catalogue of third loan collection of paintings [microform

51
CIHM Microfiche Series (Monographs) ICMH Collection de microfiches (monographies) CaiMdian Institute for Hittoricsl Microreproductiona / Institut canadivn microraproduetiorw historiquM

Upload: others

Post on 29-Mar-2022

2 views

Category:

Documents


0 download

TRANSCRIPT

CIHMMicroficheSeries(Monographs)

ICMHCollection demicrofiches(monographies)

CaiMdian Institute for Hittoricsl Microreproductiona / Institut canadivn d« microraproduetiorw historiquM

Technical and Bibliographic Notes / Notes techniques et bibliographiques

The Institute has attempted to obtain the best original

copy available for filming. Features of this copy whichmay be bibliographically unique, which may alter any of

the images in the reproduction, or which maysignificantly change the usual method of filming are

checked below.

Coloured covers /

Couverture de couieur

Covers damaged /

Couverture endommag^e

Covers restored and/or laminated /

Couverture restaur^ et/ou pellicuMe

Cover title missing / Le titre de couverture manque

Coloured maps / Cartes g^ographiques en couieur

Coloured ink (i.e. other than blue or black) /

Encre de couieur (i.e. autre que bleue ou noire)

Coloured plates and/or illustrations /

Planches et/ou illustrations en couieur

Bound with other material /

Reli^ avec d'autres documents

Only edition available /

Seule Edition disponible

Tight binding may cause shadows or distortion along

interior margin / La reliure serr^e peut causer deI'ombre ou de la distorsion le long de la margeint^rieure.

Blank leaves added during restorations may appearwithin the text. Whenever possible, these have beenomitted from filming / II se peut que certaines pagesblanches ajoutees lors d'une restauration

apparaissent dans le texte, mais, lorsque cela ^tait

possible, ces pages n'ont pas €\6 film^s.

L'Institut a microfilm^ le meilleur exemplaire qu'il lui ai\6 possible de se procurer. Les details de cet exem-plaire qui sont peut-etre uniques du point de vue bibli-

ographique. qui peuvent modifier une image reproduite,

ou qui peuvent exiger une modlficatkm dans la m6tho>de normale de ^nage swM indiquAs d-dessous.

I I

Coloured pages / Pages de couieur

I IPages damaged / Pages endommagees

Pages restored and/or laminated /

Pages restaur^es et/ou pelliculees

Pages discoloured, stained or foxed /

Pages d^olor^es, tachet^es ou piqu^es

I IPages detached/ Pages d^cMes

I I

Showthrough/ Transparence

1^Quality of print varies /

Quality foi^ale de rimpression

Includes supplementary material /

Comprend du matdrie! s'.ow< imentaire

Pages wholly or pa.-'.ai'..- - b:.. •ned by errata slips,

tissues, etc., have bec>" 'cftlmed to ensure the best

possible image / Lc.r . - jPa totalement oupartiellement obscurcies pai un feuillet d'errata, unepelure, etc., ont ete filmSes k nouveau de fafon kobtenir la meilleure image possible.

Opposing pages with varying colouration ordiscolourations are filmed twice to ensure the best

possible image / Les pages s'opposant ayant descolorations variables ou des decolorations sontfilm^es deux fois afin d'obtenir la meilleure imagepossible.

Additional comments /

Commentaires suppiimentaires:

This copy is a photoreproduction.

This Item is filmed at the reduction ratio checked below /

C« document est (ilmi au taus da reduction indiqui ei*dsssou8.

lOX 14x 18x 22x 26x 30x1

1

12x 16x 20x 24x 28x 32x

The copy filmed h«r* has b—n raproductd thanksto tha ganaroaity of:

ItatloiMl Canary of Canada,Library

Tha imagaa appaaring nara ara tha bast quality

posaibia conaidaring tha condition and lagibility

of tha original copy and in kaaping with thafilming contract apaeificationa.

