brief 01 - student layout chanes/amendments
DESCRIPTION
chanegs to student layouts - design decisionsTRANSCRIPT
Student Yearbook Layout Amendments:
Adam JenkinsAnamaria Marzec-Smith
Alice De Courcey WheelerAnnie Driver
Elizabeth TrainerChristiana BellCalum Paterson
Emma MortAlison ButtonJenna WattJoe Lang
Khadija AkhtarBrownen Baynes
Christopher Frietag
Adam Jenkins
My work engages with ideas of showing urban movements and landscapes through drawing and sculpture. This manifests in work that is generated from specific concepts, processes or places through diverse media such as light, video, installation, sculpture and photography.
I am fascinated by faces, and my work explores portraiture in a way to depict the personality and emotion of the face behind the brush. Through drawing and painting I aim to capture the feelings in a unique way.
Anamaria Marzec-Smith
Alice De Courcey Wheeler
Becoming much more about the properties of paint and substance, my practice deals with scale and intricate detail, influencing our senses and imagination. It has a sculptural essence/sensuality within the paint – ultimately connecting the viewer with the work.
Annie Driver
My practice has derived from ideas of unborn human embryos/fetuses. This sensitive issue questions and sparks a reaction towards what happens to unborn life. Through exploration it has led me to create Christening fonts using a variety of materials.
Annie Driver
Elizabeth Trainer
My practice is concerned with relaying brief moments of physical and mental pain, often my own feelings, into figurative sculptural forms using materials associated with fragility.
Christiana Bell
Predominantly an abstract painter and photographer my recent practice has been dominated by exploring the boundaries of both mediums as I combine the two together. My work incorporates digital and film photography, various printing techniques and the exploration of paint.
[email protected]/cbell
Calum Paterson
By rejecting the idea of art as object and immersing oneself in an equilibrium creative process, an understanding of the true nature of things may be acquired. As repetitive actions converge, a matrix forms from which familiar things show themselves.
[email protected]/cpaterson
Emma Mort
My practice takes into consideration the delicacy of life and I aim to project this into my work. I am inspired by emotion and the human mind and try to interpret hidden aspects of life and subjects that are considered taboo. Look at the relationship between materials.
Jenna Watt
As a colourist, my current practice explores the possibilities in printmaking. Concentrating on the idea of ‘home’, I create personal landscapes inspired by constantly changing surroundings.
Joe Lang
My work closely explores elements of human nature, life and culture. I am looking at the presence of the object within our society and questioning the boundaries between the figurative and the abstract.
Khadija Akhtar
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Donec quam felis, ultricies nec, pellentesque eu, pretium quis, sem. Nulla consequat massa.
NEED STATEMENT AND
CONTACT INFO
Bronwen Baynes
An investigation into what is paint, what is painting and what makes a painter?
Christopher Frietag
Artist/Artisan/Craftsman/Sculptor –I believe materiality is critical to art. Material ought to support the work’s properties and lead the processes within which the work is developed. I explore the modern and historical aspects of cast metals with their close relationship.
NEED NEW IMAGE