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Britten: Saint Nicolas Simple Symphony Handel: Zadok The Priest with Royal Tunbridge Wells Choral Society Members of Tunbridge Wells Girls’ Grammar School and Skinners’ School choirs RTWCS Orchestra (leader Jane Gomm) Tenor soloist: Jon English Directed by Richard Jenkinson St John’s Church, Tunbridge Wells TN4 9LG Saturday November 13th 2010, 7.00pm ROYAL TUNBRIDGE WELLS CHORAL SOCIETY PRESENTS www.rtwcs.org.uk Programme £2.00

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Page 1: Britten: Saint Nicolas Simple Symphony Handelrtwcs.org.uk/progs/2010/Britten010.pdf · Britten: Saint Nicolas Simple Symphony ... when Britten was already a prolific composer

Britten: Saint Nicolas Simple Symphony

Handel: Zadok The Priestwith Royal Tunbridge Wells Choral SocietyMembers of Tunbridge Wells Girls’ Grammar School and Skinners’ School choirsRTWCS Orchestra (leader Jane Gomm)Tenor soloist: Jon English

Directed by Richard Jenkinson

St John’s Church, Tunbridge Wells TN4 9LGSaturday November 13th 2010, 7.00pm

R O Y A L T U N B R I D G E W E L L S C H O R A L S O C I E T Y P R E S E N T S

www.rtwcs.org.uk

Programme £2.00

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R O Y A L T U N B R I D G E W E L L S C H O R A L S O C I E T Y

PresidentRoy Douglas

Vice PresidentDerek Watmough MBE

Musical Director and ConductorRichard Jenkinson

AccompanistAnthony Zerpa-Falcon

Honorary Life MembersLen Lee

Joyce Stredder

Patrons

Friends

Like the majority of arts-based charities, our ticket sales rarely cover the cost of concerts.We are therefore most grateful to our Patrons and Friends for their valuable support. Asubscription of £55 or more will ensure you will have a seat of your choice reserved for youfor each of our major concerts throughout the year. If you would like to become a Patronor Friend please contact Gerald Chew on 01892 527958.

The Royal Tunbridge Wells ChoralSociety is a member of NFMS(“Making Music”) and is a RegisteredCharity No 273310.

For further information about theSociety visit our website

www.rtwcs.org.uk

Miss B BensonSir Derek & Lady Day

Mr M HudsonMrs W RoszakMr W Rutherford

Mrs J StredderMr & Mrs G Weller

Mrs J DaleMiss D Goodwin

Mrs H MacNabMrs P MaxwellMr R Thatcher

Mr D WatmoughMr M Webb

Publicity by Looker Strategic Communications 01892 518122 www.looker.co.uk

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Programme notes

ProgrammeZadok the Priest

George Frederic Handel (1685 – 1759)

Jesu, Joy of Man’s DesiringJ.S. Bach (1685 – 1750) arr: Richard Jenkinson

Simple Symphony, op. 4Benjamin Britten (1913 – 1976)

Don’t Rain On My ParadeBob Merrill (1921 – 1998) & Jule Styne (1905 –1994)

© Warner Brothers

Irish BlessingBob Chilcott (1955 – )

© Oxford University Press

Ave verum corpusWolfgang Amadeus Mozart (1756 – 1791) arr: Richard Jenkinson

INTERVAL – 20 MINUTES

Saint Nicolas, op. 42Benjamin Britten (1913 – 1976)

words by Eric Crozier, vocal score by Arthur Oldham, ©1948 Boosey & Co. Ltd.

Note on applause: We are more than happy to hear you applaud if you wish to show your appreciation of theperformance! So as to cause as little disruption as possible to the flow of the piece we have indicatedplaces where there is a suitable pause for applause by the symbol:

Zadok the Priest (from Coronation Anthems)George Frideric Handel (1685 – 1759)It is difficult to imagine more festive music than the anthems Handelcomposed for the coronation of King George II and Queen Caroline inWestminster Abbey on 11 October 1727. For public or royal occasionsHandel was the ideal laureate, perhaps the only great artist to riseunfailingly to the needs of great events, or rather rise above them. Hecomposed the four anthems, Zadok the Priest, The King Shall Rejoice, MyHeart is Indicting, and Let Thy Hand be Strengthened within four weeks.

