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S U B S C R I B E R E X C LU S I V E A U GU ST 2 0 12

More great bracelets!

A u g u s t 2 0 1 2 I s s u e 1 1 0

Yourcompletebeadingresource

PLUBraida chunkykumihimoneck

Designjewelrywithmovem

Findingthefake factorinvintagebutt

Make this crystalbracelet in under 1 hour

Nobodydoes itquite likeSherry!

Fol lowherleadto makethisplayfulbracelet,p.36.

Braceletbonanza!

3 ways to customizemetal findings tomatch your project

Getinshapewithbrickstitch

Make rivolibezelswithfiligree

Stitchaclassiccuffwith Tilabeads

Highlighta gemstonecab withpearls

Liven up your look with9 great bracelet styles

Your complete beading resource

A DIGITAL SUPPLEMENT TOBEAD&BUTTON MAGAZINE

& E x t r a

PLUS!Make a cutbrick stitchornament

pg. 17

Sew a garden of flowers for your wrist pg. 4

Create a classic cuff with peyote stitch pg. 7

Combine Tila beads, bugles, and dropsfor a spiky adornment pg. 10

Stitch a three-drop peyote fleur-de-lis bracelet pg. 14

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Contents Along the garden path bracelet ........................4

Turkish embroidery bracelet ............................. 7

Spiky Tila bracelet ...........................................10

Fleur-de-lis bracelet ........................................14

Ornament in bloom .........................................17

w

Welcome B&B Extra August 2012

The designs in B&B Extra are for your personal enjoyment. They may not be taught or sold without permission.

Editor, Bead&Button

[email protected]

One of the most frequent requests we get is for

Bead&Button to become a monthly publication.

Our readers simply can’t get enough! While it isn’t

possible at this point for us to double the number of issues

we print, we at Bead&Button are happy to bring you

this first ever issue of B&B Extra, a digital supplementexclusively for our magazine subscribers. A new issue of

B&B Extra will become available every other month,

between the months in which you receive your regular issues. So now — finally

— you’ll receive Bead&Button projects every month!

I hope you enjoy this inaugural issue, featuring four great bracelet projects plus

a versatile ornament. Our sponsors are a vital part of the beading community,

so please join me in welcoming them and consider shopping with them the next

time you have a need for beads!

Editor Julia Gerlach

Senior Art Director Lisa A. Bergman

Associate Editors Jane Danley Cruz,

Stacy Werkheiser

Contributing Editor Maggie Roschyk

Editorial Assistant Lora Groszkiewicz

Graphic Designers Rebecca Markstein,

Lisa M. Schroeder

Photographers Bill Zuback, Jim Forbes

Illustrator Kellie Jaeger

Publisher Linda Kast

ADVERTISING

Group Advertising Manager Ann E. Smith

Advertising Sales Dawn Becker, Lori Schneider

Ad Services Manager Sara Everts

Ad Services Representative Melissa Valuch

B&B Extra is published bimonthly by Kalmbach

Publishing Co., 21027 Crossroads Circle,

P.O. Box 1612, Waukesha, WI 53187-1612.

www

Visit www.BeadAndButton.com

for access to more

projects from

Bead&Button magazine.

SimplyClick oneach logo below!

Please support these

fine sponsors!

Then click on the ad to visit

the sponsor’s website, and shop

for all of your beading needs!

PLUS

Look for links throughout the

pages that will connect you to

more great content and resources

on the web.

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http://www.artbeads.com/swarovski.html

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4/19B&B Extra | August 2012 4B&B Extra | August 2012 4

designed by Deborah Kashdan

Stitch charming flower-headcomponents, and string them

along a delicate peyote pathway

A l o n g t h e

g a r d e n p a t h

PEYOTE STITCH / BEAD WEAVING

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5/19B&B Extra | August 2012 5

a

b

c

d

e

a

b

c

a

b

c

a

g

b

c

d

e

f

4 mm glass pearl

4 mm fire-polished bead, color A

4 mm fire-polished bead, color B

110 seed bead

FIGURE 1 FIGURE 2 FIGURE 3

Deborah Kashdanbegan beading in 2008

and started a small craft

business called Earthly

Treasures. She lives and beads

in Boynton Beach, Florida.

