.
The poem was written in the form of ABBA ABBA CDCDCD rhyming 14 lines of iambic
pentameter lines.
Symbolism and Imagery in The Poem
The Poem is a great example of use of the literary devices such as allegory, figure of
speeches, symbolism, imagery and some others. However, symbolism and imagery are narrated
perfectly in the poem by William Wordsworth.
Wordsworth used symbolism in the poem to complaint that people nowadays are
consumed by the industrialism and they are no longer in interest with the beautiful nature. Also
there are some imagery in the poem such as nature, senses, feelings, death and the use of
allusion; and all these were presented in the poem very well by Wordsworth.
Love for Nature
This sonnet reveals Wordsworth’s love for the nature. In the poem, poet has given two
beautiful pictures of nature – one is that the picture of sea in moonlight and the other is the
picture of winds that sleep like flowers at night:
The sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up – gathered now like sleeping flowers.
Criticism of Life
This sonnet is a great criticism of life of the people nowadays, living in the industrial age.
William Wordsworth greatly concerned with nature and is a great critic of the industrialism
opposed to the beauty of nature. Almost in every poetry of Wordsworth, we saw his love for
the nature.
Wordsworth described the beauty of the nature throughout the poem. With the
description of the beauty of nature, he has also criticizes human life of present industrialism.
Wordsworth complaint that the lives of people nowadays are not much concerned with nature
and their life is consumed by the industrial life. Thus, the poem is a criticism on the life of
Industrialist people and is also the description of the beauty of nature.
Conclusion
The Sonnet is represents of Wordsworth’s poetic genius throughout the poem. The
World Is Too Much with Us by William Wordsworth represents modern humanity's lost spiritual
connection with nature. The poem presents the conflict between nature and modern progress.
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Hard Times as a Mirror of Victorian Society
About Author
Charles John Huffam Dickens, simply known as Charles Dickens and born in 1812, was an
English writer and social critic. He is regarded by many as the greatest novelist of the Victorian
era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century
critics and scholars had recognized him as a literary genius. His novels and short stories are still
widely read today.
Introduction
Hard Times – For These Times is a great critical novel by Charles Dickens. It is commonly
known as Hard Times. The novel was first published in 1854. It was Dickens’ tenth novel. The
book surveys English society and satirizes the social and economic conditions of the Victorian
era. It is by far the shortest of Dickens' novels.
Theme of The Novel
There are several themes in the novel:
[1] Utilitarianism
The novel becomes a masterpiece because of the main theme of Utilitarianism. Thomas
Gradgrind represents utilitarianism within the novel. As he raises his children, he stresses facts
over imagination. Thus, the subject of Hard Times is harmed utilitarianism in different aspects
of the novel.
[2] Fact vs. Fancy
The opposition between fact and fancy is illustrated from the earliest pages of the novel.
Clearly, Gradgrind opposes fancy, imaginative literature. Instead, he encourages the pursuit of
hard facts. Therefore, the novel shows the use of facts over fancy in education of the Victorian
era.
[3] Love
In Hard Times, Love itself can be a positive or negative emotion. There is couple of examples
where the spiritual uplifting love inspires better behavior and improvement.
[4] Marriage
There are no happy marriages in Hard Times. There’s a loveless disaster where husband and
wife grow to hate each other in case of Louisa and Bounderby.
Except all these, there are several more themes in the novel Hard Times like money, family,
education and some others.
Characters in The Novel
[1] Thomas Gradgrind Mr. Gradgrind is the intellectual founder of the Gradgrind
educational system and he is also a member of Parliament. He
represents the rigor of "hard facts" and statistics.
[2] Mr. Bounderby Mr. Bounderby is one of the central characters of the novel. He
employs many of the characters in the novel and he is very wealthy.
He marries Louisa Gradgrind and the marriage eventually ends
unhappily. Throughout the novel, Bounderby is an emblem of
hypocrisy.