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Simple Symphony, op.4 Benjamin Britten (1913 – 1976) The Simple Symphony was first published when Britten was 20 years old,having been put together between 23 December 1933 and 10 February1934. It was based, however, on even more youthful writing, dating back tohis school days, when Britten was already a prolific composer. He undertookthe process of compiling these earlier efforts into a new piece partly in orderto take his mind off his disappointment at being forbidden to go to Europeto study under the notoriously ‘modern’ composer Alban Berg, of whom hisLondon teachers disapproved. Despite this inauspicious origin, the work hasalways been a favourite and in 1944 was choreographed for the BalletRambert under the name Pleasures of the Seaside.

The first movement, Boisterous Bourrée, is a piece written in 1923 at theage of 10. It is described as a ‘compressed sonata’ and has a simplecantabile subject. The scherzo is entitled Playful Pizzicato and the thirdmovement, Sentimental Saraband, is the longest and most beautifulsection of the work. The Frolicsome Finale is from Britten’s ninth pianosonata, written in 1925 at the age of 12.

Ave verum corpus, K 618Wolfgang Amadeus Mozart (1756 – 1791) This motet is a setting of the hymn Hail true body. It is a perfect exampleof how Mozart could always find the right means of expression even forthe simplest of tasks. It shows also how the 18th-century notion of musicas a craft, that is, written objectively, even dutifully to order, coexists in hismusic with a personal freedom of expression more in keeping with theromantic spirit of the following century.

This miniature was written on 17 June 1791 for Anton Stoll, the villageschoolmaster and choir director at the spa, Baden bei Wien. It was thecomposer’s way of returning a favour – Stoll had reserved rooms at thespa for Mozart's wife Constanze, who was expecting their sixth child.

Jesu, Joy of Man’s Desiring Johann Sebastian Bach (1685 – 1750)Jesu, Joy of Man’s Desiring is the English title of the 10th movement of thecantata Herz und Mund und Tat und Leben, BWV 147. A transcription bythe English pianist Myra Hess (1890–1965) was published in 1926 for pianosolo and in 1934 for piano duet. The British organist Peter Hurford madehis organ transcription for the chorale movement as well. Today, it is oftenperformed at wedding ceremonies slowly and reverently, in defiance of theeffect suggested by Bach in his original scoring, for voices with trumpet,oboes, strings, and continuo. Written in 1723 during his first year inLeipzig, this chorale movement is one of Bach’s most enduring works.

Don’t Rain On My ParadeBob Merrill (1921 – 1998) & Jule Styne (1905 – 1994) From the 1964 musical Funny Girl this song was also featured in the 1968movie version of the musical. Both the movie and stage versions featureBarbra Streisand performing the song and has since become one of hersignature tunes.

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Richard Jenkinson – ConductorRichard was a scholarship student at the Royal College of Music inLondon, where he won many prizes and awards for his work, and whereSir David Willcocks was a huge influence and guide.

He works regularly with many choral societies, chamber choirs and churchchoirs in and around London/Southern England, and has appeared at mostof the major venues.

Richard is now enjoying the challenges of his exciting new appointment asConductor of The London Orpheus Choir, following in the illustriousfootsteps of James Gaddarn.

This season will include appearances at Winchester, Hereford and ArundelCathedrals, and Richard will conduct performances of many great works:Puccini’s Messa di Gloria, Haydn’s “Nelson” Mass, Duruflé’s Requiem andDvorak’s Stabat Mater, plus works by Vaughan Williams, Rutter,Buxtehude, Pergolesi - and many more.

Away from music, Richard continues to enjoy sport (mostly viewed fromthe safety of a comfy sofa!) plus good wine and local beer!

Performers

Saint Nicolas, op. 42 Benjamin Britten (1913 – 1976) Saint Nicolas, patron-saint of children and sailors, was Bishop of Myra inAsia Minor during the fourth century. Little else about him is known forcertain, but his life has been the subject of innumerable legends. He is ofcourse the original ‘Santa Claus’, this being a corruption of a dialect formof his name.

Eric Crozier drew freely on some of these legends for the splendid librettoused by Benjamin Britten for this cantata. The work was composed in 1948for the centenary celebrations in July of that year of Lancing College, PeterPears’s old school, but the college kindly allowed it to have twoperformances at Aldeburgh in June. The cantata is scored for tenor soloist,mixed chorus, female semichorus, strings, piano duet, organ and percussion.Some critics who mistake simplicity for naivety have castigated this finework, but audiences have come to love it and regard it as a masterpiece.

