WRITTEN EXERCISES

1. On the staff below, notate the following chord progressions. Make sure to implement good voiceleading.

CHAPTER 13

Idiomatic Jazz Progressions

13–2 IDIOMATIC JAZZ PROGRESSIONS

2. Analyze the following chord progression with lead-sheet symbols and Roman numerals.

IDIOMATIC JAZZ PROGRESSIONS 13–3

2. Realize the following progressions using Models III and IV of keyboard playing.

KEYBOARD SKILLS

1. Realize the following progressions using Models I and II of keyboard playing.

13–4 IDIOMATIC JAZZ PROGRESSIONS

Dm7 G7 C∆7 C6Dm7 G7 D 7 C∆7 C6D7 G7 C∆7 C6A 7 G7 C∆7 C6A 7 D 7 C∆7 C6A 7 A m7 D 7 C∆7 C6

E m7 A 7 Dm7 G7 C∆7 C6D7 A 7 G7 C∆7 C6D7 A 7 G7 D 7 C∆7 C6E m7 A 7 A m7 D 7 C∆7 C6

Dm7 E m7 A 7 G7 A m7 D 7 C∆7 C6Dm7 A 7 E m7 A 7 Dm7 D 7 C∆7 C6

D7 E m7 A 7 A m7 D 7 D7 D 7 C∆7 C6D7 E m7 A 7 D7 A 7 G7 D 7 C∆7 C6

bbb bb bbbb bb bb b b b bbbb bbb bb

b

b

b b

b b bb

Closely Related Keys

I ii–V7 (ii–V7)/IV IVI ii–V7 (ii–V7)/V VI ii–V7 (ii–V7)/II III ii–V7 (ii–V7)/ VII VIII ii–V7 (ii–V7)/VI VII ii–V7 (ii–V7)/ III III

Remotely Related Keys

I ii–V7 (ii–V7)/III IIII ii–V7 (ii–V7)/ VI VII ii–V7 (ii–V7)/VII VIII ii–V7 (ii–V7)/ II III ii–V7 (ii–V7)/ IV IV

b bbb

b bbb

≥ ≥

IDIOMATIC JAZZ PROGRESSIONS 13–5

3. Realize the following progressions using Models V and VI of keyboard playing.

Major to Minor Keys

I ii–V7 (iiØ–V7)/ii iiI ii–V7 (iiØ–V7)/vi viI ii–V7 (iiØ–V7)/iii iiiI ii–V7 (iiØ–V7)/iv iv

Minor to Major Keys

i iiØ–V7 (ii7–V7)/III IIIi iiØ–V7 (ii7–V7)/VI VIi iiØ–V7 (ii7–V7)/VII VIIi iiØ–V7 (ii7–V7)/V Vi iiØ–V7 (ii7–V7)/ II II

Minor to Minor Keys

i iiØ–V7 (iiØ–V7)/iv ivi iiØ–V7 (iiØ–V7)/v vi iiØ–V7 (iiØ–V7)/ii iii iiØ–V7 (iiØ–V7)/vii viii iiØ–V7 (iiØ–V7)/iii iii

b b

13–6 IDIOMATIC JAZZ PROGRESSIONS

4. Realize the following progressions using Jazz Chorale 4-Part texture.

Less ChallengingDiatonic First Interpolation Second Interpolation New Tonic

ii–V7 [ii–V7]/IV (ii–V7)/VII VIIii–V7 [ii–V7]/VII (ii–V7)/ VII VIIii–V7 [ii–V7]/ V (ii–V7)/VI VIii–V7 [ii–V7]/III (ii–V7)/ VI VIii–V7 [ii–V7]/ VII (ii–V7)/V Vii–V7 [ii–V7]/ III (ii–V7)/ V Vii–V7 [ii–V7]/V (ii–V7)/IV IVii–V7 [ii–V7]/ IV (ii–V7)/III IIIii–V7 [ii–V7]/IV (ii–V7)/ III IIIii–V7 [ii–V7]/III (ii–V7)/II IIii–V7 [ii–V7]/II (ii–V7)/ II II