[3] Louisa Louisa is one of the central characters of the novel. She is the eldest
of the Gradgrind children. When she grows older, her father
arranges her marriage to Mr. Bounderby. Her marriage with Mr.
Bounderby is soon dissolved and she never remarries. Throughout
her life, Louisa is unfulfilled because she has been forced to deny
her emotions.
[4] Tom Tom is the son of Mr. Gradgrind. His ultimate misdeed comes when
he steals money from his safe in the bank and then announces the
loss as a true theft. In the end, Tom is forced to flee the country to
escape punishment. He dies overseas and full of regret.
[5] Stephen Blackpool Stephen is a poor laborer in one of Josiah Bounderby's factories. He
is married to a drunken woman who wanders in and out of his life.
After losing his job at the factory, Stephen is accused of committing
a crime that he did not actually commit. When returning to
Coketown to defend his honor, Stephen falls into a pit and injures
himself. He is rescued but he eventually dies.
[6] Sissy Sissy lives with the Gradgrind family but she is a poor pupil at their
school. In contrast to Mr. Gradgrind, Sissy lives by the philosophy of
emotion, fancy, hope and benevolence. In the end, her kindhearted
nature softens the rough edges of the Gradgrind family and they
come to be grateful for what she has done for them.
[7] Rachael Rachael is an unmarried companion of Stephen Blackpool. She
keeps his spirits up while he is suffering and after he has left
Coketown, she takes it as her responsibility to defend his honor.
[8] Mrs. Sparsit Mrs. Sparsit is a widow who has fallen on hard times. She is
retained in Mr. Bounderby's service until her snooping gets her
fired.
[9] Other Characters James Harthouse, Bitzer, Mrs. Gradgrind, Signor Jupe, Mr. Sleary
and some others.
Mirror of Victorian Life
We saw the picture of Victorian life of English people as we read the novel. Being
industrialized, machinery was primary in the national life of England. The advancement of
industries caused many conflicts, dissatisfaction and problems between capitalist and labours.
This situation was greatly seen in the novel where the labours made a union against their boss,
Mr. Bounderby. There are few other features of Victorian life that get perfect expression
through the pen of Dickens in Hard Times. Thus, the Victorian life was greatly portrayed in Hard
Times.
Selfishness in Victorian Society
Selfishness or the utilitarianism was one of the targets of Dickens’ satire. Dickens
gracefully depicts utilitarian and utilitarianism of the people of Victorian era in Hard Times. The
novel Hard Times shows that everyone in this novel is for themselves. There is a great example
of selfishness in the novel. Thomas Gradgrind convinces his daughter Louisa to marry Mr.
Bounderby who is much older than her and a successful owner of a factory. Gradgrind convince
his daughter to marry Bounderby because if Louisa marries him, then her brother Tom would
get a better life. Therefore, the play shows the selfishness of each and every characters of the
novel.
Upper Middle Class Life
In his novel, Hard Times, Dickens used his characters to describe the poor – rich system
that was seen in Victorian Life or society. Hard Times reveals that money was inevitably the
most important thing of the people of Victorian Age. The upper middle class was presented in
the novel as being less worried about money, having plenty of it. Therefore, Hard Times is the
representative novel of Victorian upper middle class life.
Femininity in Victorian Society
During the Victorian era, women were commonly associated with feminine traits like
compassion, and emotional sensitivity. For example, when Stephen feels depressed about the
charmlessness of his life as a factory worker, Rachael inspired him to keep going. Rachael was a
guiding angel to him. Apart from all these, we see many other examples of the importance of
femininity of women that was presented in the novel, Hard Times.
Conclusion
Hard Times is a novel by great merit. It is the most flawed of Dickens classics possibly,
but it is still a classical. Hard Times is the tenth novel of Charles Dickens, and unusual in several
ways. It is by far the shortest of Dickens’s novels, barely a quarter of the length of those written
before and after it. The novel condemns the system by the claims of individual human being
which are trampled in a general confusion.