Irish Blessing Bob Chilcott (1955 – )A moving, traditional Irish blessing set to music of great simplicity andbeauty. Chilcott perfectly captures the warmth and sincerity of the text,and weaves a memorable melody, which he clothes in rich harmony.Chilcott has been involved with choral music all his life, first as a Choristerand then a Choral Scholar at King's College, Cambridge. Later, he sang andcomposed music for 12 years with the King's Singers. His experiences withthat group, his passionate commitment to young and amateur choirs, andhis profound belief that music can unite people, have inspired him both tocompose full-time and, through proactive workshopping, to promotechoral music worldwide.

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First violinsJane GommGavin DaviesNicky GoodwinTim GoodAnne Martin

Second violinsRachel HessJoyce FraserJulia ChellelShareen Godber

ViolasStephen ShakeshaftFay SweetLynn Whitley

CellosDavid BurrowesWilliam Bass

BassAndrew Laing

PercussionJohn Rockliffe Oliver Neil Smith

OrganChristopher Harris

PianoAnthony Zerpa-FalconJessica Zhu

Royal Tunbridge Wells Choral Society Orchestra

Jane Gomm – Orchestra LeaderSussex-born Jane studied the violin at the Royal Academy of Music inLondon. Since leaving college she has been a member of the LondonMozart Players, the London Festival Orchestra and the Orchestra of St.Johns and in 1986 joined the City of London Sinfonia.

Jane also directs her own chamber music group, The Ruskin Ensemble andhas performed with them at the Edinburgh and Brighton Festivals, theBritish Embassy in Paris, Number 11 Downing Street and music clubs andcountry houses throughout the British Isles and the Netherlands.

Jon English – TenorJon English is justly renowned for the flexibility of his voice, whichencompasses a wide-ranging repertoire, from liturgical to opera, Baroque to20th-century, ensemble to solo work. He gained his early vocal experience inchurch choral groups, and sang professionally in both Sheffield and ElyCathedral Choirs. In January 1998 he was appointed as a member of theworld-famous choir of St. Paul’s Cathedral.

Jon also sings regularly with the BBC Singers, European Voices and theAge of Enlightenment Choir, and has recorded for television and radio,and on CD for labels such as Hyperion, Koch and Teldec. He appearsregularly with choral societies around the country, where the qualities ofhis voice make him as at ease with Bach and Handel as with the larger-scale works of Rossini and Elgar.

His recent performances have included Janacek’s Mass in E flat,Beethoven’s Missa Solemnis, Haydn’s Creation. Future projects include theCreation, Stainer’s Crucifixion, Schubert’s Mass in E flat and Magnificat, aswell as Brahms’ Liebeslieder Waltzes.

When not singing, Jon indulges in his other favourite pastimes – his dogs,home improvements, golf, football and real ale (although not necessarilyin that order!) – all of which provide the antidote to the busy life of aprofessional musician.

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Anthony Zerpa-Falcon – PianoA prize-winner of both national and international competitions, AnthonyZerpa-Falcon has established a reputation for exciting and individualinterpretations of a wide repertoire, ranging from Purcell to Ligeti. He haswon prizes at top international piano competitions such as the 44th MariaCanals in Barcelona, the Guerrero Foundation in Madrid and the NationalFederation of Music Societies Britten/Pears Award.

Born in Kent, into an Anglo-Spanish family, Anthony gave his first recital atthe age of twelve, and made his concerto debut three years later playingthe Schumann Piano Concerto. He has performed at prestigious venuesacross the UK and abroad – in the South Bank Centre, St John’s SmithSquare, the Barbican Centre, the Wigmore Hall, the Accademia GiuseppeVerdi in Milan, the Palau de la Musica in Barcelona, the Auditorio Nacionalin Madrid and the Concert Hall of the Forbidden City in Beijing.

The Royal Tunbridge Wells Choral Society is privileged to have him as ouraccompanist.

Jessica Zhu – PianoJessica Zhu is a Chinese-American pianist who is pursuing postgraduatestudies in piano performance at the Guildhall School of Music and Drama.Having made her debut at age 19 with the Houston Symphony, she hassoloed with numerous orchestras in the USA. Jessica has gained prominencefor her championing of the works of contemporary American composers,including John Corigliano, William Albright and William Bolcom.

