bond’sroots › ... · goldeneye proprietor chris blackwell, who also owns noel coward’s...

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S hake, don’t stir, the martinis. You see, I’m in GoldenEye sitting at James Bond’s birthplace, which is a small cor- ner desk where Ian Fleming created the world’s most dashing super-spy in 1952 and banged out all 14 Bond books. Fleming’s three-bedroom Jamaica beach pad seems rather simple, con- sidering the British naval officer-turned-best- selling-author hatched Pussy Galore, Auric Goldfinger, Scaramanga, assassin-thwarting gizmos, rocket bombs and other do-or-die hav- oc on this very spot. Anybody — covert or not — can book it for a vacation. Never mind that just a few days ago, 007 killing machine Daniel Craig overnighted here. “Fleming didn’t want the house to be fancy,” recalls nearly 82-year-old Chris Blackwell, whose spirited mother, Blanche, lived close by and purportedly was the longtime love of the married Fleming. “When I went there, it was very militaristic and very sparse. There wasn’t a cushion in sight. He would wake up, swim, write after breakfast, nap. He was very disciplined.” Your mission: soaking up sun, fun and iconic history. London-born, Jamaica-raised Blackwell built, owns and hangs out at the encompassing 52-acre GoldenEye resort, although he’s probably better known as the legendary music producer who vaulted Bob Marley and Jamaican reggae to international fame. Bring a license to chill because the disarming seaside resort — which includes what is now called “Fleming’s Villa” — is a spread-out enclave of 44 rus- tic-chic cottages, lagoon dwellings and multicolored beach huts, fringed by flowering jungle with gravel roads and funky directional signs brightly hand-lettered on scraps of wood to keep you from getting lost. It’s more enchantingly Gilligan’s Island than secret agent glitz. Except you are being surveilled in the ocular-shaped saltwater “Eye Pool” — a giant turquoise eyeball stares up as swimmers splash overhead. Blackwell’s own dossier is fascinating — for starters, he palled around in his teens with Errol Flynn, was rescued by Rastafarians after a boating mishap, founded mega-hit Island Records (besides Marley, his artists included U2, Tom Waits and Cat Stevens), and is a boutique hotel-and- rum mogul. He also saved nearby frozen-in-time Firefly, the tropical lair of illustrious raconteur playwright Noel Cow- ard; this sunset hour, the laid-back Blackwell and I are sipping fruity Blackwell Rum-label cocktails on Firefly’s lawn next to Coward’s grave. We’ll get to that chapter shortly. As for Fleming’s house, “It is creatively blessed. I lent it to Sting and he wrote his biggest record there, ‘Every Breath You Take,’ ” Blackwell says. He mentions it not to brag because this is one unpre- tentious multimillionaire, clad in a well-worn lavender sou- venir sweatshirt emblazoned “Montauk.” Guests staying at the resort can tour Fleming’s villa if it’s not rented. Three days before my peek, Craig slept in the fluffy white-canopied four-poster bed adjacent to Fleming’s toiled-over writing desk. The extravagantly paid leading man was about to begin filming the untitled 25th Bond movie elsewhere in Jamaica, bringing the suave sleuth back to his roots. The first movie, “Dr. No” (1962) was shot in this Caribbean nation — Bond buffs will never forget when sultry shell-clutching Ursula Andress emerges from the ocean in a knife-belted bikini. Fleming’s GoldenEye got its start in 1946, when he bought 15 acres that had been a donkey race track, sketched out his idyllic hideaway and christened it after one of his clandestine World War II operations. He was infatuated E14 SUNDAY JUNE 16, 2019 WARHOL ART SHOW FORESHADOWS SOCIAL MEDIA TRENDS Spymaster Ian Fleming wrote all 14 Bond books at this desk, which remains in his villa. The reception area of GoldenEye resort pays tribute to Ian Fleming’s years at his Jamaican hideaway. The tranquil main beach of GoldenEye resort, a 52-acre en- clave in Jamaica with James Bond roots. BOND’S ROOTS Visitors can spy on beach home at GoldenEye resort in Jamaica, where Ian Fleming created his super-spy stories STORY AND PHOTOGRAPHY BY NORMA MEYER Ian Fleming’s villa, where agent 007 came to life, is part of the GoldenEye resort in Jamaica. SEE GOLDENEYE E15

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Page 1: BOND’SROOTS › ... · GoldenEye proprietor Chris Blackwell, who also owns Noel Coward’s Firefly home, stands in the late playwright’s garden with his statue. The Fleming Villa

Shake, don’t stir, themartinis. You see,I’m inGoldenEye sitting at JamesBond’s birthplace, which is a small cor-

ner desk where Ian Fleming created the world’smost dashing super-spy in 1952 and banged outall 14 Bond books. Fleming’s three-bedroomJamaica beach pad seems rather simple, con-sidering the British naval officer-turned-best-selling-author hatched Pussy Galore, AuricGoldfinger, Scaramanga, assassin-thwartinggizmos, rocket bombs and other do-or-die hav-oc on this very spot. Anybody— covert or not— can book it for a vacation.

