celebrating the talent of emerging canterbury artists...society of aotearoa. i draw and celebrate...
TRANSCRIPT
Celebrating the talent of
Emerging Canterbury Artists
Page 2 of 18
THOMAS HANCOCK
Title: Yeltel Crosna
Details: Oil on board
Size: 550 x 520 mm
Price: $975
Title: Belas Laving
Details: Oil on board
Size: 550 x 520 mm
Price: $975
Title: Phaden Ghojec
Details: Oil on board
Size: 620 x 580 mm
Price: $1500
Page 3 of 18
THOMAS HANCOCK (cont’d)
Title: Linkdev Boset, 2016
Details: Oil on board
Size: 550 x 400 mm
Price: $875
Title: Wonum Flage, 2016
Details: Oil on board
Size: 550 x 400 mm
Price: $875
Artist Statement: Thomas is a Lower Hutt-born artist, who has been living and working in Christchurch
since 2010, graduating with an MFA (Painting) with Distinction from Ilam School of Fine
Arts in 2016. His earlier works are mostly a mix or portraiture and genre painting while in
more recent years he has concentrated more on still life.
Page 4 of 18
THOMAS HANCOCK (cont’d)
“I use found objects with the aim to create something that is both figurative and abstract. I
choose objects based on their ambiguity, their potential to create paintings that intrigue
the viewer. The objects I depict are often domestic and banal, yet have strong formal
qualities, which I look to amplify through the processes of photography and painting. The
object becomes the source from around which everything, from colour to composition, is
centered. Light is cast on the object to produce shadows that accentuate the linear, wiry
forms while also creating levels of variation in colour and brushwork. Through
photography and painting the subject is removed further from its original setting and gains
new life that is not tied to its original function. Its new function is to describe the
painting.”
Artist Details:
Name: Thomas Hancock
Email: [email protected]
Phone: 027 307 2789
Website: www.thomashancockfinearts.com
Page 5 of 18
DONNA-MARIE PATTERSON
Title: Drawing Water I, Drawing Water III
Details: Acrylic and resin
Size: 800 x 640mm each
Price: $875 each
Title: Drawing Memories 2017
Details: Arcylic and resin
Size: 800 x 640 x 800 mm
Price: $3450
Title: Baxter Glacier, 2017
Details: Hand drawn Ink Pen on Cotton Paper
Size: 700 x 875 mm
Price: $2650
.
Page 6 of 18
DONNA-MARIE PATTERSON (cont’d)
Artist Statement: Christchurch born Donna-Marie Patterson spends her time between Kaimata on the
West Coast and Christchurch. She graduated in 2016 with a Bachelor of Fine Arts degree
from the University of Canterbury School of Fine Arts, majoring in sculpture. Whilst
studying she was the recipient of more than ten awards and scholarships. Currently she is
completing postgraduate studies at the University of CanterburyChristchurch born
Donna-Marie Patterson spends her time between Kaimata on the West Coast and
Christchurch. She graduated in 2016 with a Bachelor of Fine Arts degree from the
University of Canterbury School of Fine Arts, majoring in sculpture. Whilst studying she
was the recipient of more than ten awards and scholarships. Currently she is completing
postgraduate studies at the University of Canterbury.
The driving force behind my work resides in conjoining ideas and aesthetics. My practice
investigates my deep personal relationship with New Zealand’s landscapes and environs,
(especially geological formations, rivers, glaciers and forests). My family’s 100-acre Kaimata
property, beside a hydro power station, was previously mined and farmed. The glacial
formed land is now naturally regenerating into lush rainforest, providing a sanctuary for
wildlife. This environment provides constant inspiration for my work as an artist, and a
reminder of the environmental, agricultural and economic issues relating to water.
Many consider that drawing is still basically the same as it has been since prehistoric times,
as it brings together man and the world. In its rawest form, drawing has an immediate
connection to human thought. Modern approaches to lines and drawings are varied, as are
the materials used. These drawing panels and sculpture reference flowing water, translated
though modern synthetic industrial materials.
