beatles guitar
DESCRIPTION
TRANSCRIPT
THE
Associate Music Editor: John CerulloMusic Arranger: Ray DonatoArt Direction: Frank Morano
GUITAR
I llrru LEoNARDalrPlrBllslllNGrE CORPORAflONion. ffc.: N.tion.l il.t ff..:9@ East &rk Sveer 8119 west 8lehound R@dwnonaMN55987 Mrwauleew 53!13
For all works contained hereinUnauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright
Infr ingers are l iable under the law.
ONTENT
Blackbird. . . . . . . . .42ComeTogether. . . . .46DayTri pper. . . . . . . .14DearPrudence . . . . .38Good Morning Good
Morning..o. . . . . .33
sEcTloN l-Melodic Licks That Signature A Song
lFeel Fine.. . . . . . . . .6Jul ia. . . . o . . . . . . . . .55LadyMadonna . . . . .23Lucy In The SkyWith
DiamondsMichelle.
sEcfloN ll-Rhythmic LiclG That signature A song
BabyYou're A Rich It Won't Be Long . . . .85Man . . .106 NoReply. . . . . .68
GettingBetter . . . . .71 Te1 Mewhy . . . .94HeY Jude . .88 We Can Work lt Out. .65I'm HaPPY Just To Why Don't We Do tt
Dance With You . .102 tn fne Road . .98l 'mSoTired . . . .91
sEcTloN !ll-Rhythmic And Melodic Licks ThatSignature A Song
Af l My Loving . .132 Hello, Goodbve. . . .168Anyt imeAtAl l . . . . .159 Help! . . . .109Back In The U.s.s.R. .152 Hold Me Tight . . . . .176can't Buy Me Love. .144 | Should Havecarry That weight . .135 Known Better . . .116Eight Days A Week. .120 twill .179Eleanor Rigby .197 l'll Cry Instead .202Fixing A Hole . . . . . .192 I'm A Loser. . . .G[rl . . . . . . . . . . - - - -184 I'm Lool{ngCood DaV Sunshine.141 Through YouA Hard Day'S Night .112 lt'S Only LOVe. .
TicketTo Ride . . . . . .18You Can't Do That. . .10You Never Cive Me
YourMoney.. . . . .50
with A Little Help FromMyFriends.. . . . . .76
You Won't See Me . . .60You're Going To Lose
ThatGir l . . . . . . . . .80
Little Child . . . . . . . .128PaperbackWriter . .206Run For Your Life. . .124She Came In Through
The BathroomWi ndow.. . . . . . .149
She'sAWoman. . . .172Your Mother should
KnOWo.. . .oo. . .188. . . .138
.. . .164
. . . .182
ALL ttlY LOVINC . . . . . . .132ANYTIME AT ALL . . . . . .159BAtsY YOU'RE A
RlcH MAN.. . . . . . . . .106BACK IN THE U.S.S.R. . . .152BLACKBIRD. . . . . . . . . . 42CAN'T BUY ME LOVE. . . .144CARRY THAT WEIGHT. . .135coilfrE ToGETHER . . . . . . 46DAT TRIPPER . . . . I ' ' ' ' 14D,EAR PRUDENCE . . . . . . 38EilGHT DAYS A WEEK. . . .120E|IEANOR RICBY . . . . . . .197Flfx[NG A HOLE . . . . . . . .192G'ETTINC BETTER . . . . . . 71G,fiRL " . . . . . . . . . . . . . . .184GOOD DAY SUNSHINE. . .141GOOD TI,IORNING
GOODMORN|NG.. . . .33fr HARD DAY'S NIGHT. . .112Hl lEi [Lo, cooDBYE.. . . . .169HllEil.P!. . . . . . . . . . . . . . .109
HEYJUDE.. . . . o. . . . o. ggHOLD ME TIGHT O' ' ' ' . .176I FEEL FINE. . . . . . . . . . . 6ISHOULD HAVE
KNOWNBETTER.. . . .116I wlLL. . . . . . . . . . . . . . .179I'LL CRY fNSTEAD . . . . . .202l 'M A LOSER . . . . . . . . . .139I'M HAPPY JUST TO
DANCE WITH YOU. . . .102I 'M LOOKING
THROUGHYOU... . . .164l 'M so TIRED . . . . . . . . . 91frs oNLY LoVE. . . . . . . .192ITWON'TBELONG... . .85JULIA.. . . . . . . . . . . . . . 55LADYMADONNA.. . . . .23LITTLE CHILD . . . . . . . . .129LUCY IN THE SKY
WITH DIAMONDS . . . . 26MICHELLE. . . . . o . . . . . . 30NO REPLY. . . . . . . . . . . . 6g
PAPERBACK WRITER. . . .206RUN FOR YOUR LIFE . . . .124SHE CAME IN THROUGH
THE BATHROOMw|NDow.. . . . . . . . . .149
SHE',SAWOMAN .. . . . .172TELLMEWHY.. . . . . . . 94TICKET TO RIDE . . . . . . . 1gWE CAN WORK IT OUT . . 65WHY DON'T WE DO IT
lNTHEROAD.. , . . . . . ggWITH A LITTLE HELP
FROM MY FRIENDS . . 76YOU CAN'T DO THAT. . . . 10YOU NEVER GIVE
MEYOURMONEY.. . .50YOUWON'TSEEME.. . .60YOU'RE COING TO
LOSETHATGIRL.. . . .80YOUR MOTHER
sHouLDlf low.. . . . .1gg
NTRODUCTIOYqr've all heard of Lennon and McCartney, the songwrit-
irEl Ql1o, but what about Lennon and Harrisbn - the buitarfrrc? Well, that's what you are going to discover ii fUetrATLff, guitar book.
This book is a special work containing a selection ofBeafles' funes arranged exclusively for the guitar. lt is de-sigred to provide an accurate look into the le-ad and rhythmgl$tr sWles of George Harrison and John Lennon.
fithough the arrangements in this book are written toernbody the essence and style of the guitar works oflsrnon and Harrison, the arrangement is not just a tran-scriqtion of the guitars right off the record. Rather, it usesClof the musicalelements: bass, drums, keyboards ind gui-bs, tlust m the Beatles used them, but all incorporated intomgu'rtarso that you can play the arrangement alone or ina krd.
The book is divided into three sections:1. Melodic Licks That Signature a Song2. RhVthmic Licks That Signature a Song3. Rhvthmic and Melodic Licks That Signature a Song
sEcTtoN 1This section includes songs that are most characterized by the use of a melodic signature
theme. songs lilKe Dav Tripper, Ticket To Ride, Julia, or Lucv h The skv with Diamonds.This does not mean that vou have only the lead or bass guitar in the song, but rather that their
importance is the driving force behind the tune. The rhythm guitar com-ptiments the bass andlead licks in this case.
sEcTroN 2This section contains songs whose signature is the rhythm guitar. In other words, Lennon,s
rhythm guitar takes prominence over Harrison's guitar ancl Mccartney's bass or keyboards.Again, vou may have some guitar or bass l icks, but thev take a back seat to the rhvthm guitar.This sect ion is also important and unique in that i t af fords a gui tar p laver the chance to learn
how to plav rhythm guitar patterns which incorporate percussive qualit ies that anv goodrhythm gui tar ist should know. Lennon was a br i l l iant rhvthm gui tar ist and Vou' i l oenet i t Ovlearning these tunes as arranged.
sEcTtoN 3This section contains songs whose signature is both melodic and rhvthmic. Let's face it, most
songs bV the Beat les are a meshing together of melodic and rhvthmic elements. Lennon, Harr i -son, and Mccartnev did not operate in separate l itf le compartments known as rhythm, leadand bass guitar, but rather merged their functions together. tn this section we see how most oftheir songs are a f ine balance between rhvthmic and melodic essence. Sometimes it,s Lennon,seffective rhvthm guitar behind the verse and chorus, followed by Harrison btending in a nicesolo and bridge that goes back into the strong rhythmic verse section, or Lennon trading offwith MccartneV's bass or Harrison's smaller l ick sections.
lt 's all put together for you in THE BEATLES: guitar book.
ln addition, please note that the guitar part is written in guitar tablature to accommodatemusic ians who read music, as wel las those who do not.
For those who do not read, Vou can follow the tablature numbers, strums, accents, and pick-ing patterns, which you'l l learn how to use on the instruction page for tablature (see page 5).
For those who read music, Vou can follow all of the above, as.well as the added musical ele-ments that are inctuded in the tablature l ine.
All chord changes are shown by the chord frames above the voice l ine. The voice l ine givesyou the lyrics, melody and which kev the song is in.
OWTO READTABTATUR1. TABLATURE is made up of 6 lines, representing the 6 strings of the guitar. The top line represents
the first, or highest string on the guitar, while tne oottom line- represents ine sixth, or thelowest string on the guitar. This can be seen in Ex. 1.Ex. 1: ---f--T-
-..4TmrF-T--T-
2.Tne numbers on each l ine indicate which fret, on that part icularstr ing, is to be pressed. Forexample, i f the number 5 is on the 3rd l ine, this means that the sth fret ori tne 3rd str ing is to bepressed. The number 0 means to plav the open string.
rt = Down Pick or Down strum. Ex.2:v = uF PiCk Or up strum.
3. A slash (( l is used to indicate strumming. Stemming and beaming indicate rhythm as inI ordinary music notation.
B - Strum bass, or lower strings fthe2 or 3 lower strings).M - Strum middte str ings (the 3 or 4 middte str ings).-T - Strum treble, or high strings fthe 2 or 3 higher strings).--, '(clotted l ine) - continue previous symbol.