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Hard Times: Attack on Victorian Education
Theory
About Author
Charles John Huffam Dickens, simply known as Charles Dickens and born in 1812, was an
English writer and social critic. He is regarded by many as the greatest novelist of the Victorian
era. His works enjoyed unprecedented popularity during his lifetime, and by the 20th century
critics and scholars had recognized him as a literary genius. His novels and short stories are still
widely read today.
Introduction
Hard Times – For These Times is a great critical novel by Charles Dickens. It is commonly
known as Hard Times. The novel was first published in 1854. It was Dickens’ tenth novel. The
book surveys English society and satirizes the social and economic conditions of the Victorian
era. It is by far the shortest of Dickens' novels.
Theme of The Novel
There are several themes in the novel:
[1] Utilitarianism
The novel becomes a masterpiece because of the main theme of Utilitarianism. Thomas
Gradgrind represents utilitarianism within the novel. As he raises his children, he stresses facts
over imagination. Thus, the subject of Hard Times is harmed utilitarianism in different aspects
of the novel.
[2] Fact vs. Fancy
The opposition between fact and fancy is illustrated from the earliest pages of the novel.
Clearly, Gradgrind opposes fancy, imaginative literature. Instead, he encourages the pursuit of
hard facts. Therefore, the novel shows the use of facts over fancy in education of the Victorian
era.
[3] Love
In Hard Times, Love itself can be a positive or negative emotion. There is couple of examples
where the spiritual uplifting love inspires better behavior and improvement.
[4] Marriage
There are no happy marriages in Hard Times. There’s a loveless disaster where husband and
wife grow to hate each other in case of Louisa and Bounderby.
Except all these, there are several more themes in the novel Hard Times like money, family,
education and some others.
Characters in The Novel
[1] Thomas Gradgrind Mr. Gradgrind is the intellectual founder of the Gradgrind
educational system and he is also a member of Parliament. He
represents the rigor of "hard facts" and statistics.
[2] Mr. Bounderby Mr. Bounderby is one of the central characters of the novel. He
employs many of the characters in the novel and he is very wealthy.
He marries Louisa Gradgrind and the marriage eventually ends
unhappily. Throughout the novel, Bounderby is an emblem of
hypocrisy.
[3] Louisa Louisa is one of the central characters of the novel. She is the eldest
of the Gradgrind children. When she grows older, her father
arranges her marriage to Mr. Bounderby. Her marriage with Mr.
Bounderby is soon dissolved and she never remarries. Throughout
her life, Louisa is unfulfilled because she has been forced to deny
her emotions.
[4] Tom Tom is the son of Mr. Gradgrind. His ultimate misdeed comes when
he steals money from his safe in the bank and then announces the
loss as a true theft. In the end, Tom is forced to flee the country to
escape punishment. He dies overseas and full of regret.
[5] Stephen Blackpool Stephen is a poor laborer in one of Josiah Bounderby's factories. He
is married to a drunken woman who wanders in and out of his life.
After losing his job at the factory, Stephen is accused of committing
a crime that he did not actually commit. When returning to
Coketown to defend his honor, Stephen falls into a pit and injures
himself. He is rescued but he eventually dies.
[6] Sissy Sissy lives with the Gradgrind family but she is a poor pupil at their
school. In contrast to Mr. Gradgrind, Sissy lives by the philosophy of
emotion, fancy, hope and benevolence. In the end, her kindhearted
nature softens the rough edges of the Gradgrind family and they
come to be grateful for what she has done for them.
[7] Rachael Rachael is an unmarried companion of Stephen Blackpool. She
keeps his spirits up while he is suffering and after he has left
Coketown, she takes it as her responsibility to defend his honor.
[8] Mrs. Sparsit Mrs. Sparsit is a widow who has fallen on hard times. She is
retained in Mr. Bounderby's service until her snooping gets her
fired.
[9] Other Characters James Harthouse, Bitzer, Mrs. Gradgrind, Signor Jupe, Mr. Sleary
and some others.
