beginning band grade 1 arikara · at the beginning, the bells play a very important role during the...

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Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. BEGINNING BAND PROGRAM NOTES Arikara, pronounced “uh-RIH-kuh-rah,” is a Native American tribe, which lived along the middle Missouri River. Today, they reside on the Fort Berthhold Reservation in North Dakota. Historical records often refer to them as Aikaree or Ree Indians; however, they call themselves Sanish, which means “the people.” The Arikaras share a single nation with the Mandan and Hidatsa tribes. In the past, the three tribes lived in separate villages, each with its own chief. But, in the 1800s, many of their people died of smallpox, and as a result, the three tribes merged. Today, they are known as the Three Affiliated Tribes. Arikara artists were recognized for their pottery, baskets, and glasswork. They also were known for supplying other tribes with Native American beads for their beadwork. Arikara (uh-RIH-kuh-rah) VICTOR LÓPEZ (ASCAP) Grade 1 INSTRUMENTATION 1 Conductor 10 Flute 2 Oboe 10 B b Clarinet 2 B b Bass Clarinet 6 E b Alto Saxophone 4 B b Tenor Saxophone 2 E b Baritone Saxophone 8 B b Trumpet 4 F Horn 6 Trombone/Baritone/Bassoon 2 Baritone Treble Clef (World Part Trombone in B b Treble Clef ) 4 Tuba 3 Mallet Percussion (Bells and/or Xylophone or Optional Vibraphone) 1 Optional Timpani (Tune: C, F) 2 Percussion 1 (Snare Drum, Bass Drum) 3 Percussion 2 (Wind Chimes/Woodblock, Concert Toms [2]) WORLD PARTS Available for download from www.alfred.com/worldparts Horn in E b Trombone/Baritone in B b Bass Clef Tuba in E b Bass Clef Tuba in E b Treble Clef Tuba in B b Bass Clef Tuba in B b Treble Clef Preview Only Legal Use Requires Purchase

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Page 1: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order.

BEGINNING BAND

PROGRAM NOTES

Arikara, pronounced “uh-RIH-kuh-rah,” is a Native American tribe, which lived along the middle Missouri River. Today, they reside on the Fort Berthhold Reservation in North Dakota. Historical records often refer to them as Aikaree or Ree Indians; however, they call themselves Sanish, which means “the people.” The Arikaras share a single nation with the Mandan and Hidatsa tribes. In the past, the three tribes lived in separate villages, each with its own chief. But, in the 1800s, many of their people died of smallpox, and as a result, the three tribes merged. Today, they are known as the Three Affiliated Tribes. Arikara artists were recognized for their pottery, baskets, and glasswork. They also were known for supplying other tribes with Native American beads for their beadwork.

Arikara(uh-RIH-kuh-rah)

VICTOR LÓPEZ (ASCAP)

Grade 1

INSTRUMENTATION

1 Conductor 10 Flute 2 Oboe 10 Bb Clarinet 2 Bb Bass Clarinet 6 Eb Alto Saxophone 4 Bb Tenor Saxophone 2 Eb Baritone Saxophone 8 Bb Trumpet 4 F Horn 6 Trombone/Baritone/Bassoon

2 Baritone Treble Clef (World Part Trombone in Bb Treble Clef )

4 Tuba 3 Mallet Percussion

(Bells and/or Xylophone or Optional Vibraphone)

1 Optional Timpani (Tune: C, F)

2 Percussion 1 (Snare Drum, Bass Drum)

3 Percussion 2 (Wind Chimes/Woodblock, Concert Toms [2])

WORld PARTSAvailable for download from www.alfred.com/worldparts

Horn in Eb

Trombone/Baritone in Bb Bass ClefTuba in Eb Bass ClefTuba in Eb Treble ClefTuba in Bb Bass ClefTuba in Bb Treble Clef

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Page 2: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

NOTES TO THE CONdUCTOR

At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly and with a steady pulse while building intensity; as an option, the vibes may be used. Be sure to balance the crescendos and diminuendos in the horn and clarinet part. A new note (Db concert) for this level has been introduced, and depending the level of the ensemble, it will have to be learned.

Notice that a few cue notes, which may be new to some students, have been used in several parts. A quick explanation of these small notes will suffice. Starting with the third beat in measure 8, the timpani solo should sound as if it is being played from a distance. If timpani drums are not available, cue notes, which will work just as well, have been written for the trombone, bass clarinet, baritone saxophone, and tuba. Notice that the trombone player has to play from second space C (6th position) to fourth line F (1st position); the length from one position to the other may be a challenge for younger players. This provides a great opportunity to teach alternate fingerings/positions. As a suggestion, have the student play the fourth line F using the same 6th position that they use for the second space C. The alternate position is indicated on the part to facilitate the rehearsal.

