cassettes versus vinyl - catalogue l.a. oct 2016 · 2016-08-24 · e s featuring: chris barton...
TRANSCRIPT
P R E - S A L E C A T A L O G U E
L O S A N G E L E S
featuring:
CHRIS BARTONHORACE PANTERMORGAN HOWELL
3 GREAT BRITISH
POP ARTISTS
1 LOCATION
1 WEEKEND
Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017
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M E E T T H E A R T I S T SChris Barton
Animatronics for Star Wars / The Fifth Element / Harry Potter
Voted: [email protected]
Twitter/Instagram @chrisbartonart
Horace PanterBassist with The SpecialsVoted: [email protected]/Instagram @horacepanterart
Morgan Howell FRSAVoted: [email protected]/Instagram @supersizeart
Horace, co-founder of 2-Tone Records and legendary bassist of
The Specials has had a front seat in the music business for many
years. He’s toured all over the World which has given
him a unique insight into how all manner of musicians operate.
For this show Horace has chosen the recording ‘demo-tape’ as
his subject. A musician’s tool as important as any in the pre
internet world. Nile Rodgers agreed and promptly bought the
‘Good Times’ piece for his studio wall.
Each of the paintings is researched to find recording studios,
addresses, old phone numbers etc. Some have been harder to
find than others. Horace spent the best part of a week trying to
find the details for Wizard Recording Studio where The
Undertones recorded ‘Teenage Kicks’. “I spoke to all sorts of
official people, museums and record stores in Belfast until, finally,
I found Terry Hooley. His response was “sure, I have a bunch of
those cassettes in my garage… hang on a minute”. A couple of
minutes later I had all the information I needed from the man
himself.”
Not satisfied with creating creatures that walk and talk in the
movies, like Yoda for instance, or working in Formula 1 motor
racing where he helped Team Brawn to win the World
Championship in their maiden season, Chris turned his
considerable talents to creating larger that life 3D replicas of his
old cassettes.
“Thus far, I have not done any duplicate cassettes – every one
has been different. It’s amazing that for something that keeps the
same form, that there should be such variety out there. I don’t
know how many different versions there must be. It’s one of the
things keeps my interest in the format.”
The constructions are astonishing in themselves, but it’s when
you get to the cases with the hand painted covers that you
realize he’s been one hell of an artist all along.
Dave Finkel of New Girl fame is among many collectors both
sides of the atlantic who own Chris’s creations.
Morgan decided some time in 2008 that he was going to leave
behind the world of advertising and reinvent himself as an artist.
He chose a subject matter near to his heart and
fortunately for him, most everyone over the age 40 - The 7”
single. Since his first sculptural 3D Supersize paintings were
D-noticed at The Royal Acedemy, he has sold his pieces to a long
list of record companies, music impresarios and artists
including Neil Diamond, Ozzy Osbourne, Ray Davies, Elvis
Costello and Johnny Marr to name but a few.
“Inevitably, you start playing the game of what you’d
commission him to paint. At the moment I’m thinking Billy
Preston’s “Billy’s Bag”, on the UK Sue label, with that fantastic
paper bag listing all the label’s artists. Or maybe the Reflections’
“(Just Like) Romeo and Juliet” on Stateside. No, it’s got to be
Kenny Dino’s “Your Ma Said You Cried in Your Sleep Last Night”,
with my then-girlfriend’s name inscribed in nail polish on its
HMV/United Artists label 51 years ago. Now there’s a record that
deserves to have its portrait painted.”
‘Cassette Versus Vinyl’ as a three-man concept exhibition was launched in the UK at Manchester’s ARTZU gallery in June and it was a huge success, reviewed by Colin Patterson
BBC Arts and Ents Correspondent, Marc Riley (DJ) for BBC Radio 6, BBC Radio Manchester,Clint Boon (lead singer ‘Inspiral Carpets’) and John Robb (author and founder of ‘Louder Than
War’). Horace himself recently had a full-page review in The Times. For all the publicity, see: http://www.horacepanterart.com/media/
Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017
This catalogue is to hi-lite a selection of each artist’s pieces for pre-sale. Once purchased the pieces will still be in the show, albeit with a red dot. Delivery will bearranged once the show wraps. You will be invited with your guests to the opening nightwhere you will meet the artists who will be happy to dedicate the art if that’s your thing,or just chat about it if you prefer. There are further pieces which are currently inprogress and are not in this catalogue so please ask Clare for any updates.
All Sales enquiries to Clare Milne who represents all three artists.Details on the last page of this catalogue.