Jessica is a laureate of the Sussex International Piano Competition 2010,receiving Third Prize and the Audience Prize. Named the National Winner ofthe Young Artist Piano Competition of the 2008 Music Teachers NationalAssociation piano competitions in Denver

She was also first-prize winner of the 2008 San Antonio Tuesday Musical ClubYoung Artist Competition and the silver medalist in the 2004 Junior IsabelScionti Piano Solo Competition.

Christopher Harris – OrganChristopher was born in Tunbridge Wells and now lives in Crowboroughwhere he works as a freelance musician and repetiteur. He studied music atJesus College, Oxford, as organ scholar specialising in the medieval musicof Britain and Europe. Before going to university, he gained the FRCOdiploma studying with Alan Wicks at Canterbury Cathedral. Christopher hasgiven organ recitals in venues such as Westminster Abbey, ChichesterCathedral, St Martin-in-the-Fields and Queens College, Oxford and hasaccompanied services in many of the cathedrals of southern and easternEngland. He is continuo player for Crowborough Baroque and the CorelliEnsemble, accompanist to The Sackville Singers and Tonbridge PhilharmonicSociety and conductor of the Chancel Singers, a group which sings atvarious cathedrals around the country and recently sang in Canterbury andSt Paul’s Cathedrals. He is also conductor of the Hartfield Singers.

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The choir

BassesJohn AdkinsClive BrockGerald ChewMichael DowdenRoy Dunstall

Gavin GrantTrevor HarrisonTrevor HurrellDavid Lyall

John MoffatCyril RogersEric ScottDavid Scott-Cowan

Richard Segall-JonesJohn SparyClive StewardJohn Wyatt-Clarke

TenorsDonald HaleyGareth LookerDavid Miller

José-Luis ParodyPeter Puttock

Michael SelwayToby Thompson

Derek WatmoughSteve Williamson

AltosKate BrownMargaret ButcherAnne CarwardineMarion ChasePauline CoxshallJudith Day-RobinsonJean FinchJoanna FinlayEileen Gall

Nicola GoochRuth GraySharon HarrisonShirley HarrisonHeather HerrinSusan InghamJane JacksonVictoria JoyceLiz Lambert

Margaret LyallJessica MookherjeeShirley MorganShirley NankivellSylvia ParsonsCarolyn PonderCatherine RigbyRos RobertsonOlivia Seaman

Audrey Stuart-BlackCelia SumnerPauline TaylorMuriel ThatcherMarguerite

WeatherseedFelicity Wilkin

SopranosGlynis AvisAnnalize BagshawDiana BlowerSylvia ByersHeather ChampionSusan ChandlerJane CliffordAmy CordaniSue Cordani

Patsy DaleDiana DannSuzie DukeJill DunstallJoyce EckettAnn GreenfieldKaty HawesBarbara HazeldenRosemary Hughes

Eve JohnsonHelen MacNabBarbara MawAnne MetherellGill OlliverLouise PackhamMichèle PalmerPat PriorHelena Read

Jane ReedSue RogersLaura SingletonChristine SmithAnn SpillmanAudrey WallinSelma Wells

In November 1904 rehearsals began for the Royal Tunbridge Wells Choral Society’s firstconcert, a performance of Brahms’ Requiem, under the baton of its founder, Francis JFoote, in May 1905. The Society has been staging concerts almost every year for over ahundred years since that inaugural concert. Recent highlights have been the concert tocelebrate our Centenary in 2004, when we welcomed the Bach Choir of Wiesbaden to singwith us, many joint concerts with them, both here and in Wiesbaden and a performance ofHaydn’s The Creation in November 2007 to celebrate the 100th birthday of ourdistinguished President, Roy Douglas.

The Society continues to flourish as membership and audiences grow and we look forwardto a future of many more memorable concerts. If you are interested in joining the choirplease email Trevor Hurrell at [email protected].

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Tunbridge Wells Girls’ Grammar SchoolTWGGS was awarded Specialist Status in Music with English in 2008. This has enabled boththe Music and English departments to offer all sorts of new opportunities for the pupils; forexample: concert and theatre trips, music workshops and competitions and to work withexternal organizations such as Glyndebourne, Pro Corda and Opera By Definition. We arevery excited to have this fantastic opportunity to work with the Royal Tunbridge WellsChoral Society.

The girls performing tonight belong to the Cantemos Choir, our Intermediate ChamberChoir for Years 9 and 10. This choir performs regularly in public, taking part in competitionssuch as the National Festival of Music for Youth and Barnardo’s Choir Competition. Theyhave also recently returned from a very successful and enjoyable tour of Tuscany, wherethey were privileged to open the Summer Festival in the town of Casciana Terme.