Work on a smooth transition starting from measure 25, in 3

/4 , to the new time signature change at measure 27, which is in

4

/4 . The ensemble should play this section with energy but not forced. Make certain not to overplay the accents. Additionally, be sure to tune the two concert toms using an interval of a fourth to ensure the intended sonority and an effective performance.

I know that your students will enjoy performing this piece and making the connection with their history studies.

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Page 3: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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Flute

Oboe

Bb Clarinet

Bb Bass Clarinet

Eb Alto Saxophone

Bb Tenor Saxophone

Eb Baritone Saxophone

Bb Trumpet

F Horn

Trombone / Baritone /Bassoon

Tuba

Mallet Percussion(Bells and/or Xylophoneor Optional Vibraphone)

OptionalTimpani

Percussion 1(Snare Drum, Bass Drum)

Percussion 2(Wind Chimes/Woodblock,Concert Toms [2])

~~~~~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~

œ œ œ œ œ œ

1

.·æ

P

Wind Chimes

P

Bells (opt. w/Vibraphone)

Solemnly Π= 88

Solemnly Π= 88

gently

Tune: C, F

œ œ œ œ œ œ

2

.·æ

œ œ œ œ œ œ

3

.·æ

p

p

p

p

œ œ œ œ œ œ

4

.·æ

P

P

4

4

˙ œ

˙ œ

œ œ œ œ œ œ

5

.·æ

42149S

© 2014 BELWIN-MILLS PUBLISHING CORP.,a division of ALFRED MUSIC

All Rights Reserved including Public Performance

By Victor López (ASCAP)

Arikara(uh-RIH-kuh-rah)FULL SCORE

Approx. Duration - 2:00

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Page 4: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2~~~~~~~~~

~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~

.˙b

.˙b

œ œ œ œ œ œ

6

.·æ

f

f

œ ˙

œ ˙

œ œ œ œ œ œ

7

.·æ

Œ Œœ∑

œ œ œ œ œ œ

Œ Œ œ

8

.·æ

P

P

(Timp.) p

p

˙ œ

˙ œ

œ Œ Œ∑

œ œ œ œ œ œ

œ Œ Œ

9

.·æ

P

P

Solo (w/Ob.)

(Tbn. 6th pos.)

Solo (w/A. Sax.)

˙ œ

˙ œ

œ œ œ œ œ œ

10

.·æ~~~~

4

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Page 5: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~

˙ œ

˙ œ

œ œ œ œ œ œ

11

.·æ

f

f

œ œ œ œ œ œ

12

.·æ

Œ Œœ∑

œ œ œ œ œ œ

Œ Œ œ

13

.·æ

P

P

œ Œ Œ∑

œ œ œ œ œ œ

œ Œ Œ

14

.·æ

14

14

˙ œ

˙ œ

œ œ œ œ œ œ

15

.·æ~~~

5

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Page 6: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~

.˙b

.˙b

œ œ œ œ œ œ

16

.·æ

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f

œ ˙

œ ˙

œ œ œ œ œ œ

17

.·æ

œ œ œ œ œ œ

18

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P

Œ Œœ∑

œ œ œ œ œ œ

Œ Œ œ

19

.·æ

˙ œ

˙ œ

œ Œ Œ∑

œ œ œ œ œ œ

œ Œ Œ

20

.·æ~~~~

6

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Page 7: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~

˙ œ

˙ œ

œ œ œ œ œ œ

21

.·æ

f

f

˙ œ

˙ œ

œ œ œ œ œ œ

22

.·æ

Œ Œœ∑

œ œ œ œ œ œ

Œ Œ œ

23

.·æ

Solo

p

p

œ Œ Œ∑

œ œ œ œ œ œ

œ Œ Œ

24

.·æ

P

P

(Tbn. 6th pos.)

œ œ œ œ∑

œ œ œ œ œ œ

œ œ œ œ

25

¿ Œ Œ~~~~

7

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Page 8: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

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44

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44

