burberry off a lesson in consistency

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mark marketingweek.co.uk BURBERRY OFFERS A LESSON IN CONSISTENCY On any decent MBA course there is usually a marketing simulation. The class divides into six teams and each is assigned a specific brand. The teams then have to make strategic decisions on an annual basis and as these decisions are fed into the simulation their subsequent performance compared with the other teams is computed. The team that usually triumphs is not the one that made the best decisions, but the one that made good choices and stuck to them, while less experienced, and ultimately less successful teams, chopped and changed their strategy from one period to the next. Success is as much about consistency and execution as it is about analysis and decision making. That's the key message marketers should take from Burberry's continued success. Last week we learned that the brand's revenues are again up by 27%. Profits up by 40%. And with the Asian taste for luxury - and particularly Burberry - catching fire, there is only more growth to come. Burberry's current success can be traced back to 1997 and the arrival of CEO Rose-Marie Bravo. It was Bravo who surveyed the late 20th century fashion landscape and dug deep into the roots of the brand to uncover the right positioning. When she re-emerged it was with a clear focus on three brand associations. First, it had to be British. Second, it was a curious blend of function and fashionable because Burberry's history, unlike those of its Latin peers, w as one born from gabardine - a thoroughly practical and waterproof fabric. Third, the brand was certainly luxurious but it was always accessible. Burberry was, aft er all, the product of a draper from Basingstoke, not a couturier from the Left Bank of Paris. It's one thing to have a clear position, but quite another to apply it consistently. Bravo tightened up the licenses, sorted out distribution, introduced flagships, cut back more than 75% of products on offer and, crucially, hired a creative director, Christopher Bailey, to restore the fashion credentials to the dusty Burberry brand. Bai ley, of course, turne d out to be a masterstroke. Not only was he a gifted designer, he was also perfectly aligned with the brand positioning Bravo had articulated for Burberry. He was British, he designed clothes that you could actually wear on the high street and - as anyone who has met the man can attest -he is also one of the most humble and accessible designers on the planet. But perhaps the best and most successful You must combine tbe right marketing strategy witb consistent execution Mark Ritson is an associate professor of marketing, an award winning columnist, and a consultant to some of the world's biggest brands application of Burberry's positioning can be witnessed in its advertising strategy. To follow Burberry's advertising over the past decade is to walk through an English meadow of beautiful yet ever-consistent muses. Always fresh, always the same. In 1998 Stella Tennant represented the brand - she was British, she was fashionable and she had that practical posh kind of look the brand aspired to. Then came Kate Moss, who added even more fashion to the brand while simultaneously increasing its accessibility. Kate is , after all, the only supermodel who comes from Croydon. There was Rachel Weisz, then Sophie Dahl, then Agnes Deyne, followed by Emma Watson, then Rosie Huntington-Whitely. And now Karen Anne in this year's campaign. I haven't heard of the last one, either, but we will and that's the point. Burberry has selected a different young face each season to continue the brand's rejuvenation. But while the face might have changed the story has remained the same. These are all British girls. They are stunningly beautiful and yet each one is solidly middle class. Accessible yet fashionable. Thanks to Mario Testino taking the photographs, the ads remain high fashion in their aesthetic appeal, but because the clothes being worn are Burberry they remain relatively practical in their style. Fashionable yet functional. A decade is a long t ime in branding. Average brands have gone through three marketing directors and at least as many brand positionings and communications campaigns in that period. The likes of Vodafone, Barclays and Nokia, for example, have shared more than a dozen different approaches in the past ten years. Each has dan ced an un even and confusing jig of different steps and mis-steps that have served to only confuse the consumer. In contrast. Burberry has stayed true to a simple, beautiful and carefully choreographed waltz. The greatest achievement of Rose-Marie Bravo and now Angela Ahrendts, the woman who replaced her as CEO in 2006, is consistency. Marketers have short memories and even shorter attention spans. The lesson Burberry teaches us is that you must combine the right marketing strategy with at least ten years of consistent execution. Ignore your new manager and your new ad agency and steer the ship in the right direction and hold course for a decade or more. Do this and the real power of brand success will start to reveal itself around abo ut year si x or seven. • 54 I Marketing Week | 2 June 2011 I marketingweek.co.uk

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8/3/2019 Burberry Off a Lesson in Consistency

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mark marketingweek.co

BURBERRY OFFERS A LESSON IN CONSISTENC

On any decent MBA course there is usually amarketing simulation. The class divides into sixteams and each is assigned a specific brand. Theteams th en have to m ake strategic decisions on

an annual basis and as these decisions are fedinto the simulation their subsequent performancecompared with the other teams is computed.

