british literature january 20, 2015 hamlet essay workshop take out your journals!

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BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

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Page 1: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

B R I T I S H L I T E R A T U R EJ A N U A R Y 2 0 , 2 0 1 5

HAMLET ESSAY WORKSHOP

Take out your journals!

Page 2: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

BELATED MECHANICS MONDAY

•What is 2nd person? •Why is 2nd person inappropriate for formal academic writing? •How can you revise 2nd person out of your writing? •How can 2nd person be revised out of formal academic writing? ;)

Page 3: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

WHY YOU SHOULDN’T USE “YOU”

• When the writer uses 2nd person, s/he makes assumptions about the reader. How do these examples make you feel as a reader? • "You should always be careful when confronting

teachers about their favorite sports teams’ losses, since you're bound to get punished if you are too hostile towards them.”• “One week our class wrote a sonnet together. You were

graded on your use of Iambic Pentameter and your rhyming couplet at the end.” • Even though the writer means to say that s/he was the

one being graded, what s/he is actually saying is that the READER was being graded, when in fact the reader was not.

OR WHY “YOU” DOES NOT HAVE A PLACE IN FORMAL WRITING.

Page 4: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

WHY YOU SHOULDN’T USE “YOU”

The use of the "you" voice can cause the writer to lose credibility with the reader precisely because of the

assumptions that are made through the writing. It can also offend the reader.

OR WHY “YOU” DOES NOT HAVE A PLACE IN FORMAL WRITING.

Page 5: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW TO FIX ITCHANGING THE VOICE

One way to instantly make an essay more acceptable is to change second person to third person with words like “reader,” “one,” or “they.”• Example: Your interpretation of Shakespeare's Romeo

and Juliet is based on whether you feel the two lovers should have been so foolish as to try to run away together.• This becomes: The reader's interpretation of

Shakespeare's Romeo and Juliet is based on whether he or she feels the two lovers should have been so foolish as to run away together.• When you use the singular form of reader, you must stick to the

singular form. You may not use “they” unless you say “readers’.”

THIS SOLUTION OFTEN BECOMES REPETITIVE. THOUGH IT WORKS, IT IS NOT THE BEST WRITING.

Page 6: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

PASSIVE VS. ACTIVE VOICE

ACTIVE VOICE• The subject of the sentence is present before the verb. • The student read

the book.

PASSIVE VOICE• The subject of the

sentence is not usually present.• If it is present than it

appears as the object of the preposition after “by.”• The book was read

by the student.

Page 7: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW TO FIX ITUSING PASSIVE VOICE

Passive voice is an effective way to avoid 2nd person. Though passive voice is typically not advised, it can be effective in academic writing because it changes the focus of the subject.   • Example: Your interpretation of Shakespeare's Romeo

and Juliet is based on whether you feel the two lovers should have been so foolish as to try to run away together. 

• This becomes: The interpretation of Shakespeare's Romeo and Juliet is based on whether the two lovers should have been so foolish as to try and run away together.

• The sentence is already using passive voice, so here it was only necessary to take out all references to the reader.  

Page 8: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW TO FIX ITUSING PASSIVE VOICE

Passive voice can be effective in academic writing because it changes the focus of the subject.    • Example: When you read Hamlet, you should

notice clear foreshadowing of events to transpire.• This becomes: In reading Hamlet, events to

come are clearly foreshadowed.Instead of putting action on the reader, the action has instead become passive, as evidenced by the "are foreshadowed.” The focus is not on YOU as the reader but instead the events.

Page 9: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW TO FIX ITUSING THE INFINITIVE FORM

Infinitives are verbs that are preceded by the word "to." So, "to visit," "to play," and "to weep" are all infinitives. • Example: You have to realize that Ms. Brooks is not a

fair-weather fan.  • This becomes: It is important to realize that Ms.

Brooks is not a fair-weather fan. • Example: You should always be careful when

confronting teachers about their favorite sports teams’ losses, since you're bound to get punished if you are too hostile towards them.

