canon-eos pro digital bro
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C
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Widen Your Horizons
The new EOS5D has a full-frame 12.8 MegapixelCMOS sensor combined with Canon’s
DIGIC II Image Processor, a high-precision 9-pointAF system with 6 Supplemental
points, and “Picture Style” color control to deliver imagesof superior qualitywith
enough resolution for anyapplication, allin a compact lightweightbody.
uitive Speed, Massive Resolutiond Perfect Operation.ting the next generation of EOSprofessional digitalSLRs.
ning combination ofperformance, resolution and ease of use,
o of camerasis ready for anything. All Canon EOSdigitalSLRs
ne Canon designed high-resolution sensors with the blazingly
GICII Image Processor, for nearly instantresponse across the
Canon’s renowned build quality ensuresperfect operation
tter the situation. Compatibilitywith over 50 EF Lensesand
arietyof accessories, plus new technologies, like the Wireless
nsmitter WFT-E1A and Canon’s wide-formatprinters, ensures
e EOS system is the most advanced todayand is readyto be
tible with whatever tomorrow brings.
The World’sFastestDigital SLR* Refined
Canon’snew EOS-1D Mark II N can record at 8.5 fpsfor up to 48 frames in
one burst. It featuresCanon’s proven 8.2 MegapixelCMOS sensor with a
1.3x conversion factor, combined with the speed and intelligence ofthe
DIGIC II Image Processor, allin a rock-solid, magnesium alloy body.
*As ofAugust2005
Unparalled Resolution and Performance
The EOS-1DS MarkII is a musthave for those looking to capture huge,
beautifulimages fast. With a full-frame 16.7 Megapixelsensor, the
EOS-1DS MarkII capturesup to 32 consecutive framesat speedsup to
4 fps, rendering the largestfile in Canon Digital SLR history.
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kI I
2.8L USM
ghtsReserved.
Mymainconcernwith anycamerasystem ishavinga widearrayof lensesavailable
thatare manufacturedto professionalstandards.Ilove usingextremewide-anglelenses
andthefullframechipontheEOS-1DsMarkIIallowsmetoutilizealloftheEOSlenses
totheir fullpotential.Thecreation ofthis particularphotographwasimmeasurablyfaster
thanpreviouslypossiblethanksto Canon’ssuperioruseof emergingtechnology.We
wereina studioina controlledlightingsituation,wiredto theinternetwith theart
directorhundredsofmiles away.Wewere ableto captureandsendshots instantly,
andthe artdirectorevaluated
andapprovedthe imagein
minutes.TheCanonEOS-1Ds
MarkIIconnected toa computer
ora networkisa remarkable
platformforphotographyin this
digitalage.”
Commercial ApplicationsGil Smith
‘‘
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Camera: EOS-1DsMarkII
Lens: EF 70-200mmf/2.8LISUSM
©2005 MelvinSokolsky AllRightsReserved
As a photographer shooting fashion I’ve found that the relationship between the
subjectand photographer requiresa highly responsive camera, even more so than in
sports or journalism photography. In fashion, the cadence of shutter releaseswill spur
on the models performance in a kind of dance with the photographer. In myexperience,
the EOS-1DsMark II hasproved to be the bestwhen used in tandem with the vast
arsenalof lenses in the EOSline. I, in fact, prefer the 1DsMarkII to any of the 22MP
medium format backsboth in termsof image quality and FPSresponse time. For the
photo on the left, I deliberatelyplaced the modelin a cocoon of veils to create a
situation that would produce moiré and chromaticaberration problemsthat most
camerascould not handle. The veilsenvelop the modelwith multiple layersto amplify
the potentialmoiré problem; clearlythe EOS-1Ds MarkII performed flawlessly.”
Fashion PhotographyMelvin Sokolsky
‘‘
White Ba
Controls
The EOS-1DsM
white balance
PC-1 to PC-3, fo
of up to three t
To fine-tune wh
the 1DsMark I
white balance c
in addition to a
different white
bracketing opt
white balance
of lighting situ
Just as traditio
phers choose t
upon consider
saturation and
ture, the EOS-1
Color Matrixfun
the photograp
characteristics
changing films
are5 presetco
and 2 customiz
settings, allow
phers to fine-tu
space to their s
Whether using
preset color sp
customizing co
the shoot, pho
expect precise
everytime.
