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CECIL WOOLF PUBLISHERS

1 Mornington Place, London NW1 7RP, England

Tel: 020 7387 2394

[email protected]

Monographs

General Editor: Jean Moorcroft Wilson

Thoughts of the Common Reader

‘I recently discovered the Bloomsbury Heritage Series, which is a series of short books about all thingsBloomsbury and the people that were part of this group. It was set up by Leonard Woolf’s nephew CecilWoolf and it is a really delightful collection of books. The series is published very much in the spirit of theHogarth Press, each book is bound in card and the front cover has a design similar to those that VanessaBell designed for the Hogarth Press.

‘The idea of the series is to bring together pieces of writing about and around the Bloomsbury group. Itexplores all aspects of their lives and has many contributors. There is something very charming about themand I love that you send them by post. It is a real pleasure to wait for its arrival through the letter box, theanticipation, something we have lost in the age of the internet, download it now, next day delivery… I hadordered a catalogue by e-mail and was pleasantly surprised when I had a reply from Cecil Woolf to saythat it was in the post. When I placed my first order for the first book in the series A Cockney’s Farming

Experiences. [I received from Cecil Woolf] by far the best customer service I have received in a long time.’ &c – thoughtsofthecommonreader.blogspot.co.uk

Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50

JUST PUBLISHED

Bonnie Kime Scott

Natural Connections: Virginia Woolf and Katherine Mansfield

Virginia Woolf and Katherine Mansfield made striking representations of the natural world that bearcomparison, particularly in registering details, rendering character and perception, and serving a concernfor the politics of gender and sexuality. These qualities, together with their challenge to traditional divisionsbetween nature and culture, make their work highly suitable for the eco-feminist approach employed here.This study compares the natural and intellectual connections available to them at various stages of theirlives, starting from the contrasting sites of Wellington, New Zealand, and London, and intersecting brieflyas contributors to the making of modernism. This monograph identifies differences in the relationMansfield and Woolf strike with their natural subject matter that are consistent with their modernistcriticism of other writers, including one another. Dr Scott’s study of the natural aspect of Woolf’s andMansfield’s writing makes a substantial contribution to the greening of modernist studies that has emergedin the last decade.Bloomsbury Heritage series No. 71, card wrappers, 48pp., ISBN 978-1-907286-34-6, price £7.50

Hilary Newman

‘Eternally in yr Debt’: the Personal and Professional Relationship Between Virginia Woolf

& Elizabeth Robins

Elizabeth Robins (1862-1952) was an expatriate American actress turned author, who lived with OctaviaWilberforce. Her outstanding achievement was the bringing of Henrik Ibsen’s plays to the London stageand playing his leading female roles. She became President of the Women Writers Suffrage League andwas a close adviser to Mrs Pankhurst. Woolf inherited Elizabeth Robins’s friendship from her parents, butit did not initially endure.

Robins described Woolf as ‘probably the greatest living writer of English prose’ and attended thefunction at which Woolf received the Femina Vie Heureuse Prize for To the Lighthouse in 1928. Here theirfriendship was renewed and intermittently continued until Woolf’s death, though they never becameintimate.

Woolf was not so complimentary about Robins’s work, finding her novels and short stories conventionaland ‘pre-war’. However, she admired Robins’s autobiographical writings, two of which were published bythe Hogarth Press. In this study, which incidentally casts new light on Woolf’s half-brother, GeraldDuckworth, Hilary Newman also argues that Robins’s two feminist treatises throw a new light on Woolf’sA Room of One’s Own and Three Guineas.Bloomsbury Heritage series No. 72, card wrappers, 28pp., ISBN 978-1-907286-38-4, price £6.00


Todd Avery

Saxon Sydney-Turner: the Ghost of Bloomsbury

Who was Saxon Arnold Sydney-Turner (1880-1962), what manner of man was he and what was his placein Bloomsbury? Variously characterized as silent, vague, obscure, shadowy, and spectral, Sydney-Turnernevertheless occupied a central place in Bloomsbury, especially during its Cambridge and early Londonyears. He was, for example, one of the few guests at the Stephen siblings’ first Gordon Square at-homes in1905, and later he starred in Carrington’s 1929 short film, ‘Dr Turner’s Mental Home’. This fascinatingportrait study approaches Sydney-Turner in the spirit of the imaginary reader who, in Virginia Woolf’s‘Lives of the Obscure’, searches out ‘some stranded ghost … waiting, appealing, forgotten, in the growinggloom’, a ghost who yearns to speak ‘old secrets’ and to experience ‘the divine relief of communication’.Drawing on dozens of published accounts, as well as on scores of unpublished letters and photographs frommajor English and American archives, and on the twenty or so poems that he contributed to Euphrosyne