• This becomes: To avoid punishment (i.e. detention) it is crucial to be careful when confronting teachers about their favorite sports teams’ losses.

Page 10: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW DO YOU FIX IT?

It is easy to identify Iambic Pentameter because you can

hear the “da-dum” in your head.

HOW CAN THE USE OF “YOU” BE ELIMINATED?

Page 11: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW DO YOU FIX IT?

You know there is something “rotten in Denmark” because

everyone dies in the end, except Horatio because he is

true to himself.

HOW CAN THE USE OF “YOU” BE ELIMINATED?

Page 12: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW DO YOU FIX IT?

Ophelia is the most complex character in Hamlet because she shows you how quickly

you can lose your mind under certain circumstances.

HOW CAN THE USE OF “YOU” BE ELIMINATED?

Page 13: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW DO YOU FIX IT?

You know what is going on in Hamlet’s head because of Shakespeare’s powerful

soliloquies.

HOW CAN THE USE OF “YOU” BE ELIMINATED?

Page 14: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOW DO YOU FIX IT?

The characters, Rosencrantz and Guildenstern, show you

that being false leads to your downfall.

HOW CAN THE USE OF “YOU” BE ELIMINATED?

Page 15: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HAMLET WORKSHOP

If you have a completed rough draft of your essay, make a circle. • On the top of your essay, write what kind of feedback you are looking for from your classmates.• Please take this workshop seriously and provide the best feedback you can.

• If you discover any typos or mistakes during this workshop, please correct as needed.

If you do not have your completed rough draft today, please sit away from everyone else and complete your rough draft.

Page 16: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

ROTATE!

HAND OVER YOUR ESSAY TO THE PERSON NEXT TO YOU IN A CLOCKWISE CIRCLE.

Page 17: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

1. CLAIM, EVIDENCE, & COMMENTARYCOMMENT ON THE FOLLOWING QUESTIONS FOR THE ESSAY.

• STEP ONE: Read and annotate the essay.• STEP TWO: Underline his or her thesis

statement. Does the thesis statement provide a clear claim for the paper? • STEP THREE: Underline the claim in each body

paragraph and compare it to the thesis. Is the claim proving the overall thesis? • STEP FOUR: Is there sufficient evidence for

each claim in the body paragraphs? • STEP FIVE: Is there commentary that connects

the evidence to the claim clearly?

Page 18: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

ROTATE!

HAND OVER YOUR ESSAY TO THE PERSON NEXT TO YOU IN A CLOCKWISE CIRCLE.

Page 19: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

2. FOCUSED SKILLS COMMENT ON THE FOLLOWING QUESTIONS FOR THE ESSAY.

• STEP ONE: Read and annotate the essay.• STEP TWO: Circle any instances of “quote

vomit”(whenever a quote appears in the paper without any introduction). Remember to try to use portion quotes. • STEP THREE: Whenever there is a series, check

for parallel structure. Use a checkmark whenever you see parallel structure. Circle any structural errors. • STEP FOUR: Star any instances of 2nd person. • STEP FIVE: Provide general feedback.

Page 20: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

ROTATE!

HAND OVER YOUR ESSAY TO THE PERSON NEXT TO YOU IN A CLOCKWISE CIRCLE.

Page 21: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

3. MECHANICSCOMMENT ON THE FOLLOWING QUESTIONS FOR THE ESSAY.

• STEP 1: Read and annotate the essay.• STEP 2: Edit the essay paying attention to sentence

structure: identify run-ons, comma splices, fragments. • STEP 3: Check each in-text citation.

“Quote” (I.ii.65-67). • STEP 4: Review the guidelines for MLA format below.

Page 22: BRITISH LITERATURE JANUARY 20, 2015 HAMLET ESSAY WORKSHOP Take out your journals!

HOMEWORK• Revise and edit your final draft of the Hamlet essay that is due on Friday, January 23rd.

Your essay must be in MLA format to be accepted.