Color Ma
CanonDigitalCamera
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Camera: EOS-1DsMarkII
Lens: EF 50mmf/2.5 CompactMacro
©2005MichelTcherevko = AllRightsReserved
Canon’s DIG
Processor tu
captured by
into images
clarity and r
Photograph
precise, nat
smooth, life
spot-on whitspeed in an
lighting situ
By handling
image data,
Processor a
lower power
about1,200
taken on a f
normal cond
Photograph
as JPEG ima
or both sim
with
C
compressio
tremendous
with rich 12
lossless ima
Perfect for c
amazing resachieved wh
Canon’s RAW
a computer.
Commercial Studio PhotographyMichel Tcherevkoff
Here’s whatI like aboutthe Canon EOS system: Fastshooting, instant feedback,
instant changes in the color temperature, instantchange of ISO. No more changing of
film from B&Wto tungsten to daylight and everything in between, it’s all right there. No
more grain with high-speed film, no more need to shoot at low ISO to accommodate
slow tungsten film. Plus, you keep onlythe best shots! I love the high-resolution sensor,
and the big new LCD monitor isthe best! Few corporations today have a commitment to
innovative research and developmentbased on the demand of its customers. Canon
does. Pretty forward thinking!”
‘‘
DIGIC IISmartefrom St
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The success
EOS-1D Mar
MarkII N ref
of the photo
resulting in a
fluid experie
photograph
the EO
1.3x co
and 8.
sensor
45-poi
Evalua
superb
and in
startup
EOS-1D
incorp
reques
such asan o
focusing scr
focusin low
2.5 inch LCD
providesa b
playback, an
at 170°from
values can n
in the view
photo
chan
with
cam
eye
feat
impr
all th
of the
shutte
1/800
In Photojournalism there isno such thing asa second chance - every moment is
unique and can never be reproduced. Therefore I need a camera system that is
incrediblyreliable, one that does not stand in between me and a photograph. I've come
to relyon Canon camerasto not onlycapture the decisive momentsbut also to make
photographsthat I could nothave otherwise. After five solid days of bad weather, and
with a looming deadline, we finallygot a clear sunset. I needed to
capture a dramaticshot ofthe Chrysler Building but did notwant to
isolate itas it’sa vitalpart ofthe city and rooted to the streetsbelow.
Since the surrounding buildings are lower, theyappeared in shadow
while the Chrysler appears to be in spotlight. Flying high above
New Yorkin a helicopter banking at45°, with one chance to gett he
shot that will tell your story, you need confidence in your equipment,
and that’swhyI use Canon.”
PhotojournalismVincent Laforet
Camera:EOS-1DMa rkII N
Lens: EF 16-35mmf/2.8LUSM
©2005VincentLaforet AllRightsReserved
‘‘
EOS-1D You SpoWe Liste
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Sports PhotographyPeter Read Miller
FastCaFaster P
As the “1” d
alwaysbeen
flagship mo
line, Canon
compromise
construction
of the EOS-1
Photograph
an exceptio
performance
on par with
they’ve ever
to lightning
AF, sophisti
predictive A
and precise
metering, no
setting, the shoot8.5 JP
up to 48 sh
and at least
RAW images
responsive
Starting up
the EOS-1D
demonstrat
immediately
DIGIC II Ima
complement
speed in ca
by processi
them with c
speed and p
Since I started using the EOS-1 system, I’ve witnessed
Canon’s continual commitment to providing the most
advanced, adaptable, and highest quality equipment to
the professionalphotographer. Why did I switch to, and
continue to use, Canon EOS cameras and EFLenses?
Durability, functionality and flexibility. As a sports
photographer, my equipmentneeds to be astough and
adaptable as the athletes I cover. Theydon’taccept
excuses for second place and neither do myphoto
editors. The Canon EOS-1D Mark II N’sfast and accurate
auto-focus, high frame rate, plus the incredible sharp-
nessof Canon’s bright telephoto lenseswere all criticalto
my capturing the power and grace ofMaria Sharapova.
The high quality files, the larger buffer, the 2.5 inch LCD
screen and improved playbackall helped to make
everything faster and easier.”
