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FEATURES
THE SOCIAL
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wo days before the royal wedding,Erin Bury went to high tea at a
posh old Toronto hotel. In thelobby, her hostess—like Bury, a
local blogger—swept her towardthe hotel’s tea rooms, where a
dozen young women and a few
young men, dressed for an English
garden party, tried on fancy hats andposed for portraits. On a laptop computer, aman from Microsoft grafted the absent royal
couple into the photos, and then printed cop-ies for guests. As the partygoers sat down
to finger sandwiches and scones, a pair of Microsoft’s brand evangelists addressed the
room, demonstrating on a projection screena few handy features of the company’s Win-
dows 7 operating system.A community manager for Sprouter—a hot
online networking tool for entrepreneurs—Bury was among a group of online “influ-
encers” hand-picked to attend the Micro-
soft event. Twenty-five years old, with long
blond hair, pixieish blue eyes and a broadsmile, she sat among a group of other com-
munity managers and social media consul-tants. While the evangelists preached, their
audience half-paid attention, keeping oneeye on their phones. They showed off pic-
tures of each other on Twitter, tweeted at
each other across the room, and commentedon the software Microsoft was showing off .Each tweet was marked with the hashtag
“#W7RoyalTea.” And as they tweeted, dozens
of their followers tweeted back, expressing a mixture of interest, delight and envy.
You probably wouldn’t recognize ErinBury if you saw her on the street, unless
you were part of the startup community in which she works. But in some rooms, Erin
Bury is minor royalty. At a charity fundraiser
organized by Toronto’s social-media com-
munity last Christmas, young PR students
from the city’s Humber College eagerly net- worked their way to an introduction, then
scurried off to tweet at her to solidify the
connection: “Great to finally meet @erin-
bury at #HoHoTO!” Erin Bury gets free stuff that you don’t, gets invited to parties for
which you aren’t on the list, and has huge
brands waving cash at her—all this because,in a way, she’s rich: she has social capital,
or put more simply, influence.More and more, companies are turning
to “influencers” like Bury to help them gettheir messages out to interested audiences.
The more influence you have, the more valu-able you potentially are to a social-media-
minded company, whether they sell soft-
ware or tequila. Some see influencers like
Bury almost completely taking over thetaste-making roles traditionally performed
by celebrities and journalists. But whenyour reputation becomes a commodity, it
can lead to some tough decisions. It’s onething for Bury to have social capital; now
she has to decide how to use it.
BY THE TIME YOU READ THIS, Bury’s Twitter fol-
lowing may have eclipsed the 10,000 mark.She’s been retweeted by Oprah and has a
blog with a small-but-desirable readership.
Her growing reputation for knowing the
ins and outs of the tech startup scene has
earned her writing gigs with The Globe and
Mail, Business Insider and Mashable. But if along the way she’s accrued the kind of social
capital that gets her on the other side of thered velvet rope, it was almost accidental. A
product of small-town Ontario, Bury studied journalism at Carleton University, interested
more in learning communication skills than
becoming a working reporter. After graduat-ing, she spent a year in the Toronto office of the research group Environics. One night over
dinner, she met Sarah Prevette, a talented
young entrepreneur still in her 20s who was
about to launch what would become Sprouter,and needed a community manager for the
venture. Bury didn’t know what a community
manager was, knew little about social media, but was intrigued by the opportunity. “My
barometer for things is always, ‘What’s the
worst that could happen?’” Bury says.Bury signed up for a Twitter account the
day before she started at Sprouter in Decem-
ber 2009, and began networking on thecompany’s behalf. As its profile rose, so didhers, as one of its two public faces alongside
Prevette. She was getting ample experienceto help her one day strike out on her own;
but as Sprouter held events in Ottawa andMontreal, and as far away as Los Angeles,
Bury realized that to a certain audience,her name had started to mean something,
beyond the company she worked for.Then last fall, a friend in the PR industry
convinced Bury’s boyfriend, Kevin Oulds (atradesman who works far from the social
media) to enter a contest staged by SauzaTequila. He made a funny video promoting
the brand, rounded up votes from friendsand family, and made it to the final pairing.
Bury had been on the sidelines for most of the contest, but with a cash prize of $10,000
on the line, she decided to get involved.While she’d previously helped Oulds with
strategy, for the final month she eff ectively became his campaign manager, helping him with promotions—including giving away a
smartphone she’d been given as an incentivefor voters—and at times using her own Twit-
ter account to encourage people to supporthim. Oulds won the contest handily.