Original copias in printad papar covars ara fiimadbaginning with tha front covar and anding ontha last paga with a printad or illuatratad impraa-sion. or the back covar whan appropriata. All

othar original copias ara fiimad baginning on thafirst paga with a printad or iHuatratad impraa-sion, and anding on tha laat paga with a printad

or illuatratad impraasion.

Tha last racordad frama on aach microfichashall contain tha symbol » (meaning "CON-TINUED"), or tha symbol (moaning "END ').

whichever applies.

Maps, plates, charts, etc., may be filmed at

different reduction ratios. Those too large to beentirely included in one exposure are filmedbeginning in the upper left hand corner, left to

right and top to bottom, as many framaa asrequired. Tha following diagrams Hluatrata thamethod:

i.'axamplaira film* fut raproduit grica i la

g«n«roait* da:

Nusie das Beaux-Arts (hi Canada,B1b1loth4qiie

Les images suivantes ont M reproduites avac la

plus grand soin. compta tanu da la condition etde la nettet* de l exemplaire film*, et eneonformit* avac laa conditiona du contrat dafilmaga.

Laa anamplairas originaux dont la eouverture enpapier eat imprimie sont filmis en commencantpar la premier plat et en terminant soit par la

derni^ra page qui comporte une empreintad'impression ou d'illustration, soit par le secondpiat. salon la eas. Tous lee autres axamplairesoriginaux sont filmAs en commenpant par la

premiAre page qui comporte une empreinted'impression ou d'illustration at en terminant parla darniire paga qui comporte una telle

amprainta.

Un dee symboles suivants apparaitra sur la

darniAra image da cheque microfiche, seion le

cas: la symbols signifia "A SUIVRE". la

symbola signifie 'FIN".

Laa cartes, planches, tableaux, etc.. peuvent itrafilmis * des taux de reduction diff^rents.

Lorsque le document est trop grand pour etre

reproduit en un seul clich*. il est film* * partir

da Tangle sup*riaur gauche, de gauche * droite.

et de haut en bas, en prenant le nombrad'images nicessaire. Les diagrammes suivantsiliustrant la motheda.

1 2 3 1

MICROCOPY RESOLUTION TEST CHART

(ANSI ond ISO TEST CHART No. 2)

^ APPLIED \MA3E Inc

I1^08c.l

A.

i

<

- • ••-.i?.,*'<fi'i .3^.

^ »to«*ttJ«.«ite^i ^;,iu^.l-t". y -arf^^-

TKird L(ian Collection

WORKS OF ARTWINNIPEG BXHIBITION

JULY tlth lu t7iii

1908

Iff'iili/.iiijr tliHt lilt le tixisU iu C'HiiHtiu at the pivwiit

lililf 11 slfniil;. licliiiiliii I'nr ['jilit ilii;s nf llir

lii'jlur s);iiici.ii'il lit" .iifisli" ini'rif, iiii.j ili.ii "liivcrs til'

|f,c1 nil s "

ii<i liPiiLiir s.itwiicii witli jiaiiil iiijis <if

iin'<liiKTit\ . «e liHVJ- iliiTCtt-il our pfforts tu ai/tiuirp th**

l»<"st Hvailrtltle in t!ie Alclitrs of CAnadu wnd Europe

fur tins \ . sir's Ai't di-^plav.

Wf iivc iiiiw jilciisfd Iti .iiiiHiiiiu't' tliiit tilt" (listinc-

ti\c fi ;it\iti' uf th*' I'lilli i'tton in the Art fiiillcrv

coiiNist fiitirf*]y "f Original Paintisgi, ttif work uf

<'iiiuiiliiiii iinil Furrii/ii Ai't ists nF rrjiiil ;it !' "U, inul ri-ciig-

iii/i'il iiiiililv. Fii .Till r to olitinn ,i ciillr''! imi nf piiiiit-

iii'js >it' till- liigliist iiiiTit fur uiir 'I'liirtl Art Kxliilnt, we

sf'i iiri'fl t!if si-rvici's of .Mr. Edwiird O'Brien of Mnnt-

rt al (who liiis an fX{>orit'n('e of thirty-five j oars umoii);