Nevermind that just a fewdays ago, 007killingmachineDanielCraig overnightedhere.

“Flemingdidn’twant thehouse tobe fancy,” recallsnearly 82-year-oldChrisBlackwell, whose spiritedmother,Blanche, lived closebyandpurportedlywas the longtimelove of themarriedFleming. “When Iwent there, itwas verymilitaristic andvery sparse.Therewasn’t a cushion in sight.Hewouldwakeup, swim,write after breakfast, nap.Hewasverydisciplined.”

Yourmission: soakingup sun, funand iconic history.London-born, Jamaica-raisedBlackwell built, ownsandhangsout at the encompassing 52-acreGoldenEye resort,althoughhe’s probably better knownas the legendarymusic

producerwhovaultedBobMarley andJamaican reggae tointernational fame.Bring a license to chill because thedisarming seaside resort—which includeswhat is nowcalled “Fleming’sVilla”— is a spread-out enclave of 44 rus-tic-chic cottages, lagoondwellings andmulticoloredbeachhuts, fringedby flowering junglewith gravel roads andfunkydirectional signsbrightly hand-letteredon scraps ofwood tokeepyou fromgetting lost. It’smore enchantinglyGilligan’s Island than secret agent glitz. Except youarebeing surveilled in theocular-shaped saltwater “EyePool”—agiant turquoise eyeball stares upas swimmers splashoverhead.

Blackwell’s owndossier is fascinating— for starters, he

palledaround inhis teenswithErrol Flynn,was rescuedbyRastafarians after aboatingmishap, foundedmega-hitIslandRecords (besidesMarley, his artists includedU2,TomWaits andCatStevens), and is aboutiquehotel-and-rummogul.Healso savednearby frozen-in-timeFirefly, thetropical lair of illustrious raconteurplaywrightNoelCow-ard; this sunset hour, the laid-backBlackwell and I aresipping fruityBlackwellRum-label cocktails onFirefly’slawnnext toCoward’s grave.

We’ll get to that chapter shortly.As forFleming’s house,“It is creatively blessed. I lent it toSting andhewrotehisbiggest record there, ‘EveryBreathYouTake,’ ”Blackwellsays.Hementions it not tobragbecause this is oneunpre-tentiousmultimillionaire, clad in awell-worn lavender sou-venir sweatshirt emblazoned “Montauk.”

Guests stayingat the resort can tourFleming’s villa if it’snot rented.Threedaysbeforemypeek,Craig slept in thefluffywhite-canopied four-poster bedadjacent toFleming’stoiled-overwritingdesk.The extravagantly paid leadingmanwasabout tobegin filming theuntitled 25thBondmovie elsewhere in Jamaica, bringing the suave sleuthbacktohis roots.The firstmovie, “Dr.No” (1962)was shot in thisCaribbeannation—Bondbuffswill never forgetwhen sultryshell-clutchingUrsulaAndress emerges fromtheocean in aknife-beltedbikini.

Fleming’sGoldenEyegot its start in 1946,whenhebought 15 acres thathadbeenadonkey race track, sketchedouthis idyllic hideawayandchristened it after oneof hisclandestineWorldWar II operations.Hewas infatuated

E14 SUNDAY • JUNE 16, 2019

SAN FRANCISCOBefore InstagramandFace-

book,beforeselfiesand filters thatperfect selfies, therewasAndyWarhol,usinghisart to imbuefriends, family, celebrities—evenhimself—withacertainmystique.

AretrospectiveofWarhol’sworkondisplay inSanFranciscocap-tures theartist’sability tousepaintings,drawings,photographsandothermediumstocreatebuzz-worthypersonasthewaypeopledonowusingsocialmedia.

The ideaofpersonalbranding,“ofhowwecanbewhowewant tobe,”wassomethingWarholwastradingonmorethanahalf-cen-turyago, saidDonnaDeSalvo,deputydirector for internationalinitiativesandseniorcuratoratNewYork’sWhitneyMuseumofAmericanArt,where theexhibitoriginated. “Hehadarealunder-

standingof somethingaboutAmericanculture,which isnowmoreglobal.”