(1905), the ‘first book of Bloomsbury’, Saxon Sydney-Turner: the Ghost of Bloomsbury draws this ghostout of a surrounding obscurity and gives flesh to the man whom Lytton Strachey once called (in their 38th

year!) ‘a withered old man – ce veillard ratatiné.’Bloomsbury Heritage series No. 73, card wrappers, 32pp., ISBN 978-1-907286-39-1, price £6.00

Alice Lowe

Virginia Woolf as Memoirist:‘I am Made and Remade Continually’

Hermione Lee referred to Virginia Woolf as ‘an autobiographer who never published an autobiography’, atthe same time acknowledging Woolf’s considerable body of self-writing. ‘A Sketch of the Past’ is said tobe incomplete in that, unlike her husband, Woolf never completed a full-length volume of formalautobiography, yet it is notable for her insights and reflections not just about her life, past and present, butabout the memoir form itself. Using ‘A Sketch of the Past’ as a primary text, along with the personal essaysaccompanying it in Moments of Being and relevant illustrations from Woolf’s diaries, letters, essays, storiesand novels, this absorbing monograph explores in depth Woolf’s contribution to memoir as a unique genre,distinct from autobiography. This study recapitulates the form, from its history to Woolf’s work and that ofher contemporaries, to the legacy evident today.Bloomsbury Heritage series No. 74, card wrappers, 32pp., ISBN 978-1-907286-40-7, price £6.00


Suellen Cox

Mistress of the Brush and Madonna of Bloomsbury,The Art of Vanessa Bell: a Biographical Sketch and Comprehensive Annotated Bibliography of

Writings on Vanessa Bell

Vanessa Bell occupied a central place in the Bloomsbury group and has been described as ‘the pivot onwhich every important development’ in the group turned.

Over the years, exhibitions celebrating Bell’s work and the other Bloomsbury artists have beennumerous, well attended and positively received in critical circles. As to the place and importance of herwork within the context of 20th century and British post-impressionism, however, there continues to be alively debate. Due to the plethora of published material – books, monographs, articles, exhibitioncatalogues and reviews – historians, critics, researchers and students have had a difficult and time-consuming task in discovering all that exists. This book brings together in one source, a comprehensivelisting and description of the formidable body of material relating to Vanessa Bell. Bloomsbury Heritage series No. 75, perfectbound paperback, 80pp., ISBN 978-1-907286-42-1, price £13.50

Vara S. Neverow

Septimus Smith, Modernist and War Poet: a Closer Reading

Septimus Warren Smith, the shell-shocked war veteran in Mrs Dalloway, has been viewed by scholarsmore as a victim suffering from post-traumatic stress disorder after the Great War than as an unpublishedmodernist or war poet. Woolf, in her notes for drafting of the novel, considers the possibility of ‘S’scharacter … founded on me?’, partly because of his mental illness, but the parallel also suggests that Woolfmay have intended for his ruminations to be read as sophisticated acts of creativity. Septimus’s poeticrhapsodies have not hitherto been directly linked to the daring experimental literary expression of suchmodernist poets as T.S. Eliot and Ezra Pound or of war poets Wilfred Owen and Siegfried Sassoon, norhave his drawings been aligned with the work of post-impressionist artists whose works were shown at the1910 Grafton Galleries Exhibition. Bloomsbury Heritage series No. 76, card wrappers, 32pp., ISBN 978-1-907286-43-8, price £6.00