liict in-fs) M.-K I't sii<-ii Works of .irt that .1 tln'ill

'if jiliNisiiri' In till' >p' ct.'iti.r, riml itlso ;i>.-.ist \'< > ilucal"

llic :irtistii' mind, lii his S' lcctioi) iie hits i-ert;i.:il> dis-

piiivcd i;.ii.d .judgment and br(in^:ht us examples f the

various SrJionls of Art, forming a display of Art un-

'.iirji^issed by any <>xhi!titii»n seen in the larger utien of

tin Doiiiiniou.

W. SANPORD EVANSChairman.

F. W. DRF ,VRY~„ I . .^^....^ CommitteeDR. J. A. MaeAR^HURJAS. IVIcOAIRMIO

JNO. A. HART

Higariiini; piiiures for sale. (.•'H-ull .Mr. B. O Britii at dt»»lc

No. so—T HE SPANISH DANCERBy Ct:",r-ni*«> E. Onumtn.

LOAN COLLECTION OF

Oil and Water Color Paintings

By M

THE ROYAL CANADIAN ACADEMV OF ARTS__THE ONTARIO SOCfETY OF ARTISTS

And otti»r promintnt CaaaJian Artists

OIL PAINTINGS

(G- A.) TorontoPresident, R.iya! Canadian Acudemy of Arts.

1—The Wood (.'utt» r

2—Xiisturtians

3—A rii>tl'' ill Spaiii

4—A IIanii(Hi\ in Hi ou ii.s

5—^Twilight in the Park

6—Afterglow

HARRIS, (Robert) C.M.G., RCA. .Montn ;.!

7—An Eiisteru Jilereh;nit

S—A Ilighlaml Lassie

!I--Tln' Ciui.-il, M,itit;-.-al

10—Fir Tr< fs. Ma rii : >jii- I'roviiit't'S

11—Gifi's n.'a.i. I'a>t.-!

BRYMNER, (V/illiam) R.C.A. Moutreal

1-—bll.tijfS of Kveilil!;.'-

l:}—Shade of the Old At>{.l..' Ti-.'e

Regarding pk-tures for saltf, consult Mr. E. O'BH-n at Ut?sk.

iI

FORSTER. (J. V/. L.)

14—Hiawatha 's Vision

MORRIS, (E.)'

15—Cilii.Kl ill Qiiflx'C

i

CULLEN, (Maurice) A.R.C.A Montreal

— I'hf WaliT (";ii iici's

17—Evfiiiii;: (in the Kivcr f^it. XormUMily

IS—A Wintt-r Road

19—Siiiiinu'r Afternoon

L'O- Dnrdr. cht Tower

21—Quebec froui Levis, Tiistel

ATKINSON, (W. E.) A.R.C.A., O.S.A Tor.mto

22—Evening in JloUaud

2-!- SiiH EveniiiLT

J4_A r.relon 31iil

BELL-SMITH, (P. M.) R.C.A., O.S.A .Toronto

25—All Indian Ti-ail

26—Lalit Louise (Water Color)

FRANCHERE, (J. C.) A.R.C.A Montreal

27—After Sujiper

(ExhiJtitfd at the "Salon," Paris)

29— Sliinlcw liiw r. Muskoka

30_r,alfi. MiisUokii

R.ganilsiS pictur.b f.-r s,.k-, con-ult Mr. E. O Bri'n .^t desk.

VBENE^, (P. A.) A.R.C.A., O.S.A Louduu. Eu-.

31—Bison ami Calf

32—Buffalo by L.-ik*- Sh,.

ST. CHAELES, (Jos.) A.R.C.A ^klunrieal

-I'layinu' tiu- .Mami^iliii

3+—lloa.l of Girl

35—Expec fa tion

EDSON, (Allan) E.C.A. (Deceased)

;it)—A t ascatii at (Jlfti .Sattmi

RDSSELL, (G. Home) " M„ntn-al

37—All October DayMS - Sii/lit,..!

