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Cantata Perusal Score Not for performance AJ Harbison

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Page 1: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

CantataPerusal Score

Not for performance

AJ Harbison

Page 2: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

This is a perusal score only.

For performance materials, please send a request to [email protected]. Thank you for your interest in my music!

Page 3: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

Cantatai. chorus

ii. soprano recitative iii. tenor aria iv. alto aria v. chorus

vi. soprano aria vii. tenor recitative—arioso

viii. baritone recitative ix. chorus

for saxophone quartet

AJ Harbison

Page 4: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

Program Notes Cantata is modeled after the form of J.S. Bach’s cantatas, a mix of solo recitatives, solo arias and tutti choruses. As in Bach’s cantatas, the recitatives in this piece are more lightly accompanied, with only one performer in addition to the soloist, and the arias more fully accompanied, with two or three additional performers. The

recitatives are faster and shorter, providing a showcase for the featured instrument, while the arias are slower, longer and more lyrical. The choruses, at the beginning, middle and end of the piece, involve all of the performers and tie the recitatives and arias together. Cantata explores the relationships between the

members of the saxophone quartet, and highlights the variety of timbral and textural effects available to the ensemble.

Performance Notes All performers read from the score.

All movements are to be played attacca.

Unmetered notation is marked with an “X” time signature. The unmetered notation indicates approximate relative durations through spatial placement and articulation: staccato for short notes, slurs for multiple sustained notes, and thick horizontal lines for single sustained notes.

The last note under a slur does not need to be sustained; if it should be sustained, it will be followed by a thick horizontal line. Tremolos are the exception and should continue until another tremolo or a breath mark. Grace notes are always slurred only to the normal note they are attached to.

Breath marks in unmetered sections indicate the cessation of sound (and an actual breath taken if appropriate or needed). Breath marks in metered sections indicate an actual breath that should be taken, including a slight pause.

Tenuto marks are used both with and without slurs. In conjunction with a slur (e.g. in the tenor saxophone in measure 34), a tenuto mark indicates a leaning into the sound, i.e. a slight stress. Without a slur (e.g. in the alto saxophone in measure 34), a tenuto mark indicates a leaning into the sound as well as a separated (non-

legato) articulation.

Unaccented grace notes should be played before the beat, with the normal note receiving more emphasis, while accented grace notes should be played on the beat, with the first grace note receiving more emphasis. This applies to both metered and unmetered sections.

If any or all of the performers are able to circular breathe, this should be done rather than taking staggered catch breaths where marked (e.g. measures 2, 5, 7, 9, etc.).

The performers are encouraged to highlight the featured instruments in the recitatives and arias by sitting down or setting down their instruments when not playing.

Duration ca. 8 to 10 minutes

Page 5: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢Copyright © 2016 AJ Harbison

Transposed Score

Soprano Saxophone

Alto Saxophone

Tenor Saxophone

Baritone Saxophone

f p p f n.

p f n.

p f n.

p f n.

Soprano

Alto

Tenor

Baritone

f p f n.

4

f p n.p f

p n.

p fp n.

f pf n.

&>

,8 *

,: ;** ,i. chorus

X

Cantatafor saxophone quartet AJ Harbison (2016)

4-5" 7-9" 6-8"

& ∑8 *

,: ;** ,X

& ∑8 *

,: ;** ,X

& ∑8 *

,X

& ∑ >8

,3-4" 7-9" 8-10"

&> ,

8

,: ; ,

& ∑8

,: ; ,

&* Each feathered beam tremolo should contain exactly the number of notes specified by the number on the beam.** Staggered catch breath as needed.

∑8

> ,: ;**,

fiœb j œ œ œb œ œ œ œ œ œ œ œ œ œb

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ

œ œb œ œ œ œ œ œ œ œb

œ œ œ œ œ œ œ œ œ œ œ

fiœj œb œ œ œ œ œ œ œ œ œ œ œ œ

œ œb œ œ œ œ œ œ œ œ œ œb

œ œ œ œ œ œ œ œ œ œ œ œ

= =

Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 6: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

Soprano

Alto

Tenor

Baritone

pp pp f pp ff

7

pp pp f pp ff

pp p f pp ff

pp p p f pp ff

Soprano

Baritone

mf f mf p fp fp f p mp p

11

mf mp mf mp

&8

,: ; ,: ;(no breath)> , ∑

9-11" 4-6" 4-6" 4-5"

&8

,: ; (no breath)> , ∑

&8

,: ; (no breath)> , ∑

&8

,: ; ,: ; (no breath)> ,.

&,.> > , > ,

6

,ii. soprano recitative 8-10" 8-10"

&>

, .>

, .

œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œb œ œ œ œ œ œ œ œ œ œb œ œb

œ# œ œ œ œ œ œ œ œ# œ œ# œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œb œn œ

œb œ œ œ œ œ œ œ œ œ# fiœ œ œ fiœ œ œ œ œ œ œ œn œ œ œ œ œ œ œ œ œ œb

œ œ œ œ œ œ

= =

Cantata—Transposed Score2 Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 7: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

°

¢

Soprano

Baritone

f mp f mp f p f n.

13

f n.

Soprano

Alto

Tenor

p n. p

16

p n. p

f p mf p mp p n. mp f mp

Soprano

Alto

Tenor

n. p n.

21

n. p n. mp

f mf n. p mp p f mf mp n.

& > .>> . > . > . >

`v2456cb ± timbral trill

8

o + o + o + o + o + flutter tongue ,∑

5-7" 8-10" 2-3"

&, growl , ∑

&,: ; , ,: ;

iii. tenor aria4-5" 8-10" 8-10" 3-4" 8-10"

&,: ; ,

& ∑fluttertongue

`v2456cB ±timbral trill

8

o + o + o + o + o + , > wide vibratoÍÍÍÍÍÍÍÍÍÍÍÍÍ , o + >o + o + ,

&, ,: ; ,

∑8-10" 3-4" 8-10" 8-10" 3-4" 4-5"

&,: ; , ,: ; , > , >

&> ,ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ > >

, > > ,

œ œ œ œ œ œ# œ œ# œ œ# œ œ œ# œ œ# œ# fiœj œ fiœj œ fiœj œ œn fiœ œb œ œ œ

œb œ œ œ œ œ œ œ œ œ œ œ æææœ

œ œ œ œ œ

œb œ œb œ œb œ œb œ œb œ

œ œ œ œ œ œ œ œ œ œ

æææœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ fiœ œ œ œ œ œ œ œ œ œ œ œ œ œ œb œb

œb œ œb œ œb œ œb œ œn œ

œ œ œ# œn œ# œ œ# œ œn œ œ œ fiœj œ# fiœj œn œ

fiœ# œ# œ œ œ œ# œb œ fiœ œ œœ œ# œ# œ# fiœ œ# œ# œ fiœjœ fiœj œb œ œ

= =

= =

Cantata—Transposed Score 3Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 8: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

°

¢

Alto

Tenor

Baritone

p mp p mp mf p n. p

27

p p mp mf mp mp mf

p p mp mf mp mp mf

Alto

Tenor

Baritone

mp mf mf mp

32

mp mp mf mp

mp mp mf mp

Alto

Tenor

Baritone

mp mf mp f mp mp p mp p mp p

36

mp mf f mp mp p mp p mp p

mp mf f mp mp p mp p mp p

444444

&wide vibrato ,ÍÍÍÍÍÍÍÍÍÍÍ > ÍÍÍÍÍÍÍÍÍÍÍÍÍ , > > > , - ,

iv. alto aria4-5" 7-10" 3-5" 6-8" 6-8"

&`134456c , , `123456Bcq , , ,

&`123456A , ` , , , ,

&> , > >

, - , - , - - - , > > , > , >8-10" 5-7" 5-7" 8-10"

&123`Be , , - , -

&D`12456 , ,

-, -

&> , - - - - ,: ; > , , , , - - ,

∑6-8" 5-6" 6-8" 5-7" 2-3"

&, , , , , - - ,

&, , , , , - - ,

œ# fiœj œ# fiœ œ œ œ œ œ# fiœj œ# fiœj œ œ œ œ œ œ œ œ œ

œœ œœœœ# œœ

œœ#

œœ

œœ

œœ

œœ

œœ

œ# fiœ# jœ fiœ œœ œ œ fiœ# œ œ œ œ œ œ œ œ# fiœ# j œ fiœ# œ# œ œ# œ fiœ# œ œ œœ fiœ œ#

œ œ#

œœ œœ œ œ œ œ

œœb

œœb œb œb œb œ

œ# fiœ# j œ œ œ œ# œ œ fiœ# œ# œ œ# œ# œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ

œb œb œ œ œ œ œ œ œ œ œ

= =

= =

Cantata—Transposed Score4 Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 9: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

Soprano

Alto

Tenor

Baritone

mp mf mpp f n.

q = 7241

mp mf mpp f n.

mp mf mpp f n.

mp mf mpp f n.

Soprano

Alto

Tenor

Baritone

mp mf f p mf(discreetly)

n.

