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Page 1: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 2: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

• Beginning in the early 19th century this movement rejected the principles of classical art

• Art was to be a reflection of the artist’s inner feelings, the world the artist portrayed was one of his/her own imagination

• Works display warmth, emotion, and movement

• Landscapes conveyed a feeling of mysticism

• Use of light and color to convey a mood

Page 3: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 4: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Wanderer Above the Sea of Fog

Caspar David Friedrich

Page 5: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 6: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Chalk Cliffs at Rugen

Caspar David Friedrich

Page 7: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 8: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Cloistered Cemetery in the Snow

Caspar David Friedrich

Page 9: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 10: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Wreck of the Hope

or Sea of Ice

Caspar David Friedrich

Page 11: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 12: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Rain, Steam, and Speed

Joseph Malford William Turner

Page 13: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 14: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Liberty Leading the People

Eugene Delacroix

Page 15: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 16: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Execution of the Defenders of Madrid

Third of May, 1808

Francisco Goya

Page 17: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

• Dominant after 1850

• Among the most important characteristics of Realism are a desire to depict the everyday life of ordinary people, whether peasants, workers, or prostitutes

• An attempt at photographic realism

• An interest in the natural environment.

• The French were leaders in Realist painting.

• “Realism” was first coined to describe the work of Gustave Courbet

Page 18: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 19: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Gleaners

Jean Millet

Page 20: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 21: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Stonebreakers

Gustave Courbet

Page 22: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

• A movement that originated in France in the 1870’s when a group of artists rejected the studios and museums and went out into the countryside to paint nature directly

• Named after Monet’s description of the effect of light on the French countryside

• Artists were concerned with representing contemporary experience rather than historical events or the imagination

Page 23: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 24: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

La Pied or The Magpie

Claude Monet

Page 25: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 26: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Beach at Sainte-Adresse

Claude Monet

Page 27: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 28: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Boulevard des Capucines

Claude Monet

Page 29: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 30: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Cache-Cache

or

Hide and Seek

Berthe Morisot

Page 31: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 32: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

A Bar at the Folies-Bergere

Edouard Manet

Page 33: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 34: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Boating Party

Pierre Auguste Renior

Page 35: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 36: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Turkeys at the Chateau de Rottembourg

Claude Monet

Page 37: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 38: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Ladies in the Garden in Ville Avray

Claude Monet

Page 39: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 40: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

The Lunch at Argenteuil

Claude Monet

Page 41: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

• A late 19th century reaction to Impressionism

• Artists retained the Impressionists emphasis upon light and color but revolutionized it even further by paying more attention to structure and form

• Sought to use both color and line to express inner feelings and produce a personal statement of reality rather than an imitation of objects

• Marked a shift from objective reality to subjective reality; the real beginning of modern art

Page 42: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 43: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Café Terrace at Night

Vincent van Gogh

Page 44: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 45: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

A Turn in the Road at LaRoche-Guyon

Paul Cezanne

Page 46: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Page 47: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Sunday Afternoon on the

Island of the Grand Jatte

Seurat

Page 48: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

http://www.arthermitage.org/Pablo-Picasso/Friendship.big.html

Page 49: Beginning in the early 19th century this movement rejected the principles of classical art Art was to be a reflection of the artist’s inner feelings,

Friendship

Picasso

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