311- Old ( aiiailian Ilutiii'

DYONNET, (Ediuond) E.C.A r^fontieal

40—An Italian Girl

41—lu the Laurentt.-.ns

4-' (' itt!.' H(.'tniTiitiL, IIuiiH»

4^-— Aut iniiii, iiiMiiti.-iiis

44—Witit.-r \]^hl at Uutivinotit

45—Harvest Time, Ueaiijife. Qnebei-

MUNTZ, (Laura) A.R.C.A Jronti-cal

4i; A Littl- Wil.i Hiwe

47— A Vdiiiiu' Sci-ilii'

R-SU-iiirig pio:ui-o-< {•<: s.il,., c,.ii-uU .Mr. K. irt<i-i.'n nt .1 -sk.

TER SUPPERnoh< IV, A.R.C.A,

HAINES, FRED.

48—The Pick of the Littor

VERNER (F. A ), A R C A„ O.S.A.

41)—Uisoa at iliil-iliiy

OAONON, (Clarence A.) I'aris

30—SptiniHh Diiiieer

(Kxhibit. 'l at the "Salon." PurU.)

51—O U Trefs

52—The Willows

o'i—Street Beene

REID, (Mrs. M. H.) A.E.C.A Ton.nto

54—Paris iit Siiiisi't

55—Indian Summer

56—The New Moon

CHAVIGNAUD, (Geo.) O.S.A Mt-ailowvale, Ont.

57—A Fishinu Pool

EATON, (C. Warren) Toronto

58—Evening in the Marehes

COCHRANE, (Bertha L.) Montreal

r»!)--Fraiu't's

60—Old Woman Readins;

CLELAND, (M. Alberta) Montreal

61—Haying Time

Regar.ling pictures for sale. con.'uU Mr. E. O'Brien at dfsk.

AUBitBACH. (ri. Rose).M..,.tr*..,l

• At.-.l.iUi.i III W'.rlifii »nlr)

<<-—Clirx 'iHiit||. |iiiiiii>(

« - Howl (if Rtm.-H

' I M.ii L'li.'rilt's

'I, Ml!. 11 l-'liin.'is

BOYD.JE. F.) j,,„,real•i" - Aliv-ty .M.il iiilii; FlillM'P

<!ft~Siniiiy Aftf infiiin l>. '«i\v Qiu-lxc

"1 - 'l ilt' CuIjIiI.t

—Wlifiit Ilii)vi-Ni. (jiiliie

'•J -St. Pipfjv Ifivi-r

"4 - I',.i,it,, i;.:tl,,-i»'is

7.'. All » !!i ''•J..

71' A II..:,ll!r,| lliiii.,'

CLAPP. (W. H.)

77 111 iiii (.ticiiii: <l. iJc'i^hiiu

I !'\liiI.i;.Hl .11 ih. -Salim." l!< 'rt(

. - \ ri.' !;r ..)• ( S|i,; ;i

7!t - A »;i.'v D^iv. Fi;iiK-c. (••SHldii." 11(07)

SO—Sun>et. Spain

""I iii.'f iif Villiiu.', Siuiin

\V.isli.'iA\ i.jii.ni. Fr.m''t'

A Wvl D«y. Frnncor..v tlir K'iver

- All <iM l!i i.!u,>

MM . Sj.aill

H7—Jlf^rniiig. Spain

negan'iiig iiiejuroj for tale, cn-iiIt J!r. E. 0-nrl< ii at desk.

WYER, (Rajmou.l; M..r.tr..