Sue Waddington, Director of Music at TWGGS, was trained at the Royal Northern College ofMusic where she studied piano and clarinet. She graduated from King’s College, Londonwith a Masters’ degree in Theory and Analysis in 1994. She began her teaching career inCroydon, and came to TWGGS in 2001, becoming Director of Music in 2003. Sue wasinstrumental in the school achieving specialist status as a Music college in 2008, andorganizes and conducts many of the ensemble groups which TWGGS offers to its pupilsand to the wider community.

She is a composer and experienced accompanist, and plays regularly for pupils in concerts andexaminations. She lives near Tunbridge Wells with her husband Ian and her two daughters.

Girls choirOlivia Anderson-

LynchAbigail ClareCamilla Davan-

WettonIsabel DenmanRachel EdgarHarriet Gomersall

Imogen GoringOlivia GraingeElisabeth HardingMaja Holm-MercerIsabelle KushnerGeorgia MillerElla MorrisJosephine Moore

Katherine MurphyKatherine OrmsbyKeturah PaiceSiobhan PatrickMolly PayneAlice RadleySarah RobsonNatasha Smith

Sophie SmithAnnabelle TaylorEleanorWaddingtonDarcy WilliamsBeth WrightEleanor Van Der

Zanden

James Tweedy – young Saint NicolasJames is age 12 and is in year 8 at Skinners’School. He has sung for as long as he canremember, and has taken lead roles in school productions and solos in carol services. He is alsoan accomplished violinist, at present leading the junior orchestra at Skinners’ and also playingwith senior orchestra.

Pickled boysNatasha Smith Beth Wright Eleanor Van Der Zanden

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The performance

Zadok the Priest (RTWCS & TWGGS)Zadok the Priest and Nathan the Prophetanointed Solomon King.

And all the people rejoic’d, and said:“God save the King, long live the King, maythe King live for ever! Amen, Alleluia!”

Simple Symphony (Orchestra)

Jesu, Joy of Man’s Desiring (RTWCS)Jesu, joy of man’s desiring,Holy wisdom, love most bright;Drawn by Thee, our souls aspiringSoar to uncreated light.Word of God, our flesh that fashioned,With the fire of life impassioned,Striving still to truth unknown,Soaring, dying round Thy throne.

Through the way where hope is guiding,Hark, what peaceful music rings;Where the flock, in Thee confiding,Drink of joy from deathless springs.Theirs is beauty’s fairest pleasure;Theirs is wisdom’s holiest treasure.Thou dost ever lead Thine ownIn the love of joys unknown.

Don’t Rain On My Parade (TWGGS)Don’t tell me not to live, just sit and putter Life’s candy and the sun's a ball of butter Don’t bring around a cloud to rain on myparade

Don’t tell me not to fly, I simply got to If someone takes a spill, it’s me and not you Who told you you’re allowed to rain on myparade

I’ll march my band out, I’ll beat my drum And if I’m fanned out, your turn at bat, sir At least I didn’t fake it, hat, sir I guess I didn’t make it

But whether I’m the rose of sheer perfection A freckle on the nose of life’s complexion The Cinderella or the shine apple of its eye

(continued…)

Note on applause: We are more than happy to hear you applaud if you wish to show your appreciation of theperformance! So as to cause as little disruption as possible to the flow of the piece we have indicatedplaces where there is a suitable pause for applause by the symbol:

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Saint Nicolas(RTWCS, TWGGS, Skinners’ School& RTWCS Orchestra)

I. IntroductionOur eyes are blinded by the holiness youbear.The bishop’s robe, the mitre and the crossof gold obscure the simple man within theSaint.Strip off your glory, Nicolas, Nicolas, andspeak, speak, speak!

Across the tremendous bridge of sixteenhundred years I come to stand in worshipwith you as I stood among my faithfulcongregation long ago.

All who knelt beside me then are gone.Their name is dust, their tombs are grassand clay, yet still their shining seed of faithsurvives in you!

It weathers time, it springs again in you!With you it stands like forest oakOr withers with the grasses under foot.

Preserve the living Faith for which yourfathers foughtFor Faith was won by centuries of sacrificeAnd many martyrs died that you mightworship God

Help us Lord! to find the hidden road thatleads from love to greater Love,From faith to greater Faith.Strengthen us, O Lord!Screw up our strength to serve Thee withsimplicity.