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017 C H R I S B A R T O N
TITLE: DAVID BOWIE – ZIGGY STARDUSTMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $4,250
TITLE: LED ZEPPELIN – LED ZEPPELINMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
TITLE: MILES DAVIS – KIND OF BLUEMEDIUM: MIXED MEDIASCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
TITLE: THE CLASH – LONDON CALLINGMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017 C H R I S B A R T O N
TITLE: THE WHO – TOMMYMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
TITLE: PAUL WELLER – STANLEY ROADMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
TITLE: JOHNY CASH – LIVE AT SAN QUENTINMEDIUM: MIXED MEDIA SCULPTURE/PAINTINGDIMENSIONS: 42cm x 28cm x 7cmPRICE: $3,600
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017 H O R A C E P A N T E R
GOOD TIMES - CHIC ORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
B52s MIXTAPEORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
GANGSTERS – THE SPECIALSORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
ROCK THE CASBAH – THE CLASHORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017
TIMEBOMB – RANCIDORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
BLACK FLAG MIXTAPEORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
TEEN SPIRITORIGINAL PAINTING: ACRYLIC ON BOARDDIMENSIONS: 92 x 61 cmPRICE: $5,200 (FRAMED)
MULTICASSETTE (TECHNICOLOR) – US EDITIONFINE ART PRINTDIMENSIONS: 61 x 61 cmEDITION: 25PRICE: $750.00 (FRAMED)
LET’S DANCE MASTER TAPE (COLLABORATION WITH LOUIS CANNIZZARO)HAND-FINISHED PRINTDIMENSIONS: 61 x 61 cmEDITION: 5PRICE: $1,900.00 (FRAMED)
H O R A C E P A N T E R
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017 M O R G A N H O W E L L
THE SPECIALS – GHOST TOWNORIGINAL 3D CONSTRUCTION, HANDPAINTED CANVAS27” VINYL COMPLETE WITH GROOVES AND BEVELLED EDGEHAND PAINTED PAPER LABEL / SIGNED AND STAMPED, FRAMED WITH ART GLASSDIMENSIONS: 81cm x 81cmPRICE: $13,000
SMALL FACES – TIN SOLDIERORIGINAL 3D CONSTRUCTION, HANDPAINTED CANVAS27” VINYL COMPLETE WITH GROOVES AND BEVELLED EDGEHAND PAINTED PAPER LABEL / SIGNED AND STAMPED, FRAMED WITH ART GLASSDIMENSIONS: 81cm x 81cmPRICE: $13,000
THE BEATLES – HELPORIGINAL 3D CONSTRUCTION, HANDPAINTED CANVAS27” VINYL HAND PAINTED PAPER LABEL /SIGNED AND STAMPED, FRAMED WITH ARTGLASS. DIMENSIONS: 81cm x 81cmPRICE: $13,000
THE BEATLES – A HARD DAY’S NIGHTORIGINAL 3D CONSTRUCTION, HANDPAINTED CANVAS27” VINYL HAND PAINTED PAPER LABEL /SIGNED AND STAMPED, FRAMED WITH ARTGLASS. DIMENSIONS: 81cm x 81cmPRICE: $13,000
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017
DAVID BOWIE – FAMEORIGINAL 3D CONSTRUCTION, HAND PAINTED CANVAS27” VINYL HAND PAINTED PAPER LABEL /SIGNED AND STAMPED, FRAMED WITH ARTGLASS, DIMENSIONS: 81cm x 81cmPRICE: $13,000
THE BEATLES – YESTERDAYORIGINAL 3D CONSTRUCTION, HAND PAINTED CANVAS27” VINYL HAND PAINTED PAPER LABEL /SIGNED AND STAMPED, FRAMED WITH ARTGLASS. DIMENSIONS: 81cm x 81cmPRICE: $13,000
BRUCE SPRINGSTEEN – BORN TO RUNORIGINAL 3D CONSTRUCTION, HANDPAINTED CANVAS27” VINYL COMPLETE WITH GROOVES AND BEVELLED EDGEHAND PAINTED PAPER LABEL / SIGNED AND STAMPED, FRAMED WITH ART GLASSDIMENSIONS: 81cm x 81cmPRICE: $13,000
THE JAM – TOWN CALLED MALICESUPERSIZE 3D PRINT WITH GROOVED VINYLINSERT, FRAMED WITH ART GLASSDIMENSIONS: 81cm x 81cm EDITION: AP 1/1PRICE: $5,250
M O R G A N H O W E L L
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Manchester June 2016 - Los Angeles Oct 2016 - London Feb 2017 C L A R E M I L N EP R E - S A L E S
Los Angeles is the second leg of a tour which will see
these three British Pop Artists criss-crossing the
Atlantic and onwards to Japan before returning
to Europe.
You have the opportunity to view and purchase these
works in advance of anyone else in America. Each new
market that the work is exposed to helps to push the
pieces on in value and we are confident that if you buy
now, you will be ahead of the market. The pieces you see
here will form part of around 100 originals and hand
made prints in the show.
Please note that the exchange rate is also at its most
advantageous for US buyers in the last 30 years. All
works are being shipped to Los Angeles from London
during September for the opening night on Thursday 6th
October at an invitation only event hosted at Arrow
Kruse’s PROJECT SPACE in a refurbished warehouse in
LA’s new downtown art district.
To secure any works please contact me on
[email protected] purchased the pieces will still be in the show,
albeit with a red dot. Delivery will be arranged once the
show wraps. You will be invited with your guests to the
opening night where you will meet the artists who will
be happy to dedicate the art if that’s your thing, or just
chat about it if you prefer. There will be further pieces
which are currently in progress which are not
announced as yet in this pre-sale catalogue so please
register your interest and I will keep you up to date.
“The seven-inch single, as anentity, is an absolutely powerful, possibly otherworldly object.”Johnny Marr
“Cassettes were cheap, mass-produced pieces of recordingtechnology but they totallychanged the way we related tomusic. The perfect popartefact.” Horace Panter
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