8!»—S;invt

WINCH. (Robert) Mi.tit.v

MARVIN. (T. M.) 0.8^. T..r..fi

!il T!i- v IM.i.M

'.I J - I M V IIII

\l . .11 1 .1 ins

«).{-( , 111,1. li..M .in

P., jinnilp.!.' picture- fiT ?a'.o. o.^n^^;:?: .Mr K O BrUn nt il '-'

WATER COLORSBy PROMINENT CANADIAN ARTiSlS

ATKINSON, (W. E.) A.R.C.A., O.S.A Toronton-t—The .Af(irniii<r D<'parture

VEKNER, (P. A.) A.R.C.A.. O.S.A L.ruion. Eng.!).-)—Buffalo. .Alisty 3I..niinif

-Iihli.ili Sioiiallliiu-

!l7-L,.iHl,.r uf the tU-ni

PRANCHERE, (J. C.) A.R.O.A Moutreal(Pupil .if ntiiiine, Paris)

OS—Port Cirlin- .M.iskoka

rO—Bala Briiljre, Mnskoka

CHAVIGNAUD, (Geo.) O.S.A .duwvale, Out.

IW—A Storm Cloud

101—Diitih Wind Mill

Til.- White Mill

—.\iitiimii

104— Diitfli Strwt .Scene

MUNTZ, (Laura) j^^treal1!)5—riiiUlhoo.I

MATTHEWS. (M.) R.C.A

106—\ni-th KMlsiiii: Il'irsc.Pass

1 Kslnl.ii. ,i :it P.ui-Anu'rican)107— Ev. iiiii!,' Light on Asulkin Glacier

108—Western Waves of Ehbing Day

Regarding piciure.s for .oale. consult .Mr. ij. (.» BrJi-ri at d-sk.

EUSSELL, (G. Ho.ne) Montrual

1U!>— .MiR-li:i!l Coast. Scutland

(Exhibited at Art Galk'ry. Montreal)

WAY, (C. J.)

1 11— Autiuiiii Evt'iii'i,^'

MARTIN (May)

112 ^(;r;i[...s

IVi— (

'v[)tiiii'iliutiis

MAETIN, (T. M.)

ll-l—At Austeys Cove

MORRIS, (E.)

115—Stret-t Seeiif

IIH—Giispe S^;iil(trs. (Pn^ri'l)

117—Gasi>f Siiilm-s, vPd.stel)

11^—Hmiiggiers. i, Pastel)

Ri'jarding pictures f^tr sale, cunsult Mr. E. O'Brien at fl.'sk.

SPECIAL LOAN COLLECTIONOF

OIL PAINTINGSTHE Work of a. SlZuR CUIE

"Hotj Concour" of the " Parij Salon."

France.

TImw Paiotinjfd are exhibtted just i~ recsivej irum Fr

119—Eveuiiijf iu the Vallpy of L'lvettp(F:\!iiliit' .1 .it rh.' -Siilon")

ll'ii- CLiiid EtlVcf. l-i.ua-L-

1-1—Xoveinhfi- iu Unttauy(Exhibited at the "S.iloir'}

122—Old Road de Vallan at Rhus

12;5—Pale ^[ooii. Valley of de Seulis

124—Pasture near ArtLaI)ask«

12.)—An Italian Woman(Exhii'itna at the "Sulon")

ll'i)—C'lriier of Xoniiatidy Village

127—Viliaye of Por/!-Giieii. Britt inv

(Exhibited nt the 'S.ilnii")

128—Mar!?iierites and riirysadtliHiniitiis

129—Wintt-f nil the Kiv.-r lioss.'lin

(Exh liit.'.i at thf •i'al..ii 'i

Regarding ptpturer* for sale, consult Mr. E. O l.ii a at d -.sk.

1 {0—TlirtUhfd C'ott»ij»'8, Brittany

l:]l--IJo'.s of tlif Chimiifv Corner

13J—RuHd Thn.ugh the Wmnlu, Fraiien

131—A Pasture tiruok, Arth«baska

Vii—Thatehed House, Brittany

1:15—Twilight in France

V.\G —The ()versft;r*8 Ilov ,e. Champetre( K\l'.!'i-- ci .it tile "Siilon")