RECENT SUCCESSES

Paula Maggio

The Best of Blogging Woolf, Five Years On

The plethora of interest in and commentary on Virginia Woolf available on the internet continues to grow.New references to Woolf and her work appear online every day. Blogging Woolf, which began publishingin July 2007, is an invaluable online resource that melds the personal and academic approach to Woolf,while providing documentation of her growing iconic popularity. This work collects some of the site’s mostpopular and enduring essays, as well as those that introduce new research or focus on Woolf’s relevance tothe twenty-first century. The collected pieces in this volume emphasize the fact that Woolf scholars, generalreaders and fans can enter the common ground of the virtual public square to engage in conversation asequals while applying Woolf’s philosophy of democratic inclusiveness to the online world.Bloomsbury Heritage series No. 64, card wrappers, 36pp., ISBN 978-1-907286-27-8, £7.00

Virginia Woolf’s Likes & Dislikes

Collected and Edited with an Introduction and Notesby Paula Maggio

Readers of Virginia Woolf’s letters and diaries are familiar with the notion that she had pronounced feelingsand opinions about many of the people, places and things she encountered in daily life. They also knowthat she not infrequently contradicted herself about who or what she loved or loathed. Woolf’s likes anddislikes, with all their inherent consistencies and contradictions, are collected here after a thorough searchof her letters and diaries. This collection of quotations from her personal writings opens a fascinatingwindow on a a wide range – sometimes serious, sometimes entertaining – of Woolf’s predilections. It alsoidentifies the people, places and things she readily criticized, while revealing some of her quirks andvulnerabilities.Bloomsbury Heritage series No. 65, perfectbound paperback, 56pp., ISBN 978-1-907286-26-1, price £9.00

Lolly Ockerstrom

Virginia Woolf, Three Guineas, and the Spanish CivilWar: Texts, Contexts and Women’s Narratives

When Virginia Woolf’s Three Guineas appeared in 1938 during the Spanish Civil War, it was met with bothscepticism and high enthusiasm. More than seventy years on, her essay continues to provoke response andanalysis. In this monograph, Dr Ockerstrom provides a context of writing and engagement by Anglo-American women on the War that shows the impact of the conflict upon them, and helps to positionWoolf’s essay within its immediate historical context. Writers discussed include journalists JosephineHerbst and Martha Gellhorn, poets Nancy Cunard, Sylvia Townsend Warmer (who was also a novelist),Genevieve Taggard, Muriel Rukeyser, memoirists Gamel Woolsey and Kate O’Brien, and activists FeliciaBrown and Nan Green.Bloomsbury Heritage series No. 66, card wrappers, 36pp., ISBN 978-1-907286-25-4 , price £7.50


Hilary Newman

Bella Woolf, Leonard Woolf and CeylonWith an Introduction by Cecil Woolf

It is intriguing to consider whether Leonard Woolf’s decision to forge a career in the Colonial Service inCeylon (now Sri Lanka) from 1904-11 had a bigger impact on his life or on that of his sister Bella. Shevisited her brother in Ceylon and there met both her husbands (she was widowed twice). Bella Woolf wasalready an established childern’s writer. Among her best remembered books are The Twins in Ceylon andFurther Adventures of the Twins in Ceylon. She also wrote two volumes of essays on Ceylon for adults, aswell as the first guide book in English on that country.

This monograph examines the largely unexplored relationship between Leonard and Bella Woolf, focusingon their connections with Ceylon. An illuminating appendix discusses Bella’s relationship with her sister-in-law Virginia Woolf. The work has been enhanced by access to Bella Woolf's unpublished papers, madeavailable by Leonard and Bella’s nephew Cecil Woolf, who has also contributed an introduction.Bloomsbury Heritage series No. 67, perfectbound paperback, 52pp. incl. portrait frontisp., ISBN 978-1-

907286-28-5, price £8.00

Sarah Latham Phillips

Virginia Woolf as a ‘Cubist Writer’

Virginia Woolf’s work has frequently been linked to Post-Impressionbism, but rarely to Cubism. Thismonograph demonstrates the striking similarities between the experimental and Modernist style of Woolf’swriting and the designs and ideas of the avant-garde Cubist movement, founded in Paris in 1907 by Picassoand Braque. Woolf’s highly innovative writing style, post-1917, implies ‘literary Cubism’. As the Cubistpainters played with perspective and space and displayed simultaneously all aspects of the object orsubject, so Woolf suggests, hints, curves and cloaks the real nature of her subject. Jacob’s Room and Mrs