46

mp mf f p f ff

mp mf f p f ff

mp mf f f ff

44 54 44 24 44

44 54 44 24 44

44 54 44 24 44

44 54 44 24 44

44 54 44

44 54 44

44 54 44

44 54 44

& - - , - - , -8

> ∑3

v. chorus

& - - , - - , -8

> ∑3

& - - , - - , -8

> ∑3

& - - , - - , -8

> ∑3

& - - , - -8

> ,

3 3X

& - - , - -8

>3 3

X

& - - ,- -

8

>3

3

X

& - - ,- - > > > >3

3 5X

œ ˙# œ œ œ œ ˙# ™ œ œ œ œ# œ œ œ œœ œ œw w w# w

œ ˙ œ œ œ œ ˙ ™ œ œ œ Œ œ œ œ œ œ œ œ œ ˙ ™ ˙ ™ w w

œ ˙ œ œ œ œ ˙ ™ œ œ œ Œ Œ œ œ œ œ œ œ œ œ ˙ ˙ w w

œ ˙ œ œ œ œ ˙ ™ œ œ œ Œ Œ Œ œ œ œ œœ œ œ œ œ œ w w

œ ˙ œ œ œ œ œ# œ œ Œ œ œ œ œ œ œ œ œ œ w w w w w w

œ ˙ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ ˙ ™ ˙ ™ w w w w

œb ˙ œ œ œ œ œ œ œ Œ œb ˙ œb œ œ œ œ œ œ œ ˙ ˙ wb w wb w

œb ˙ œb œ œ œ œ œ œ Œ œb ˙ ™ ˙ fiœ œ œb Œ Œ fiœ œ œ œ œ œ œ# œ œ Œ fiœb j œ

= =

Cantata—Transposed Score 5Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 10: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

°

¢

Soprano

Tenor

f n. f p p mf p mp p p mf n.

51

f

Soprano

Alto

Tenor

mp mp p mp n. mp p p espressivo p

q = 7257

mp n. mp p p mp p

mp mp p mp n. mp p p mp p

Soprano

Alto

Tenor

mf p mf f mp mp

64

mp mf p mf f mp

mp mf p mff f mp

44 34

44 34

44 34

&> ,

-wide vibratoÍÍÍÍÍ ,

6

,

6

> ,-

,8 growl

,vi. soprano aria

X

6-8" 6-8" 5-7" 6-8" 4-6" 5-7"

& open slap

>∑ ∑ ∑ ∑ ∑X

&> , > - , ,

-, , >

4-6" 4-6" 4-6" 3-4"

& ∑ ∑ , , `12456D ,

&, - , , , ,

&ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ , >

1235`8Bc ±timbral trillo + o + o + o + > ,

5 6

&, , , , >

6

&Tk`123456Cc , , ,

> 6

œ œ œ œ œ œ œ œ œ œ œœœœ œœœ œ œ œ œ œb œ œœ œœœœ œ fiœb œ œ œ œ œ œ œ# œn œ œ œ œ œ œ œ œ œ

¿#

fiœ œ œ œ œb œb œb fiœb œb œ œ œ œb œbœ œ ˙ fiœ œ œ œ œ# œ# ˙n ™ fiœ œ œ ˙ œ#

œ œ w# Œ ˙̇̇b ˙n ™

œ œb œ œb œb œb œ w Œ˙̇# ˙ ™

˙n ™ ˙ ™ ˙ fiœn œ# œ#œ œ œ œ# œ# ˙# fiœn jœ ˙ œ# œ œ œ œ œ ˙# ˙ œ# ˙# fiœ œ œ œ ˙ ™ œ fiœ# j ˙#

Œ ‰ œœœb ™™™ ˙̇̇ ™™™ ˙ ™ ˙̇̇b ™™™ ˙̇̇ ™™™ ˙ ™ ˙b ™ ˙ ™ ˙# ™ ˙ ˙# œ# œ œ# œ# œ œ œ ˙ ˙

Œ ‰ œœœ# ™™™ ˙̇̇ ™™™ ˙b ™ ˙ œ ˙ ™ ˙ ™ ˙ ™ ˙ ™ ˙b ™ ˙b ™ ˙b ˙bœb œ œ œb œb œ œ œ œ œ

= =

= =

Cantata—Transposed Score6 Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 11: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

°

¢

Soprano

Alto

Tenor

f

73

f

f

Soprano

Alto

Tenor

Baritone

ff mf p

80

ff mf p

ffmf p

p

Tenor

Baritone

p mp p mf mp mf mp mf

86

p mp mp

44

44

44

44 24 34

44 24 3444 24 3444 24 34

&> , , > > ,: ;

&,: ; ,: ; > ,

6

&,: ; , 8

&fl.