The team tha t usually tr iumphs is not the onethat made the best decisions, but the one thatmade good choices and stuck to them, while lessexperienced, and ultimately less successfulteams, chopped and change d their strategy fromone period to the next. Success is as much aboutconsistency and execution as it is about analysisand decision making.

That 's the key message marketers should takefrom Burberry's continued success. Last weekwe learned that the brand's revenues are againup by 27%. Profits up by 40%. And with theAsian taste for luxury - and particularly

Burberry - catching fire, there is only moregrowth to come.

Burberry's current success can be traced backto 1997 and the arrival of CEO Rose-Marie Bravo.It was Bravo who surveyed the late 20th centuryfashion landscape and dug deep into the roots ofthe brand to uncover the right positioning. Whenshe re-emerge d it was w ith a clear focus on threebrand associations. First, it had to b e British.Second, it was a curious blend of function andfashionable bec ause Burberry's history, unlikethose of its Latin peers, w as one born fromgabard ine - a thoroughly practical and waterprooffabric. Third, the bran d w as certainly luxuriousbut it was alw ays accessible. Burberry was, afterall, the product of a draper from Basingstoke, nota couturier from the Left Bank of Paris.

It 's one thing to have a clear position, butquite another to apply it consistently. Bravotightened up the l icenses, sorted outdistribution, introduced flagships, cut back morethan 75% of products on offer and, crucially,hired a creative director, Ch ristopher Bailey, torestore the fashion credentials to the dustyBurberry brand .

Bailey, of course, turne d out to be amasterstroke. Not only was he a gifted designer,he was also perfect ly al igned with the b randpositioning Bravo had articulated for Burberry.He was British, he designed clothes that youcould actually wear on the high street and - as

anyone who has met the man can at test -he isalso one of the most humble and accessibledesigners on the planet .

You m ustcombine tberight marketingstrategy witbconsistentexecution

Mark Ritson is anassociate professorof marketing, an awardwinning columnist,and a consultant tosome of the world'sbiggest brands

application of Burberry's positioning can witnessed in its advertising strategy. To fBurberry's advert ising over the past decawalk through an E nglish meadow of beau

yet ever-consistent muses . Always fresh, the same.In 1998 Stella Tennant represented the

she was British, she was fashionable and had that practical posh kind of look the braspired to. Then came Kate Moss, who a deven more fashion to the brand whilesimultaneously increasing its accessibilityis , after all, the only supermodel who comCroydon. There was Rachel Weisz, then SDahl, then Agnes Deyne, followed by EmmWatson, then Rosie Huntington-Whitely. Anow Karen Anne in this year 's cam paign.

I haven't heard of the last one, either, bwill and that's the point. Burberry has seldifferent young face each season to conti

brand's rejuvenation. But while the face mhave changed the story has remained theThese are all British girls. They are stunnibeautiful and yet each one is solidly middclass. Accessible yet fashionable.

Thanks to M ario Testino taking thephotographs, the ads remain high fashion iaesthetic appeal, but because the clothes bworn are Burberry they remain relatively pin their style. Fashionable yet functional.

A decade is a long time in branding. Avbrands have gone through three marketindirectors and at least as many brandposit ionings and com munications campaithat period. The likes of Vodafone, BarclaNokia, for example, have shared more thadozen different ap proaches in the pa st tenEach has dan ced an un eve n and confusindifferent steps and mis-steps that have seonly confuse the consumer.

In contrast. Burberry has staye d true tosimple, beautiful and carefully choreograwaltz. The greatest achievem ent of RoseBravo and now Angela Ahrendts, the wowho replaced her as CEO in 2006, isconsistency. Marketers have short memoand even shorter at tention spans. The leBurberry teache s us is that you must comthe right marketing strategy with at leasyears of consistent execution.

Ignore your new manager and your new

agency and steer the ship in the right direand hold course for a decade or more. Do and the real power of brand success will

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