Dalloway and her early short stories are beautiful mosaics constructed by fragments from countlessdescriptions of moments. This highly original, well-illustrated and well-researched monograph looks tooat London, street scenes, cafés, interior rooms and domestic objects and reflects on the parallels betweenWoolf’s observations of ordinary life and the work of Picasso and Braque in public and private spaces.Bloomsbury Heritage series No. 68, card wrappers, 44pp. & 4pp.of coloured illus., ISBN 978-1-907286-

29-2, price £9.00

Kristin Czarnecki

Virginia Woolf, Authorship, and Legacy: Unravelling Nurse Lugton’s Curtain

‘Nurse Lugton was asleep. She had given one great snore’. This monograph explores the origins,development and audience reception of Virginia Woolf’s children’s story, Nurse Lugton’s Curtain, as ameans of understanding Woolf’s concept of authorship together with contemporary attitudes towards theauthor herself. Initially published posthumously as Nurse Lugton’s Golden Thimble in 1946 by the HogarthPress, with drawings by Duncan Grant, and later as Nurse Lugton’s Curtain in a Harcourt picture book


illustrated by Julie Vivas, the tale offers children a wonderfully imaginative escapade while at the sametime yielding insights into Woolf’s writing practice. Discussing an array of Woolf’s essays, letters and diaryentries, in addition to the story along with the Grant and Vivas illustrations, this book finds Woolf highlyattuned to children in the writing and revising of Nurse Lugton’s Curtain and mindful of the need forauthors to subordinate their ego when writing their texts.Bloomsbury Heritage series No. 69, card wrappers, 28pp., incl. 4pp. of illus in colour & b. & w.,

reproducing Grant’s and Vivas’s drawings, ISBN 978-1-907286-32-2, price £7.50

Jane Goldman

‘With You in the Hebrides’: Virginia Woolf and Scotland

Virginia Woolf was in England when she was writing To the Lighthouse, her only novel set in Scotland.‘Here I’m sitting’, she wrote in 1926, ‘from the heart of London’ to her lover Vita Sackville-West, ‘thinkinghow to manage the passage of ten years, up in the Hebrides: then the telephone rings; then a charming bonypink cheeked Don called Lucas comes to tea: well, am I here … or in a bedroom up in the Hebrides? I knowwhich I like best – the Hebrides. I should like to be with you in the Hebrides at this moment’. The earliestcritics of this novel were quick to query or discount the Skye setting, and little attention has been paid toit since. Although Woolf did not reach the Hebrides in person until 1938, well after the publication of herHebridean novel, she had much earlier, in 1913, travelled physically as far north into Scotland as Oban;and she was all her reading life a mental traveller north of the border courtesy of her voracious appetite forwriters such as Walter Scott, Daniel Defoe, Robert Burns, James Boswell and anonymous Scottishballadeers whose works loomed large in her father’s library. This highly absorbing monograph chartsWoolf’s physical and mental forays into Scotland, examining her first visit on a political tour with LeonardWoolf in 1913 and their later Hebridean tour in the footsteps of Dr Johnson and James Boswell and theYoung Pretender before them, as well as her rich record of reading and writing on and her many fictionalallusions to Scotland and Scottish culture.Bloomsbury Heritage series No. 70, perfectbound paperback, 84pp. including coloured frontisp. & 4pp. of

b. & w. Illus., ISBN 978-1-907286-33-9, price £10.00

Judith Allen

Virginia Woolf: Walking in the Footsteps of Michel de Montaigne

Following Virginia Woolf’s first visit to Michel de Montaigne’s Tower in the Dordogne region of Francein 1931, she wrote to Ethel Smyth, Vita Sackville-West and her sister Vanessa Bello to express her absolutejoy at being in the very room where Montaigne had created his Essays. To Ethel, Woolf wrote of ‘the verydoor he opened’, and importantly of her walking in the footsteps, ‘worn in deep waves up to the tower’.This monograph reflects on the significance of Woolf’s pilgrimage, walking in Montaigne’s footsteps, bothliterally and metaphorically, and explores her lifelong dialogue with Montaigne, and their shared focus onthe complex processes of writing and reading.