Contact her at [email protected],

or to see more of her designs,

visit www.etsy.com/shop/

earthlytreasuresbyDK.

EDITOR’S NOTE:Use a different combination

of colors for each flower head

to stitch a bouquet for your

wrist. – Jane

materialspink/green bracelet 63 ⁄ 4 in. (17.1 cm)

• 8 4 mm glass pearls (pink)

• 4 mm fire-polished beads

48 color A (Czech, olivine)

32 color B (Czech, light pink)

• 4–6 g 110 seed beads (Toho 514,

copper gold iris metallic)

• 3–4 g 150 seed beads (Toho 161,

full gloss iridescent crystal AB)

• lobster claw clasp

• 2 9 mm jump rings

• nylon beading thread, size D,

or Fireline 6 lb. test

• beading needles, #12

purple/green bracelet colors:

• 4 mm glass pearls (antique gold)

• 4 mm fire-polished beads

color A (Czech, amethyst/topaz two tone

color B (Czech, amethyst)• 110 seed beads (Toho 183, hybrid ultra

luster green)

• 150 seed beads (Toho 617, matte color

dark olive)

wwwTo brush up on the Online

Beading Basics in this story, go to

www.BeadAndButton.com/Basics.

stepby step

First flower head[1] On a comfortable length of threador Fireline, pick up 12 110 seed beads,

leaving a 6-in. (15 cm) tail. Sew through

all the beads again to form a ring, and

tie the working thread and tail with

a square knot (Online Beading Basics).

[2] Pick up a 4 mm pearl, sew through

the corresponding 110 on the oppositeside of the ring (figure 1, a–b), and sew

back through the pearl and the 110

your thread exited at the start of this

step (b–c).

[3] Pick up three 110s, skip the next 110 in the ring, and sew through the follow-

ing 110 to form a picot (c–d). Repeat

this stitch to complete the round, and

step up through the first two 110s in

the first picot (d–e).

Create your own unique flowers using fire-polished beadsin a variety of colors for a lovely pastoral bracelet. A discreetstrip of peyote stitch supports the flowers, provides a placeto attach the clasp, and gives the bracelet substance. You canalso experiment with omitting the peyote strip.

[4] Pick up seven 110s, and sew throughthe center 110 of the next picot in the

previous round (figure 2, a–b). Repeat

this stitch to complete the round, creat-

ing six points. Step up through the first

four 110s added in this round (b–c).

[5] Pick up seven 110s, and sew throughthe center 110 of the next point in the

previous round (figure 3, a–b). Repeat

this stitch to complete the round,

creating the outside edge of theflower head (b–c).

[6] Pick up a color A 4 mm fire-polished bead, and sew through the 110

in the initial ring of beads that corre-

sponds with the 110 your thread exited

at the start of this step (figure 4, a–b).

Sew back through the A, the 110 your

thread exited at the start of this step,

and the next three 110s along the outer

edge of the flower head (b–c).

mailto:[email protected]://www.etsy.com/shop/http://www.beadandbutton.com/Basicshttp://www.etsy.com/shop/mailto:[email protected]://www.beadandbutton.com/Basics

8/16/2019 BNB-SUP 2012 08


a

bc

[7] Pick up a color B 4 mm fire-pol-ished bead, sew through the center 110

in the corresponding picot created in

step 3 (c–d), and sew back through

the B. Skip the next 110 along the outer

edge, and sew through the next four

110s (d–e).[8] Repeat steps 6 and 7. Repeat step 6

once more, but sew through eight 110s

along the outer edge instead of four (e–f).