“AndyWarhol—FromAtoBandBackAgain”openedinlateMayattheSanFranciscoMuseumofMod-ernArtandrunsthroughSept.2. Itincludesmorethan300worksspan-ningWarhol’s40-yearcareer.

Theshowfeaturessomeof theartist’smost iconiccreations—depictionsofCampbell’s soupcansandBrilloboxes, for instance,andsilkscreenportraitsofElizabethTaylor,MarilynMonroe,ElvisPresleyandothers—alongwithlesser-knownpieces fromhisearlyand lateryears. Itnext travels to theArt InstituteofChicago.

“Warhol is constantly labeledapopartist,butall thathappenedwithinthreeor fouryears,andthenhemovedonandtheworkgoesquitedarkandexploresquestionsofgenderandsexual identity, fame,subcultures,” saidGaryGarrels,EliseS.Haasseniorcuratorofpaintingandsculpture for theSanFranciscomuseum.

Theshow’stitlecomesfromWarhol’s1975memoir inwhichhetouchesonkeythemesfromhis

work,suchascelebrity,moneyandlove.Theartistdiedin1987atage58.

DeSalvosaidtheSanFranciscomuseum’s team“reallyenlightenedmeintermsof thinkingaboutWarhol throughthe lensof socialmedia.”

It’sacommonthreadthrough-

andauracanbetracedtohisearlyyears,afterhemovedtoNewYorkin1949andgota jobasacommer-cial illustrator.Hedidwork forpublicationssuchasMademoiselleandGlamourmagazine.

“That ideaofmarketingandallthe thingswetake forgrantedwasjustsomethingWarholwas im-mersed in,”DeSalvosaid. “Andhewas justsuchasponge inhiscapac-ity toabsorbthings.”

In1963,hewascommissionedtodohis firstportrait, ofmodern-artcollectorEthelRednerScull.

Theartist tookScull toaphotobooth inNewYork,gaveherastackofcoinsandsaid, “Pose,”Garrelssaid.Shetook300pictures, lookingplayful,pensiveandeverything inbetween.

“Fromthat,hemakesthispaint-ing,”DeSalvosaid: “EthelScull 36Times,”abrightlycoloredmontageof imagesthatanticipatedmodern-dayselfiesandInstagramposts.

“You feel eachmoment,”DeSalvosaid. “I think it’s reallyoneofWarhol’sgreatcommissionedportraits.”

Oyan writes for The Associated Press.

out theshow.“Whenyouseesomeof the

rooms,particularly theportraits,wereallyconceptualized it inawayof thinkingaboutFacebook,” shesaid.

Warhol’sunderstandingof thepowerof imagestocreate identity

WARHOL ART SHOW FORESHADOWS SOCIAL MEDIA TRENDSSan Francisco exhibit’simages became indeliblelong before the Internet

A woman walks past Andy Warhol’s “Large Sleep” and “TripleElvis” at the San Francisco Museum of Modern Art exhibit.

ERIC RISBERG AP

BY KATIE OYAN

Spymaster Ian Fleming wrote all 14 Bond books atthis desk, which remains in his villa.

The reception area of GoldenEye resort pays tributeto Ian Fleming’s years at his Jamaican hideaway.

The tranquil mainbeach of GoldenEyeresort, a 52-acre en-clave in Jamaica withJames Bond roots.

BOND’SROOTS

Visitors can spy on beach homeat GoldenEye resort in Jamaica, where

Ian Fleming created his super-spy stories

STORY AND PHOTOGRAPHY BY NORMAMEYER

Ian Fleming’s villa, where agent 007 came to life, ispart of the GoldenEye resort in Jamaica.

SEE GOLDENEYE • E15

Page 2: BOND’SROOTS › ... · GoldenEye proprietor Chris Blackwell, who also owns Noel Coward’s Firefly home, stands in the late playwright’s garden with his statue. The Fleming Villa

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with Jamaica, thenaBritishcolony, andeachwinter heditchedEngland to spendseveralmonths athis para-diseperchedabove theazure,warmwaters of ba-nanaportOracabessaBay.For 13 straight years, inbetween snorkeling, swim-mingandbird-watching, theurbane scribe tappedoutBond fantasies (sometimesonagold-platedRoyal type-writer) until his death fromaheart attack inEnglandatage 56 in 1964.