Irish Blessing (TWGGS)May the road rise to meet you, May the wind be ever at your back May the sun shine warm upon your face and the rain fall soft upon your fields, and until we meet again, May God hold you in the palm of his hand.

Ave, verum corpus RTWCS & TWGGSAve, verum corpusnatum de Maria Virgine,Vere passum immolatumin Cruce pro homine,Cujus latus perforatumunda fluxit et sanguine,Esto nobis praegustatumin mortis examine.

Hail,true bodyborn of the Virgin Mary,Who truly suffered, sacrificedon the Cross for man,Whose pierced side overflowedwith water and blood,Be for us a foretasteIn the test of death

I gotta fly once, I gotta try once, Only can die once, right, sir? Ooh, life is juicy, juicy and you see, I gotta have my bite, sir.

Get ready for me love, ‘cause I'm a “comer” I simply gotta march, my heart’s a drummer Don’t bring around the cloud to rain on myparade.

I’m gonna live and live NOW! Get what I want, I know how! One roll for the whole shebang! One throw that bell will go clang, Eye on the target and wham, One shot, one gun shot and bam! Hey, Mr. Arnstein, here I am ...

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IV. He journeys to PalestineNicolas sailed for PalestineAcross the sunlit seas.The South West Wind blew soft and fair,Seagulls hovered through the air,And spices scented the breeze.

Everyone felt that land was near:All dangers now were past:Except for one who knelt in prayer,Fingers clasped and head quite bare,Alone by the mizzen mast.

The sailors jeered at Nicolas,Who paid them no regard,Until the hour of sunset cameWhen up he stood and stopped their gameOf staking coins on cards.

Nicolas spoke and prophesiedA tempest far aheadThe sailors scorned such words of fear,Since sky and stars shone bright and clear,So “Nonsense!” they all said.

Darkness was soon on top of them,But still the South Wind blew.The Captain went below to sleep,And left the helmsman there to keepHis course with one of the crew.

Nicolas swore he’d punish themFor mocking at the LordThe wind arose, the thunder roared,Lightning split the waves that pouredIn wild cascades on board.

II. The birth of NicolasNicolas was born in answer to prayer,And leaping from his mother’s womb hecriedGOD BE GLORIFIED!

Swaddling-bands and crib awaited himthere, But Nicolas clapped both his hands andcriedGOD BE GLORIFIED!

Innocent and joyful, naked and fair,He came in pride on earth to abide.GOD BE GLORIFIED!

Water rippled Welcome! In the bathtub byhis side,He dived in open-eyed: he swam: he criedGOD BE GLORIFIED!

When he went to Church at Christmastide,He climbed up to the font to be baptised.GOD BE GLORIFIED!

Pilgrims came to kneel and pray by his side,He grew in grace, his name was sanctifiedGOD BE GLORIFIED!

Nicolas grew in innocence and pride,His glory spread a rainbow round the ountryside.

“Nicolas will be a Saint!” the neighbourscried.GOD BE GLORIFIED!

III. Nicolas devotes himself to God

My parents died.All too soon I left the tranquil beauty oftheir homeAnd knew the wider world of man.Poor man! I found him solitary, racked By doubt: born, bred, doomed to dieIn everlasting fear of everlasting death:The foolish toy of time, the darling of decayHopeless, faithless, defying God.

Heartsick, in hope to mask the twisted faceof poverty, I sold my lands to feed the poor.I gave my goods to charityBut Love demanded more.

Heartsick, I cast away all things that coulddistract my mindFrom full devotion to His will; I thrust myhappiness behindBut Love desired more still.

Heartsick, I called on God to purge myangry soul,To purge my angry soul, to beMy only Master, friend and guide.I begged for sweet humilityAnd Love was satisfied.

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Water spouts rose in majestyUntil the ship was tossedAbaft, aback, astern, abeamLit by lightning’s livid gleam,And all aboard cried, “Lost!”

Lightning hisses through the night,Blinding sight with living light! Ah!Man the pumps! Axes!Winds and tempests howl their cryOf battle through the raging sky! Ah!

Spare us! Save us! Saviour!Waves repeat their angry roar,Fall and spring again once more! Ah!Let her run before the wind!Shorten sail! Reef her! Heave her to!

Thunder rends the sky asunderWith its savage shouts of wonder! Ah!Pray to God! Kneel and pray!Lightning, Thunder, Tempest, OceanPraise their God with voice and motion.

