bibliography, exhibitions, filmography, websites bibliography · bibliography, exhibitions,...

ArtCrime:SelectedResources

April2017 EC&AEricaClausandAssociates 1

Bibliography, Exhibitions, Filmography, Websites Bibliography Adams, James, “Art Factions Square Off Over Morrisseau”, The Globe and Mail, June 18, 2012. Adams, James, “Fraud Ring Produced Fake Morrisseau Paintings, Claim Alleges”, The Globe and Mail, October 27, 2013. Alder, C., Chappell, D., and Polk, K., “Frauds and fakes in the Australian aboriginal art market”, Crime, Law and Social Change, 56 (2) pp. 189-207, 2011. Allen, Jonathan, “New Evidence Offered for Authenticity of Pollock’s Purported Final Work”, Business and Financial News, November 8, 2013. Allen, Nick, “Mistress Proved Right in War of Words over Jackson Pollock’s Last Painting”, The Telegraph, November 8, 2013. Amore, Anthony M., “The Art of the Con: The most Notorious Fakes, Frauds, and Forgeries in the Art World”, St. Martin’s Griffin, 2015. Amore, Anthony M. and Tom Mashberg, “Stealing Rembrandts: The Untold Stories of Notorious Art Heists”, St. Martin’s Griffin New York, 2011. Bamber, David and Chris Hastings, “Blunt sold Canadians looted fake paintings”, The Telegraph, February 4, 2001. Barboza David, Grahman Bowley, Amanda Cox, “A Culture of Bidding: Forging an Art Market in China”, New York Times, October 28, 2013. Barrrett Jr., John A., “Crimes Involving Art”, The Journal of Criminal Law and Criminology, Vol. 87, No. 1, Northwesterrn University, School of Law, 1996.



Bellet, Harry, “L’historien d’art Werner Spies condamné pour avoir mal authentifié une toile de Max Ernst”, Le Monde, 27.05.13. Bellet, Harry, “L’historien d’art Werner Spies innocent dans l’affaire du faux Max Ernst”, Le Monde, January 11, 2016. Boser, Ultrich, “The Gardner Heist: The True Story of the World’s Largest Unsolved Art Theft”, Harper, 2009. Bryce, Alan D., “Art Smart: The Intelligent Guide to Investing in the Canadian Art Market”, Dundurn, 2007. “Canadian Art Forgeries”, Gallery deBoer Blog, June 17, 2008. Chappell, D., Polk, K., “Fakers and Forgers, Deception and Dishonesty: An Exploration of the Murky World of Art Fraud”, Current Issues in Criminal Justice, 20 (3), pp. 393-412, 2009. Charney, Noah, “Mark Landis, an Art Forger Who Was Not in It for the Money”, BLOUIN ART INFO, 18.01.11. Charney, Noah, “The Art of Forgery: The Minds, Motives and Methods of the Master Forgers”, Phaidon, 2015. Chun, Rene, “These Four Technologies May Finally Put an End to Art Forgery”, Artsy, July 18, 2016. Claus, Erica, “It’s Not Right: Fakes, Fear and Litigation, Blog, Canadian Chapter of the International Society of Appraisers, 2013. Conklin, John E., “Art Crime”, Westport, Praeger Publishers, 1994. Crichton-Miller, Emma, “Masters of Ming: Modern Takes on an Ancient Craft”, The Wall Street Journal, January 8, 2015. Cumming, Laura, “The Vanishing Man: In Pursuit of Velázquez”, Penguin Random House UK, 2016