Education Theory in Victorian Era
Hard Times was written in the Victorian period around 1854 when the work had become
more important. The novel, from the very beginning, was originally intended to criticize
education system of Victorian era. Dickens has a negative view on the education system of the
age. He felt that it was useless and has no such values for futures. There were lots of pupils in
one classroom with boys and girls separated by a gap in the middle. They were thought facts
and not allowed to have fun or fancy. Dickens has strongly disagreed with this education theory
of the Victorian age in the novel Hard Times.
Gradgrind’s Education Theory
The novel Hard Times makes us familiar with the education theory of the Victorian
period. Dickens presents to us Gradgrind’s education theory throughout the novel. In Hard
Times, Thomas Gradgrind was helped by the government inspector and the new schoolmaster.
Gradgrind has established a model school to make all the boys and girls learn facts and facts
only. According to him –
Facts alone are the need of Life, the brains of reasoning animals should be filled
with facts and facts only.
Gradgrind is portrayed as a man of realities, facts and calculations. He always believes that two
and two will make four and nothing else. Dickens satirizes him by saying that if this man would
have learnt a bit less he can teach the students better.
Education and Utilitarianism
The education theory in Victorian period is much influenced by utilitarianism. Gradgrind
brings up his children strictly according to the particular educational theory. No child of
Gradgrind has ever seen a single face in the moon; even they are not allowed to wonder at
anything, because there are facts which should gratify them. In brief, the system of the
education of Victorian age stresses the facts completely divorced off all the sentiments,
affection, imagination and feelings. Thus, the education was one of the aspects that
Utilitarianism has influenced in the novel.
Facts vs. Imagination
To present the differences between fact and fancy, Dickens uses literary devices like
setting and metaphors. Ironically, Dickens uses creative metaphors as he said – “Painted face of
a Savage.” Dickens attempts to portray a civilized society being a savage and cruel society.
The opposition between fact and fancy is illustrated from the earliest pages of the novel.
As Gradgrind speaks in the novel that –
Now, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts
alone are wanted in life. Plant nothing else, and root out everything else.
Clearly, Gradgrind opposes fancy, imaginative literature. Instead, he encourages the
pursuit of hard facts. Therefore, the novel shows the use of facts over fancy in education of the
Victorian era.
Conclusion
Hard Times is a novel by great merit. It is the most flawed of Dickens classics possibly,
but it is still a classical. Hard Times is the tenth novel of Charles Dickens, and unusual in several
ways. It is by far the shortest of Dickens’s novels, barely a quarter of the length of those written
before and after it. The novel condemns the system by the claims of individual human being
which are trampled in a general confusion.
Christabel
S. T. Coleridge
Introduction
Christabel is an incomplete poem written by Samuel Taylor Coleridge. It is a long
narrative poem in two parts. The first part was written in 1797, and the second was in 1800.
Coleridge actually planned to publish three parts, but it never completed. Christabel was left
out from the Lyrical Ballads also under the advice of William Wordsworth and then it was
published in a pamphlet in 1816, alongside Kubla Khan and The Pains of Sleep. Christabel
presents the supernatural, the world of dreams, but it presents it in its own distinctive way. It is
notable for creating the willing suspension of disbelief in the mind of readers.
Theme
There are many common themes in the poem which Coleridge often pen in his poems –
Good versus Evil, Memory and the Past, Compassion and Forgiveness, and the Supernatural
also. Along with all these themes, Christabel also presents the world of supernatural and the
world of dreams too. Although the themes used in Christabel are very distinctive in its own
way, and these themes make the poem appreciable.
Good versus Evil
Christabel is a poem about the conflict between good and evil. Christabel is good;
Geraldine is evil. Geraldine has appeared at the castle with the obvious intention of drawing
Christabel into evil; perhaps, it is implied, through a sexual seduction. Early in the poem, the
forces on both sides of the conflict are clearly lined up. Christabel has her faith, as expressed in
her prayers to God and to the Virgin Mary. Moreover, she has a spiritual guardian in her dead
mother as well as an earthly guardian in her beloved father. While recognizing the power of
evil, Coleridge did not intend for it to win, and in the conclusion, just as in Coleridge’s The Rime
of the Ancient Mariner, nature has justified; the woods, as well as the castle, will be rescued
from evil by the power of good.