More ChallengingDiatonic First Interpolation Second Interpolation New Tonic

ii–V7 [ii–V7]/III (ii–V7)/VII VIIii–V7 [ii–V7]/II (ii–V7)/ VII VIIii–V7 [ii–V7]/ VI (ii–V7)/VI VIii–V7 [ii–V7]/IV (ii–V7)/ VI VIii–V7 [ii–V7]/ III (ii–V7)/V Vii–V7 [ii–V7]/VI (ii–V7)/ V Vii–V7 [ii–V7]/VI (ii–V7)/IV IVii–V7 [ii–V7]/ VII (ii–V7)/III IIIii–V7 [ii–V7]/VII (ii–V7)/ III IIIii–V7 [ii–V7]/ IV (ii–V7)/II IIii–V7 [ii–V7]/V (ii–V7)/ II II

bbb

bbbbb

bbb

b bbb

bb

bbbb

bbb

bb

≥

≥

IDIOMATIC JAZZ PROGRESSIONS 13–7

5. Realize the following progressions using Jazz Chorale 5-Part texture.

Beginning on II vi ii V7 iii vi ii V7

I ≥ ≥

≥

≥

io ii iio ii VI7 (ii–V7)/IVI (ii–V7)/IV IV ii V7

I [iiØ–V7]/vi (ii–V7)/IV IVI IV iii VII7 vi II7 ii TR/V

I IV ivo I VI7 II7 V7

I V7 IV7 VII7 I VI7 II7 TR/VI ivo iv iii VI7 ii VII7

I [iiØ–V7]/iii [ii–V7]/ b

bbb

b

bIII ii V7

I (iiØ–V7)/ii ii (iiØ–V7)/viI [ii–V7]/ II ii V7 II [ii–V7]/ VII [ii–V7]/ VI ii V7

I (ii–V7)/ VI VI ii V7

Beginning on iiii V7 I vi [ii–V7]/ III ii TR/Vii V7 vi II7 iii iiio ii V7

ii V7 [ii–V7]/ III [ii–V7]/ V (ii–V7)/VIii V7 [ii–V7]/II vi II7 ii TR/ViiØ V7 I [ii–V7]/III ii V7

iiØ V7 I V7 IV7 VII7 I(iiØ–V7)/iv iv ii V7 I

Beginning on IVIV [ii–V7]/ III I ii TR/VIV ii V7 I vi (iiØ–V7)/viIV iii vi ii V7 TR/VIV ≥ivº I I

IV [iiØ–V7]/iii (iiØ–V7)/ii ii TR/VIV (iiØ–V7)/vi vi II7 ii V7

Beginning on vivi ii V7 Ivi II7 ii TR/Vvi ii V7 I (iiØ–V7)/iivi [iiØ–V7]/vi (iiØ–V7)/iii iiivi [iiØ–V7]/vi [ii–V7]/IV ii V7

b

bbb b

bb

b

b b

EAR TRAINING SECTION AUDIO TRACKS

Harmonic Progressions ID

On the staff below, notate the bass line and analyze the progression with lead-sheet symbols and Romannumerals. There are two half notes per measure. (Answer Key)

Track 75: FIVE four-bar progressions with a single [ii–V7]/X interpolation.

13–8 IDIOMATIC JAZZ PROGRESSIONS

Track 76: FIVE four-bar modulations.

IDIOMATIC JAZZ PROGRESSIONS 13–9

Track 77: FIVE four-bar modulatory paths.

13–10 IDIOMATIC JAZZ PROGRESSIONS

Track 78: FIVE four-bar progressions with a single [iiØ–V7]/X interpolation.

IDIOMATIC JAZZ PROGRESSIONS 13–11

Track 79: FIVE four-bar progressions with two [ii–V7]/X interpolations.

13–12 IDIOMATIC JAZZ PROGRESSIONS

Track 80: FIVE miscellaneous four-bar progressions.

IDIOMATIC JAZZ PROGRESSIONS 13–13