Ex.3: S n V n -
vGCEF\/Il l l l V l l - - - - - - - - - -1 n---- - - - - - .1
T B--------- r l \ ,1------- - . r T-------- r
indicates a muff led sound. to be plaved on a chord. This is achieved bytouching l ight ly (not pressingl the str ings of the chord.
ttt t atf?
B
4. i I l rn.chordal
Gm'" A
ffisa.tatl I I
ffitfi
n l
B- - - - - - - - - J f - - - - - - - - - :
indicates a muff led sound to be played on a single note. Thetechnique is the same as the chordal X .
5. ( t I rne singte note i'
6. Common music symbols, such as the fol lowing, are also used with TABLATURE.> =?CC€t ' l t. =staccato
a =fefmata
ooooooiTfmffi#Ffffft
B-------- -J
Ex.5: n---- r V
=Open chord
I Feel FineBy JOHN LENNON and PAUL MCCARTNEY
Bright rock
Lay down 1st f inger, lef t hand, on both 5th strrng & nut of the gui tar
| .1 . Flv- l \ / \ / \ / f . r F. '1 -Vl-V
D7
hHfffiC7
ffii
v.
G
Ttr+ffi
Gooo
FFFffifi-rn?H+H
by'sbyby
goodsayssays
mine,-mine,-
saidsaidsaid
-
know,-know,-know,-
youyouyou
py as canme all theme all the
she'ssheshe
haptellstells
time,-t ime,-
D#ffi
youyouyou
know,-know,-know,-
so.so.so.
.
shesheshe
V-V
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love-love-love-
.
withwithwith
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feel- f ine.- (repeat to 2nd lyric)feel- f ine.- ( continue )feel- f ine.- (continue)
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G Bm
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B
D
#rnI-t-tfhli i l t t l! t t t t l
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that she's my
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she's
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She's
I 'm
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teU - in-s all - the world- that ba by buys her things,-
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.
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VNV-
know,-you
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To Coda
8
and I- feel- f ine.-
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Coda
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in love- and I- feel- f ine.-
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Repeat and fade
Moderato
G*o@
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ffi
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(1.) I got(2.)
n\ /
ffi'o'
some - thing tosec - ond time I've
-- \ /:>
say that mightcaught you talk
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you paln;-in' to him;-
cause
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catchhave to
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youtell you
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talk - in' to thatone more time I
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boya-think it's a
gain,-sin.-
gon - nathink I ' l l
let youlet you
- and leave you
-(Let You down(Background vocals: 2nd and 3rd times)
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COOVriEht O 1964 NORTHERN SONCS LIMITEDAll Riehts Administered Uv tsLnefwOoD MUSIC lNC. under license from ATV MUSIC (MACLEN)
- All Rights Reserved International Copyrrght Secured
let you down and leave you
-V-VV-
B* Originally recorded in Gb
10
You Can't DoThatBy JOHN LENNON and PAUL MCCARTNEY
G7
If IdoI
downdown
Be - cause I'veflar.)_
\ / - \ / - \ /
D7
ffi'*'C7
ffi"G7
m'u
told you be - fore:
|.l _____---_a
you can't
-vr
Eu - ' ry-bod-y 's green
v -_--_-
do
V-
Em
ffitt''
Well, it 's the 'cause
-- . ! '1V-V- V
BB
87Am Emffita-
r rTEI ' " 'LIta flt I ITN
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ffi m'uB7
5TfTTl?frn-TaT1 ',"'LIITTII I IT ' I
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But if they'd seen
furtoo
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talk - in' that way_ they'd laugh in my face. - So
D7
m'o ffi'n'
please
-1
lis - ten to
l rv-:>
you
V
me
;>
ffffi5fr.ffi
I 'm the one who won your love._
11
wan - na stay mine,-
-t- \ i l - :>
let you
--:>
down
help
3J and leave you( Let vou dorvt i l -
I
V-V;>
go out of my
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EffiC'I
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(gon-na let you tlct*'n and
' / -
Be - cause ['veJlat )-
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ffi'D'7
To Coda
leave
ffi'o'
told you be - fore:
ll-----
oh,-
;
you can' t do
Go@
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Effi
Gooo
FFFffi
ffi
Emphasize top note ineaih chord to bring out (Solo)( Shottt ) :
n \ / .
Wow!- (You)
r2
C7o
ffi
(can't do that)-
-
(You can't do_ that)_
-V-V V-V
FFFIRsfr.H1ffi
(You can't do that) (You
D.S. al Codax
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V-V-V- -V-
V
Gooo
ffi
Ev - ' ry-bod-y 's
G7
ffiou'
do- that)
13
I
DayTripperBy JOHN LENNON and PAUL MCCARTNEY
ffi'n'
l. Got2. She's3. Tried
-l
l l l r
-
reateasple ase -
a gooda big
to
t4
Copynght @ 1965 NORTHERN SONCS LtMtTtDAll Rights Administered by BLACKWOOD MUSIC lNC. under lrcense from ATV MUSIC (MACLEN)
All Rights Reserved Internatronal Copyrrght Secured
J
theone
for tak - ing theshe took meshe on - ly
-
eashalf -played -
way out,-way there.-
- night stands.-
A1
ffffisft.ffi
Got a goodShe's a big
Tried- to
Fl
out,-there,-stands,-
reateasplease-
son9I 'her,
eas - y wayhalf- the wayplayed- one- night
She wasShe wasShe was
now.now.now.
DayDayDav-
- - - . v
---:>
Trip - per,Trip - per,Trip - per,
one - wayone - waySun - day
took metook metook me
ticktickdriv
yeah;-yeah;-yeaht-
I tI tI t
! rv:> l>
ffi'n'
tak - ing theshe took meshe on - ly
t5
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SOSOSOn
to find out,-to find out,-to find out,-
andandand
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B
BffiffiH-rrfl
B
7 fr,
ooooooFFF|FFfitH
H++XCoda$Last time to
out.out.out.
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( repeat)( continue)(to Coda)
---
XII pos.solo
87
m7ft.ffttfl
16
2nd Guitar
D.S. al Coda
x
->>>>
- \ /
- \ / n \ / .v-v
>>>>> >
Coda
+ N.C.
'# = St-- Bass & Middle Strings
II
TicketTo RideBy JOHN LENNON and PAUL McCARTNEY
Moderate rock tempo
think it 's daydown
Aoo
FFFffiHTfflrrFF-l
Aoo
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\/- \ / ! \ / l \ /v l r v r t v rr- - - - - - - - - - - - - - - -1 v
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toher
Iis
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Bm7
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ffi
gtrl that's driv - ingshe would nev - er
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mebe
mad-free-
ls go-mgwhen I was
- way.- I- round.- |
-
a
- \ / -l>
-:>
->
BB
18
Copyrrght @ 1965 NORTHERN SONCS LIMITEDAII Rights AdMiNiStCTCd bY BLACKWOOD MIJS"IC INC. UNdCT IiCCNSC fTOM ATV MUSIC (MACLEN) & SBK UNART CATALOG INC''-"
ett nigt'ts Reserved Internatlonal Copyright Secured
Fi lm
ffirttftl
F*m
ffirttftl
Do
FIFFI'I
ffi
got a tick - et to ri - hi - hide,_
-rrFlrrF\ , -g v ' i g ' r g ! - - - - -
_-___-1
Ftm
ffit-affH
She's
- -V-V N
got a tick - et to ride,_
-
\ /
- \ / . \ /
VNV>
V-:>
got a tick - et to ride
i IVl . |V-V
but she don't
19
ffi'o'
don't know why she ought - ta
she ought - ta do
ffi'n
BB
D7
fore she gets to
nl>
good - bye-
:>
she ought - ta
think twice, she ought - ta
.l>
by me
-
l r -
n
do right
-V -V-V
A
rf#rTl-rn
think I'm gon - nasaid that liv - ing
n- - ' - ' 1 Y
bewith
sad,-me--
Iis
think it'sbring - in'
- day-down-
toher
The girlFor she
that's driv - ing me mad-would nev - er be free-
Bm7
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21
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(lst t ime only)My
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&
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2
LadyMadonnaBY IOHITI LENNON ANd PAUL MCCARTNEY
Use special fingeringon "A" chord.
-F
-V- - VN V
-
i f+ffi 5n'Ji:?f;sffijr.;:i:., mA
oFFFFF|
HnfiFrrrn
BD
ttt------- - - - - - -1
chil - drenba-by
chil - dren
your feet, -your breast,-your feet,-
G
Brightly, r,r'ith a beat
Ao
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234
---
G
A
La-dyI-a - dyl-a - dy
derderder
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dondondon
rr?mffi
atatat
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FFFFIHTMrrrrn
howhowhow
hsnrS'onffi:cnn
youyouyou
man - age toman - age toman - age to
make- endsfeed - themake- ends meet.-( to Coda)
Copyr ight O 1968 NORTHERN SONCS LtMITEDAll Rights Administered..bY BL-AcKwooD MUStc tNC. under license from ATV MUSIC (M CLEN)
.{ll Rigitts Reserued International Copyright Secured
I
Arf+
Hfi#Fffrn
Dr*ffi
ffi
the mon - eYMa- don - na
Ao+t+Tfi11rrfl-h
Who findsLa-dy
Did you think thatLis - ten to the
-
---- - - - - -1
payon
the rent,-the bed,-
sent?-head.-
A
FFFffIFTMrrrrn
Dr*ffi
ffi
Aoo
FFFffiHI4Hfi-rrnffi'o'
F
ffiheavin
Dm#ffi
G7oo
ffi
Fri - day night- ar- nves-Tues - day af - ter - noon-
-V
Sun - day mornWednes- day morn
n\ i -
creep - ing like apa
-- Pers did - n't
-VNV
with- out-is nev
\ /n lt
suitend
-V
AmooffiFffiffil
cxoo
ffiH++f,
-mg- ing
DFFgffi
ffi
G
mon - 9y was-mu - sic PlaY-ing
-
----
when youly - ing
case, _-ing,-
- \ i -
nun,-come,-
21
-
Dm
#.Frffi
Mon - day'sThurs - day
childnight
-
hasyour
See
-
iearned tostock - ings
Lltr _
need
-
hised
bootmend
|l
lace.lng. --
n \ /
After repeatD.S. al Coda
NVNV
C
ffi'Bm7
FI'FFF
ffi
E7"ffi
-l-,
-
l.]
how
n
they run!