Davies, Penelope & Denny, Hofrichter, Jacobs, Roberts, Simon, “Janson’s History of Art: The Western Tradition”, 7th Edition, Pearson Prentice Hall, 2007. Davies, Serena, “The forger who fooled the world”, The Telegraph, 05.08.06 De Waal, Edmund, “The White Road: Journey into an Obsession”, Alfred A. Knopf Canada, 2015. Dolnick, Edward, “The Forger’s Spell”, Harper, 2008. Esterow, Milton, “Fakers, Fakes and Fake Fakers”, Spectrum Miami Art Fair, 2013. “Fine Art Forgeries: Global Counterfeiting Scams Uncovered”, Federal Bureau of Investigation, March 21, 2008. Feilchenfeldt, Walter, “Van Gogh fakes: The Wacker affair with an Illustrated Catalobue of the Forgeries, Simiolus: Netherlands Quarterly for the History of Art, vol. 19, no. 4 (1989), pp. 289-316. Felch, Jason and Ralph Frammolino, “Chasing Aphrodite: The Hunt for Looted Antiquities at the World’s Richest Museum”, Houghton Mifflin Harcourt, 2011. Forgy, Mark, “The Forger’s Apprentice: Life with the World’s Most Notorious Arts”, Independent Publishing, 2012. Garcia, Ernesto V., “The Virtue of Authenticity”, Oxford Studies in Normative Ethics, Vol. 5, 2015. Gerlis, Melanie and Julia Halperin, “Why auctioneers are buying into forensics”, The Artnewspaper, February 13, 2017. Gopnik, Blake, “In Praise of Art Forgeries”, Sunday Review The New York Times, November 2, 2013. Grann, David, “The Mark of a Masterpiece”, The New Yorker, July 12, 2010.



Hart, Matthew, “The Irish Game: A True Story of Crime and Art”, Viking, Canada, 2004. Hopper, Tristin, “Barenaked Ladies’ Keyboardist Suining in What May be the Biggest art forgery case in Canadian History”, Financial Post, February 3, 2014. Houpt, Simon, “Museum of the Missing: The High Stakes of Art Crime”, Key Porter Books, 2006. Hoving, Thomas, “False Impressions: The Hunt for Big-Time Art Fakes”, Simon & Shuster, 1997. Hui, Sylvia, “British art collector sends painting to France to determine authenticity: French committee decides to burn it”, National Post, February 4, 2014. Janardhanan, Arun, “The Rogues Gallery, Subhash Kapoor and India’s Stolen Artefacts, Indian Express, July 17, 2016. Keats, Jonathon, “Forged: Why Fakes are the Great Art of Our Age”, Oxford University Press, 2013 Keil, Gould, Jennifer, “Pollock Scholar Rages at New Painting Proof”, Modal Trigger, November 9, 2013. Keil, Jennifer Gould, “CSI Tests Authenticate Pollock’s Final Work”, Blog, November 8, 2013. Larocque, Sylvain, “Alain Lacoursière le Columbo de l’art”, Flammarion Québec, 2010. Lenain, Thierry, “Art Forgery: The History of a Modern Obsession” Reaktion Books, London, 2011. Loll, Collette, “How to Tell if a Painting is Worth a Million Dollars, or just a Fake”, Art Fraud Insights, n.d.



Loll, Collette, “Pollock and the Polar Bear”, Art+Auction Magazine, February 2016. Mackenzie, Simon, ‘Fakes and Forgeries’, Trafficking Culture, July 2013. Malamed, David, “Forgeries: It’s an Art”, CPA Canada, January 1, 2014. McDade, Travis, “Disappearing Ink: The Insider, the FBI and the Looting of the Kenyon College Library”, Publishing IPS, 2015. Mcdade, Travis, “The Thieves of Book Row: New York’s Most Notorious Rare Book Ring and the Man who Stopped it”, Oxford University Press, 2015. Mcdade, Travis, “The Book Thief: The True Crimes of Daniel Spiegelman”, Praeger Publishers, 2006. Menton, Sara Lindsey, “Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting Through the Works of Zhang Daqian”, Master’s Thesis in Asian Studies, University of Oregon, March 2014. Milrad, Aaron M., “Artful Ownership: Art Law, Valuation, and Commerce in the United States, Canada, and Mexico”, American Society of Appraisers Washington, 2000. Mones, Nicole, “A Cup of Light”, Delta, 2002. Mould, Philip, “The Art Detective: Adventures of an Antiques Roadshow Appraiser”, Penguin Books, 2009. Mould, Philip, “Experts in the Field of Fakery”, The Daily Telegraph, October 12, 2015. Nicholson, Luke David, “Anthony Blunt and Nicolas Poussin: A Queer Approach”, PhD Thesis, Concordia University, 2011.