[9] Repeat steps 6 and 7 twice, and thenwork step 6 again, but sew through

eight 110s along the outer edge instead

of four (f–g). End the working thread

and tail (Online Basics).

FIGURE 5

Subsequent flower heads[1] Repeat steps 1–4 of “First flowerhead.” To join to the previous flower

head: Work as in step 5, but stop after

the fifth repeat with your thread exiting

the center 110 in the outer round of

points (figure 5, point a). Sew throughseven 110s along the outside edge of

an unembellished cavity in the previous

flower head (a–b), and then sew through

the center 110 of the next point in the

new flower head (b–c).

[2] Repeat steps 6–9 of “First flowerhead.”

[3] Repeat steps 1 and 2 to makeand join a total of eight flower heads.

Peyote band and assembly [1] Measure your wrist to determineyour desired bracelet length. On a com-

fortable length of thread or Fireline,

attach a stop bead (Online Basics),

leaving an 8-in. (20 cm) tail. Pick up six

150 seed beads, and work in flat even-count peyote stitch (Online Basics) to

create a band that is 1–2 in. (2.5–5 cm)

longer than your wrist measurement.

[2] Remove the stop bead. String a9 mm jump ring over this end of the

band, and with the tail, stitch the end

beads to the back of the band approxi-

mately 1 ⁄ 2 in. (1.3 cm) from the end.

[3] Leading with the unfinished endof the band, string the flower heads

onto the peyote band by weaving

over the seven-bead edge of the unem-

bellished cavities of the flower heads.

Center the flower heads on the band,

and add or remove rows of peyote

if necessary.

[4] Repeat step 2 on the remaining endof the band, and then open the jump

ring (Online Basics), and attach the

lobster claw clasp. w

The clever design of this bracelet

weaves a peyote band among the

flowers for an added pop of color.

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designed by Mahide Erkan

Create a braceletinspired by Turkishkilim motifs

Turkish embroidery

PEYOTE STITCH

S t i t

c h e d b

y M

a h i d

e E

r k a n

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materialsbracelet 77 ⁄ 8 x 2 in. (20 x 5 cm)

• 10 3 mm round accent beads

(red)

• 110 Delica cylinder beads

3 g color A (DB0254, opaque

luster silver gold)

7 g color B (DB0352, matte

eggshell)

1 g color C (DB0373, metallic

matte dark green)

2 g color D (DB0795, opaque

matte coral)

2 g color E (DB0729, opaque

turquoise green)

• nylon beading thread or

Fireline 6 lb. test

• beading needles, #11 or #12

www To brush up on the

Online Beading Basics

referenced in this story, go to

www.BeadAndButton.com/

Basics.

Mahide Erkanlives in Istanbul,

Turkey. She has

a Bachelors and

Masters degree in

architecture. She transferskilim, embroidery, and

textile designs to her jewelry.

Contact her at mahide44@

gmail.com.

stepby step

[1] On a comfortable length of threador Fireline and leaving a 6-in. (15 cm)

tail, follow the pattern to work two

panels in flat odd-count peyote stitch

(Online Beading Basics) using 110 Delica

cylinder beads. On one panel, omit the

center bead in each of the indicated

rows, leaving an open slot. On the other

panel, use color B beads where the

opening is indicated. End and add

thread (Online Basics) as needed.[2] To create the toggle bar: On 1 yd.(.9 m) of thread and leaving a 6-in.

(15 cm) tail, work a strip of flat odd-

count peyote that is 13 cylinder beads

wide and six rows long. Roll the strip

into a tube, and zip up (Online Basics)

the end rows.

[3] With the working thread exiting anend bead in the tube, pick up a 3 mm

bead, and sew through the correspond-

ing end bead on the opposite side of the

tube. Sew through the beadwork of thetube to exit an end bead on the other

end of the tube, and add a 3 mm bead

the same way. End the tail but not the

working thread.