During her lifetime, Woolf’s letters, diaries, essays and reading notes referred to Montaigne, his essays,and his world view, expressing her deep respect for his talent, his ideas, and his humanity. His creation, the‘essay’ – defined by its indefiniteness – was a mode of expression especially suitable for Woolf both to


express and enact her cultural critique. Woolf’s cultural critique echoes, in multiple ways, Montaigne’smotto, ‘Que scais-je?’, with which she closes her essay ‘Montaigne’. Montaigne’s defining question –‘What do I know?’ – pervades Woolf’s writings, and expresses her acceptance of the mystery andcomplexity of texts, selves, and most significantly, the words from which they are constructed.Bloomsbury Heritage series No. 63, card wrappers, 24pp. & 8 full-colour illus., ISBN 978-1-907286-24-7,

price £7.50

Drew Patrick Shannon

How Should One Read a Marriage?Private Writings, Public Readings, Leonard

and Virginia Woolf

Virginia and Leonard Woolf’s marriage is perhaps one of the most scrutinized, debated and analyzedunions of the early twentieth century, with Leonard depicted alternately as the tyrannical jailer whorationed Virginia’s writing time and insisted on rest and quiet in an attempt to alleviate the symptoms ofher mental illness, or as the devoted caretaker for precisely the same reasons. Indeed, nearly every VirginiaWoolf scholar takes a position on Leonard Woolf as husband, and can turn to much supplemental evidencefor support. How Should One Read a Marriage? examines in fascinating detail the evolution of the Woolfs’marriage in the public consciousness, through the gradual publication of the Woolfs’ own accounts of themarriage in diaries and autobiographies, and the biographical and critical works based upon these sources.It traces the changing perception of Virginia as victim to Virginia as victor, of Leonard as saint to Leonardas sinner, and demonstrates the effect of the cultural climate on the reading of this unique union.Bloomsbury Heritage series No. 55, card wrappers, 52pp., ISBN 978-1-907286-16-2, price £9.00

A Complete List of Monographs in the Series

1. Virginia Woolf, A COCKNEY’S FARMING EXPERIENCES, £6.00

2. Virginia Woolf, ROGER FRY; A SERIES OF IMPRESSIONS, £6.00

3. Jean Moorcroft Wilson, LEONARD WOOLF: PIVOT OR OUTSIDER OFBLOOMSBURY, £6.00

4. Mary Ann Caws, BLOOMSBURY IN CASSIS, £6.00

5. Jean Moorcroft Wilson, VIRGINIA WOOLF’S WAR TRILOGY: ANTICIPATINGTHREE GUINEAS, £6.00

6. Mary Ann Caws, CARRINGTON AND LYTTON: ALONE TOGETHER, £6.00

7. Abigail Willis, BLOOMSBURY CERAMICS, £6.00

8. Jean Moorcroft Wilson, VIRGINIA WOOLF AND ANTI-SEMITISM, £6.00

9. Sarah Bird Wright, STAYING AT MONKS HOUSE: ECHOES OF THE WOOLFS,£6.00

10. Patricia Laurence, VIRGINIA WOOLF AND THE EAST, £6.00


11. Jane Marcus, VIRGINIA WOOLF, CAMBRIDGE AND A ROOM OF ONE’S OWN:‘THE PROPER UPKEEP OF NAMES’, £8.50

12. Elizabeth Steele, VIRGINIA WOOLF AND COMPANIONS – A FEMINISTDOCUMENT – A PLAY, £6.50

13. Peter Stansky, WILLIAM MORRIS AND BLOOMSBURY, £6.50

14. Clive Bell, ROGER FRY: ANECDOTES, FOR THE USE OF A FUTUREBIGRAPHER, ILLUSTRATING CERTAIN PECULIARITIES OF THE LATEROGER FRY, Edited by Diane Gillespie, £7.00

15. LEONARD AND VIRGINIA WOOLF WORKING TOGETHER; AND THEHITHERTO UNPUBLISHED MANUSCRIPT ‘INL RENS’, Edited by Wayne K.Chapman and Janet Manson, £6.50

