chapter 1

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Communication

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  • !"#$"#%&

    #&

    ENGL 4E

    Profession

    al Commu

    nications

    for Enginee

    rs and Arch

    itects

  • !"#$"#%&

    %&

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    !If one was to model the number of relationships

    between bodies in a project then the formula

    would look like this; ![n * (n-1)]/2 where n is

    the number of people involved in the project.

  • !"#$"#%&

    $&

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    Success is:

    !10% Skills !90% Attitude

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    Skills: !Knowledge of Theory !Practical Application !Critical Thinking

  • !"#$"#%&

    '&

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    Attitude: !Confidence !Leadership !Public Relations !Personality

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    Global engineering educators, at this time

    and age, consider communication as key

    competency for engineers and

    architects, yet students too often

    see communication subjects as busywork

    just for completion to graduate.

  • !"#$"#%&

    (&

    Imp

    orta

    nce

    of

    Com

    mun

    icat

    ions

    for

    Tech

    nica

    l Pr

    ofes

    sion

    als

    One reason that many

    students fail to recognize the importance of

    communication may be that communication

    is generally treated as

    a set of skills that students are supposed

    to acquire outside of engineering.

    Course O

    utline

    !Chapter 1: Int

    roduction

    !Chapter 2: Wr

    itten

    Communica

    tions

    !Chapter 3: Vis

    ual &

    Electronic

    Communica

    tions

    !Chapter 4: Or

    al

    Communica

    tions

  • !"#$"#%&

    !&

    Course O

    utline !Chapter

    5: Inter-pe

    rsonal

    Communica

    tions

    !Cross-cultura

    l

    communica

    tions

    !Group Discus

    sions

    !Meeting Tech

    niques &

    Manageme

    nt

    Ch 1: Introduction continued

  • !"#$"#%&

    )&

    Fund

    amen

    tals

    of

    Com

    mun

    icat

    ion

    The Communication Cycle Fu

    ndam

    enta

    ls o

    f C

    omm

    unic

    atio

    n !What are we trying to do?

    !Who is/are involved? !What technique/s can

    we use?

  • !"#$"#%&

    *&

    Typ

    es o

    f C

    omm

    unic

    atio

    n

    By Mode:

    !Speech !Body Language !Touch !Writing !Email !Web !Telephone

  • !"#$"#%&

    +&

    Typ

    es o

    f C

    omm

    unic

    atio

    n By Intent: !Deliberate !Unintentional !Subconscious

  • !"#$"#%&

    #,&

  • !"#$"#%&

    ##&

  • !"#$"#%&

    #%&

    Subconscious

    NV

    C

    !7% of meanin

    g is in

    the words s

    poken

    !38% in paralin

    guistic

    !55 % in the vi

    sual

    message

    from a UCL

    A study on N

    VC

    by Profess

    or A. Mehr

    abian

    Prof

    essi

    onal

    C

    omm

    unic

    atio

    ns fo

    r E

    ngrs

    & A

    rcht

    s

    Elements: !Analyzed information !Evidence & facts !Use of statistics !Use of graphs, charts & drawings !Straightforward composition

  • !"#$"#%&

    #$&

    Prof

    essi

    onal

    C

    omm

    unic

    atio

    ns fo

    r E

    ngrs

    & A

    rcht

    s

    NOT: !Emotional !Personal (except for PR or in oral speaking)

    !Literary creative (except for marketing) !Red herrings diverting

    or distracting in order to

    mislead

    Tech

    nica

    l VS

    Cre

    ativ

    e

    Technical Writing Creative Writing

    Content Factual, straight-forward

    Imaginative, metaphoric or symbolic

    Audience Specific General

    Purpose Inform, instruct, persuade

    Entertain, provoke, captivate

    Style Formal, standard, academic

    Informal, artistic, figurative

    Tone Objective Subjective

    Vocabulary Specialized General, evocative

    Organization Sequential, systematic

    Arbitrary, artistic

    Examples Technical reports, operation manuals, research

    Fiction, poetry, memoirs, autobiography, plays

  • !"#$"#%&

    #'&

    Assig

    nment

    No: P-01

    !Write 2 docum

    ents:

    1.Resume

    2.Creative, se

    lf-styled sh

    ort

    life story.

    !Each must be

    on 1 whole

    long bond

    only.

    !Encoded, use

    your own

    format.