Conclusion
Christabel has been regarded by some critic as an allegory. Christabel represents the
element of good in this world and Geraldine that of evil. On the whole, the poem is marked
with a strange melody and contains many passages of exquisite poetry.
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David Copperfield
Charles Dickens
Introduction
David Copperfield considered to be an outstanding novel of Charles Dickens. It is the
eighth novel of Charles Dickens, published in 1850. The novel has an autobiographical appeal. It
features the character of David Copperfield, with his own adventures and the numerous friends
and enemies he meets along his way. It is his journey from being an impoverished, neglected
child to a successful author. Many elements of the novel follows events of Dickens’s own Life,
and is often considered his veiled autobiography. It was Dickens’s favorite among his own
novels. In the preface to 1867 edition, Dickens wrote –
Like many fond parents, I have in my heart of hears a favorite child. And his name is
David Copperfield.
Theme
In David Copperfield, Dickens portrays many types of human suffering: for example,
poverty, child labor, social disgrace, and betrayal by friends and loved ones. He also emphasizes
the vital importance of kindness and charity that is given without thought of return. Such acts
are nevertheless generally rewarded, as a kindness given inspires a kindness in return.
Plight of The Weak
Throughout David Copperfield, the powerful abuse the weak and helpless. Dickens
focuses on orphans, women, and the mentally disabled to show that exploitation—not pity or
compassion – is the rule in an industrial society.
The weak in David Copperfield never escape the domination of the powerful by
challenging the powerful directly. Instead, the weak must ally themselves with equally powerful
characters. David, for example, doesn’t stand up to Mr. Murdstone and challenge his authority.
Instead, he flees to the wealthy Miss Betsey, whose financial stability affords her the power to
shelter David from Mr. Murdstone. David’s escape proves neither self-reliance nor his own
inner virtue, but rather the significance of family ties and family money in human relationships.
Conclusion
David Copperfield is Dickens’s one of the most popular novels. The immense popularity
of this novel rests on Dickens’s power of characterization, depicting humorous and pathetic
situations and memorable and immortal characters. The novel also contains one of the best
pictures of childhood in English Literature.
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Great Expectations
Charles Dickens
Introduction
Great Expectations is the 13th novel by Charles Dickens. It is regarded as one of his
greatest and most sophisticated novels. The novel was published in 1860. It is a social criticism.
The structure of the novel is more organized and well interwoven compared to his early novels.
It is the story of the protagonist, Philip Pirrip commonly known as Pip throughout the novel. It
chronicles the coming of the age of the orphan Pip while also addressing issues as social class
and human worth. It is due to this structural unity of the novel that the novel has remained
popular even today.
Theme
Charles Dickens was a social reformer. Like many of his novels, Great Expectations
explores themes of social class, poverty, and crime. Its main character, Pip, starts out a lonely
orphan and becomes a young gentleman. Along the way, however, he struggles to find himself,
and he has many experiences that cause him to question his worldview. In the end, the central
theme of Great Expectations may well be the search for one's identity.
The Story
Charles Dickens has introduced many characters but the main story revolves around
only four or five main characters – Pip, Magwitch, Miss Havisham, Jaggers, Joe and Estella.
Dickens has employed the first person narrative method in this novel. The hero of the novel Pip
is the narrator of the story. The novel is based on a finely planned picaresque theme. The two
elements had been possible only due to the brightness and keenness of observation of Dickens.
During the boyhood, Pip encounters the convict destined to be his benefactor whom he
helps with a little food; Pip also gave him a file with the help of which the convict gets rid of
iron chain of legs. During his youth, Pip gets the benefit of the financial help. Thus, the novelist
has depicted a distinct stage in the life of Pip and his moral development with adequate balance
and proportion.