O’Connor, Francis V. and B.H. Friedman, “An Exchange on Art and Biography”, The New York Review of Books, December 18, 1980. Opam, Kwame, “Disputed Jackson Pollock painting pits police forensics against art world connoisseurs”, The Verge, November 25, 2013. Perenyi, Ken, “Caveat Emptor: The Secret Life of an American Art Forger”, Pegasus Books, 2013. Pierce, Brienne, “Wolfgang Beltracchi: The World’s Most Famous Art Forger”, Culture Trip, 2016 Ragai, Jehane, “The Scientist and Forger: Insights into the Scientific Detection of Forgery in Paintings”, Imperial College Press, 2015. Rosenberg, Cindy Charleston, “Is it “Right”?: Emerging Authentication Expectations, Best Practices and New Ways Forward in the Wake of Knoedler”, in The Journal of Advanced Appraisal Studies, Todd W. Sigety ed., 2016. Salisbury, Laney and Aly Sujo, “Provenance: How a Con Man and a Forger Rewrote the History of Modern Art”, Penguin Books, 2009. Stein, Anne-Marie, ‘Three Picassos Before Breakfast: Memoirs of an Art Forger’s Wife’, Hawthorn Books, New York, 1973. Taylor, Louisa, “Teddy Bear’s Nitpik: The International Mystery of the Beaumont Bear”, Macleans, May 24, 2015. Tarmy, James, “Here’s How to Make Millions as an Art Forger”, Bloomberg Pursuits, May 21, 2015. Taylor, Paul, “Condition: The Ageing of Art”, Paul Holberton publishing, 2015. “Technology Dispatches: DNA”, The Atlantic, September 2016. “Thomas, Kelly Devine, “The Newfound Pollocks: Real or Fake?”, Artnews, January 7, 2005.



Ulph, J., “Markets and Responsibilities: Forgeries and the Sale of Goods Act 1979”, Journal of Business Law (3), pp. 261-281, 2011. Valentin, Pierre, “The Destruction of Fakes”, Art@Law, September 12, 2013 Wallace, Benjamin, “The Billionaire’s Vinegar: The Mystery of the World’s Most Expensive Bottle of Wine”, Three Rivers Press, New York, 2009. Warnica, Richard, “How did David Mirvish End up in the Decade’s most Shocking Art Forgery Scandal?”, Canadian Business, December 17, 2013. Watson, Peter and Cecilia Todeschini, “The Medici Conspiracy: The Illicit Journey of Looted Antiquities from Italy’s Tomb Raiders to the World’s Greatest Museums”, Public Affairs, 2006. Webb, Jonathan, “Stolen: The Gallery of Missing Masterpieces”, Black Walnut, 2008. Wharton, Edith, “False Dawn”, Appleton & Company, 1924. Wheelock Jr., Arthur K., “Issues of Attribution in the Rembrandt Workshop”, Dutch Paintings of the Seventeenth Century, National Gallery of Art Washington, NGA Online Editions, Washington, 2014. Whittman, Robert K., “Priceless: How I went Undercover to Rescue the World’s Stolen Treasures”, Broadway Books, 2010. Exhibitions “Fakes, Forgeries and Mysteries”, Detroit Institute of Art, November 2010 – April 2011. “Intent to Deceive”, Springfield Museum, January 2014. https://news.artnet.com/exhibitions/fake-malevich-works-in-tate-blockbuster-62838