- ---
I
ACoda f,rmo+f f i
Cdimo
ffirrTrn
E7"ffi A
FFTFIHlWffi
l 'alsetto (opt. )
- ' l
- V- V
- -_>
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D
+rrlffi
Cdimo
ffiTTTTN
Aoo
FFF
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:> l> > :> >
I f [ r
- -:>>;> :>
- \ / r1\ / -VNV --
a
LucylnTheslryWith Diamonds
By JOHN LENNON and PAUL l\'lIcCARTNEY
tt lGXX
your - selfher downyour - self
ATIGxx
Axx
Pic - tureFol - lowPic - ture
A/Ex'x
Pi Ff
ffi'u'Dm/F
xo
N m"tFEEFE l0fr.
H++H
onbyin
intoon
boatbridgetrain
n
withwherewith
n
ffEll2fr.
H#ElF10fr.
H#
q/Ffixx
ffi 9fr.
inehorsecine
tanrockplas
treespeo - plepor - ters
Some - bodEv- ' rySud - den
f]-- - - - - - . : - - - - - - - - - - ' r .
A'7IGXX
D/FilXXffiOfr
ffffil "^'t l ta l t| | I I rv
rfffRl2fr.ffi
FFFFFI rofr.H]ffi
-v- one- ly
calls you, yousmiles as yousome - one is
------
- - - ' - - - '1
an ' - swerdrift Pastthere at
quitethethe
ffi'"'
riv - erfoun - tain,sta - tion
F(9fTfTR8fr.H+ffi
and mar - ma - lade skies.eat marsh - mal - low Pies'with look - ing glass ties.
(Use pick on bassnote.3 & 4 fingeron treble notesfor spaced chords)
fr
Copyr ight @ 1967 NORTHERN SONCS LIMITEDAll Rishts Adminisrered Uv 6[,qEfWOOO t"tUStC lNC. under license from ATV MUSIC (MrcLEN)
"-"""'-'- ntidiihG geserved InternationalCopyrightSecured
Dm/Fxo
ffi'u'AIEXX
L7lcxx
DmajTo
eyes.
FFffilofr. EEEDgfr.!-fFfil LLLLr.jrrrTn Last time to Coda lff?fl
0
slowflowturn
-
scopeblvscope
Ieicredlei
girl withgrow sogirl with
high( to Coda)
Cel-1o-phaneNews- pa - per
l l - - - - - - - - - - -1
Bb
ffiI-I-FFH
Dmo
FFffil0fr.FFTl-r1rr-rrn
C9
ffiF6
ffi
flow - ers of yel - low and greentax - is ap - pear on the shore
towwait
head.way-(Lay R.H. palm across strings for muffled
ering
Bb
ffiFI-FIH
C9
ffi
LookClimb
ilirili;
Iiiijlriii'
,,,i'|,, t i '
ffffRl2fr.H##
sound on these two measures)
n
G#fffi
(J.=J)
with theback with your
> :> > -,____=
Lu - cy in the sky- with
-1 | r
- n\ / - .
- -v>;>
Lu - cy in the sky- with
- n
- -vn - - -v>:>
dia - monds,
n -
n -v- - - - \ />:>
eyesclouds
she'syou're
andand
ffitot''
c
ffiGo@
FIFFF
flffi
Do
FFFFF
ffi
G@o
FFFFFI
fffi
G@o
FIFFFI
ffi,rTjTfi 1ofr'Ffrfl
Lu - cy in the sky- with
n - -
r . lv- -
l l | .1v>:>
BB
D
BB
After repeat,D.S. al Coda XT[Elt1Ofr
Ft+H"]
dia
.-
monds,
- - \ / -:>
-:>
dia - monds,
- n
- - \ / - - l l
-v:> :>
DmFft-t-Fl
{>
28
Coda
+ No chord
eyes.
D
ffi'rrrrn
Lu -cy
Lu - cy in the sky_
Ofr.
G#ffi
monds,
Lu - cy in the sky_
Grffiffi
D
ffirl-fffi
Gr*
fiffi
B
D
ffir-ft-t-j-l
with
B
I Ofr.5fr.
A
ffiFt-t-t+J
Repeat and fade
Eooo
ffiFffrr1ffrrn
Am6o
ffiHi+fl
Am7oo
TilNrn-rhF|-fi-nrffrn
E+ModeratelY
Am-Io
rrrT-ftt-l-t4+]l..#HFft-fl
GuitarCapo uP8 frets
Gooo
ffiffi-rn
AOOEfmFit++tffi
}i.#
chelle,
- \ /n
-
Dm7o
ffiH+flfttff1
Aootlfmt-tllt.lt+]+{ffi
Eooo
ffiffitrrrn
B
rf;aimCIEEF|l+HFI-I_TNH1-rn
Df dimrroEl-++t-]{ffiFfif'l
Eooo
ffififfilffit-n
mama
MiMi
- chelle,- chelle,
Mi - chelle.-
- \ /n
my
\ /n Vlt
Eooo
ffiffirflfH3---
Df;dimtrrnFi-lt+'?
Gooo
rruftsiffit1fifi
tres bien entres bien en
- semble,- semble,
vont tres bien envont tres bien en
motsmots
sont dessont des
MichelleBy JOHN LENNON and PAUL MCCARTNEY
FmajTo
Dm7o
ma belle, these are words that
Ir*aim
- semble.- semble.
- belle,- belle,
30
Copyr ight o 1965 NORTHIRN SONCS LIMITEDAll Rrshts Admrnrstered UV bhefWOOD MUSIC lNC. under license from ATV MUSIC (MACLEN)' r" '\ro"\J ''"" "'-'-
nti(rehts Reserved lnternational Copyright Secured
Amoo
ffiffiffirrrrH
love you, Ineed to I
nn
F
ffiFfftrI
t7-4oo o
TTTTr1L'JIIJ
H+1+lFffrn
love you, Ineed to, I
loveneed
YoU'to
that's all I want to say.I need to make you see.
Un-t i l I f ind a wav-Oh, what you mean to
B
Amoo
ffiAm-I
oETE|-+.t++..1Fl-Ft+in-rrFt
Am7oo
Am6o
FmajTo
will sayun - til
theI
wordg I know that you'l lhop - ing you wil l know
un-der-stand.what I
n--
- EAoooo
Eil] EMl+f++ r iiitl|'..|,.]'.m ffiftl_ff| FFFi_H
Dm7o
Gooo
ffi
IF#aim E
ooo
ffiE++fl
Amoo
EEIIH+?]-l
want -you,
r-3____r|1--
I think you know by now,
J ---r l--3 ---r
want you, I want you, I
I ' l l get to you some -
I33i---n.
DfrdimEIEEH++f?F]]fl
t> >
n I6 I
TB31
E+o
H.+flFt-ffF1ffiffilFffI-fl
Fmaj?o
sont des mots qui vont tres bien en
Andlwi l lsaytheon- lywords_Iknowthatyou' l lun.der-
- - - - - - - - - - - - - , - \ i - ! 3
Am6o
t[mH++1H4+F
T
AOOrFTFN++++{i..]'..l..#tFH+TJ
DtotT
ffiHl]fl
Am? Am6oo o
ffiffiflFHfH
Gooo
ffirt.rrrl
E+o
EEIEEF++NtHi-fiFffrn
r*aimffiE++tt?ffitl
Dfrdim
ffi
semble, tres bien en - semble.
stand, my
B
pf oimffit-f++H
BGooo
$ffiDm7
ffi
Df;dim
ffi
r-3---r
- -n
EoooTLIEI-tnHt
Aoo
ffi Repeat and fade
3n
333n|rn--
- -
3
-
Amo
ffifit-]-#FFFI-H
Eooo
ffiFfifl
B
Aooffilf++?u
Amoo
rrrTin+ttHH++E
B
Eooo
ffil-t-t-i-t-tFfi-TN
I
Eoooffit-t-t-t-Hn-n-n
Eooo
ffi
3n3
nJ
-
FmajTo
Moderately
Aoo
n-rT-n+???lfl-m
D
ffirrn-nFrr-rrl
Good MorningCood Morning
By JOHN LENNON and PAUL MCCARTNEY
say- but, "What
Do
ffit-f+++]FFIFfl
ing
Do
ffiH++flrrrn-t
Aoo
TI-n-n+?f+lF+IF
Good - morn
-l>
good morn - ing,- good morn
-
J II .
l .Noth - ing to do- to save his life,- calls his wife
day!-
good
;
Aoo
rT-Trn
FTFFF
AooTrtrrnt+l?t Il..]..-l-'.H
FI+FH
G
arr:taLL;ILIt++Hffil
ffito'Ft-F*t
How's your
it1#.::
Use Guitar Strum AI on 2nd and 3rdjfr51r.verses (for four FtiT11T.".rul,"r) X Fft-*'
Noth - ing
Copyrrght @ 1962 NORTHERN SONCS LtMtTEDAl l Rrghts Admrnrstered by BLACKWooD MUSIC lNC. under l rcense from ATV MUStc (MAcLt\)
Al l Rrghts Reserved Internat lonal Copyrrght Secured
boy
33
Aoorrrm
I t???lH+]-.Hn-rrn
Eooo
ffiHfi-fiFfi-TN
A
a[IIlH#ln-rrn
5fr.