Conclusion
Among Dickens’s novels, Great Expectations has always been a particular favorite,
among both children and adult readers. Its story, with its hero growing from childhood to
manhood, has a very fundamental storytelling appeal, while its range of characters and
settings, its element of mystery and even adventure towards the end, make it compelling
reading.
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Kenilworth
Sir Walter Scott
Introduction
Sir Walter Scott has been rightly called as the father of the historical novel in English
Literature during the 19th century. A historical novel is a novel which attempts to reconstruct
the Life and the atmosphere of an age rather than those of the writer. Kenilworth is a blend of
fact and fiction. It was published in 1821. The novel is a historical romance. Being a historical
novel, Kenilworth is set against the background of Queen Elizabethan’s reign. The novel mainly
focuses on the selfishness versus selflessness and ambition versus Love.
Theme
Kenilworth is a novel of selfishness versus selflessness and ambition versus love. Amy
and the Earl both struggle internally with selfishness and love, while Varney and Tressilian each
typify the extremes of the two qualities. The Earl is shown as an ambition – driven man who will
stoop to deceit and almost anything else in order to attain his goals, but with one saving grace –
he loves Amy, and in the end gives up his pride and ambition to confess their marriage.
Romantic Supernaturalism
Scott has given a mysterious atmosphere by the device of secrecy and intrigue. The roles
of Wayland Smith and Alasco are good substitutes for the supernatural of the fable. Scott’s
romanticism is not airy, but it is colored with a strong realistic sense. The main interest in
Scott’s historical novel is not historical but it has purely fictitious interest. There is a free play of
imagination between fact and legend. The novel also has a serious moral purpose. Scott has
presented some romantic elements with the help of the characters like Queen Elizabeth and
Amy Robsart.
Conclusion
Undoubtedly, Kenilworth is one of the best historical novels in English Literature. Much
of the novel gives a fair depiction of the Elizabethan court, although the circumstances of Amy
Robsart's death from a fall are greatly altered, and also many other events are a product of
Scott's imagination throughout the novel. Thus, it can be said that Kenilworth is not just a
historical novel but also a historical romance.
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Lyrical Ballads
William Wordsworth and S. T. Coleridge
Introduction
Lyrical Ballads, with a Few other Poems is a collection of poetry by William
Wordsworth and Samuel Taylor Coleridge. It was first published in 1798. It was considered as
the beginning of the Romantic Movement in the English Literature. Most of the poems were
written by Wordsworth, with Coleridge’s contribution of only four poems including one of his
most famous works, The Rime of Ancient Mariner. The second edition was published in 1800; in
which, Wordsworth included additional poems and a preface detailing the pairs of avowed
poetical principles. The last addition was published in 1802.
Theme
Lyrical Ballads marked Romantic Movement to the English Literature. One of the main
themes of Lyrical Ballads is the return of the original state of nature, in which people led purer
and more innocent existence. Wordsworth also mentioned Rousseau’s belief that –
Humanity was essentially good but was corrupted by the influence of the society.
The preface to Lyrical Ballads is one of the masterpieces of English Criticism; it is intelligent,
subtle, yet extremely clear and proactive.
Lyrical Ballads
In Lyrical Ballads, Wordsworth expressed his views on poetical style in a revolutionary
way. He insisted that poetry should be written in a selection of the real language of men in a
state of vivid sensation. Wordsworth has given the theory of new poetry in ‘Preface’ by saying
that –
Poetry is the breath and finer spirit of all knowledge. It is the spontaneous overflow of
powerful feelings; it takes its origin from emotions recollected in tranquility.
The majority of the poems of Lyrical Ballads are to be considered as experiments. They were
chiefly written with a view to ascertain how far the language of conversation in the middle and
lower classes of society is adapted to the purpose of poetic pleasure.
Conclusion
In this way, Wordsworth discussed the nature and function of poetry, poetic process,
the qualifications of poetry and the poetic truth in Lyrical Ballads. He regards poetry superior to
philosophy, history and science. That’s why the Preface is a landmark in the history of literary
criticism.