Nicolas waited patientlyTill they were on their kneesThen down he knelt in thankfulnessBegging God their ship to blessAnd make the storm to cease.

O God! We are all weak, sinful, foolishmen.We pray from fear and from necessity atdeath, in sickness or private loss.Without the prick of fear our consciencesleeps, forgetful of Thy Grace.Help us, O God! To see more clearly. Tame our stubborn hearts.Teach us to ask for less and offer more ingratitude to Thee.Pity our simplicity, for we are truly pitiablein Thy sight. Amen!

The winds and waves lay down to restThe sky was clear and calm.The ship sailed onward without harmAnd all creation sang a psalm Of loving thankfulness.

Beneath the stars the sailors sleptExhausted by their fear, while IKnelt down for love of God on highAnd saw his angels in the skySmile down at me, and wept.

V. Nicolas comes to Myra and ischosen BishopCome, stranger sent from God!Come, man of God!Stand foremost in our Church, and servethis diocese,As Bishop Nicolas, our shield, our strength,our peace!

I Nicolas, Bishop of Myra and its diocese,Shall with the unfailing grace of God,Defend His faithful servants,Comfort the widow and fatherless,And fulfil His will for this most blessedChurch. Amen.

Place the mitre on your head to show yourmastery of men! Amen.Take the golden robe that covers you withChrist’s authority! Amen.Wear the fine dalmatic woven with theCross of Faith. Amen.Bear the crozier as a staff and comfort toyour flock! Amen.Set the ring upon your hand in sacramentalsign of wedlock with thy God! Amen.Serve the Faith and spurn His enemies!Serve the Faith!

A hymn for choir and audienceAll people that on earth do dwellSing to the Lord with cheerful voice!Him serve with fearHis praise forth tell,Come ye before Him and rejoice.

O enter then His gates with praiseApproach with joy His courts unto,

Praise, laud and bless His name always,For it is seemly so to do.

For why? The Lord our God is good:His mercy is for ever sure;His truth at all times firmly stood,And shall from age to age endure. Amen.

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VII. Nicolas and the pickled boysFamine tracks us down the lanes,Hunger holds our horses’ reins,Winter heaps the roads with snow.O we have far to go!

Starving beggars howl their cry,Snarl to see us spurring byTimes are bad and travel slow.O we have far to go!

We mourn our boys, our missing sons!We sorrow for three little ones!Timothy, Mark and John are gone.

Landlord, take this piece of gold!Bring us food before the coldMakes our pangs of hunger growO we have far to go

Day by day we seek to findSome trace of them, but oh! Unkind!Timothy, Mark and John are gone!

Let us share this dish of meat.Come, my friends, sit down and eat!Join us, Bishop, for we know That you have far to go!

Mary meek and Mother mildWho lost thy Jesus as a child,Our Timothy, Mark and John are gone!

Come, your Grace, don’t eat so slow!Take some meat.O do not taste! O do not feed on sin!But haste to save three souls in need!The mothers’ cry is sad and weak,Within these walls they lieWhom mothers sadly seekTimothy, Mark and JohnPut your fleshly garments on!Come from dark oblivion! Come.

See! See! Three boys spring back to life,Who, slaughtered by the butcher’s knife,Lay salted down!And entering,Hand in hand they stand and singAlleluia to their King! Alleluia!

Let the legends that we tell,Praise him with our prayers as well.We keep his memory aliveIn legends that our children andTheir children’s children treasure still.

VIII. His piety and marvellousworksFor forty years our Nicolas,Our Prince of men, our shepherd andOur gentle guide, walked by our side.

We turned to him at birth and death,In time of famine and distress,In all our grief, to bring relief.

VI. Nicolas from prisonPersecution sprang upon our ChurchAnd stilled its voice.Eight barren years it stifled under Romanrule:And I lay bound, condemned to celebrate My lonely sacrament with prison bread,While wolves ran loose among my flock.O man! The world is set for you as for aking!

Paradise is yours in loveliness.The stars shine down for you, for you theangels sing,Yet you prefer your wilderness.You hug the rack of self,Embrace the lash of sin,Pour your treasures out to bribe distress.

You build your temples fair without andfoul within:You cultivate your wilderness.Yet Christ is yours, yours!For you he lived and died.

God in mercy gave his Son to bless You all,To bring you life, And Him you crucifiedTo desecrate your wilderness.