G
ffiFqqTFt-ff-r-t
3fr.
I .G,tit"t Strum-I (four measures)
Go - ing to
-vn
work,- don't want
BB
D-Io
(use bar on D chord)
Aoo
mrr]
Hffi
AooTrrrr-1Hffi
Gooo
rrrrn
ffiH-fi-fl
(Solo 2nd time)3
to
|l\ / -
Gooo
trm?t++ttH++i
Aoo
ffitTIITI
feel
- \ /
- ing low
--
down, Head-ing home,- you start[or roam,- then you're ln
V -V
B--_-------- - - - - - r
Aoo
ffiTNTI
town.
Aoorr-TrnHEqFffiFj-1-FfJ
Ev - ' ry-bod-y knows- there's notl,-ing do -
Aoo
ffiffiffil
D- Io
ffiFffi
D-IJ--ffiFfFffi
r-3---r
Aoo
TTlT-NF|{{flf-fft-HTTTTT1
ing, Ev - 'ry - thing is
n -v
f-3--r
closed,- it 's l ike a Ev - ' ry - one you
-V
is hal f a -s leepsee-
D-Io
ffiFfi-TN
r3-r
Aoo
ffif,Tn-it
and you're on your own'- you're in the street '-(L y left hand across strrngs for staccato)
35
Aoo
ffiffiiFt-fffi
Gooo
rrrrnJII+H
V pos. VI pos.
AooTr.rnHffiffiffi-fl
-
P.O. H.O. P.O. P.O. H.O.
|1v-
D-Io
ffiftrrn
Aoo
TI-FTNH++tlHtq
P.O.H.O.P.O.P.O.H.O.
I \ / -
vI v rr
- -
r-3_____r
Peo - ple run - ning 'round,- it's five
-V
Ev -'ry - one you see- is full of
a-f-3-f f-o .' --r r-3-:
P.O.H.O.P.O
NV
AooTTTtrNFi+??lHUi
D-Io
tr=NHiltrF+-t-t-H
Aoon-TI-nH??t lffir-ft-tl
Ev - 'ry - were in
.vit's get - t ing dark,-
D.S. al Coda
town-
Aoo[IfT]I t??t{++#ffi
noo
rrTT-T-ltli#ffiFfl-fl-l
D- I_o
ffiffrrn
r-J
36
|1
- \ i
it 's t ime for tea and meet the wife.
AooTrn-nHtttlffiFffl-H
Aoo
ttfrrH+t+]rff.1]
Coda
+
Aoo
ffiffiffi
Do
ffiFt+++lFFfi-H
Aoo
TrrT-nTffT]ffitffi
Do
Tr|...m
ffiF|-Ft-f-l
morn
-
Ifl8'-
\ / -
good morn
>
2. After a while you start to smile, now you feel cool,Then you decide to take a walk by the old school.Nothing has changed, it 's sti l l the same.I've got nothing to say etc.
3. _somebody needs to know the time, glad that I 'm here.Watching the skirts, you start to flirt, now you,re in gearGo to a show, you hope she goes,I 've got nothing to say etc.
Repeat and fade
37
Slow tempoAmT lD
o
StTplOfr.Ff,ql ffizr''
TTTTN
A/Do
lfifFl5fr.ffi1rT.rr.n
Do
ffi+ffi1
DiC#
ffiGm(+7)/Bb
F -V:> >
Am'l lDo
ffif,-rT'ra-I-]++l-F
Dm
nn>>
n-:> :>
-:>
-:>
DIC
-P-ffi
1.4.2.
Pru - dence,-Pru - dence,-Pru - dence,-
-V --:>
n | l:> :>
D
-LffiDIC
#ffi
6tn1+71/Bh
play?--eyes. -smile.--
- t r \ /
:>
| r -;> :>
r l -l>
Dear-Dear-Dear-
-l>
Dear PrudenceBy JOHN LENNON and PAUL McCARTNEY
I 0fr.
-V
| r -v:>
-V
Am7/Do
rT'rT-rr8fr.HJ+NITTTT]
- - l \ /:>
- - -V:>
G/Do
-v
Gm(+7)/Bb
won't you come out too - pen up your
let me see You
NVE
Dear-nv
-:>
Gmaji lB
38
Copyr ight @ 1968 NORTHERN SO.NGS LIMITEDAl l Rrehts Admrnrstered uv b[n6rwooD MUSIC lNC. under l icense from ATV MUSIC (MACLEN)
All Rrshts Reserved International Copyrrght Secured
- \ /
Dtg-
ffiDlc#ffi
Gmai'/ lB Gm(+7)/Bb
greet thesee the
like a
! ! . t i->-:>
Pru - dence,-Pru - dence,-Pru - dence,-
.l>
brand new day.-sun - ny skies-lit - tle chitd._
-l>
ffi oFFFIH+trIFqtfi
Do
ffi
blue,- it 'ssing- thatchain,- so
V- V -
Gm(+7)/Bb
you come out _you o -pen upyou let me see
. - -v.l>
sun iswind is
clouds will
- -
UP'-low,-be-
V -V-
the skythe birdsa dai
-
are you.- Dear-- tt - ir'i'g.- b;;;-
a - gain.- Dear-n \ / | .1 v
-
B---------- -J B--------- l
D
ffiPru - dence,-Pru - dence,-Pru - dence,-
- \ i
- \ / -
TOyouryou
v_-
play? -eyes?-smile?-
beau - ti - ful- and soyou are part_ of evlet me see_ you smilel '1 n \ / l r \ /n n
B---------- - ) B--------- - - - - r
Gooo
FFFFH
fffi
won'twon'twon't
-VNV-V-VN
B----------J
st
-bo
tl lataI I I I ' If l t r t l
D/C#ffi
Gm(+7)/Bb
-V-:>
->
FtF\/v
l>
-:>
-:>
->
-V -V
(2.) Dear-(3.) Dear-
-:>
t- f.t \/rrv
>
nS Dsus4rgg- ggg- g- %htr.Fr ilqH ffi ffiFl-i-ffl Fff ,,, Ffffft
Do@IFFFF
ffi
\ / - - - \ /
>>
Dsus4oooFFFffi
ffi?c
round- round - round round
rv.vn - - \ / -v-
V-l>
(Backing) round round- round- round roundLook a- round, round,
- nv-\ / -
- -vnv-;> :> :>
round round round round-round-round roundLook a-
Dsus4oooFtl|tf
ffi
Doooffi
t I I ta itTr l t t
Dsus4oooFFFFF
ffi
Look a - round, round,round,round
|l:>
D.S. al Coda 4th time
Gm(+7)/DD7ooo
ffirrrrn
DoooFFFFF
ffi
Gooo
FIFFFI
EffiA
ffiF
ffiGmajl lD
iffiround.
- l '1 - -v l - | r:>:>>:> -
:>
-v-nn - \ /:> :> - .
-v
Dear-
-:>
Gmaj7 lB
4{)
- -v n | r
- \ /n
-v>
Coda
sD
#ffi
DICo
H-iJ+t'
skySun is
-- .>
you.- Dear_
-Vrr - -v. \ / -
Pru - dence,-
- .V-V- -
,,--.--...
beau - t i - fu l
won't you come out
l r -v-
up,_
-1Vl
the
:>
Dt ln,oo
ffirfl-Fn
Gooo
FIFFF
ffffi
so are
-. . :>
to
- - \ /
B
Dooo
n-rTrlII I I I I
Do
[fITl?r4fr.+fH
AmTlDo
Do
ffiFtrFIF
AmT lDo
I Ofr.
G/o-3-r"-;+l+l-l' / rr.t l l t t tl t t t t l
A/Do
AmT lD--9-i+i}fli+H+t
FFffisfr.ffiFfi-ffi1
( Fading out) - -
41
BlackhirdBy JOHN LENNON and PAUL MCCARTNEY
G
toato be
(must be played fingerstyle )
Not to be played off chord postttons
::> :>
Am7or-rFT:f]LIJIIJJH++ltritrn
L Black - bird sing - ing2. Black - bird sing - ing
:>
SlowlyG
ooomt.]-.lt+tn-FrFl
Gooo
rrrrrl+,|tttlFTTTH
Slide up from 3fr.2nd string
:>
G
ffirFfflFi-fffi
I Ofr.
in the dead ofin the dead of
:>
night-night-
:>
c
ffiffi*HffI
D7
ffiF+*trfl-rH
B7-IrT-n-ntfi+NH4+fl
Cm-Io
T|rIlffi
andand
Take theseTake these
>
Efft-n
ffi
youyou
>
All your lifeAll your life
bro - ken wings-sunk-en eyes-
:> :>
learn tolearn to
:>
imajTooo
rrTT-nHTI]1tfft-tlfl-fl-fl
ArnT-Ioo
Gooo
rT-Trn
ffiFl-l-t-t1
Cm-Io
H+F-rffirffitt'1
for this mofor this mo
-ment- menT
Gooo
Tn-rn
ffiFII-H
RT|Rl0fr.ffiFi-ffH
(lift finger pressure for staccato)
.>
oFTffiI+FFHrtrrFt
D7o
ffiffilFtttfi
were on - ly wait - ingwere on - ly wait - ing
:>
42
coovrreht @ 1968, 1969 NORTHERN SONCS LIMITEDAll Rishts Admrnrstered Uv A"TnCfWOOD MUSIC lNC. under license from ATV MUSIC (MACLEN)
" All Rrghts Reserved International Copyrrght Secured
Coo
ffiGooo
TTTTNLt-t-.trl?+-t-4tFFFFH
A7o
EmmLlrlrtlf-fl-F+tffifl
F Em-l Dm C n[
M,"M Hffi ffi fficoo
ffi
D7o
ffiffi
FFI-IH
oGoo+IT
12.'G
ffiFI-I-FH
free.