Since then,GoldenEyehashostedabevyof bare-footVIPs fromBill andHillaryClinton toHarrisonFord toScarlett Johansson.ThedelightfulRamsayDacosta, 82,wasFleming’sgardener, anddecades laterhe still helps visitors planttrees throughout the resortfor a $1,000donation toBlackwell’sOracabessaFoundationbenefiting thelocal community. Strollingaround, you’ll notice dozensof hand-printedweatheredmarkers beside vegetation:the guava treeplantedbyJohnnyDepp, the ackeeplantedbya teenageRiverPhoenix, the Juliemangostuck indirt in 1998by silverscreen then-Bond,PierceBrosnan. (Of course, “Gold-enEye” is also the title ofBrosnan’s 1995Bondcaper.AndBonowrote themovie’stheme songhere.)

Dacosta, like otherswhoworked forFleming, referredtohimonly as “Command-er,” anod tohisBritishnavalintelligence rank. “TheCommander alwayshadacigarette holder inhis teeththat hewas smoking,”Da-costa tellsmeoutside the

villa. “I used to climbup thepalm tree to get the rightcoconut for him.He lovedrice andpeaporridgewithcoconutmilk.”

In front of thehome’sopen-air picturewindows—theCommander shutteredthemto concentratewhenhewrote— is the “sunkengarden,”wherehe enter-tained celebrity friends,includingKatharineHep-burn,TrumanCapote,Cowardand swashbucklingFlynn,whohadmoved toJamaica.Twoalmond treesthatDacostaplanted forFleming forman inter-twined leafy awning.

Fromthere, a steep stonestaircasedescends toFlem-ing’s narrow ivory-sandprivatebeach.Dacostapoints to a jagged rockoff-shore, rememberinghow

Fleming regularlywadedoutwith fish-filled conchshells to feedanoctopusthat livedunder it. “Octo-pussy”wasnot only the titleof aBondstory; itwas thenameof a fishingboatBlancheBlackwell gaveFleming.

Closer in, ruggedboul-ders cordonoff a shallowseawaterpool. “This iswhereCasparplayed,”Da-costa says, referring to theonly child ofFlemingandhisBritish socialitewife,AnnCharteris.NeitherCasparnorAnnvisitedheremuchduring theFlemings’ trou-bledmarriage. Following theauthor’s death,BlancheBlackwell lookedafter thevilla forCasparuntil, tragi-cally, in 1975he committedsuicide inLondonbyover-dosingonbarbiturates atthe ageof 23.

“That’swhenmymotheraskedme tobuy it,”Black-well says. “Shewas veryemotionally attached to it.Sheused to swimthereeveryday.”

So in 1976Blackwellpurchased the spymaker’srefugewhen the first poten-tial buyer—renegadeMar-ley—backedout, deeming it“tooposh.”

Longbefore that,Cow-ard fell for JamaicawhilevacationingatFleming’svilla, although the cheekyBritish “PrivateLives” and“BlitheSpirit” playwrightlikened thewhite-walled,no-frillsmanor to amedicalclinic. “He’d call itGold-enEye, nose and throat,”Blackwell recounts. (Yes,the villa has sincebeenupdated.)

In 1949,Cowardbuilt hisfirst nearby retreat,BlueHarbour, and later erectedhis beloved,modest one-bedroomFirefly onahilltop

withamagnificent, sweep-ing viewof Jamaica’s coast.Visitorswere aWho’sWho—ElizabethTaylor,RichardBurton,WinstonChurchill,LaurenceOlivier andSoph-iaLoren, amongothers.AfterCoward’s death in1973, Firefly sank intodisre-pair;Blackwell, who sharedhilarious laughswithCow-ard there, bought it in 1992.

What’s so extraordinaryis that the entire home is amusty time capsule, seem-ingly untouched since theacclaimed showmansuf-fereda fatal heart attack inFirefly’s shower anddiedonthebed.A fadedpink towelmonogrammed “NC”hangsin the yellow-and-black-tiledbathroomas if he justwipedhis hands. In the livingroom, a glassdecanter holdsa couple of inches of hisnow-oxidizedbrandy,straight across fromthecomposer-singer’smuch-tinkledpiano toppedwithphotos of glamorous chumMarleneDietrich.Decayingliteraryworks line shelves.Fryingpans clutter thestovetop.

In anoutdoor corridor, aglasspatio table is setwithfloral-patterned china, justlikewhen theQueenMotherdroppedbyandquaffedavodka-and-beef-bouillonBullshotwithCoward.