Soon after, Microsoft came knocking. Buryhad blogged about her love of the company’sHotmail e-mail platform, but she’d grown
frustrated with it and switched to a competi-
tor. Microsoft off ered to pay her to write a
series of blog posts on her personal site aboutswitching back. She and Microsoft agreed
that she would be transparent, announcing
in her posts that the company was paying
Erin Bury turned her online influence into a commodity. But what’s areputation worth? BY JORDAN TIMM,
PHOTOGRAPH BY NIKKI OMEROD
NETWORK
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her to blog on the subject.And then Dentyne chewing
gum got in touch. They wantedto hire a real-life social-media
power couple to be the face of a
Valentine’s Day–themed promotional cam-paign. Oulds and Bury were chosen. They
were paid for a series of media appearances—
including national television—and when the brand flew them to Vancouver for a roundof press, they took advantage of the com-
plimentary airfare and extended their stayinto a vacation.
If the first two opportunities were rela-
tive no-brainers, the Dentyne off er caused
a little more reflection. “We had just donethe Sauza thing, which I was very associ-
ated with,” Bury says. “If I’m all of a suddena Dentyne spokesperson, is it going to be,
‘Oh my god, she’s partnering up with every brand that approaches her?’”
Bury found herself approaching a dilemma.How much free stuff , how many endorse-
ments could she accept before the credibil-ity that earned her that influence in the first
place started to be compromised?
A DILEMMA LIKE BURY’S only exists becausethe kind of social-media influence she’s
accrued now has actual value in the real
world. Rather than broadcasting a messageto a wide audience and hoping to hit a few
interested parties, brands are increasingly
seeing the value in targeting a few inter-ested and influential people and letting themessage spread to those people’s networks,
which will presumably also be interested. Atan event like the royal tea, says Microsoft
Canada’s Consumer and Entertainment PRlead, Paolo Pasquini, “I can feel the engage-
ment. You have between 10 and 30 peo-ple in an event, they’re tweeting, they’re
engaging, they’re dynamic. They’re hav-ing conversations with Microsoft, they’re
having conversations with the host, they
leave, you end up seeing a trickle of tweets,
a trickle of blogs—potentially sometimes youfind yourself in traditional media as well.”
Plus, compared to the cost and return-on-investment you get through conventional
advertising channels, springing for tea andsandwiches is a bargain.
“I think of it like shooting gold out of a shot- gun,” Joe Fernandez says of the big media
buys that have for decades been the back-
bone of brand strategies. Fernandez is the
CEO and co-founder of Klout, a San Fran-
cisco company that tries to measure indi-
viduals’ influence across social media and
translate that into a single metric, a Kloutscore. The company’s algorithms analyze
your behaviour on social platforms like Twit-ter and Facebook, and people’s response to
—how often you’re tweeted at or retweeted,
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Bury’s dilemmaexists only because the online influence
she’s acquired nowhas real-world value
and by whom, and how influential those
people are. The higher your Klout score,
the more influential you are.Bury’s Klout score is 68 out of 100. That’s
modest compared to a real celebrity likeConan O’Brien (with more than three millionfollowers and a score of 88), but comparesfavourably to the Canadian social-media
maven Amber MacArthur, who notches a
64. Though MacArthur reaches more people,Klout ranks Bury higher in part because hernetwork features more influential people,
and because her tweets are more likely toprovoke reaction from her followers.
This concept of the influencer—someone
who aff ects the behaviour of others and, inthe marketing world, their buying behaviour
in particular—isn’t new. Journalists and celeb-rities have fulfilled that role for years. But
as the new twist on the old saw goes, on the web, everybody can be famous to 15 people.
But anybody who becomes Internet famous will have to decide how far to go with this
kind of brand engagement.
“FIVE YEARS AGO, I was on this show called
Maxed Out on the W Network,” says blog-
ger and bundle of energy Casie Stewart overcoff ee at a downtown Toronto café, “and
the [host] asked me what I wanted to do.
And I was, like, ‘I want to be a world brand,’
kind of like Paris Hilton. She told me, ‘Well,that’s really hard, Casie, because you didn’t
come from money like her.’ And I was like,‘Oh yeah, bitch? You watch.’”
Stewart started her This Is My Life blog
five years ago, as a hobby while working
in the fashion industry. In the fall of 2008,
she decided to take it more seriously. “Isaid to my friends, ‘I’m going to hibernateall winter, and people are going to know
me from my blog in the summer,’” Stew-
art says. “And I did. I just started blogging all the time. I’d go to events and I’d write
about them, and any product I use, I started writing about it.”
