chapter 61 elgar and vaughan williams
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Chapter 61
England at the End of the
Romantic Period: Elgar and
Vaughan Williams
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Edward Elgar and Late 19th-Century English Music
• Late 19th-century English music was supplied largely by foreign composers – though the operettas of Gilbert and Sullivan
were universally admired.
• Edward Elgar adopted the musical language of German romantic composers – especially Wagner
• His “Enigma” variations for orchestra were his first international success.
• The revival in English music was continued by his younger contemporaries – such as Vaughn Williams
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The Life of Edward Elgar (1857–1934)
• 1857 - born near Worcester to the family of a church organist
• 1899 - international success with the orchestral Enigma Variations
• 1901 - composes the first two Pomp and Circumstance marches for orchestra
• 1904 - knighted by King Edward VII
• 1934 - dies in Worcester
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Principal Compositions by Edward Elgar
• Orchestra: symphonies (2), concertos (1 for violin, 1 for cello), overtures, marches, Enigma Variations
• Chorus: oratorio The Dream of Gerontius among many other pieces
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Edward Elgar, Variations on an Original Theme (Enigma), 1899, theme and
variation 9 (“Nimrod”)
Theme: Rounded Binary form
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The Music of Ralph Vaughan Williams (1872-1958)
• Vaughn Williams continues some of the romantic traits of Elgar’s music by use of:
– expressive melodies– traditional forms and genres.
• But, Vaughn Williams partly turns away from Elgar’s Germanic romanticism by:
– use and imitation of English folk song– Renaissance melodies [Nationalism].
• He clearly does so to stamp his music as English rather than German
– a product of the 20th century rather than the 19th century.
• He developed a harmonic language based on the old church modes.
• Helps edit and collect a new collection called the English Hymnal (which included some of his own hymns).
• He also created hymns by joining folk songs to hymn texts – and by reviving the music of various Renaissance composers.
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Ralph Vaughan Williams