[4] Sew through the beadwork of thetube to exit a bead at the center of the

toggle bar. Stitch a strip of five cylinder

beads using ladder stitch (Online Basics).

Stitch the five-bead strip to the center

of the 21st row of the panel without

the open slot.

[5] Using the working thread and tailsfrom the panels, connect the panels by

sewing back and forth through 3 mm

beads positioned between the up-beads

at the remaining ends of the panels.

End all the remaining threads. w

Work two peyote stitchpanels, and join them withaccent beads. A toggle barand built-in slot serve asthe clasp.

Color A, opaque luster silver gold

Color B, matte eggshell

Color C, metallic matte dark green

Color D, opaque matte coral

Color E, opaque turquoise green

PATTERN

http://www.beadandbutton.com/basicshttp://www.beadandbutton.com/basics

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http://www.firemountaingems.com/galleryofdesigns/jewelry_design_gallery.asp?docid=c32l&doccat=gallery+and+project&s.evps=c32l/WT.mc_id=C018

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This project begs to be toyed with. Work the

band with alternating colors of Tila beads and

bugles (as in the green bracelet), or choose a

monochromatic palette (as in the blue version).

designed by Kassie Inman

Bugle beads and drops spice up

and spike up a Tila bead bracelet

LADDER STITCH / BEAD WEAVING

SpikyTila bracelet

B&B Extra | August 2012 10

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a

b

cd

5 mm Tila bead, color A

5 mm Tila bead, color B

6 mm bugle bead, color C

6 mm bugle bead, color D

3.4 mm drop bead

150 seed bead, color E

150 seed bead, color F

dab

c e materialsgreen bracelet 61 ⁄ 4 in. (15.9 cm)

• 4–5 g 5 mm Tila beads in each of 2

colors: color A (Miyuki 2005, matte

metallic copper), color B (Miyuki 2035,

matte khaki iris)

• 2 g 6 mm bugle beads in each of 2

colors: color C (Toho F463K, frosted

matte pink/green), color D (Toho 706,

matte metallic teal)

• 2–3 g 3.4 mm drop beads (Miyuki 462,

metallic gold iris)

• 1 g 150 seed beads in each of 2 colors:

color E (Toho 703, matte Cabernet)

color F (Miyuki 454, metallic dark plum)

• 3-strand slide clasp

• Fireline 6 lb. test

• beading needles, #12

blue bracelet colors:

• 4 g 9 mm bugle beads (Toho 705, matteraku blue/plum iris)

• 5 mm Tila beads (Miyuki 2001, matte

metallic blue-grey)

• 3.4 mm drop beads (Miyuki 455, metallic

variegated blue iris)

• 150 seed beads: color E (Miyuki 401FR,

matte black AB), color F (Miyuki 452,

metallic dark blue iris)

wwwTo brush up on the Online

Beading Basics referenced in thisstory (plus lots of other techniques!),

go to www.BeadAndButton.com/Basics

Kassie Inman has beendesigning and making

jewelry and other bead

art since 2004. She

lives in western North

Carolina with her son and daughter,

who also like to bead. She works

full time in payroll and accounting,

and beading is her way to relax

after work. Visit her website,

www.beadingbutterfly.com, or email

her at [email protected].

stepby step

Band

[1

] On a comfortable length of Fireline,pick up a color A 5 mm Tila bead, acolor B 5 mm Tila bead, an A, and a B.

Sew through all four Tila beads again to

form a ring, sewing through the same

holes as before and leaving a 6-in.

(15 cm) tail. Form the Tila beads into

two stacks of two beads each (figure 1,

a–b). Sew through the second hole of

both Tila beads in the last stack (b–c).

[2] Working in two-bead ladder stitch,pick up a B and an A, and sew through

the Tila beads in the previous stack and

the two Tila beads just picked up (c–d).