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ Œ Œ∑

œ Œ Œ

26

F

F

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

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œ> Œ Ó

œ> Œ Óœ>

Œ Ó

27

œ> œ œ œ> ‰ Jœ œ>

27

27

Play

f

With much energy Π= 126

With much energy Π= 126

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f

f

f

f

f

f

f

f

Concert Toms

f

All

f

f

f

f

All

(Tbn. 1st pos.)

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œ œ ˙

Ó œ> œ>

Ó œ> œ>

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œ>

Ó œ>

œ>

28

œ> œ œ œ> œ

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Óœ>

Œ Ó

29

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Ó œ> œ>

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œ>

Ó œ>

œ>

30

œ> œ œ œ> œ

8

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Page 9: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

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ã

bbb

bbb

b

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bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Óœ>

Œ Ó

31

œ> œ œ œ> ‰ Jœ œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

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Ó œ> œ>

Ó œ> œ>

œ œ ˙

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ>

œ>

Ó œ>

œ>

32

œ> œ œ œ> œ

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œb >Œ Ó

œb > Œ Ó

œ>Œ Ó

œb > Œ Ó

œ œ œ œ

œ>Œ Ó

œb > Œ Ó

œb >Œ Ó

œ>Œ Ó

œ> Œ Óœ>

Œ Ó

33

œ> œ œ œ> ‰ Jœ œ>

Œ œ> œ> Œ

Œ œ>œ>

Œ

Œœ>

œ>Œ

Œ œ>œ>

Œ

Œ œ> œ> Œ

Œ œ>

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Œ œ> œ> Œ

.˙ Œ

Œ œ>œ>

Œ

Œ œ> œ> Œ

Œœ>

œ>Œ

Œ œ>œ>

Œ

Ó œ> Œ

Œ œ>

œ> Œ

Œ œ>

œ>

Œ

34

dampen

w

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

¿ Œ Ó

35

œ œ œ œ œ

35

35

F

F

F

on rim

Woodblock

9

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Page 10: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

&

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ã

bbb

bbb

b

b

b

b

bb

bbb

bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ œ œ œb

œ œ ˙

œ œ œ œb

œ œ ˙

œ œ ˙

œ œ œ œb

œ œ ˙

œ œ ˙

Ó ¿ ¿ ¿

36

œ œ œ œ œ

w

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

¿ Œ Ó

37

œ œ œ œ

œ œ ˙

œ œ œ œ

œ œ ˙

œ œ ˙

œ œ œ œ

œ œ ˙

œ œ ˙

Ó ¿ ¿ ¿

38

w

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

w

œ œ œ œ

œ œ œ œ

¿ Œ Ó

39

œ œ œ œb

œ œ ˙

œ œ œ œb

œ œ ˙

œ œ ˙

œ œ œ œb

œ œ ˙

œ œ ˙

Ó ¿ ¿ ¿

40

10

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Page 11: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

&

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&

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&

?

ã

ã

bbb

bbb

b

b

b

b

bb

bbb

bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

¿ Œ Ó

41

œ œ œ œ œ

.˙Œ

œ œ œ Œ

.˙ Œ

.˙ Œ

œ œ œ Œ

.˙ Œ

œ œ œ Œ

œ œ œ Œ

¿ ¿ ¿ ¿ Œ

42

œ Œ Ó

œ œ œ œ

˙ ˙

˙ ˙

œ œ œ

˙ ˙

œ œ œ>

Ó∑

˙ ˙

˙ ˙

œ œ œ>

Ó∑

œ œ œ

>

Ó∑

œœ

œœ

œœ

œœ

œ œ œ> Ó

œ œ œ œ œ œœ Œ Ó

43

Ó œ œ œ

43

43

(Timp.)

(Timp.)

(Timp.)

Concert Toms

(Tbn. 6th pos.)

F

F

F

F

F

F

F

F

F

F

on head

(Timp.)

F

œ œ œ œ

˙ ˙

