blue mic product sheets iiimages.miretail.com/lms/content/d/6/d6c157b5-d497-42a5-9bb7-9… · the...

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Simply stunning. Tec Specs Features Fully discrete Class-A signal path — completely balanced from input to output Solid-state transformerless input stage coupled with twin triode (ECC88) vacuum tube gain stage insures ultra low noise (-131 dB), maximum detail and exceptionally musical harmonic saturation Amazing 34dB headroom before clipping Front panel instrument input turns Robbie into a DI — will enhance any bass, electric guitar, synth or drum machine A work of art that you’ll proudly display on top of your console or on your workstation Simplicity of design. Purity of sound. Introducing Robbie, Blue’s new Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into our line of award-winning microphones has been engineered into making Robbie one of the finest tube preamps available today. With no ICs and only the highest-quality discrete components from input to output, Robbie is one of the quietest (-131 dB EIN @ 50Ω) and most detailed (THD 0.006%) preamps on this (or any other) planet. It features audiophile-grade ultra low noise metal film resistors and polystyrene capacitors, and provides the user with the best of both worlds: An electronically-balanced, fully dis- crete input stage, tube gain stage (ECC88 twin triode), and an electronically-balanced solid-state output stage. There is no switch- ing crossover distortion anywhere in the completely balanced audio signal path. And if that’s not enough, Robbie achieves and amazing 34dB headroom before clipping! Robbie’s gorgeous design and ease of use will quickly make it one of the most valuable life- forms in your studio. Microphones www.bluemic.com The uses described here are merely suggestions. Feel free to experiment to achieve your ideal sound! Minimum Gain Maximum Gain Frequency Response (+ /- 2 dB) Noise @ 60 dB gain (10 Hz – 30 kHz, 50Ω source) Noise @ 60 dB gain (10 Hz – 30 kHz, 150Ω source) THD + Noise @ 60 dB gain (10 Hz – 20 kHz, +22 dBu output) Phase Response @ 60dB gain (50 Hz – 20 kHz, +22 dBu output) Common Mode Rejection Ratio (50 Hz – 20 kHz, 100 mV input) Maximum Input Level (8 dB Gain, 20 Hz – 20 kHz) Maximum Output Level (20 Hz – 40 kHz @ 10 kΩ) Mic Input Impedence (20Hz - 20kHz) HI-Z Input Impedence Output Impedence Phantom Power Power Consumption Power Requirements Dimensions Weight 8 dB 68 dB 10Hz – 100kHz -131 dB EIN -129 dB EIN < 0.006% < 5 deg 60dB gain > 64dB; 30dB gain > 75 dB +22 dBu w/o pad +34 dBu 5kΩ (2x 2,5kΩ) 1MΩ 50Ω (2x25Ω) +48 VDC, +/-1.5 VDC 8W 115/230 VAC, 50/60 Hz 8 1 / 2”L X 8 1 / 4”W X 5 1 / 4”H 7 LB

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Page 1: Blue Mic Product Sheets IIimages.miretail.com/LMS/Content/D/6/D6C157B5-D497-42A5-9BB7-9… · The uses described here are merely suggestions. Feel free to experiment to achieve your

Simply stunning.

Tec Specs

Features• Fully discrete Class-A signalpath — completely balancedfrom input to output

• Solid-state transformerlessinput stage coupled with twintriode (ECC88) vacuum tubegain stage insures ultra lownoise (-131 dB), maximum detailand exceptionally musicalharmonic saturation

• Amazing 34dB headroombefore clipping

• Front panel instrument inputturns Robbie into a DI — willenhance any bass, electricguitar, synth or drum machine

• A work of art that you’llproudly display on top of yourconsole or on your workstation

Simplicity of design. Purity of sound. Introducing Robbie, Blue’snew Class-A discrete tube microphone and instrument preamplifier.All of the technical quality and design innovation that goes intoour line of award-winning microphones has been engineered intomaking Robbie one of the finest tube preamps available today.With no ICs and only the highest-quality discrete componentsfrom input to output, Robbie is one of the quietest (-131 dB EIN@ 50Ω) and most detailed (THD 0.006%) preamps on this (or anyother) planet. It features audiophile-grade ultra low noise metalfilm resistors and polystyrene capacitors, and provides the userwith the best of both worlds: An electronically-balanced, fully dis-crete input stage, tube gain stage (ECC88 twin triode), and anelectronically-balanced solid-state output stage. There is no switch-ing crossover distortion anywhere in the completely balancedaudio signal path. And if that’s not enough, Robbie achieves andamazing 34dB headroom before clipping! Robbie’s gorgeous designand ease of use will quickly make it one of the most valuable life-forms in your studio.

Microphoneswww.bluemic.com

The uses described here are merely suggestions. Feel free to experiment to achieve your ideal sound!

Minimum GainMaximum GainFrequency Response (+/- 2 dB)Noise @ 60 dB gain

(10 Hz – 30 kHz, 50Ω source)Noise @ 60 dB gain

(10 Hz – 30 kHz, 150Ω source)THD + Noise @ 60 dB gain

(10 Hz – 20 kHz, +22 dBu output)Phase Response @ 60dB gain

(50 Hz – 20 kHz, +22 dBu output)Common Mode Rejection Ratio

(50 Hz – 20 kHz, 100 mV input)Maximum Input Level

(8 dB Gain, 20 Hz – 20 kHz)Maximum Output Level

(20 Hz – 40 kHz @ 10 kΩ)Mic Input Impedence (20Hz - 20kHz)HI-Z Input ImpedenceOutput ImpedencePhantom PowerPower ConsumptionPower RequirementsDimensionsWeight

8 dB68 dB10Hz – 100kHz

-131 dB EIN

-129 dB EIN

< 0.006%

< 5 deg60dB gain > 64dB;

30dB gain > 75 dB

+22 dBu w/o pad

+34 dBu5kΩ (2x 2,5kΩ)1MΩ

50Ω (2x25Ω)+48 VDC, +/-1.5 VDC8W115/230 VAC, 50/60 Hz8 1⁄2”L X 8 1⁄4”W X 5 1⁄4”H7 LB