brian lukacher nature and history in english romantic landscape painting

Download Brian Lukacher Nature and History in English Romantic Landscape Painting

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  • Slide 1
  • Brian Lukacher Nature and History in English Romantic Landscape Painting
  • Slide 2
  • Humphry Repton, View from my own cottage in Essex (after) 1816, 7 x 9 in
  • Slide 3
  • (top) Humphry Repton, Water at Wentworth, Yorkshire Site at Wentworth, South Yorkshire before proposed landscaping (bottom) Humphry Repton, Water at Wentworth, Yorkshire, Site at Wentworth, South Yorkshire after proposed landscaping
  • Slide 4
  • Thomas Girtin, Kirkstall Abbey, 1800, watercolor, 12 x 20 in
  • Slide 5
  • Thomas Girtin, Westminster and Lambeth, 1800. This drawing, in watercolor over pen, is one of six surviving drawings for an enormous circular panorama of London painted in oils. It was called Eidometropolis ('view of the mother city' in Greek) and was exhibited to the public in 1802. Girtin's announcement in the press described the panorama as 108 feet long and eighteen feet high.
  • Slide 6
  • John Constable, John Constables Flower Garden, 1815, oil on canvas, 13 x 20 John Constable, John Constables Kitchen Garden, 1815, oil on canvas, 13 x 20
  • Slide 7
  • John Constable, The Hay Wain (Landscape, Noon), 1821, oil on canvas, 51 x 73 in
  • Slide 8
  • John Constable, Dedham Vale, 1802, oil on canvas, 145 x 122 cm Victoria and Albert Museum, London
  • Slide 9
  • John Constable, Hadleigh Castle, Mouth of the Thames Morning After a Stormy Night, 1829, oil on canvas, 48 x 65 in
  • Slide 10
  • John Constable, Old Sarum, 1832, watercolor, 14 x 19 in
  • Slide 11
  • Slide 12
  • Slide 13
  • Slide 14
  • Samuel Palmer, A Hilly Scene, ca. 1826, watercolor, pen, and tempera, 8 x 5 in
  • Slide 15
  • John Martin (English, 1789-1854),The Fall of Ninevah, 1829, mezzotint, 36x26 in
  • Slide 16
  • John Martin, Joshua Commanding the Sun to Stand Still upon Gibeon, 1816
  • Slide 17
  • John Martin, The Last Man, oil on canvas, 1849
  • Slide 18
  • John Martin, The Last Man, print, 1832
  • Slide 19
  • J. M. W. Turner (English, 1775-1851) Self Portrait, 1798
  • Slide 20
  • J.M.W. Turner, Snow Storm: Hannibal and His Army Crossing the Alps 1812, oil on canvas, 57 x 93 in
  • Slide 21
  • J.M.W. Turner, Dudley, Worcestershire, ca. 1831-2, watercolor, 11 x 16 in. How does this night landscape of the city represent modern industrial life? How can it be considered a history painting?
  • Slide 22
  • J.M.W. Turner, Slavers Throwing Overboard the Dead and Dying Typhoon coming On, 1840, oil on canvas, 36 x 54 in.
  • Slide 23
  • J.M.W. Turner, detail of a female slave being eaten by fish. Slavers Throwing Overboard the Dead and Dying Typhoon coming On, 1840, oil on canvas, 36 x 54 in.
  • Slide 24
  • J.M.W. Turner, Rain, Steam, and Speed The Great Western Railway, 1844, oil on canvas, 36 x 48 in
  • Slide 25
  • J.M.W. Turner, Detail of Rain, Steam, and Speed The Great Western Railway, 1844, oil on canvas, 36 x 48 in.
  • Slide 26
  • J.M.W. Turner, The Morning after the Deluge, c. 1843, oil on canvas, 78.5 x 78.5 cm, Tate Gallery, London