Firefly is also one for thebooks.AndGoldenEyeguests canprivately tour it,cappedwith apicnic orsunsetwine on the expan-sive lawn.You’ll be joinedalfrescoby thebronze, life-size statueofCoward, cross-legged in a chair, cigarette infingers, admiring the spec-tacular vista; he’s buriedcloseby, a rectangularmar-ble slabmarkinghis finalrestingplace and favoritecocktail spot.Other ghosts

lurk— in the 17th century,notoriouspirateHenryMorgan lived in a still-exist-ing look-out on theproperty.Inside, you’ll find cannon-balls.

To initially get toGold-enEye, if I hadaBond-pi-lotedAcrostar orprivateplane, I could’ve jetted intoIanFleming InternationalAirport, about 10minutesaway. Instead, I fly economycommercial intoMontegoBay’s terminal,wherecheery, gray-hairedGold-enEyedriver “Pops” pulls aRedStripebeer out of abackseat cooler andhands ittomyperked-uphusbandbefore our two-hour ride.“Yamon, relax, you’re onisland time,”Popsdeclares.

Whenwearrive atGold-enEye, there is no clue, otherthana cryptic “PrivateProp-erty” notice onawrought-irongate.After a guardgivesus theOK,wenot-so-stealthily reach the recep-tionFlemingRoom, adorn-edwith vintagepictures ofthemastermind,most takenatGoldenEye.Nextdoor isthe treehouse-styleGazeborestaurant,whereFlemingponderedMI6plots in agazebo shack. (Coinciden-tally, charredoctopus is ontonight’smenu.) In therestaurant’s entry, fiveframedstills from“Dr.No”showAndress inher classicbikini debut, onewithhunkyco-starSeanConnery.Thescenewas shot ona 20-minuteboat trip fromGold-enEyeandarrangedby thefilm’s then-24-year-old loca-tionmanager—Blackwellhimself.

Another reason toRandRhere is that conservation—notnefariousSPECTRE—is amain concern.Onemorning, I chatwith localfishermenatwhat they call

TheBond007Beach, andacigarette-stub-chewingangler dubbed “QuakerOats” boasts abouthis hugejackfish catch. It’s a testa-ment to oneofBlackwell’sprojects, theOracabessaBayFishSanctuary,whichprotects another offshorearea in order to revive theoverfished stock.Duringanouting onGoldenEye’sglass-bottomboat, I alsowitnesshowcoral is success-fully being replantedon theeco-threatened reefwhereFleming snorkeled.And Ilatermeet “TurtleMan”MelTennant, a retiredBritishschool principalwho, alongwithGoldenEye supportandhands-onguests, annu-ally saves and releasesup to22,000 endangered sea turtlehatchlings.

Fleming cherished thenatural beauty of hisCarib-beanhaven; he evenpickedthemildnameof his bird-watchingguidebook’s au-thor—JamesBond— forhis cloak-and-daggerhero.Today’s resort, startingwitha fewcottages in the 1990s,remains remarkablydown-to-earthwith akindheartedstaff of townsfolk andaJamaican “OneLove” vibe.At the thatched-roof,record-album-coveredBizotBar, I’mchannelingmyinnerBondgirl asmyhus-bandand I sip frothy signa-turepineapple-and-rumGoldenEyes in a cocooningbreezewith the rolling surflappingagainst rocks, adrop-deadgorgeous sunsetting, and resident catFlemingmeowingat ourfeet. Soon, tree frogs andcrickets loudly chirp abe-witching symphony. I figureYouOnlyLiveTwice.

Meyer is a freelance travelwriter.

If you go

Miss Moneypenny, takenote. Through Dec. 19,GoldenEye (goldeneye.com)is offering reduced rates —starting at $315 a nightwith breakfast for beachhuts — due to constructionof three new guest houseson the resort’s lagoon.Complimentary activitieshave been added, includingguided snorkeling, “soundbath” meditation andFirefly excursions. Thesecluded Fleming Villastarts at a discounted$4,455 a night, has aprivate pool, and with twosatellite cottages sleeps 10.It comes with a butler, chefand housekeeper so youcan devote your attentionto penning a page-turningthriller.

GoldenEye proprietor Chris Blackwell, who alsoowns Noel Coward’s Firefly home, stands in the lateplaywright’s garden with his statue.

The Fleming Villa has been updated with comfort-able furniture; the 007 author had hard benches andplanter’s chairs to sit on.

NORMA MEYER PHOTOS

The reggae-and-jazz-bedecked Bizot Bar is Golden-Eye’s central hangout. It’s staffed by locals who seemlike family.

GOLDENEYEFROM E14