16. Laila Miletic-Vejzovic, A LIBRARY OF ONE’S OWN: THE LIBRARY OFLEONARD AND VIRGINIA WOOLF, £6.50

17. Gwen Anderson, ETHEL SMYTH: THE BURNING ROSE: A BRIEF BIOGRAPHY,£6.50

18. Kathryn N. Benzel, CHARLESTON: A VOICE IN THE HOUSE, £7.50

19. Nicola Luckhurst, BLOOMSBURY IN VOGUE, £6.50

20. Michael Yoss, RAYMOND MORTIMER: A BLOOMSBURY VOICE, £6.50

21. Rachel Tranter, VANESSA BELL, A LIFE OF PAINTING, £7.50

22. Leonard Woolf, MONARCHY: AN HITHERTO UNPUBLISHED MS, £7.50

23. Marion Dell, PEERING THROUGH THE ESCALLONIA: VIRGINIA WOOLF,TALLAND HOUSE AND ST IVES, £7.50

24. Chistopher Reed, ROGER FRY’S DURBINS: A HOUSE AND ITS MEANINGS, £7.50

25. Susan Richardson, VIRGINIA WOOLF AND SYLVIA PLATH – TWO OF ME NOW:A POETIC DRAMA, £6.50

26. Carol Hansen, THE LIFE AND DEATH OF ASHAM: LEONARD AND VIRGINIA’SHAUNTED HOUSE, £7.50

27. Alan Isaac, VIRGINIA WOOLF, THE UNCOMMON BOOKBINDER, £7.50

28. E.M. Forster, THE FEMININE NOTE IN LITERATURE – AN HITHERTOUNPUBLISHED MS, Edited by George Piggford £7.50

29. John Lello, THE BLOOMSBURY GROUP IN VENICE, Illustrated by Sandra Lello,£7.50

30. Vanessa Curtis, STELLA AND VIRGINIA: AN UNFINISHED SISTERHOOD, £7.50

31. Nicola Luckhurst and Martine Ravache, VIRGINIA WOOLF IN CAMERA, £7.50

32. Hilary Newman, DEATH IN THE LIFE & NOVELS OF VIRGINIA WOOLF, £6.00

33. Alister Raby, VIRGINIA WOOLF’S WISE AND WITTY QUAKER AUNT: ABIOGRAPHICAL SKETCH OF CAROLINE EMILIA STEPHEN, £6.00


34. David H. Porter, VIRGINIA WOOLF AND LOGAN PEARSALL SMITH: ‘ANEXQUISITELY FLATTERING DUET’, £6.50

35. Hilary Newman, VIRGINIA WOOLF AND KATHERINE MANSFIELD, ACREATIVE RIVALRY, £6.50

36. Michael Tatham, DORA CARRINGTON, FACT INTO FICTION, £6.50

37. David H. Porter, VIRGINIA WOOLF AND THE HOGARTH PRESS: ‘RIDING AGREAT HORSE’, £6.50

38. Philip Neale, HAM SPRAY: LYTTON & CARRINGTON’S COUNTRY RETREAT,£7.00

39. Lytton Strachey, A SON OF HEAVEN: A TRAGIC MELODRAMA, Edited by GeorgeSimson, £10.00

40. Roberta Rubenstein, REMINISCENCES OF LEONARD WOOLF, £7.00

41. Nuala Hancock, GARDENS IN THE WORK OF VIRGINIA WOOLF, £7.50

42. Gill Lowe, VERSIONS OF JULIA: FIVE BIOGRAPHICAL CONSTRUCTIONS OFJULIA STEPHEN, £8.00

43. S.P. Rosenbaum, CONVERSATION WITH JULIAN FRY, £6.50

44. John Lello, ROGER FRY, APOSTLE OF GOOD TASTE AND VENICE, Illustrated bySandra Lello, £6.50

45. Hilary Newman, LAURA STEPHEN, A MEMOIR, £7.00

46. Patricia Laurence, JULIAN BELL, THE VIOLENT PACIFIST, £7.50

47. Hilary Newman, JAMES KENNETH STEPHEN: VIRGINIA WOOLF’S TRAGICCOUSIN, £7.50

48. John Shaw, THE QUEST FOR LURIANA: THE STORY OF A BLOOMSBURYPOEM, £7.50