A local PR company reached out to Stewart
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and started sending product samples, she
started blogging about them, and when her growing profile led to a paid role as a spokes-
person for a charity, she decided, “I’m going to professionally be Casie Stewart.”
Stewart won a role as a Virgin Atlantic
Airlines spokesperson, became a face of
Puma Canada, and went full-throttle after
other opportunities. While she shares Bury’sconcerns about credibility, Stewart repre-
sents a diff erent approach. She and a fewlike her are testing whether “influencer”
can be a job. She arrives for an interview
wearing an outfit that a Queen Street bou-tique loaned her after she tweeted she’d be
appearing on a panel and needed some-
thing to wear. She has a talent agent to get
her gigs in commercials, especially with
brands she’s worked with in the social-mediarealm. She hasn’t paid her phone billsince 2009; Telus covers it for her,
and equips her with the latestAndroid phones. She makesat least as much per week as
she did in her last formal job,
which paid $45,000 a year.But influence can be a quick-
silver thing, and there’s no guar-antee that today’s It Girl won’t
be tomorrow’s Was Girl. Stew-
art says the thought doesn’toverly bother her. Five years
ago, there was no Twitter. In fiveyears, maybe she’ll live on her family’s sheep
farm in New Zealand. “I’m always going to be Casie Stewart,” she says. “The brand that
is me isn’t going to go away.”
ONE OF THE KEYS TO being influential, every-one seems to agree, is being authentic. “Any
company that tries to sell to us too much onsocial media, we turn away,” says Andrea
Tavchar, a professor of social media and pub-lic relations at Toronto’s Humber College.
She teaches her Humber PR students—someof whom will become the people hiring the
likes of Stewart, and some of whom may
instead decide they want to be Stewart—how
to build their social capital online, and howimportant authenticity is to that currency.
“The more authentic you sound online, themore people are going to believe you.”
But can spending your social capital on
accepting opportunities to front brandscompromise the authenticity that earned
you that currency in the first place?
Tara Hunt calls that currency “whuffie,”
a term borrowed from the social-capital- based currency in a sci-fi novel by Cory Doc-torow. Her 2009 book The Whu ffie Factor
(retitled The Power of Social Networking for
the paperback edition) is part of Tavchar’ssyllabus, and has helped shape the way peo-
ple think about social capital and especially
social-media capital. A high-profile blogger,author and serial entrepreneur, the Mon-
treal-based Hunt is a regular on lists of themost influential women in tech. She recalls
that five or six years ago, when brands first
started sending gadgets and other productsto bloggers perceived to have large followings,
people were suspicious at first but soon got
use to the free stuff . Hunt is certainly opento working with brands. She loves her newtablet computer, provided by Samsung in
exchange for appearing in a short video totalk about the future of mobile. But what
about trading services not for free stuff , or
experiences, but for cash? “You can’t dothat,” Hunt says flatly. “When you’re givenfree stuff , you don’t feel directly obligated.
But when you’re on a payroll, you do.”Hunt’s been off ered as much as $20,000
for an endorsement. She’s a single mom with a teenage son, and she’s in
startup mode with her new proj-ect, Buyosphere. She admits thatshe sticks so close to her princi-ples that she hurts herself. “We
all have to make money at the
end of the day.”
But what if the wrong opportunitytempts her, and she loses her whuffie?
“That’s the most valuable thing I have,” Huntsays. “If I lose that capital, I have nothing.”
SIX MONTHS AGO, Erin Bury used to get moreinvitations. Lifestyle brands, spirits-makers,
and film festivals wanted her at their events.For the most part, Bury politely declined,recognizing the audience she’d acquired
was more interested in the stuff that built
her influence in the first place—tweets andposts about entrepreneurship and tech. Pre-
sumably the brands, too, recognized that
Bury wasn’t always the best fit for them,
because the invitations have dwindled. If
an influencer becomes just a shill, it reflects
just as poorly on the brands with which
they’re associated. “It’s got to be very cred-
ible to get any kind of distance out of it,”
says Pasquini of the art of engaging influ-
encers. “You’ve got to be relevant, you’ve got to be transparent—because that keeps
Erin’s credibility, right? And that’s hugelyimportant, because her audience follows
her based on trust. We don’t want to ever jeopardize that, [because] this isn’t some-
thing we’re doing as a one-off . We’d love todo more in collaboration with her.”
As the royal tea wound to a close, Bury
wandered to a corner table, away from theaction, where she saw a cluster of unfamiliar
faces. They were mostly Microsoft employ-ees, but could prove valuable members of
her networks, whether as an influencer oran entrepreneur. She sat down and intro-
duced herself.
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