:>
F Em-IDm C,, Bb
ffi'''mfffH ffii ffiD7o
ffirrn-Ftrn-rFt
G
'ffiffiFtrttl
A7o GAmTc
_jpp. .9. .. .oooffiffiffit-frfH ++FH H++l
in - to the light of a dark, black night._
c
ffiff+f+i
I 0fr.A7oTrrnL+44t]trl_!-taH1+H
D7 B7-i Em-lo
trits FH #r-r-.r-{-+J Lr-rrrJ -L1ldl-l-ffH ffil +iTrt
Cm-lo
---ffi.''FIFI-FI
43
Gooo
ffiFFTTfl
DJffiffi
A7onrTl-lLutt.l'.+-]-+-+tH.H+J
Gooo
mTT-n
ffiflHfn-1
Cm-IIo
TiTFIffi
Gmaj?A7-tAm7-Iooo o oo
ffiffiffi
F Em-I
m'''ffiBlack
:>
Dm
ffi,l-ffft.l
Black
>
bird -
>
fly,-
:>
bird-
>:>
A7oFML++]+tffi
BbRT]-RHlHFfft-fl
D7o
ffil.#
t+Ft-tj
Gooo
EEtrlral-Ll-lt++++tFrrrn
Gooo
CEEtrLIILLJ?++++?n-rrF
Arn7o
c9.9
ffinltn
Bb.ffiH#H+-fiJ
Dmo
ffiFt-trfl
dark, black - night. -
I 0fr.G
wFFfflrt-rff1
molto rit.
n nVFV- -
l lVnVn n---- - - - - - - - - - -1a temqo
44
- - \ / r tv- - \ i n\ /n
2i. .1
Gooo
ffir-fl-ft-l
Am7o
Black-birdsing-ing in the dead of niglt_
All your life
You were
:>
Gooo
ffirrFrn
Am7o
Take these bro - kenwings_and learn to fly;_
You were on -ly wait-ing for this
I Ofr.
Am7-Ioo
D7o
ffiffirfl-rn
B7 - lTIIEI-+l+-HTflTi
Em-I
, ,9,o
ffiir-t-ftr1
D7o
ffil-ffin-fn
A7orrTm
t-t t?t ll']--]-l-.l4FI_FFH
on - ly wait - ing for this
:>
mo -ment to
l>
a - rise.
:>
A7offiFFff+trFrrn
coo
ffirT+H
A7o
ErfCDt+-ttt.tH+fftFTTTH
Coo
ffiFFft-f.l
G
ffiHffiFtrtfi
Gooo
Tl-rt-n
ffirrrrF
Am7oHffiFf+++trrrrn
Gooo
ffiFtfffi
A7orrrrn
t]4iuH+-l+tr-ffiu
Gooo
ffit++J-+tH-H-H
Cm-IIo
t-f.FH
ffi
Gmaj?A7 - Iooo o
ffiffiCm-I
oEmFffftlFTffH
Gooo
TrrrnI]IILLIt]+Hffi-tr1a
D7
tuFl+il
Gooorrrrn
lllLu?1++ltfi-rrt
Gooo
EETLDttt_t_rJ?++t+tt-j-ffii
ComeTogetherBy JOHN LENNON and PAUL McCARTNEY
tlL'"*if,'st#rit'r; ilt'n double - time reeling
Dm
DmooFFFF1#l#lffitrl
ffffi7fr.ffiFn-rn
6
l l l l
- Copyrrght @ 1969 NORTHERN SO.NCS LIMITEDAl l Riehts Admrnrsrered nV-AintrcWOOD MUSIC lNC. under l rcense from ATV MUSIC (MACLEN)
Rll niehts Reserved Internattonal Copyrrght Secured
a jok - er, He just do what he please._
DmooFFFFRffiFffrtlrrrrn
V- F V- .--
->
n--
Dm
ffi
wear no shoe - shine. HeBag Pro - duc - t ion, Heroll - er coast - er. He
toewalear
goIgotgot
He gotHe gotHe got
JamruSly
foot - ball,gum - boot,warn - ing,
He say,He gotHe Say,
canaljo
CospiMo
shootoneone
mon - keyO-no
Mud - dy
fin - ger, Heside - board, HeWa - ter, He
47
beand
"Ifeet
"One
know-you - know
hisis
11-------
free.- 1ease.- 1see.- )
-
you got to becan feel his dishe so hard to
- \ / -
tell You isarm - chair, You
look - ing 'cause
| rv-
One thing I canHold You in hisGot to be good
nv-
ffi7fr.HlTf
fpffi5fr.FliFl-Hrrrrn
right
To Codaq
rt t l5
Dmff"
' rH+H
P'o-zooo
ffitfrrn
A
mffizr'.
(Emphasize top note for melodyon all accented> strums)
-vn>>>
D.S. al Coda
| l -x
t--J-J-llJ----- J ! - - JRepeatandfade
- V- V
lr l
- \ / | r>
ooooooFFFFiFFFFFrTl-rn
E.'FI l - - - - - - - - - - - ' l | | V ,>
Dm
ffi ffilfn-H
Lr--J+/Dm
oooI I I I ta| | tat ILTTIT]TITlT
l - i - \ /
r.l- - - - - - - - - - - - J
vn
|) -
I
You NeverGiveMeYourMoney
BY JOH N LEN NON ANOf,4.IJI]VICCARTN EY
ffi{rrrrn
G@
tffFFl
fiffi
Fmaj7 lC
Amoo
ffiFrrrn
Bm?F'IRI
ffi
Goo
FFFFFI
fffiDm
ffil. You nev - er give me Your2. I nev - er give you mY
l. ' ] - - - - - - - - - - - -1
eJ ' -
ber,-
r \ / \ / FVV
:> l>
monnum
-
You on - ly give me yourI on - ly give You mY
V-VVV-V:>>l>
50
COPVTrght O 1969 NORTHERN SONCS LIMITEDAl l Rrehts Admrnrsrered by BLAeKWOOD MUSIC INC under Lcense from ATV MUSIC (MACLEN)
" AII Rrghts Reserved Internatronal Copyrrght Secured
Dm6
F+r+iFffTTI
youI
- tions- tion
4
OA
:>
of ne- goof in- ves
-v-
thethe
;
AndAnd
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ffil ' . l l ' .
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spent,-sack, -
see no Iu - ture,Mon - day morn- ing,
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- \ / . \ / . \ / i \ / n\ / - \ / . \ in\ /
- - | r
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pay no rent,-turn - ing back,-
But oh,-
break down.-break down.-
t l - - - - - - - - - - - - ' l n:>
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Out ofAn- y
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mon - eygot the
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ffigone,- no - where toslow,- no- where to
il,
All the mon - ey'sYel - low lor - ry
- - n v.
51
F
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feel - ingthat maggo.
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ffi
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no - where to go. -
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One sweet dream
-- . .v. \ / . | r - \ i:> :>
LJ I l-l l-l I- -
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ffirr''rrTrnV VV
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Eb
ffimflJfilr5fr.I
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ffi'oSlide & roll off
3.c.fr.Hffi!
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at I taaI I lat lt-rt I II ITI I I
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Soon we'll be a - way-from here,_ step on the gas and wipe_that tear
53
G#fffi
CmajTooo
IFFFF
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- - -
One sweet
n\ / - \ / - n
CmajTooo
FFFffi
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dream-
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chil - dren
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go to
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All good
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five
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twoOne
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three, four,
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54
JuliaBy JOHN LENNON and PAUL MCCARTNEY
Bm7FFFI"Fr-?-FfF1
ffi
to - wistfully
reach-mind.
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ffi
But II
ncan on
NV
mean -heart
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say it- ly-
VN
ing1Smy
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ofI
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DFFFffiFl#l-ffi+l
saysing
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whatcan -
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ffiyou Ju
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n
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Ju(1. - a.)
Justspeak
-
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ffili - a,-
shell eyes,-ing sand,-
Juseasleep
Copyr ight O 1968 NORTHERN SONCS LtM|TEDAll Rights \dmrnrslered..b_\' BLACKWooD MUStc tNC. under license from ATV MUStc (MACLEI'()
{ll Rights Reserved International Copyright Secured
l i - e
Il^
^l lT t-J I L I.1 t-J? L
ffi'u'
NV
I sing
NV
float - ing
-- \ /
cean child,Y smile,
lent cloud,
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\ / -
sky is
-n
of love,-
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shim- mer - Ing,
callscallstouch
. - \ i
t , .-
Ju
NV
\/n
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Gm
ftrt'.FFFTNFrrr-r
Last time to Coda,
s
.".1me. Ime.'(to Coda)
-
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owindsi
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56
NV
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touch
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me.