Continue through the second hole of

the two new Tila beads (d–e). Repeat

this stitch, flip-flopping the A and B

each time, until the band is ¼ in.

(6 mm) short of the desired bracelet

length. End and add thread (Online

Beading Basics) as needed. End with

an odd number of stacks of Tila beads.

End the working thread and tail.

Add just a touch of biker chic with long bugle beads anddrop-bead embellishments. The width of the beadwork givesyou the look of a cuff with the drape of a bracelet.

FIGURE 1

FIGURE 2

Spikes[1] Add 2 yd. (1.8 m) of Fireline to oneend of the band, and exit the first hole

of an end B (figure 2, point a).[2] Pick up two color D 6 mm buglebeads, sew down through the next hole

of the same Tila bead (a–b), and then

sew up through the adjacent hole of

the following Tila bead (b–c). Pick up

two color C 6 mm bugle beads, sew

down through the next hole of the same

Tila bead, and then sew up through the

adjacent hole of the following Tila bead

(c–d). Repeat these two stitches for the

length of the band, alternating between

D and C 6 mm bugle beads, and then

sew through the beadwork to exit the

end Tila bead along the opposite edge.

Repeat this step to add spikes to the

other edge of the band. End the thread.


http://www.beadandbutton.com/Basicshttp://www.beadingbutterfly.com/mailto:[email protected]:[email protected]://www.beadingbutterfly.com/http://www.beadandbutton.com/Basics

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a

b

c

d

a

b

c

d

Embellishment[1] Add 2 yd. (1.8 m) of Firelineto one end of the band, and sew up

through the first bugle bead along this

edge with the needle pointing away

from the band (figure 3, point a).

[2] Pick up two color F 150 seedbeads, and sew through the adjacent

bugle bead (a–b). Pick up four color E

150 seed beads, a 3.4 mm drop bead,

and four Es. Cross the band diagonally,and sew through the corresponding

bugle bead with the needle pointing

away from the band (b–c).

[3] Repeat step 2 (c–d) for the lengthof the bracelet, zigzagging across the

band, and exit the last bugle bead

along one edge with the needle point-

ing toward the band (figure 4, point a).

[4] Sew through a loop of the clasp,pick up a drop bead, and sew back

through the loop of the clasp and

the adjacent hole of the end Tila bead

(a–b). Repeat this stitch twice (b–c).

Retrace the thread path through

the loops and drop beads to secure

the connection.

[5] Sew through the first holes in both

end Tila beads, exiting the first unem-bellished bugle bead with the needle

pointing away from the band (c–d).

[6] Work as in steps 2–4, but insteadof picking up a new drop bead in step 2,

sew through the existing drop bead to

form an X across the center of the

band. End the thread. w

FIGURE 3 FIGURE 4

EDITOR’SNOTE: Make a wider

band by starting with

six Tila beads in step 1

of “Band,” and then work

step 2, but pick up threeTila beads in each stack.

In step 2 of “Embellishment,”

pick up six 150s on either

side of the drop bead. Use

a four-strand slide clasp for

the closure. – Jane


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available only from Preciosa Ornela

PRECIOSA TwinTM

two in one Click here for instructions to make the bracelet

DESIGN BY HELENA CHMELÍKOVÁ

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designed by Josie Fabre


Two colors + one decorative design =

a very wearable bracelet!

Wear a classic motif with

this quick-to-stitch pattern

Fleur-de-lis bracelet

THREE-DROP PEYOTE STITCH

S t i t c

h e d b y J

o s i e F a b r e

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DBH0035 Metallic galvanized silver hex cut

DB0453 Galvanized dark gunmetal materialsbracelet without the clasp

67 ⁄ 8 x 13 ⁄ 4 in. (17.5 x 4.4 cm)

• 10 g 110 hex-cut beads (DBH0035,

metallic galvanized silver)

• 5 g 110 cylinder beads (DB0453,

galvanized dark gunmetal)

• nylon beading thread or

Fireline 6 lb. test

• beading needles, #11 or #12

www To brush up on the Online

Beading Basics referenced in this

story (plus lots of other techniques!),

go to www.BeadAndButton.com/

Basics.