˙ ˙

œ œ œ

˙b ˙

œ œ œ>

Ó∑

˙ ˙

˙b ˙

œ œ œ>

Ó∑

œ œ œ

>

Ó∑

œœ

œœ

œœ

œœ

œ œ œ> Ó

44

œ Œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ Œ Óœ Œ Ó

45

œ Œ Ó

Play

Play

Play

Play

F

F

F

F

F

(Tbn. 1st pos.)

11

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Page 12: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

&

&

&

&

&

&

?

?

&

?

ã

ã

bbb

bbb

b

b

b

b

bb

bbb

bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ œ ˙

œ œ ˙

œ œ ˙

œ œ ˙

œ œ ˙

œ œ ˙

46

œ œ œ œ

˙ ˙

˙ ˙

œ œ œ

˙ ˙

œ œ œ>

Ó∑

˙ ˙

˙ ˙

œ œ œ>

Ó∑

œ œ œ

>

Ó∑

œœ

œœ

œœ

œœ

œ œ œ> Ó

œ œ œ œ œ œœ Œ Ó

47

Ó œ œ œ

(Timp.)

(Timp.)

(Timp.)

(Timp.)(Tbn. 6th pos.)

œ œ œ œ

˙ ˙

˙ ˙

œ œ œ

˙b ˙

œ œ œ>

Ó∑

˙ ˙

˙b ˙

œ œ œ>

Ó∑

œ œ œ

>

Ó∑

œœ

œœ

œœ

œœ

œ œ œ> Ó

48

œ Œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ œ œ œ

œ Œ Óœ Œ Ó

49

œ Œ Ó

(Tbn. 1st pos.)Play

Play

Play

Play

œ œ œŒ

œ œ œ Œ

œ œ œ Œ

œ œ œ Œ

œ œ œ Œ

œ œ œ Œ

œ œ œ Œ

œ œ œ Œ

50

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Page 13: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

&

&

&

&

&

&

?

?

&

?

ã

ã

bbb

bbb

b

b

b

b

bb

bbb

bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Óœ>

Œ Ó

51

œ> œ œ œ> ‰ Jœ œ>

51

51

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

œ œ ˙

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ>

œ>

Ó œ>

œ>

52

œ> œ œ œ> œ

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Óœ>

Œ Ó

53

œ> œ œ œ> ‰ Jœ œ>

Ó œ> œ>

Ó œ> œ>

Óœ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ>

œ>

Ó œ> œ>

œ œ ˙

Ó œ> œ>

Ó œ> œ>

Óœ> œ>

Ó œ> œ>

Ó œ>

œ>

Ó œ>

œ>

54

œ> œ œ œ> œ

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Ó

œ> Œ Ó

œ œ œ œ

œ>Œ Ó

œ> Œ Ó

œ>Œ Ó

œ>Œ Ó

œ> Œ Ó

œ> Œ Óœ>

Œ Ó

55

œ> œ œ œ> ‰ Jœ œ>

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Page 14: BEGINNING BAND Grade 1 Arikara · At the beginning, the bells play a very important role during the ostinato passage from measure 1 until measure 26. The part should be played lightly

&

&

&

&

&

&

&

&

&

?

?

&

?

ã

ã

bbb

bbb

b

b

b

b

bb

bbb

bbb

bbb

bbb

Fl.

Ob.

Cl.

B. Cl.

A. Sax.

T. Sax.

Bar. Sax.

Tpt.

Hn.

Tbn. / Bar. /

Bsn.

Tuba

Mlt. Perc.

Timp.

Perc. 1

Perc. 2

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

œ œ ˙

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ> œ>

Ó œ>

œ>

Ó œ>

œ>

56

œ> œ œ œ> œ

w>

w>

w>

wb >

w>

w>

wb >

w>

w>

wb >

wb >

œ>Œ Ó

œ> Œ Óœ>

Œ Ó

57

œ> œ œ œ> ‰ Jœ œ>

w>

w>

w>

w>

w>

w>

w>

w>

w>

w>

w>

Œ œ>œ>

Œ

œ> Œ Óœ>

Œ Ó

58

œ> œ œ œ> œ

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

œ œ œ

>Œ œ œ

>

œ œ œ>

Œœ œ

>

œ œ œ>

Œœ œ

>

œ œ œ

>

Œ œ œ

>

œœ

œœ

œœ

œœ

œ œ œ> Œ œ œ>

œ œ œ œ œ œœ Œ Ó

59

Ó œ œ œ

(Timp.)

(Timp.)

(Timp.)

(Tbn. 6th pos.)

(Timp.)

f

f

f

f

Œ œ> œ>Œ

Œ œ>œ>

Œ

Œ œ>œ>

Œ

Œ œ>œ>

Œ

Œ œ>œ>

Œ

Œ œ>

œ> Œ

Œ œ> œ> Œ

Œ œ>

œ> Œ

Œ œ>œ>

Œ

Œ œ> œ> Œ

Œœ>

œ>Œ

Œ œœ>

œœ>

Œ

Ó œ> Œ

œ œ>

œ> Œ

Œ œ>

œ>

Œ

60

œ œ> œ> Œ

dampen

f

f

f

f

f

f

f

f

f

f

f

Play

Play

Play

Play

(Tbn. 1st pos.)

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