49. Hilary Newman, ANNE THACKERAY RITCHIE: HER INFLUENCE ON THEWORK OF VIRGINIA WOOLF, £7.50

50. Emilie Crapoulet, VIRGINIA WOOLF: A MUSICAL LIFE, £7.50

51. Julie Singleton, A HISTORY OF MONKS HOUSE AND VILLAGE OF RODMELL,SUSSEX HOME OF LEONARD AND VIRGINIA WOOLF, £7.50

52. Diana Gardner, THE RODMELL PAPERS: REMINISCENCES OF VIRGINIA ANDLEONARD WOOLF BY A SUSSEX NEIGHBOUR, £7.50

53. David H. Porter, THE OMEGA WORKSHOPS AND THE HOGARTH PRESS: ANARTFUL FUGUE, £7.50

54. Paula Maggio, READING THE SKIES IN VIRGINIA WOOLF: WOOLF ONWEATHER IN HER ESSAYS, DIARIES, AND THREE OF HER NOVELS, £7.50

55. Drew Patrick Shannon, HOW SHOULD ONE READ A MARRIAGE? PRIVATEWRITINGS, PUBLIC READINGS, AND LEONARD AND VIRGINIA WOOLF,£9.00


56. Catherine Hollis, LESLIE STEPHEN AS MOUNTAINEER, £10.00

57. Catherine Gregg, VIRGINIA WOOLF AND ‘DRESS MANIA’, £10.00

58. Alice Lowe, BEYOND THE ICON: VIRGINIA WOOLF IN CONTEMPORARYFICTION, £6.00

59. Todd Avery, DESMOND AND MOLLY MacCARTHY: BLOOMSBERRIES, £6.50

60. Emily Kopley, VIRGINIA WOOLF AND THE THIRTIES POETS, £10.50

61. Mary Ann Caws, HOW VITA MATTERS, £6.50

62. Mark Hussey, ‘I’D MAKE IT PENAL’: THE RURAL PRESERVATIONMOVEMENT IN VIRGINIA WOOLF’S BETWEEN THE ACTS, £6.50

63. Judith Allen, VIRGINIA WOOLF: WALKING IN THE FOOTSTEPS OF MICHELDE MONTAIGNE, £8.00

64. Paula Maggio, THE BEST OF BLOGGING WOOLF, FIVE YEARS ON, £7.00

65. Paula Maggio (Ed.), VIRGINIA WOOLF’S LIKES & DISLIKES, £9.00

66. Lolly Ockerstrom, VIRGINIA WOOLF AND THE SPANISH CIVIL WAR, £7.50

67. Hilary Newman, BELLA WOOLF, LEONARD WOOLF AND CEYLON, £7.50

68. Sarah Phillips, VIRGINIA WOOLF AS A ‘CUBIST WRITER’, £9.00

69. Kristin Czarnecki, VIRGINIA WOOLF, AUTHORSHIP, AND LEGACY, £7.50

70. Jane Goldman, ‘WITH YOU IN THE HEBRIDES; VIRGINIA WOOLF &SCOTLAND, £9.00

71. Bonnie Kime Scott, NATURAL CONNECTIONS: VIRGINIA WOOLF &KATHERINE MANSFIELD, £7.50

72. Hilary Newman, ‘ETERNALLY IN YR DEBT’; THE PERSONAL ANDPROFESSIONAL RELATIONSHIP BETWEEN VIRGINIA WOOLF &ELIZABETH ROBINS, £6.00

73. Todd Avery, SAXON SYDNEY-TURNER: THE GHOST OF BLOOMSBURY, £6.00

74. Alice Lowe, VIRGINIA WOOLF AS MEMOIRIST: ‘I AM MADE AND REMADECONTINUALLY’, £6.00

75. Suellen Cox, MISTRESS OF THE BRUSH & MADONNA OF BLOOMSBURY: THEART AND LIFE OF VANESSA BELL: A BIOGRAPHICAL SKETCH &COMPREHENSIVE BIBLIOGRAPHY OF WRITINGS ON VANESSA BELL, £13.50

76. Vara S. Neverow, SEPTIMUS SMITH: MODERNIST AND WAR POET: A CLOSERREADING, £6.00

Cecil Woolf Publishers appreciate proposals for future monographs and

welcome submissions. Full catalogue of this series sent on request.

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