Josie Fabre has been

beading for almost10 years. She resides in

Slidell, Louisiana. She is

a full-time scientist and mother

but beads every chance she gets.

She is inspired by nature, art,

and architecture. She also enjoys

photography and is beginning to

combine her photographs with her

jewelry designs. Contact Josie at

[email protected], or visit her

website, www.josie.etsy.com.

PATTERN 1

PATTERN 2 PATTERN 3

My inspiration for this piececame from the fleur-de-listhat are seen everywhere inLouisiana. It’s worked inthree-drop peyote stitch,

which means this braceletcomes together quickly.

stepby step

[1] On a comfortable length of threador Fireline and leaving a 12-in. (30 cm)

tail, follow pattern 1 to work in three-

drop peyote stitch using 110 hex-cut

and cylinder beads. Go online to

BeadAndButton.com/Basics to learn

how to work two-drop peyote; three-

drop is worked the same way but withthree beads per stitch. End and add

thread (Online Basics) as needed.

[2] To create a toggle bar: On 1 yd.(.9 m) of thread and leaving a 6-in.

(15 cm) tail, work a strip of flat even-

count peyote stitch (Online Basics) that

is 18 beads wide and 12 rows long. You

can work the bar in all one color bead,

or follow pattern 2 to create a center

stripe. Roll the strip into a tube, and

zip up (Online Basics) the end rows.

[3] At the center of the toggle bar, makea flat even-count peyote tab two beads

wide and eight rows long (pattern 3).

Use the two red boxes in pattern 1 as

a guide to attach the tab.

[4] To create a toggle ring (see the photoon the previous page): On the other end

of the band, using the 12-in. (30 cm)

tail, exit the 10th bead from the edge.

In flat even-count peyote, make a strip

28 beads long and two beads wide.

Attach the strip to the 10th bead from

the other edge. w

http://www.beadandbutton.com/mailto:[email protected]://www.josie.etsy.com/http://www.josie.etsy.com/mailto:[email protected]://www.beadandbutton.com/

8/16/2019 BNB-SUP 2012 08

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8/16/2019 BNB-SUP 2012 08

17/19

Join the bases of a pair of

beaded pyramids to make

a festive holiday bauble.

by Julia Gerlach

Follow the naturalshape of brickstitch to make

a 3-D ornament featuring a floralpattern andlooped fringe

Ornament in

bloom

BRICK STITCH


8/16/2019 BNB-SUP 2012 08

18/19

Color A, metallic raspberry

Color B, opaque cream

Color C, sparkle aqua green-lined teal

Color D, transparent olive luster

Color E, silver-lined raspberry

Color F, silver-lined orange

Color G, lined light cranberry AB

Color H, silver-lined yellow

PATTERN

ba

Julia Gerlach is the

editor of Bead&Button.Email her at jgerlach@

beadandbutton.com.


materialsornament 2¾ x 1 in. (7 x 2.5 cm)

• 3 mm fire-polished bead

• 110 Miyuki Delica cylinder beads

1–2 g in each of 8 colors:

color A (DB0428, metallic raspberry)

color B (DB0732, opaque cream)

color C (DB1769, sparkle aqua green-

lined teal)

color D (DB1227, transparent olive luster

color E (DB1342, silver-lined raspberry)

color F (DB0045, silver-lined orange)

color G (DB0062, lined light cranberry

AB)

color H (DB0145, silver-lined yellow)

• 1 g 110 seed beads (Czech, silver-lined

pink)

• 1 g 130 Charlottes in each of 2 colors:

color B (Czech, opaque cream)

color I (Czech, olive jade luster)

• nylon beading thread, size D• beading needles, #12

• polyester fiberfill

www To brush up on the Online

Beading Basics in this story, go to

www.BeadAndButton.com/Basics.

stepby step

Triangular panels[1] On 1 yd. (.9 m) of thread, work inladder stitch (Online Beading Basics) to

make a ladder of 15 color A 110 cylin-

der beads, leaving a 6-in. (15 cm) tail.