http://www.tamuseum.org.il/about-the-exhibition/fake-https://www.apollo-magazine.com/four-fake-exhibitions/https://www.apollo-magazine.com/four-fake-exhibitions/https://archive.org/stream/exhibitionoffake00barb/exhibitionoffake00barb_djvu.txthttps://www.theguardian.com/artanddesign/2015/jan/12/dulwich-gallery-spot-fake-paintinghttps://www.collectionscanada.gc.ca/forgery/index-e.html (Library and Archives Canada online exhibition on forgery) https://www.theguardian.com/artanddesign/gallery/2010/apr/15/fakes-exhibition-national-galleryhttp://www.nationalgallery.org.uk/whats-on/exhibitions/close-examination-fakes-mistakes-and-discoverieshttps://news.artnet.com/exhibitions/fake-malevich-works-in-tate-blockbuster-62838 http://www.rom.on.ca/en/learn/travelling-programs/travelling-exhibitions/fakes-and-forgeries https://artinvestment.ru/en/news/exhibitions/20090724_national_gallery_fakes.html Filmography “Peggy Guggenheim: Art Addict”, Dir. Lisa Immordino Vreeland, 2015 [collecting] “Beltracchi: The Art of Forgery”, Dir. Arne Birkenstock, 2014 “The Mona Lisa Mystery”, Dir. Klaus Steindl, 2014 [other Mona Lisas]



“Art and Craft”, Dir. Sam Cullman, 2014 [Mark Landis] ‘Thomas Hart Benton’, Dir. Ken Burns, 1988 [documentary] ‘Thomas Hart Benton’, Dir. Ken Burns, 1988 [TV movie] “Big Eyes”, Dir. Tim Burton, 2014 [Margaret Keane forgeries] “Beltracchi: The Art of the Forgery”, Dir. Arne Birkenstock, 2014 [documentary] ‘The David Stein Caper’, BBC, 1969 [documentary] “F For Fake”, Dir. Orson Welles, 1973, [Elmyr de Hory] “The Art of the Steal”, Dir. Dan Argott, 2009 [art theft] “The Thomas Crown Affair, Dir. John McTiernan, 1999, [drama, art theft, forgery] “The Thomas Crown Affair, Dir. Norman Jewison, 1968 [drama, art theft, forgery] “Tim’s Vermeer”, Dir. Teller, 2013 [historic painting techniques] Internet: http://www.kunstversteigerer.de/fileadmin/bdk/dateien/Pressemeldungen/PM_-_Database_for_Critical_Art_Works.pdf https://www.realorrepro.com/article/Victorian-oil-paintings-from-Europe (fakes) http://traffickingculture.org/ (global traffic looted works) http://traffickingculture.org/encyclopedia/ (terms, case studies) http://aci-iac.ca/ (online catalogues Canadian artists) https://www.ifar.org (international foundation for art research)



http://www.intenttodeceive.org (exhibition of fakes) http://www.faelschermuseum.com/Seite1_englisch.htm (museum of art fakes Vienna) http://www.huffingtonpost.com/2014/06/17/chinese-copy-art_n_5489121.html (China copies) https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/17918/Menton_oregon_0171N_10895.pdf;sequence=1 (main site click art forgery for many articles including China copies) https://chasingaphrodite.com (art crime) http://marklandisoriginal.com/order-a-painting/ (Mark Landis commissions) https://www.rom.on.ca/en/collections-research/research/world-culture/rom-minoan-ivory-goddess(fakeminoanartROM)http://www.mbartfoundation.com/sites/default/files/press/articles/The-Art-Newspaper-March-2014.pdfhttp://www.bankofcanadamuseum.ca/explore/exhibitions/past-exhibitions/fakes-forgeries-yesterday-and-today/https://news.artnet.com/art-world/fake-masterpieces-uk-museums-540128http://www.dia.org/mobile/calendar/event.aspx?id=2277&iid=&swmobile=truehttp://indianexpress.com/article/india/india-news-india/subhash-kapoor-arrested-extradited-idol-smuggling-stolen-2918744/(illegalexportofantiquities)



http://indianexpress.com/article/india/india-news-india/subhash-kapoor-arrested-extradited-idol-smuggling-stolen-2918744/(illegalexportofantiquities)http://www.wired.co.uk/article/using-dna-to-detect-art-fakes(DNA)http://www.npr.org/2015/10/17/449417415/using-dna-to-authenticate-art(DNA)https://www.nytimes.com/2015/10/13/arts/design/developing-dna-as-a-standard-for-authenticating-art.html?_r=0

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