catalog shuffle #3
DESCRIPTION
ÂTRANSCRIPT
SHUFFLE PROJECT
eno revo sneppah hcihw ytivitca ylhtnom a si... .madretsmA ,103TO eht ni yrellag dib4 o/c keew
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Performing Arts, Literature, Music, Photography, Film or Hybrid) during a week long project. Each participant runs one day of the week’s events and takes part in the sessions hosted by the others. Partecipants propose an idea, a que-stion or a thought that they want to look at from
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THE GROUP-
4bid is a group of four people that engages in creative dia-
performance, dance, installation and curatorial practice.The Gallery is a physical space in which to create, express, expose the product of elaborations, facilitating communication and exchange between individuals and the local community.We like the idea of a small family inhabiting the space and
-lery’s door. An independent entity that is part of the bigger family, the OT301. The space has for us a double function: at times a ‘backstage area’ where activities, studies, pro-
manner, and an organized presenting platform that shows
variety of recurrent activities open to the public: exhibitions/open studios, workshops and performances/installations.
monthly Open Call to add to two proposals by 4bid members. The guest artists: Andrea Abbatangelo and Ina Dokmo, they were invited to exchange workshops during the week. Ideas, questions and thoughts were looked at from dif-
These 4 people, bodies, minds at work came together en-couraging discussions and feedback at end of each wor-kshop, whilst all the process was being documented by an external and internal eye, that of Giacomo Cardoni (4bid), an eye who was part of the project having voice throughout its duration. This catalog is the personal result of his docu-mentation. At the end of the week the group gathered for a
shape to a public presentation of the work: the Open-Show.
FEBRUARY’S SHUFFLE PROJECT
SHUFFLE PROJECT
eno revo sneppah hcihw ytivitca ylhtnom a si... .madretsmA ,103TO eht ni yrellag dib4 o/c keew
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Performing Arts, Literature, Music, Photography, Film or Hybrid) during a week long project. Each participant runs one day of the week’s events and takes part in the sessions hosted by the others. Partecipants propose an idea, a que-stion or a thought that they want to look at from
This edition of the Open Show presented several aspects of the week in the form of a performative installation. This consisted in a setup that re-staged elements of the workshops where the audience
by the artist (a table to lie on, whilst dough for bre
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ad could rest on their body before baking inside the gallery-oven and a colored light was projected on them), watch two dancers moving “from the he
-art” and “changing” qualities in their bodies, and had a chance to talk to the participants to the shuf
of the photo footage by one of the artists to whom they could ask questions and exchange critique.
OPEN SHOW-
THE DOCUMENTATOR’S SUGGESTED QUESTIONS
Why does sound trigger us to move or block us?
Who is your movement for?Is what I’m doing instinctive or the result of a learning process? Are we annoyed when we don’t accept what we are doing? In relation with my interest, is it the easiest part that I choose, or the one that gives me something?How fast does our brain realize what we are doing?
ot su swolla taht noitarolpxe/emag eht fo ytuaeb eht ti sI
Are we interested in receiving or giving orders?Do emotions have a speed? Is the relation master/slave an intrinsic part of ourselves?
noitisopmi lanretxe eht ecneirepxe uoy od ylgnorts woHof change?What is the function of dead time?
WORKSHOP DAYIRINA BALDINI
THE DOCUMENTATOR’S SUGGESTED QUESTIONS
era yeht nehw sgniht elpmis yb desserpmi elpoep erAdisoriented?When I don’t understand the reason of what I’m doing, how do I build the relation with the external?What do we need to perceive the small and beautiful things?
WORKSHOP DAYANDREA ABBATANGELO
THE DOCUMENTATOR’S SUGGESTED QUESTIONS
The stronger the relation with the body, the more use of its movements?Why do we share in words what we were, and what we have felt?Do people create a bond with what they create?Can I say something is mine when I share energy and/or time with it?Why do people use objects they consider to belong to others to vent?
WORKSHOP DAYINA DOKMO
THE DOCUMENTATOR’S SUGGESTED QUESTIONS
elpmis eht rof ylerem noitatnorfnoc ni detseretni elpoep erAreason of doing so?Is the confrontation born from the interest of the object or the subject?What pushes us to reveal something hidden inside of us?
-put?How far can I go into the depths of knowledge about myself?
WORKSHOP DAYPAOLO PAGGI
THE DOCUMENTATOR’S SUGGESTED QUESTIONS
external mass?
Why do people choose to interact with art?Why do the artists want visitors to interact?Does being experimental imply being artistic?
OPEN SHOW DAY
LINK andreaabbatangelo.blogspot.itwww.dokmo.se