Awards: (Select 2016, 2017)
Parkin Drawing Prize 2016 Highly Commended
Award
James Wallace Art Award 2016 Finalist
Molly Morpeth Canaday 2D Award 2016 Finalist
Molly Morpeth Canaday 3D Award 2016 Finalist
Clifton Asia Pacific Art Award 2016 Finalist
NZ Art Trust, Emerging Artist Award 2016 Award
Select Art Award, University of Canterbury Art Acquisitions 2016 Award
University of Canterbury, Seager Prize in Fine Arts 2016 Award
University of Canterbury, Vice Chancellor's Excellence Award 2015 & 2016 Award
Bickerton Widdowson Memorial Trust Scholarship 2015 & 2017 Award
Graduate Women Trust Award 2016 Award
Molly Morpeth Canaday 2D Award 2017 Highly Commended
Award
University of Canterbury, Ethel Rose Overton Scholarship 2017 Award
Exhibitions: (Select 2016 & 2017
Tai Tapu Sculpture Garden, Canterbury March 2016
Give Way (Solo Exhibition), University of Canterbury August 2016
Wallace Art Award, Pah Homestead, Auckland August 2016
NZ Sculpture on the Shore, Auckland November 2016
The Artists Room Fine Art Gallery, Dunedin December 2016
Refinery Art Space (Solo Exhibition), Nelson January 2017
CORNER Project Space (Solo Exhibition), Auckland February 2017
Pataka Art Museum, Porirua City February 2017
Artist Details:
Name: Donna-Marie Patterson
Email: [email protected]
Phone: 021 360 339
Web: www.donna-mariepatterson.com
Facebook: Donna-Marie-Patterson
Page 7 of 18
PHILIP MURRAY
Title: Your Stones to Hold
Details: Silicone Structures
Size: Between 800 mm - 1600 mm diameter
Price: $800 - $1600 (price based on diameter)
Artist Statement: ‘Your stones to hold’ is an installation that brings atmospheric and landscape features
inside a building. The sculptures are lenses that amplify soft changes of light and frame
floating stones against the outside view.
Inspiration comes from some of the natural states of water; snow melt, frost, hail and
condensation. Modern architectural conventions limit the effect these elements have on
our day to day lives. ‘Your stones to hold’ reconnects viewers with features of a landscape
that continue to be environmentally important.
The works can be temporarily located in any arrangement. The overlapping circles can be
quickly peeled from the window placed into any space.
Artist Details:
Name: Philip Murray
Email: [email protected]
Phone: 021 039 1982
Page 8 of 18
CHARLOTTE JACKSON
Title: Instant Food Series
Details: Oil paint and graphite paper on cradled board
Size: 160mm x 160mm
Price: $250.00
Size: 300mm x 300mm
Price: $350.00
Artist Statement: This selection of works are from my 'Instant Food Series' 2016. The body of work consists
of 12 paintings in total, and was created for my third year painting project at UC School of
Fine Arts. The series focuses on the depiction of various instant foods you can find on a
day-to-day basis. Having always obtained an interest in Still Life, the original inspiration for
this series was to generate a body of work that reflected the historical antecedents of Still
Life, but could also fit into a Contemporary context. As the series evolved, I decided to
explore the realms of scale, and how size effected compositional elements within the
work.
Page 9 of 18
CHARLOTTE JACKSON (con’t)
The linear section of the works show the drawing process used at the start of each
painting. I use white graphite paper as a medium to transfer the basic outline of
figure/form to the cradled board. Working with graphite paper provided an unpredictable
nature to the works surface, as the paper must be used face-down and can only be used
on one occasion. Following this process, I selected areas of the composition to paint in
fine detail. Combining these two techniques allows a realistic depiction of the works
subject matter, while also providing insight towards the process in which the paintings are
made.
Artist Details:
Name: Charlotte Jackson
Email: [email protected]
Phone: 021 207 2267
Page 10 of 18
MAIA ABRAHAM
Title: Pumanawa
Details: Charcoal on wall, audio of ‘Poi E’ (Installation work – not for sale)
This work is charcoal directly on the wall and it is an attempt to capture the movement
and rhythm of the poi. Although the work is a drawing which is still, the nature and
context of the work gives it a sense of movement and draws your eye constantly. The
name and audio suggests the connection to poi and Maori performance art giving it life,
context and adding to the idea of movement and performance. Its scale and immersive
nature relates to performance but also touches on the very broad idea of culture and
community
Title: Pumanawa Kotahi’
Details: Oil pastel on paper
This work is an extension of the large performative charcoal work down the concrete
wall. I have wanted to push this idea into another medium with the addition of colour to
enhance the ideas around performance, movement and contemporary presentation. This
also highlights the action and displays the process in a different way yet still referencing
the wider context of the larger work.
Price: TBC
Title: E Ora ai te Reo
Details: Coloured acrylic, jewellery cord
Price: $250.00 each
Page 11 of 18
MAIA ABRAHAM (con’t)
Artist Statement: Ko Maia Abraham ahau, no te mana whenua o Tauranga Moana me nga tupuna hoki o tera
rohe ki Katikati. I now live in Otautahi Christchurch while I study. Throughout my
practice as an artist I am dealing with my identity and my context as a person within the
society of Aotearoa. I draw and celebrate aspects of my culture such as performance art,
objects, adornment and cultural practices through the presentation of my art. Reflecting
on and understanding traditional practices are very important to me but it’s also
important for me to allow my culture and expression of it to develop and evolve. I enjoy
doing this through my exploration and translation of my culture through non-traditional
practices such as using materials with a nature of being bright coloured and synthetic. This
technique is a way for me to advance Maori art and culture from a distant practice of
tradition that operates out of history and the past into the current and relevant context of
the present.