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Pride and Prejudice
Jane Austen
Introduction
Pride and Prejudice is a romantic novel by Jane Austen. It is considered to be the finest
novel of Jane Austen which occupies a very important place as a work of art in the history of
English fiction. The novel was based on Shakespeare’s Much Ado About Nothing. It was
published on 28th January, 1813. The novel mainly focuses on the manners, education, marriage
and money of the British Regency period. It has become one of the most popular novels in
English literature with over 20 million copies sold, and paved the way for many standards that
around in modern literature.
Theme
Though novel mainly focuses on the different aspects of British Regency period such as
manners, education, marriage and money, Pride and Prejudice contains one of the most
adorable love stories of English literature. It depicts a society in which a woman’s reputation is
of the utmost importance. A woman is expected to behave in a certain ways. Also the theme of
Love versus Class is as noticeable as others.
Love versus Class
In Pride and Prejudice Jane Austen cleverly begins her novel with an introduction that reunites
all of the central themes of the novel: "Love versus Class and Reputation".
It is a truth universally acknowledged that a single man in possession of a good fortune,
must be in want of a wife.
This means that Regency society had a habit to expect young men to inherit property
from someone in their family and coming to property would mark social and financial success.
The single man in possession of a good fortune must be in want of a wife. And for that, women
need to prepare themselves for the opportunity of having this fortunate man consider them as
potential wives. The males equally seem hesitant to accept a potential wife merely out of being
told to do so. Yet, it is in the fact that social class came in between the Pride and Prejudice
bases its central theme of "Love, against Class and Reputation.”
Conclusion
Though the story of the novel is set at the turn of the 19th century, it retains a
fascination for modern readers. The novel has been the most popular of Jane Austen’s novels
with subsequent generations. It is regarded as one of the first ten novels of the world.
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Sense and Sensibility
Jane Austen
Introduction
Sense and Sensibility is a novel by Jane Austen, published in the year of 1811. It is
considered to be the most outstanding satire on sentimentalism. It is the work of Romantic
fiction too. The novel marked a great success for its author. Jane Austen wrote the first draft of
the novel in the form of a Novel in Letters and gave it the title Elinor and Marianne. She later
changed the epistolary form to a narrative and the title to Sense and Sensibility. The novel
portrays the Life and Love of the Dashwood sisters, Elinor and Marianne; Elinor represents
sense, while sensibility is represented by her sister Marianne.
Theme
One major theme in Sense and Sensibility is the contrast between the rational mind and
emotions. Jane Austen wrote this novel as a protest against the passionate ideas found in
popular works of the Romantic period. The novel teaches that it is far better to rely on sense
when it comes to matters of the heart, then it is to be guided by uncontrolled emotions.
The Satire
Satire is a literary mode based on criticism of people and society through ridicule.
Sense and Sensibility is a satirical in tone. The satire is mostly directed against sensibility
and sentimentality depicted in the character of Marianne. Jane Austen also ridicules the
selfishness and worldly wisdom of Mrs. John Dashwood and the henpecked nature of John
Dashwood. The style of the novel is forcefully ironical and the dialogues through which the
comedy is represented are piquant and trenchant. It seems that to represent the physical and
psychological suffering resulting from the accident in love, is the primary intention of the
novelist Jane Austen. But to represent the social reality in a satirical way is also the subtle
purpose of Jane Austen in Sense and Sensibility.
Conclusion
Christabel has been regarded by some critic as an allegory. Christabel represents the
element of good in this world and Geraldine that of evil. On the whole, the poem is marked
with a strange melody and contains many passages of exquisite poetry.
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The Rime of The Ancient Mariner
S. T. Coleridge
Introduction
The Rime of The Ancient Mariner is the longest major poem by the English poet Samuel
Taylor Coleridge. It is one of the finest and best poems in English narrative poetry. It was
written in 1797 – 98, and published in 1798 in the first addition of Lyrical Ballads. The poem is
the most sustained piece of imagination in the whole of English poetry and has almost very
definable merit of imaginative narration. Coleridge takes us from this world of sordid realities
to a voyage on distant seas on the wings of imagination. John Buchan says –
Coleridge’s poetry represents the culminations of romanticism in its purest forms.