Camera:EOS-1DMa rkII N
Lens: EF 70-200mmf/2.8LIS US M
©2005PeterReadMiller AllRightsReserved
‘‘
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The EOS-1D
advanced fe
complement
proven E-TTL
technology.
systems, E-T
averages the
capturing th
“plane” and
E-TTL II incor
information
EF Lenses fo
flash exposu
rendering co
exposures econtainsvar
levelsof ref
also elimina
that can occ
reflections b
areasthatre
high levelso
calculated re
E-TTL II preve
when photo
focus and re
shot. In this
calculates th
according to
information
reading offo
means more
exposure res
where the
choose
A telling, gleeful moment is there for an instant and then gone. A camera’s
ability to focus instantly and perfectly control flash exposure is often the difference
between a momentlost and one captured forever.
In dark reception halls, I often twist
the head ofmy Speedlite flash to
bounce off distant walls and
ceilings, trusting Canon’s
remarkable E-TTL II system to
handle the trickyexposure
challenge effortlessly. Whether
thatwall isyellow or blue, any color
castis instantlyeliminated by the
celebrated automatic white balance system.
Difficult shots are now routine thanksto Canon’s
industry-leading technology. I use Canon equipment
with fullconfidence that I am using the finest
photographictools available in the world today.”
Wedding PhotojournalismDenis Reggie
Camera:EOS-1DMa rkII N
Lens: EF 24-70mmf/2.8LUSM
©2005DenisReggie AllRightsReserved
‘‘
Canon’s AdvancMeterinE-TTL II.
Masked Foc(Ec and Ee v
Idealfor portra
photographers
focusing scree
lines” or “blac
an image in a
square format.
are available fo
camerasaswe
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The featuresthat attracted me to the Canon system are numerous…Let’s start with
the awesome selection oflenses. I own severalof Canon’sfast lenses and theyhave
given me a whole new look to my photographs. The fastlenses allow me to work in
available light, creating portraitsthat are simple and direct, yet make powerful
statements. I also love working with the EOS-1 body. It’sdurable and nimble all at the
same time. I can workthe menu features in the dark–with myeyes closed–and thisis
important during stressful shoots when I need to change a setting. Mostimportant:
Consistentexposures and accurate focus. That would be the key word…Consistency!
Thisconsistencyhelpskeep mywork fresh and exciting.”
Senior PortraitClay Blackmore
The EOS-1D
of the easie
customize to
personalsty
Six new “Pic
settingssim
characterist
film styles,
Snapshot m
print-from-th
Portraitmod
more natura
Landscape,
and greensa
sharpness,
Faithfuland
which can b
to emulate cblackand w
Canon’s new
matte focus
proven Cust
functions (tw
one for Com
and one for
(SD) memor
the ability to
and RAW im
memory card
and it’sclea
1D Mark II N
adaptable p
Camera:EOS-1DMa rkII N
Lens: EF 300mmf/2.8LISUSM
©2005ClayBlackmore AllRightsReserved
‘‘
More OThe Wa
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The new EO
advanced p
lightweight,
thatuses Ca
EFlenses wi
factor, an im
for photogra
to make the
EFlenses ra
full-frame CM
records 436that’s 12.8 M
than manyo
top-of–the-l
sensor, desi
Canon, prov
resolution im
the EOS-1Ds
usesCanon’s
Processor, h
9-point AFsy
Supplement
extended IS
50-3200 an
noise reduct
maximize th
the EOS 5D’
reduction. W
capabilities,
ma
b
is
ad
EO
I lookfor a camera that takesthe guessworkout of photography, a camera that is
easyto hold and use, that isan extension of myhands, head and heart. The instantI
picked up the new EOS5D, I knew this was it. Viewing the resultsof each shoton the
2.5” LCD monitor on the back of the camera, I’m able to focusin on the detailsthat are
usually missed untilI’m back at the computer viewing imageson a monitor. With the
EOS 5D’s advanced playback, I wasable to scrutinize every little detail, refining and
perfecting the picture with each successive exposure. Whata savings of time, talent
and money! Then, when viewing images on the backof the camera section by section
I was able to confirm in my own mind that I had accomplished whatI setout to do. The
Canon EOS5D and I were “bestbuddies” right after the first few testshots.”