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57
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So
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I sing
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a song-
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NVVN
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of love,-
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D
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sing a song-
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I sing
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of love- for
N V V-
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YouWon',tSeeMeBy JOHN LENNON and PAUL MCCARTNEY
Moderately
DAg gggg g-o
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t- trt
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ffi laac*ing 2nd,3rd times) ffiOo
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Lay right hand palm across strings- to'sto-p the sound short on tlort1to. ,.tJri, I3;:
- - - - - - n
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ig .Lo ---
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60
A D
fFFFFsfr.ffi
Dm
ffi'n'ffi'u'Oo
to stay,_
Fl"--- - - - - ' - - ir r :>
that was soI don't have
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hard- tomuch- to
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And I will loseBut I can turn
won't- see me,-won't- see me,-
my mind_a - way_
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# f f i f f iffiffitu{
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won't- see me,-won't- see me.-
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the time-
(Bkg.) You won't
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- - - - - - - - -1:>>
I
what
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ing.- Though the
BA
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BB7
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would - n't
BBTB B BT B
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would - n't,
I -
62
they're filled with tears.-
B7
ffirT-r5
A*F.9H#fif-rrtn
;la Ia
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II l_ _
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lost you -And since I - it feels-
B4
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like years. - Yes, it seems_
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And I just
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la la
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(Backing only)
- - - ' - - - - ' r
- - - - - - - ; - - - - - -- - -
- - - - ;
54
wecanworkltoutBy JOHN LENNON and PAUL MCCARTNEY
Try to see it myThink of what you're say
- -V- - V
-V
do I haveyou can get
keep on talk - ingwrong and still you
Dsus4
rr+inffi
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Moderately slow
Dntr+rEEtttlFFH+I
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-
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till Ithink that
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on?right.
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While you see itThink of what I'm
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mn a risk ofwe can work it
- - - -
love maystraight, or
- nv
be gone. lgood - night.f
- \ / -
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ffiG
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Copyright @ 1965 NORTHERN SONCS LtMtTEDAll RiShts Mminisrered..by BLAaKWOOD MUSTC tNC. unde, lrcense rro, nrv MUStc (MACLEN)
All Righls Reserved International Copyrrght Secured
Aoo
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65
Bm
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Life
-
IS
rtv r l
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short-
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time
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for
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66
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there's a chance that
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- - - - \ / - - -v l r \ /
While you see
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- - - - - - - - ' a
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way,
it your way
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we can work it out.-
6l
Moderatelv
NoReplyBy JOHN LENNON and PAUL MCCARTNEY
nm1. This hap - pened once
nothat's
v | r
re - ply.a lie.
be - fore2.3. phone,
.
youryour
when Ithey saidv-
:>
came toyou were
V-
yournot
G7
ffiThey said it was - n't'Cause I know where You've
c
ffi'G7
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but Iand I
nv-:>
saw you peep throughsaw you walk in
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ffiFmajT
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saw the light,-near - ly died,-
- -> >
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I saw theI near - ly
-v-vn
light,-died,-
-:>
68
Copvrrsht @ 1964 NORTHERN SONCS LIMITEDAl l Rrshts Admrnrstered by BLAaKWOOD MUSIC lNC. under hcense from ATV MUSIC (MACLEN)
' All Rrghts Reserved lnternatlonal Copyrlght Secured
Emo@oFFFFF
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I were
-V
II
-----
- - - - -_-------- - t
I know that you saw ffie,'Cause you walked hand in hand
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I r3rd time to Coda
+
'cause I looked up towith an - oth - er
-NVNV--v--:> :>
c
ffisee yourman in my
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lz CIG
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If
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-----
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70
Getting BetterModerare. with a u.u, Bv JOHN LENNON and PAUL MCCARTNEY
F(add9)
ffi ffiffi
tItl-
:>
It's get - ting bet - ter all
- - - - ->> :> l> >
-' l
(Harmony, 2nd time only)
(Drop R.H. palm across strings for staccato effect.)useo to get macl at myused to be ,an - gry young
VV:>
school, -
man, -
F(add9
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(1.) I(2.)
CIG
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me weren'tin the
:>
ers whoing me
-
taught-head-
You'reYou
.. copyr ight @ 1967 NORTHERN SONCS L|M|TEDAl l Rrghts Admrnrstered.,by BLAcKWooD MUSIc lNc. under hcense from ATV MUStc {MACLEN)
All Rights Reserved International Copyrrght Secured
71
Gg
Hffi
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fiffi
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hold - ing megave me the
-.
down,-word,-
up-best-
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72
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bet -bet -
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Tap right hand on front of guitar
for percussive sound )
74
Go@
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Man, I was mean,- but I 'm chane -
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V-
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Get - ting so much
Fade oul
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withAllttle HelpFrom My FriendsBy JOHN LENNoN and PAUh:nccARrNEY
ffi
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would you stand(Does it wor -
Yes, I'm cer -
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up andry you
tain that
rl
walk -to be-it hap
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the time.
\ / -
( Lay side of right Palm on stringsto get a muffled sound)
-------
- ' - - - ' - ' l
FrfflIFFHSzT'.
would You do-do I do-you be - lieve-
r r v!
VI
BTTCopy.oht ro 1c67 NORTHERN SONCS LIMITED
All Rrehrs Admrnrstered UV gtiflKWOOO rt UStC INC under lcense from ATV MUSIC (MACLEN)
All (rehts Reserved Internatronal Copyrrght Secured
|1 \ / - -
v -r-
V n:>>:>
76
B
ffirTfatl
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LendHow
(What
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me yourdoIdo you
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ears -feel -see _
V-
and I'llby the
when you
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it's
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song-day-light?)-
V-
oh,No,oh,
and I11(Are you
I can't
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with a lit - tle help- fromwith a lit - tle help- fromwith a lit - tle help- from
mymymy
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Mm,Mm,oh,
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help-help-help-
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You're Going To Lose Th atGirlBy JOHN LENNON and PAUL MCCARTNEY
' E cilm7o#o ..ft+rr.ffi (Backingvoices) ffi
Yes, yes, You're qon - na lose that
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Moderately
You're gon - na lose that
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yes, you're
girl, -|.'1
to - night, -my friend,-
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to - night,- and Iand then - you'll be
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ItWon'tBe LonsBy JOHN LENNON and PAUL McCARTNE
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TBA7 sus4
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You were made to -You have found her-
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HevJudeBy JOHN LENNON and PAUL MCCARTNEY
don't makedon't make
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don'tbe a - fraid,don't let me down,
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da da da da da da da da
I'mSoTiredBYrcNru LENNON ANd PAUL MCCARTNEY
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have - n't slept a wink._don't know what to do.
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lix my - self a drink, tro, no. no._
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TellMewhyBy JOHN LENNON and PAUL McCARTNEY
Em7 L7ogoo# *tr
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94
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Dil$rl''ffi
1. Well,2.n
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All I do is hang my head and moan._Hold - ing back - these tears in my eyes._
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whyDon'tweDoModeratowithabeat E ln The ROad
D'7 By JOHN LENNON and PAUL MCCARTNEY
ffi'oo
I(Release left hand pressure for percussive sound >4)
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- - - - - - - - - - - - -
l lv lv l l! ' - - - - -J---r> ; :> :> '
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Why don't we do it in the road?-
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watch - ing us;- Why-
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Why don't we do it in the road?-(Place left hand lightly across strings for percussive sound ) )
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101
rm HappyJustToDancewithYOu
By JOHN LENNON and PAUL MCCARTNEYE
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102
COPVrrght @ 1964 NORTHERN SONCS LIMITEDAl l Rights Administered by BLACKWOOD,f i 'Ubidl iC.-under- l icense from ATV MUSIC (MACLEN) & SBK UNART CATALOC INC
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love you
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me.
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too,- I'm so
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take my
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this world there's nottring I
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105
BabyYouireARich ManeY-rcHN LENNON and PAUL McCARTNEY
Moderately
G7-^
mf
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CIG
fFm3fr.F4+fi
Rest risht hand on strings as you play for a muffled effect for the entire song'Lift prbssure of left hand for percussive sound ,l
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Play 4 times
fFm3fr.Tftft
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ffffi3fr.f.ILLltTfTI l
l . How2. How3. How
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feel -feel-feel -
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ti - fulti - fulti - ful
to be one of the beauto be one of the beauto ,: one of the beau
doesdoesdoes
peo - ple?peo - ple?peo - ple?
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what doof - ten
hap - py.n
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want - to- nough- to
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be?-know.-way.-
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Now that you know- who You are-How of - ten have- You been there,-
Tunedto a nat - u-ral E,-
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l lv
fpffi3fr.Hffi
- Lift muffled sound for this one measure
youeto
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eledwhen
an
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And have youWhat did youNow that you've
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veryouothn
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106
Copyr ight @ 1967 NORTHERN SONCS LIMITEDAll Rrehts Admrnrstered Uv btAEkWOOO uUStC lNC. under ltcense from Ary MUSIC (MACLEN)
AII (rehts Reserved Internatlonal Copyrlght Secured
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see?- (repeat to verse 2)show?- (continue to chorus)play?- (continue to chorus)
Lift muffled sound for this one measuren\/ F!
doesgoing-
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cann'tto
--:>
Ba - by you're a richNo muffled sound for this section
| . ln\ / - -
man,
too.-
Ba - by you're rich
You keep all
l l | . ' ]
man,
-
B
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ffi
Ba - by you're a
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man, lna
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your mon - ey
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big brown
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197
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Ba - by you're a rich
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Ba - by you're a rich
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108
Ba - by you're a rich
Help!Moderaterv in 2 By JOHN LENNON and-PAUL MccARTNEy
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Not just
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1.3. When I-2. And now-
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( 3rd verse strum)
V-
wasmy
cfmm.''young - er, so- much young - er
life has changed- in, oh,- sothan- toman-y
day,ways,
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110
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round.