Artist Details:
Name: Maia Abraham
Email: [email protected]
Phone: 021 124 7191
Page 12 of 18
MIKAELA MARSHALL
Title: Living Room, 2016
Details: Pen on paper
Size: 2000 x 1500 mm
Price: $500
Title: Pending, 2016
Details: Pen on butter paper in frosted perspex box
Size: 297 x 210 mm
Price: $500
Page 13 of 18
MIKAELA MARSHALL (cont’d)
Artist Statement: The translator is, at first glance, the author. But who is the author? What is the status of
the ‘I’ who writes and who writes in the name of an ‘I’ who speaks? What do they have in
common, given that, during the course of the narrative, the relation of one to the other
and the signification of the one and the other do not change? The existence of the writer
is proof that within one individual there exists, side by side, a mute who has lost all words.
The writer finds no other reason for her inclination to confess herself. But the refusal to
say nothing shows that the most irrepressible speech that knows neither boundary nor
end, has for its origin its own impossibility. Here, the translator, when she very
tendentiously invites us to find out who she is, presents to us those individuals who
experience the need to express themselves, and yet have nothing constructive to say, and
perhaps because of this say a thousand things, without being concerned about the
approval of the interlocutor who they cannot, however, do without.
Artist Details:
Name: Mikaela Marshall
Email: [email protected]
Phone: 021 0869 4224
Page 14 of 18
OLIVIA ISABEL SMITH
Title: I Can’t Put My Finger On It
Details: Acrylic and chalk on canvas
Size: 1000 x 1200 mm
Price: $750
Title: Object Series
Details: Glass, super sculpy, clay, hair, found objects
Size: Variable
Price: $250
Page 15 of 18
OLIVIA ISABEL SMITH (con’t)
Title: Min–I-Mal
Details: Watercolour, pencil and chalk on watercolour paper
Size: 310 x 280 mm each
Price: $180 each (or $450 for set of three)
Artist Statement: I have just completed my Bachelor of Fine Arts at the University of Canterbury, Majoring
in Painting. I am now residing in Lyttelton, living and working on my art practice in a
garage space. Most of my interest is in still life painting, sculpture and exploring objects in
relation to the body and the environment.
I use forms drawn from the natural and man-made worlds as sources of inspiration. The
natural elements include fleshy tones and sculptural moulds, while a man-made and
spiritual contrast is suggested in the objects and the use of white or blank space. My work
explores objects derived from sculptural still life compositions through to abstract process
driven paintings and drawings. Still life is treated as a point of departure, toward a variety
of works that incorporate photo release methods, water colours and linear elements,
realised within a limited colour palette.
Artist Details:
Name: Olivia Isabel Smith
Email: [email protected]
Phone: 027 841 5091
Page 16 of 18
MATTHEW FENNELL
Title: No Escape!
Details: Vinyl on acrylic, LED lights
Size: 500 x 350 x 150 mm
Price: $800
Title: Death’s Embrace!
Details: Vinyl on acrylic, LED lights
Size: 500 x 350 x 150 mm
Price: $900
Title: Untitled
Details: 10mm neon glass, mounted on perspex
Size: 770 x 900 mm
Price: $1050
Artist Statement: Throughout and following my studies at the University of Canterbury, where I graduated
with a Bachelor of Fine Arts specialising in Graphic Design, I have continually strived to
engage with a multitude of different outputs and mediums within my practice as an artist.
This formal exploration allows me to continuously redefine my work and reach new
audiences, and provides the satisfaction of seeing digital work become represented in the
physical space.
Page 17 of 18
MATTHEW FENNELL (cont’d)
My body of work often draws from a sense of despair and pessimism that is depicted
through refined, bold graphics. Regularly taking influence from popular culture and
referencing imagery from film noir.
Death’s Embrace! draws on such imagery, explicitly the idea of the femme fatale. The
portrayal of a hostile anti-hero proposes confrontation, and offers a single, static moment
from an undefined narrative. The euphoria of the blue light creates an aura of ghostly
serenity. No Escape! Is the result of this interest in somber language and an attempt to
communicate this separate from the use of an image.
Whilst continually working on my art practice I am also pursuing an interest in streetwear
and fashion design and am always looking for new ways and opportunities to output my
work.
Artist Details:
Name: Matthew Fennell
Email: [email protected]
Phone: 027 847 7557
Website: owncritic.com
Instagram: owncritic
Page 18 of 18
GRACE GOURLEY-REID
Title: Untitled
Details: Video installation
Price: Not for sale
Artist Statement: I am a second year fine arts student studying Film at the University of Canterbury. My
work is about confrontation and exploring the connection between strangers through eye
contact.
Artist Details:
Name: Grace Gourley-Reid
Email: [email protected]
Phone: 027 236 8021