Studio PortraitMonte Zucker
Camera:EOS5D
Lens: EF 85mmf/1.2LUSM
©2005MonteZucker AllRightsReserved
‘‘
(ShownwithoptionalWirelessFileTransmitterWFT-E1A)
The NewWide Ap
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In a lot of waysyou are onlyas good asthe toolsyou
use–learn to use the best tools properlyand your
advantage is miles high. Assuch, I believe that having
my Canon camerasand lensesis criticalat everyjob I
photograph. Beautiful files, speedy focus, fast lenses,
Image Stabilization, high ISOs, easy exposure
compensation, and excellent dynamic range are critical to
capturing moving moments in life and it’sthose moments
that I earn myliving from. There can be no compromise.Photographing three little girls at sunset in
this remote setting required all the
elementsthat are importantto
my work. Having a compact,
lightweightcamera with the
imaging power of the EOS5D
made this shoot possible.
Without the right toolsthis
shootwould nothave been
possible.”
EnvironmentalPortraitMichele Celentano
The decided
features of t
builtinto a n
compact, ru
ergonomica
body. Builtw
alloybody c
and portabi
approximate
and under 2
easyto carry
longest pho
the grip isde
comfort, fea
where the p
middle finge
metallic mo
roulette whemore positiv
buttons and
labeled and
cues, so use
instinctive. T
design follo
optional BG
With a shutt
take a profe
frames, the
choice for a
secondaryS
a: EOS5DEF 70-200mmf/2.8LIS USM
5MicheleCelentano AllRightsReserved
‘‘
More FeLess Ca
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The EOS5D
to provide th
with instant
valuable tim
images. A ne
screen with
230,000 pix
displays mo
it can also b
far greater a
other conven
(170°).The f
information
an RGB hist
displays the
Magnificatio
exposure an
has never b
is now simp
in image int
Menusare e
at the touch
feature large
textthan pre
Whether cha
parameters,
custom func
folders, se
balanc
featu
scr
wit
in
Ph
get
tio
the
sh
ma
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bu
sh
eit
ba
Nature PhotographyGeorge Lepp
Every time I go into the field my Canon EOSdigital
system allowsme to capture precisely what I see. I need
a camera thatwill solve the photographic problemsthat
are inevitable in outdoor photography. Willthe camera’s
functions assist me, or be an obstacle to overcome?
Willit focusquickly enough? Stand up to the weather and
terrain I frequently find myself in? Mostimportantly, will
the image qualitybe up to the standardsthat myclients
and I demand? Canon has always been interested in what
those of us in the field have to say, and the improvements
made over the yearsreflectthat input. If not for the full-
frame sensor on the EOS5D, for example, this dramatic
“fisheye” shotwould not be possible.
Occasionallythey’lleven thinkof
something I didn’t even know
I needed!”
ActualSize (Shownwith
optionalBatteryGripBG-E4)
a: EOS5DEF 15mmf/2.8 Fisheye
5GeorgeLepp AllRightsReserved
‘‘
The Res
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Historically,
sensorswer
for the very
SLR lines. T
3rd camera
SLR line to u
sensor, elim
conversion f
lensesfunct
on a 35mm
12.8 Megap
the 5D prod
with enough
reduce elect
out of the c
being a welc
wide-angle e
sensor alsopotential of
lenses. Add
focusing scr
one with gri
EOS5D is th
for creating
architectura
EOS5D also
AF sensor, w
supplement
points, whic
levelof acc
tracking. Th
combine wit
spot
C
Long before I switched to Canon digital SLRs, I made
a list offeaturesthat I required in a digitalcamera. Canon
was the first(and remains the only) manufacturer to meet
my requirements: full frame sensor, high pixel count,
bright LCD review, rapid operation and superlative image
quality. I bought one of the firstEOS-1Ds cameras
available, and every iteration since has only improved
upon its versatile, intelligent and reliable design. Now with
the EOS5D I've gotanother great option. A higher resolution full-frame camera in a compact, lightweight
body that affords me more versatility than ever before.
The high resolution, wide tonalrange sensor made this
kitchen image possible. Note the extreme density
range–from bright chrome to darkwood–and the mixed
lighting. The Canon sensor takes mixed lightsources in
stride, allowing faithfulimage capture without
supplemental lighting.”