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111
AHard Day's NightBy JOHN LENNON and PAUL McCARTNEY
G7sus4 GWith a beat xoo.t X *9,.
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1.3. I t 's been a2. (You know I)
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day'sall
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day's night-to hear you say-
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COPYTIght @ 1964 NORTHERN SONCS LIMITED
Arr Rishts Adminisrered bv BLACKWooi,*y:S5#d';l::*:J;:[tiY,[nY1;t ffittt*) & sBK UNARr cArALoc rNC'
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feel - ing you hold - ing me tight, yeah, 3. It 's been a
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be- O.- K.- When I 'm home-
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ev - 'ry - thing seems- to be al - right, -
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114
Gr*ffi
When I'm home-
nnvvnvnnvv-v
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feel - ing you hold - ing me tight, t ight, yeah. 3. I t 's been a
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Repeat and fade
lshould Have Known BetterBy JOHN LENNON and PAUL MCCARTNEY
Moderately
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hey, hey, hey,-
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and I do.__-
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Wo- wo-
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116
B
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That when I
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You're gon - na say_ you love me too,-
And when ask you be mi-lminel
Last time to Coda
+
you're gon - na say - you love ffi€, too._
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118
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Eight DaysAweekBy JOHN LENNON and PAUL MCCARTNEY
GIDo
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know it'son my
true.-mind.-
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love,day,
Ooh I needLove you ev
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your,ry
V- V
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tEla
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need you.-the time.-
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babe,-girl,-
you need my love,thing I can Say,
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Coovrieht @ 1964 NORTHERN SONCS LIMITEDAl l Rrehts Admrnrstered by BLAC KWOOD MUSIC lNC. under hcense from ATV MUSIC (MACLEN)
" All Rights Reserved Internattonal Copyright Secured
Bm
ffio@o@EfTH#f,
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ffi
got
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love
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ain't
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eight days a weeklove,
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121
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18
Run ForYour LifeBy JOHN LENNON and PAUL MCCARTNEY
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ModeratoD
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D7
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---- ' - - - - - - - - ' - - l
with an - oth - erwi th a jeal-ous'ry - thing I
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124
Coovrteht @ 1965 NORTHERN SONCS LIMITEDAl l Rrehts Admrnrsrered Uy Bini fWOOD MUSIC lNC. under l tcense from ATV MUSIC (MACLEN)
All Rrehts Reserved Internatlonal Copyright Secured
Bm
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lit - tlelife
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.
try - in'and I'd
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You'd bet - ter run
- V- V | r
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(main voice: heavier notes)
for your life if you
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know where Iyou toe theer see you
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(use 3rd and 4th lyrics)
Repeat and fade
Bm
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------
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won't you dance with me?-
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Copyrrght O 1963,1964 NORTHERN,SONCS LIMITEDAll Rrehts Admrnrstered uv siAcKwocjo MUSIC INC under ltcense from ATV MUSIC (MACLEN)
"""" -' ' ntifrighis neserved Internatronal Copyrrght Secured
- \ / - -
Ba - by take a chance with me.-lone
.n-
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- \ / -:>
- - \ /:>
LitflechildBy JOHN LENNON and PAUL MCCARTNEY
i--/i\-:-/ ,------
Lit - tle Lit - tle child,-
NV:>
- \ / -
I'm
--
Lit - tle child,-
--l>
and
-V>
18
Lit - tle child,-
with me.-
BFFFTftETDFtts&l
want some - one to make You feel soby my side you're the on - ly
when you're minejust come ofl,
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fine, -one,-
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come on.- |come on.- t
129
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won't you dance with me?-
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V-V-1
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131
AllMylovingBy JOHN LENNON and PAUL MCCARTNEY
Bright rock and roll
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B7o
ffirffffl
Copvi lsht @ 1963, 1964 NORTHERN SONGS LIMITEDAl l Rrehts Admrnrstered bv eI ,ACKWOOD MUSIC lNC. under l icense from ATV MUSIC (MACLEN)
" All Rrghts Reserved Internatronal Copyrrght Secured
.E
\. ______---l
you'
ffi'"'
send all mY
- nvn-\ / -nv-
- \ / - - \ / - ' l rv- g
All- mY
-v- >
All my lov-ing-
-
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- \ / -:> :>
c$m
I-
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B
c+
ffi+it' Last time to codai-ftFH -
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pre -
send to
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will
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ffi*''ffiou'
you.
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.-
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A Emphasize top note at all times. E
FFEFFlSfr. to bring out melody line. EEr4fr.H#f Keep chord positions down and play off of themffi
- -V VN
- -V V V N
-V
Ffm
ffi-
V-V-V
n\/
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ffi*''n
(true.) , All- my
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n\ / | rv-v
lov - ing,
- - -v-:>>
E
ffi
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All- my
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you.
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All- my
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R: l l I v i l iI
B
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ffilfrt'H
lov - ing.
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D.S. al Coda
134
Grffiffffi
clcooo
ffi
car-ry
-n
weight,-
- \ / . -
that
.
a
->
long- time,
-v - - n
:> - \ / ! \ / -vgvnv
Boy,
- - - - \ / ->
BG7
ffitc
fficar- ry
--
weight,-
.Vn -
car - ry thatthat
-n
- \ /
long- time.
- . - -v
VNV:>
-Vn:>
G
ffiCsus4
ffiffiH
c
mi:>
-> V -------- ' - - - ' - -" l
>>>>>-v:>
V-V \/------ - . - n>>>>>>>
-V>>
carry ThatweishtBY JOHN LENNON ANd PAUL MCCARTNEY
f
-V V-V-
Boy-
- - n
-v l:>
you're gon - na
- - - \ />
car-ry that weight,_
you're gon - na
- - -v>
Arr Rrshts Rdministered,bcyo8llei.t.?"t3fl,l3rTI1,it)i"?)"":"tl*T,EoD, 4rv MUSrc (MACLEN)All Rights Reserved International Copyright SJc;ieJ
' -- - ' '
135
F
ffiDm
#Pick up string while bendingupward.
n n n -v-
n v | r - -
I nev - er give you my low,-
:>
- \ / - \ / -:>
- \ /nAtY
I on - ly send you my
Dm
ffiDm7
ffi
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tw
G
ffipil
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of
-
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ln
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the mid - dle
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the
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Dm
mT-----
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Amoo
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G
fficlG
@o
ffiG
ffi
cel - e-bra - t ions, I
- - - -vn n
- nv
136
Boy
n
G7
ffiyou're gon - na car - ry that
- - -v:>
long-
- - -v-
you're gon - na
- - n\ /
:>
car-ry that weight-
car-ry that weight,-
G7
ffitime.
l l -
-:>
- \ / - \ /n\ / - \ /n\ /:> :> - - -v->
Boy,
-
cat - fy
- -
- \ /t t - - - - - - - - - - i V:>
weight,-
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that
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ffi
Aoo
ffiGooo
FIFFFI
flffi
Aoo
FFll'NHTfflrrrt'n
>
137
rmALoserBy JOHN LENNON and PAUL MCCARTNEY
Ad lib.
D7
EiBrTTTrl
Am7ooo
ffil-l1-rn
D7
Hhffrrfl
Moderately Am7in tempo df,''o
t+f.+t1t-+++i-l
F
ffiD7m
to be.-
N V V- V
And I'm what
ThereBe
I
NV
n:>
V-
ffi'"'G
#ffi
Dm F
ffi
all the love -though I laugh-have I done-
V V- V N
ofAI
What
--
I have won-but I act--to de - serve-
- V V-V N
G60
rtffFr
ffffi
-:>
ffi'n'
is one love-neath this mask-re - a -lize-
V-V-NV
- V- V
- V
or have lost-like a clown-such a fate-
shouldamhave
V-V
138
copyr ight o 1964 NORTHERN SONGS LIMITEDAl l Riehts Admrnrstered Uv bLAtKWOOD MUSIC lNC. under l tcense from ATV MUSIC (MACLEN)
Alt trrehts Reserved lnternational Copyright Secured
F
ffiG
#ffi
wastearsso
nevwearleftn
inaing like
pride comeN |r V' V
inthatwon't
sheorso
IIs
I'rn
-- \ /
l'1 \/YA
'...----U
have crossed.-a frown.-
too late.-V-VN
SheMy
And
--n\ /
a girl-are fall-
it's true-V-V
Dm F
ffiffi'o'G
*Fftffffi
BF
ffiffi'u'
milrain -
sbe
-V-
fore
-V,^
my friend.-the sky-a fall-
V-V-
lion,from
.-
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shouldit
tell
have known-for her-
- ing you-
V-V--V
would winmy - selfthat you
VIV-
D7om
FIIIH
-\ /
the lnY-I cry?-
lose all.-
-V
G#f,ffi
V--> -
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rs
Am7ooo
trI Ia lI T ' I I IrT-rrntl t t t l
D7o
FTFrlIFFMfffffi1
G#flffi
-
los
V-:>
-:>
some - one
- v-
who's near-
V- V | r:>
to me.
what I
n v-
I 'm a
V- V- V-
(Fade out on last time)
v-;>
Am7ooo
ffitfrrFt
F
ffiD7
HiBrrrrFl
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and I 'm
VN
not
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Bring out top note on allaccented chords
n--nF->l>>:>:>:>E
ID6
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n
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140
5fr.