I'JT- Uiftoii \V( ):i;.ii :u i'rayer

- Si ill Lit',', W.M„i 'k

— IIa\sliic-k Ijv Uiiiiilsidf. Fniuco

14it -Siri'c't in Fi-:itit;iiMliia, Spain

1-11—Sinisi't ill Artli.ihjisku

14l'—Al H;i\ Sj ain

143— <'.'rn. r '''^'in aiti.'ld, Brittany

144—Edye of a I'mu!. Frjuice

14.')—On <h»- Kivir Hidoss'ia, Spain

14H—By the Poud Cernay, France

147—Baptismal Font. Porz-Gnen

145—Forest near Arthabnska

140—Along the Nicolet River

150—View of River Trieux, Brittany

151—Ou tile Nil-. lift Kiver

KiS.'U'inu; i'ii;uies for .s;.l,'. c muill Mr. E. O'Brh'n at desk.

LOAN COLLRCnoN OF

OIL PAINTINGShy P*»« inJ PrtMni M»ur* of th> Eii||li»fc. F»«ii«li. lulun.

Cttmto tni Dutch School* of Art

COROT, (J. B. Camille)

Earlv .Moiiiir.g

WEISSENBRUCH, (J.)

EveuiuiT in Iloilitii-J

JACQUES, (Charles)

lo^

1 tuff the Stiiriii

HENWER, (J. J.)

lo.">—I If ill I

DIETBICH, (1712 1774)

!.'>(]- Li 't iind His DiUiglitors

Th >= a. list -. vv-i U 1. :a.iikabl..- for oorrt-ctness

drawins. and as a culurisl hr gr.^^uU.v excell. il. ThU U a

fin.? ..xample of his w.>rk.

DENNER, (Bait, 1685-1740)

157—Head of OKI Mtio

•mU exumpl. ( u\.\ D. nn. rS i< r.-!r..»rV. ,M • for i"',.. of

dt-tail. It is a luarv. 11. i> ha "t l,i u.-li ^s-rk. ;in.l i ' .ip-

pri-c!ut" the fin.n.'ss of tli^ w .iU it slv'ul.l I).' iNain.n^^d

with the aid of a glass.

FRERE, (Edonard)I.,i gi in ' f H'inor. Frince.

ir>S—The ( JiiidtMif f

U. t'.u-.li!:-,' pictures for sal.;, •ousult Mr. E. Q-Brien at tl.-sk.

VAN COUVER (J.)

I'l!* Aiiisirnl.im

INOLIS, (J. Johnutou) R.H.A.(.M.i;;liip ..f th. ri 'J.il H.I.. iiiljl) Ar.i.Iimy)

l INNiE, (John) R E., M.B.

<M.mlri r i.f ihr- R..yiil f'iimlirfan Aradt tny)

Ifil— LaiiilHCHitf. North Wnloa

KINO, (Ye«nd) R.I.

(^t'

i: il li.Mtit'itf of Painter*)

GRACE, (Jumcs E ) R.B.A.

16;V-A Siirr»'y I'ontl

PARTON, (Erne;!) S.O.P.

(.^feriih^r p .oU-ty uf oil Putnttn)

1K4 .-Twilight t>D Wiridfimere

HAYES, (d. A.)

1(;5— Ciiftle in file Piistnre

KlC—Sfu'i ji hi the H»<stuie

COBURN, (P. J.)

107—Piitch Iiif prior

SNELL, (J. Herbert)

l(;s—D».v,.n Aiipl.- Oichiinl

!; ;;,ii.;iMs: i>iituri'« for >=.il.-, ron-ult Mr. E. oFir:...n at desk

BENGER (W. E.)

JtiO—Summer. North Wales

MORRIS, (L.)

170— An Eiiyli>.h L:ir!ilM!;ii>e

rAIRFAX, (L.)

ITl—Chaiigiiiy; Past nr.'

STANFOLD, (J. Henry)

172—Versailles Park

17:?—Xotre Dame do Paris

174— p,, lit St. :\l:(?liel. Paris

17')—Mill Pon.1.

Kr.'siM'UniJ pi'-lur-'.-' i'.t ^fi': o.'ii.-ult Mr.