ArchitecturalPhotographyGerry Kopelow
a: EOS5DTS-E 24mmf/3.5L
5GerryKopelow AllRightsReserved
‘‘
ExpansPerspec
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LCD Panel Illumination Button
Self-timer Lamp
Lens Release Button
PC Terminal
Digital Terminal
Remote Control Terminal (N3 type)
Video OUT Terminal
Viewfinder Eyepiece
Dioptric Adjustment Knob
CF Card Slot Cover
Depth-of-field Preview Button
Grip (Battery Compartment)
Tripod Socket
DC Coupler Cord Hole
Battery Compartment Cover Release Lever
Battery Compartment Cover
Multi-controller
AE Lock/FE Lock Button/Index/Reduce Button
AF Point Selection/Enlarge Button
CF Card Slot
Quick Control Dial
Power/Quick Control Dial Switch
JUMP Button
Erase Button
Playback Button
INFO/Trimming Orientation Button
MENU Button
Direct Print Button
LCD Screen
Eyecup
Flash-sync Contacts
Hot Shoe
Mode Dial
Shutter Button
Main Dial
LCD Panel
AF Mode Selection/White BalanceSelection Button
Drive Mode Selection/ISO Speed Button
Metering Mode Selection/Flash Exposure Compensation Button
Strap Mount
Strap Mount
Setting Button
Battery Level Mark
Flash Exposure Compensa
Auto
Daylight
Shade
Cloudy
Tungsten Light
White Fluorescent Light
Flash
Custom
Color Temperature
White Balance
Spot Metering Circle
Focusing Screen
Flash-ready
High-speed Sync (FP flash)
FE Lock
* AE Lock/AEB in-progress
Flash Exposure Compensa
Beeper
Custom Function
Recording QualityLarge/Fine
Large/Normal
Medium/Fine
Medium/Normal
Small/Fine
Small/Normal
RAW
ISO Speed
WB Correction
NOMENCLATURE for EOS 5D VIEWFINDER INFORM
TOP LCD PANEL INFO
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SYSTEM CHART
Macro Twin LiteMT-24EX
Macro Ring LiteMR-14EX
580EX430EX220EXST-E2
EOS-1Ds Mark IIEOS-1D Mark II N
EOS 5D
Interface CableIFC-200D4IFC-450D4
IFC-200D44IFC-450D44
Focusing Screen Ec
Masked Focusing Screens(Ec and Ee versions available)
Focusing ScreenEe-D Ee-S
(5D only)
(1D Mark II N only)
EyeCup Ec-II(1D only)
EyeCup Eb(1DS/5D)
Focusing ScreenEe-A
(5D only)
Anti-Fog Eyepiece Ec
(1D series only)
Rubber Frame Ec(1D series only)
Eyepiece ExtenderEP-EX15
Rubber Frame Eb(5D only)
E-series DioptricAdjustment Lenses
Angle Finder C
Interface Cable
IFC-200D4(Mark II series only)
Interface CableIFC-400PCU
Video CableVC-100
Canon EF Lenses
EOS DigitalSolution Disk
DC Co
Ni-MH Charger NC-E2
Ni-MH Pack NP-E3
SoftwM
Strap L5
Hand Strap E1(1D only)
CR2025Lithium Battery
Date/time CR2016Lithium Battery
Battery GripBG-E4
Battery PackBP-511A, BP-514
Wide StrapEW-100DGR
Battery PackBP-511A
Car BatteryCable
CB-570
BatteryChargerCG-570
Battery ChargerCG-580 or CG-5L
Compact powerAdapterCA-570
Compact powerAdapter
CA-PS400
AC AdapterAC-E2
AC Adapter KitACK-E2
DC CouplerDR-400
Bundled
Accessories
46
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C KNOWHOW
®
1-800-OK-CANONwww.usa.canon.com
Canon U.S.A., Inc.One Canon PlazaLake Success, NY 11042 U.S.A.
Canon Canada Inc.6390 Dixie RoadMississauga, Ontario L5T 1P7 Canada
Canon Latin America703 Waterford Way, Suite 400Miami, FL 33126 U.S.A.
Canon Mexicana, S. de R.L. de C.V.Blvd. Manuel Ávila Camacho No. 138, Piso 17Col. Lomas de ChapultepecC.P. 11000 México, D.F. Méxicowww.canon.com.mx
0054W868 8/05