∑ , ∑X

5-7" 4-5" 4-5"

&flutter tongue

∑ , ∑X

& -fl. ∑ , ∑X

& ∑ ∑ ∑ ∑ , ∑X

&ï`24 ±

>o + o + , fl.o .+ .o fl.+ , ,> .>

. , fl., > . .> ,

6

vii. tenor recitative6-8" 5-6" 9-11"

&, , ,

.. ,

fiœb œ œb ˙ œb ˙ fiœn j œn ˙ ™ œ‰

fiœ œ œb œœJ œb ˙

Œ˙b ™ ˙ ™

˙# ™ ˙# ™ ˙# ™ ˙# ™ ˙n ™ ˙n ™ ˙ ™ ˙ ™ œ œ ˙ ˙ ˙ ™ ˙ ™ ˙ ˙ œ œ œ œ œ œ

˙b ™ ˙b ™ ˙b ™ ˙b ™ ˙ ™ ˙b ™ ˙ ™ ˙b ™ ˙ ™ ˙b ™ ˙ ™ ˙# ™ ˙ ˙# œ œ œ œ œ œ œ œ

œ æææ̇ ™ ˙ ˙ ™ œ

œb æææ̇ ™ ˙ ˙n ™ œ

œb æææ̇b ™ ˙ ˙b ™ œ

œb

fiœ œ œ œ æææœ œ œ æææœ œ œ œ œ œb œ œ œb œ œ œb œ œ œ œ œ fiœjœ œ œ œb œ œ œ œ œ œ æææœ fiœ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ#

œœ

œœ

œœ œ œ

= =

= =

Cantata—Transposed Score 7Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 12: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

°

¢

Tenor

Baritone

mp f mf mp mp

89

p f mf mp mp

Soprano

Alto

Tenor

Baritone

mp

92

p p

p f p pp

p p p

Soprano

Baritone

mf mp mf mp mf

95

mf fp fp fp f mf

&± `8qwert timbral trillo + o + o + o + fl. .> , >

.>,

.>, > , > , ,

6

6-8" 8-10" 6-8"

& .>, , ,

& ∑ ∑, .

8-10" arioso 8-10" 6-8"

& ∑, , ,

&> , , `8123456b ±

timbral trillo + o + o + o + , ,6

&, , , ,

&> , . > , . ,

viii. baritone recitative8-10" 8-10" 4-5"

&,.> > > , flutter

tongue , , . > .,> .

,

6 6 5

œ œ œ# œ œ œ œ œ œ œ æææœ œ fiœ œ œb œ œb œ œb fiœb j œn fiœ# œ œ œ œ œ œ œ œn œ œ œ fiœ œ œ œ fiœ œ œœ œb œ œb œb

œ œ œ œb œb œn œ

œ œ œœ

œ œb œ œ œœœ œ# œ œb œœœœœœœœœ œ# œœœœœœ œb œœœ œœœ œ œœœ œb œœœœœœ œb œ œ œœœœœœœ œ œ œb œ œ

œ œ œ œ œ

œ œ œ œ œ œ œ

œ œ œ# œ œ# œ œ# œ œ# fiœ œ œ fiœ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ# œ œ œ œ œ æææœ œ œ œ œ œ œb œ œ fiœj œ fiœj œ

= =

= =

Cantata—Transposed Score8 Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY

Page 13: Cantata - ajharbison.com Scores...Cantata explores the relationships between the members of the saxophone quartet, and highlights the variety of timbral and textural effects available

°

¢

°

¢

Soprano

Alto

Tenor

Baritone

mp mf f f mp f mp f

q = 10098

mf f f mp f mp f

mf f f mp f mp f

mp mf f

Soprano

Alto

Tenor

Baritone

ff fff

106

mf ff fff

mf ff fff

mfff fff

Kansas City, 2016

24 44 24 44 24 44 34 44

24 44 24 44 24 44 34 44

24 44 24 44 24 44 34 44

24 44 24 44 24 44 34 44

44 24 44

44 24 44

44 24 44

44 24 44

&fl. ∑

>∑

>∑

> ,3-4" ix. chorus

&fl.

∑>

∑ > ∑ >

&fl.

∑ > ∑ > ∑ > ,: ;

&fl.

>,

>,

>,

&,

∑> fl.

wait until reverberationshave completely died away

∑U

&,: ;

∑ ∑ > fl.

wait until reverberationshave completely died away

∑U

& ∑ ∑ > fl. wait until reverberationshave completely died away

∑U

& ∑>

fl.

wait until reverberationshave completely died away

∑U

œ æææœw wb w wb w wn ˙ ™ ˙ ™

æææœ w w wb w wn w ˙ ™ ˙ ™

æææœ w w wb w wb w ˙b ™ ˙ ™

œb æææœ ˙ w ˙ w ˙ w ˙ ™ ˙ ™

w wb w æææw æææw æææw

w w w w Ó ˙b ˙ æææ̇ æææw

wb w wb w Ó ˙ ˙ æææ̇ æææw

w w w ww æææw æææw æææw

= =

Cantata—Transposed Score 9Perusal copy only. Not for performance. To order performance materials, please email [email protected].

PERUSAL SCORE ONLY