Theme
Though sin and repentance are the central themes of The Rime of the Ancient Mariner,
the description of natural world's power in the poem is unquestionable. However, the work has
popularly been interpreted as an allegory of man's connection to the spiritual, metaphysical
world. And at last, the poem is also a portrait of imprisonment and its inherent loneliness and
torment as describe by Coleridge –
Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity
On my soul in agony.
Sin and Repentance
Sin and repentance are the central ideas of the poem. In The Rime of the Ancient
Mariner, sin separates God from man and prevents the Mariner from understanding his
relationship with God and creation. That sin is pride, and the Mariner spends the rest of his life
atoning for it through suffering and humility. The Mariner's story is in essence a confession.
Ever since killing the albatross, he has been walking around, telling his story to anyone who will
listen. The Mariner wants to atone for his sin by steering others away from it.
Nature and religion are closely linked in the poem. The ancient Mariner learns too late
that God loves every creature, big or small. Each one is a living testament to his power and to
the beauty of the earth. Killing the albatross is a sin because it destroys part of God's creation.
Conclusion
Supernatural and mysterious atmosphere is woven all around by the power of
Coleridge’s poetic genius. The poet produces a unique poem, in which the magic of poetry
imparts an air of reality to the supernatural. The central idea of the poem was suggested by
Wordsworth. According to Coleridge –
The poem is based on a dream of his friend. It is noteworthy for its dramatic element.
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Vanity Fair
W. M. Thackeray
Introduction
Vanity Fair is an English novel by William Makepeace Thackeray. It was first published as
a 19 volume monthly series from 1847 to 1848, with the subtitle of Pen and Pencil Sketches of
English Society. Then it was published as a single volume in 1848 with the subtitle A Novel
without A Hero, reflecting Thackeray’s interest in deconstructing his era’s conventions
regarding literary heroism. The novel created stir in the Victorian world. In Vanity Fair,
Thackeray has portrayed realistically the life of upper – middle class people of the Napoleon
War period. Also a cross – section of contemporary society is presented to us and every one of
its members represents some one or the other folly, vanity or affectation of Vanity Fair. The
novel is sometimes considered the principle founder of the Victorian domestic novel.
Theme
The title of the novel clearly indicates its themes. It is a satiric exposure of the snobbery,
materialism, and craze for social climbing of the upper – middle class in English society of the
first half of the 19th century. The novel engages with themes of deception and manipulation, as
characters attempt to get what they want by using other characters, either through marriage,
business deals, or other means. The novel also considers themes of desperation and some
others.
The Vanity
Vanity is the motivation of most characters, driving the entire bourgeoisie reality. Vanity
takes many forms in the novel. The satire relents at the end of the novel as Amelia and Dobbin
unite and become friends with Lady Jane Crawley, but the majority of the narrative exposes the
fraudulent lifestyle which gives value to appearance and possessions rather than love and
honesty.
Vanity appears most often in the novel in the form of excessive love of one's self, or
narcissism. For example, Amelia, though often portrayed as a selfless victim, is guilty of this
trait when she desperately takes whatever she can from her rich and corrupt father-in-law.
Vanity is an obsession with ephemeral, inevitably worthless things. This is best illustrated in
Dobbin's obsession with Amelia, because even though he is the only character Thackeray does
not consider odious, Dobbin can only have the one thing he has always wanted, besides
declaring that it is not worthy of his devotion.
Conclusion
Though the novel is without a hero, it is like Fielding’s Tom Jones, makes a
comprehensive and elaborates survey of the Victorian scene. It is the novel of social criticism. It
has been rightly said that Vanity Fair is now universally recognized as a brilliantly dazzling novel
and a masterpiece of fiction in the English language. In the opinion of E. A. Baker –
Vanity Fair at once a great anatomy of society, and the epic of a great adventure.
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