Turn, turn, turn away from sin! Ah! bowDown your hard and stubborn hearts!Confess Yourselves to Him in penitence,And humbly vow Your lives to Him, toHoliness.

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IX. The death of NicolasDeath, I hear thy summons and I come In haste, for my short life is done;And O! My soul is faint with love, For Him who waits for me above.

Lord I come to lifeTo final birth I leave the misery of earth,For light, by thy eternal grace,Where I shall greet Thee face to face.

Christ receive my soul with tenderness,For in my last of life I bless Thy name,Who lived and died for me,And dying, yield my soul to Thee.

Lord, now lettest thou thy servant depart inpeace, according to thy word.For mine eyes have seen Thy salvationWhich thou hast prepared before the faceof all peopleTo be a light to lighten the Gentiles and tobe the glory of thy people Israel.

Glory be to the Father, and to the Son, andto the Holy GhostAs it was in the beginning, is now and evershall be world without endAmen!

A hymn for choir and audienceGod moves in a mysterious wayHis wonders to perform;He plants His footsteps in the sea,And rides upon the storm.

Deep in unfathomable minesOf never-failing skillHe treasures up His bright designsAnd works His sovereign will.

Ye fearful saints, fresh courage take,The clouds ye so much dreadAre big with mercy, and shall breakIn blessings on your head.

He led us from the valleys toThe pleasant hills of grace. He foughtTo fold us in from mortal sin.

O! he was prodigal of love!A spendthrift in devotion toUs all and blessed as he caressed.

We keep his memory alive in legends thatour children andTheir children’s children treasure still.

A captive at the heathen courtWept sorely all alone.

“O Nicolas is here, my son!And he will bring you home!”

“Fill, fill my sack with corn,” he said:“We die from lack of food!”And from that single sack he fedA hungry multitude.

Three daughters of a noblemanWere doomed to shameful sin,Till our good Bishop ransomed themBy throwing purses in.

The gates were barred, the black flag flew,Three men knelt by the block,But Nicolas burst in like flame,And stayed the axe’s shock!

“O help us, good Nicolas!Our ship is full of foam!”He walked across the waves to themAnd led them safely home.

He sat among the Bishops Who were summoned to Nicaea:Then rising with the wrath of GodBoxed Arius’s ear.

He threatened Constantine the GreatWith bell and book and ban:Till Constantine confessed his sinsLike any common man.

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East Grinstead Choral SocietySaturday 11th December 2010 at 7.30pm;Jubilee Community Centre, Charlwoods Rd,East Grinstead RH19 2HL

Buxtehude: Newborn Jesus ChildVaughan-Williams: Fantasia on CarolsKarl Jenkins: Celebration of Christmas

www.egcs.co.uk

Royal Tunbridge Wells SymphonyOrchestra

Sunday 6th February 2011 at 3pm;The Assembly Hall Theatre

Mozart: Overture from Don GiovanniR.Strauss: Oboe ConcertoMahler: Symphony No. 1 ‘Titan’

www.rtwso.org

Tonbridge Music Club

Tuesday 8th February 2011 at 8.00pm;Big School, Tonbridge School

The Belcea QuartetBeethoven: String Quartet in F, Op 18 No. 1Turnage: Twisted Blues with Twisted BalladBeethoven: String Quartet in F, Op 135

www.tmc.org.uk

Penshurst Choral SocietySaturday 12th February 2011 at 7.30pm;Holmewood House School, Langton Green

Fauré: Requiem; Cantique de Jean RacineHaydn: Piano Concerto No. 11Soloist –Jong-Gyung Park

www.penshurstchoralsociety.co.uk

Other local concerts

Christmas Concert 2010Sunday December 12th, 6.30pmSt Mary’s Church, Goudhurst TN17 1AN

Bach: Christmas Oratorio (excerpts)Karl Jenkins: Celebration of ChristmasPlus traditional carols performed by choirwith audience participation.

With the Mayfield Brass Band.

Spring Concert 2011Sunday April 10th, 3.00pmThe Assembly Hall Theatre, Tunbridge Wells,TN1 2LUDvořák: Stabat Mater

With the RTWCS Orchestra.

Autumn Concert 2011Saturday November 12th, 7.00pmThe Assembly Hall Theatre, Tunbridge Wells,TN1 2LUMendelssohn: Elijah

With the RTWCS Orchestra.

Forthcoming concerts to be given by the choir

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