No. 157—"O L D MA N."

rxnrier, 1€S3-1749

LOAN COLLECTION OFVALUABLE

WATER COLORSBY FOREIGN ARTISTS

GHENT, (Peter) R. Cam. A.(M^tiilit-r .jf thf R.ijal t'amlitl.iii ArnWniyi17»!— ri;itlieli r.istif, Suotlillltl

GLENDENNING, (A. A.)

177--( )ii tlif Tii;ilin-N

SWAN, (C. E.)

ITS— .Mount aiii HhI'Ik t— F.inn

17!)-rn the OljuJ.'-Liou

CLAYTON, (Hu2 lies)

180—The Village Cross

181—Fishing Boats

WADHAM, (W. J.)

1S2—Rustic Bridge, North Wales

SINCLAIR (A.)

18:5—A Forest Stivani

FORBES, (P. L.)

184—The Viiliii^e Church

SAUNDERS, (T. C.)

185—Beamnaris

R-;gai(Un!j pi. tiires for sale, consult Mr. E. O'Brien at desk.

HUTTON, (T. S.)

TERKILL, (A.)

IST A Outi-h Canal

188— In Holland

l!if»—A Stivct if) Aiiisti'nljiiii

SHELL, (J. Herbert)

190—Aiitninn

AYLINO, (A. W.) R. Cam. A.(Meiiibn- ! ill.- H'.i.il •.iiiii>ri.;n Acadrniy)

' litl-Rivci- in WiiL's •

WILLETT, (N. Fowler)

192—Driving the Slict-p

PELEGRIN, (hi.)

193—The Adriatic Ocean

JOr.iS, (P.)

194—A (jiii.'t i.'.-tiiig J'laci!

STANNARD, (A. M.)

193—Hi-athfie.'d Comuiou

THOMSON, (W. Taylor)

19(i~R.'st infer

197—Glen Qiioich Forest

Rer riding pictures for sale, consult Mr. E. O Brien al dfslt.

PYNB, (Thomas) R.I.

lO.'s- Ih.. Uoldeu Harvvst

OYSTON, (George)

I'M Kveniii- Rit-hmond, Yorks

OALTER, (P.)

-'•Mi-Fisliiii- iriiuacks

CAVI, (R )

201— Foiiutiiin in Vnvk. Rome

LARl (D.)

20--' -Au Italiau Boy

HEYAL, (A.)

20:j—Dutch LatHl.scupe

HINTES, (W.)

. 204—A liollaml Waterway

STREET, (Kate)"

20")—Hi«le.aml-H(?ek

HINES, (Fred.)

L'()»)—Sunny Juiic. Evst-x

SPOOR2<»7- Riiiny Day, Holland

DE FRANCESKI

2('S—Lagoon at Venice

Kogardii j; piotuivs for ?.,],\ ci'll.sult Mr. E". O'Bri

FAULKNER, (John)

-••f— N'l-ar KliiwIi'H. Dundee

SCHOUW•.'lO-Di.fi h Farm

JUSON, (E.)

211- A S, ut< li Loi-h

•2V2—A S(.,.ti-h Loch

WILSON, (J. Howell)

- I'cilrcflll Stir. nil, Kdll

214—A Sii«M'.\ Road

DE BOCK, (Th.)

215—HomewardsA beautiful cjiample of this great artist's work.

OFFERMANS, (Tony)

21() Rjiniviinl Si-i'iie

An I xnuisii'.- sjc ririi' n "C ' ir!< i niiius' brush work.

HAITE, (G. C) R.W.S.

217—Laiuiscape

LOANED BY ART SUFPLY CO.

A Bit of the English Coast S. A. Mulholland

By Still Waters G. S. Hart U W s.

The Brook G. E. Colby

LOANED BY T. W. FEIPP

Stave Lake T. W. Fi ipp

The Basket Maker T. W. Fripp

Regarding pictures for Bale, consult Mr. E!. O'Brien at desk.