This is row 1 of the panel.[2] Working in brick stitch, follow thepattern using 110 cylinder beads in

colors A–H to stitch the next 13 rows:

Row 2: A, C, four Bs, two Ds, four Bs,

C, A

Row 3: A, B, D, two Bs, D, E, D, two Bs,

D, B, A

Row 4: A, B, three Ds, two Es, three Ds,

B, A

Row 5: A, three Bs, E, G, E, three Bs, A

Row 6: A, two Bs, E, two Gs, E,

two Bs, A

Row 7: A, B, E, three Gs, E, B, A

Row 8: A, B, E, two Fs, E, B, A

Row 9: A, B, F, H, F, B, A

Row 10: A, B, two Hs, B, A

Row 11: A, three Bs, A

Row 12: A, two Bs, A

Row 13: A, C, A

Row 14: two As

End the tail (Online Basics) but not the

working thread. Set the panel aside.

[3] Repeat steps 1 and 2 to make atotal of six panels.

Assembly [1] Place two panels side by side.Using the working thread from one,

sew through the corresponding edge

bead on the other panel, and continue

through the next edge bead (photo a).

Repeat this stitch to connect all the

edge beads on this side. Do not endthe working thread.

[2] Repeat step 1 to attach a thirdpanel, and then repeat again to connect

the first panel to the third panel.

[3] Repeat steps 1 and 2 with theremaining three panels to make a

second 3-D triangle.

[4] With a remaining thread from oneof the 3-D triangles, sew through the

beadwork to exit an A at the tip. Pick

up a 3 mm fire-polished bead and nine

color B 130 Charlottes. Sew back

through the 3 mm and tip A adjacent to

the one your thread exited at the start

of this step (photo b). Sew up through

the following tip A, and retrace the

thread path through the 3 mm and

Charlottes, sewing through tip As that

you have not sewn through yet. Retrace

the thread path once more, making sure

all the tip As are attached to the 3 mm.

End the thread.

[5] To make the fringe, add thread(Online Basics) to the other 3-D

This ornament is truly versatile. Work it up in your favoritecolorway to reflect any holiday or season, or use a differentbead size to make a larger or smaller bauble.

http://www.beadandbutton.com/Basicshttp://www.beadandbutton.com/Basics

8/16/2019 BNB-SUP 2012 08

19/19

c d

e f

triangle, and exit a tip A. Pick up20 B Charlottes, three color I 130 Char-

lottes, seven 110 seed beads,

three I Charlottes, and 20 B Charlottes.

Sew through a tip A adjacent to the

one your thread exited at the start

of this step, and continue through the

following tip A (photo c). Repeat this

stitch twice.

[6] Work as in step 5 to make a fringebeginning and ending with 15 B Char-

lottes (photo d). Repeat twice.

[7] Work as in step 5 to make a fringewith five B Charlottes, three I Char-

lottes, five 110 seed beads, three I Char-

lottes, and five B Charlottes (photo e).

Repeat twice.

[8

] Sew down through the top three BCharlottes of the first fringe loop madein the previous step. Pick up three B

Charlottes, and sew up through the

top three B Charlottes of the adjacent

fringe loop (photo f). Sew through

the adjacent tip A in the triangle, and

continue through the following tip A.

Repeat this step around to connect

the top layer of fringe loops. End

the thread.

[9] Fill each 3-D triangle with asmall amount of fiberfill. Align the

ladder rows of the triangles, and using

any remaining thread, zigzag through

the corresponding As on the two

triangles to connect them. End any

remaining threads. w

bnb-sup 2012 08

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