Cood Day SunshineBy JOHN LENNON and PAUL MCCARTNEY
Moderate barrel house r"-po(JJT] = nJ-7')
EooofrtTt-trm-rltt l t t l
shine,_
! v-
day-
l.l
sun
v- -
:>
NV-VTTVNV-V-V
sun
v- -
>
Good
-n>
B
E7
ffiB
B7
ffirl t
ffiA
AgF#ffi
laughlie
l:1
day-
nGood
-
day- sun -
| r t / -:>
Good
-
I I need to( And then we'd
,f->
- vn
:> :>
and when the sun is outbe-neath a shad-v t ree.
! -
\ / ! vn \ / !
II
^1. ̂ , . .Copyr ight O 1966 NORTHERN SONGS L|M|TEDAt Krghts Admrnrstered..by BLAcKwooD MUSIC lNC. under license from ATV MUSIC (MACLE\)
All Righrs Reserved Internarional Copnighi SecuiJ
gotlove
some-thing I canher and she's
141
-V-V
Ffz
ffi
laugh a-bout. I feellov - ing me. She feels
- \ / - v- \ / l r
:>>
goodgood
- - \ /nv
in a spe - cial weY,she knows she's look - ing fine,
- - \ /n V- V-
:>
FI
ffiffi'o'
I'm inI'm so
-
\ / -
love and it's aproud to know that
V- V-
sun - ny day. Ishe is mine. I
day- sun
n v-
Good
-
|l>
Ff
ffi Last time to Codaffi'"
shine,-
v- n-
Good
---
day-
.
sun
V-l>
B
E7
ffiL-l
r l t
Good
--
day-
l-
sun
V-
a walk
n->
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the sun is
ll:>
We take
-V-V
B7
ffiflrrffn
E7
ffiA
if;ffi'rFrrn
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ffiB7
mAt-fl-t-H
D*ffi(Solo
-----------a
shin - ing down,
. v ! vn
shine,_
n -
v- -
burns
V-:>
shine,
- . Vr:>>
Good day- sun
n -
n v-
feet as they touch the ground.
lst finger bar on "A" chord.
N VN V V- V
A7
&.=t-fffiFlF|I-H?
shine.-
n v.:>
Good
nn-:>
D.S. al Coda
V- V
day- sun -
- vn
:>
Dn*nffi
Ft7
ffiB
ffitt''
Ftz
ffiffitt''
B
Good day- sun -
- ! n v!
BB
E7
ffi
Good day- sun
- ! - v!
- - vn
:>
Repeat and fade
Good day- sun
l r - -
vn
t Rock fingers back and forth frm left to right for tremolo-
shine,-
Em?gHffirffir1
Amooo@o o o
ffiffiffiFfi-rn rrrffi
@ooooFFFTflffiffin-rrn
- - \ / - v-
:>
can't buy me
- \ / - \ /n
- - \ / - \ / -
:> - - v- \ / - \ /
:>
love.
n:>
l . buy2. etve
-
you ayou
-:>
dia - mondall I've
NV
friend,-give-
makessay
nng'-got -
:>
you feel alyou love me
ityou
myto
F'7
ffiffi
\ / !
Coovrreht O 1964 NORTHERN SONCS LIMITEDAll Rights Administered by BLACKWOOO lhi:SjC lNC. under license from ATV MUSIC (MACLEN) & SBK UNART CATALOG lNC.
All Rights Reserved Internattonal Copyrrght Secured
I',llI
myto
get youmay not
an- yhave a
thing-lot -
friend,- ifgive - but what
itI 've
144
F7
ffiffifl
lz. c'm"x
muchmuch
Can't buy me
- - v-
>:>
' ry-bod-y te l ls me
right.-you.-
for mon - ey can'tfor mon - ey can't
- -:>
G
fficare toocare too
you feel alI'll gve to
- - vn
:>>
'Cause I'Cause I
don'tdon't
makesgot
-
I tc
ffi'
-:>
buy mebuy me
- V-
funooo@o o o
ffiffi
for mon - ey,for mon - ey,
ooo@
Fft-fH
ev-
- v-
:>
N VN VI V N V- V-
oooooo o oooFFFFII FFFFII
f f i f f i7-
so.- Can't
V N V->.
love,
F
ffiooooooFFFFFIFFFTtrffrrH
buy me love,
v ! v- v-
\ / -
vn v-:>
v- v- vn
145
Am
ffiDmT
ffiffiooooooFFFFIIFrt-rrtffilFn-rn
Go@
FIFFH
flffioooooo
ffi
no!
\ /n->
r.r r- \/ l'tv,l
:>
no no
n-:>
no-
V- V-V-
Say you don't need no
n-l>
Tell me that you want the
FI FI" i n vn
sat - is
things- that mon
dia mond rmgs- and I'll
V- V-
just can't
B
F7
ffiffi
kind-
G
ffiF7
ffi
146
c
ffih'F7
ffimon - ey can't
-:>
r | -:>
B (Scream)
buy me
-v-V-
V- V- VN V
V- VN V
C7
FFN|It I afTtT TT-T'I I I IN
-.
->
F7.̂I ' IUtITTUTII'TINtI fI fI
---:>
-V>>
n
-:>
-:>
C7rL.NTI ITTTII I ITI 'I I ITTI
-
F
Flttiffi
H++f,
n->
TTT
GrrTrn ?f,
H++F..
D.S. al Coda
k
, .1.- : i
n I a
t r l ,A (R
-t
r - I ,- - - \ -o
A (D
F'7
ffiooooooFFFIN
ffi
mon - ey can't
->
buy me
n\ / -
love. -
V-
Can't buy me
-v-
love-
Btsm
o oooFFFFII
ffiIt'ff't-l
Am
ffi rf;HiFffl-fl rrFrn
oooo@FFFfilffi
H++f,
love
N VN V- V
ffi
oooooo
ffi
-l> -
\ / - v- v->
-> -
VN V- V
Amoo
ffim'rn-l
oooooo
ffi
c
ffiooooooFrrrnffi
H++f,G
#Effi
- VF1 V- V
- VN VN V
148
shecame|nThroughT_he Bathroom uuindbw
Half tempo BY IOHIV LENNON ANd PAUL MCCARTNEY
I
r l l:>
B-------- - - - - - - r
r
l. She came in through the2. And so I qdit the
vn
bath - room win - dow,_p'lice de - part - meni,_
V-VNV N
- -VNVNV
by theshe could
VN
xgu"' ffitoo'
V-
.4.
ffi 5fr.
ffitou'
sil - ver spoon.-stead - y job.
- -v n
- -Vn\/-vV-
ffi'o'
pro - tect - ed byand got my - self
-v - -v-
But now sheAnd though she
-V - -V
I l-l t l-J I l-,,J
- -
sucks her thumb and won - ders_tried her best to help me,_
- -v- nv | .1
- .
I L-J I l-J
-
D
ffi
-V-V
. .Copynght O j969 NORTHERN SONCS LTMITEDAil Krghts Admrnrstered,,by. BLACKwooD MUSIC lNc. under license from AW Muslc (MACLEN)
All Rights Reserved International Copyright Secured
ffitou'
bankssteal
-?r---- ------
her?-
- -v-v11
Tues - day's on the Phone to
n -
n - \ /n
\ / -
- goon.- |rob.- |n n
>
her ownshe could
n->>
Did-n' t an -y -bod
-V>
y teu-
V-VNV
y see?-
-VNV
Dm
#
FI
B
Dm
ffi
ffi'u'
-V-
y-bod
nv- n
G7
Sun - day's on the phone to Mon - day,-
n n n\ / - \ /n-_----
n - -
n\ / - -
n\ / -v
B
5fr.
She said she'd al - waYs been a
ffi'"'
B
A
ffi
To Coda
+
me.-
|l
150
V -
V -
V -V
ffi'*'
danc - er,-
- - - \ / - \ /n\ /
day.-
- - - \ / -vn\ /
- -VNVNV
VN
she worked in fif - teen clubs a
-v - n\ / -
- \ / - - \ /
And though she thought I knew the
-V n
-Vn -vn -v
ffiton'
I
-:>
->
Coda
+G7
ffi 3fr.
Tues - day's
--
the phone
-\ / -
to
yn
on
-
ffi'"'
v- -
I knew
vn -i,,--- ----,-
but could not
->
ffi'n'
oh yeah!-
/i
- - - - - -:>
15f
Back ln The u.s.s.R.By JOHN LENNON and PAUL MCCARTNEY
Moderate Boogie - Rock tempo
E7oo o
5fr.
D
fEERH#
A
ffi
Did -Gee-
o.knew
c. , -place,-
Beach, B.hard - ly
-l>
a-m1long I
nF
fromway
-:>
ina
-
FlewBeen
fpffi3frHffi
get to bed lastgood to get back
- \ / l r - -:> :>
ffift5fr.ffi
night.-home.-
BBCOPYrrght @ 1968 NORTHERN SONCS LIMITED
All Rrghts Admrnrstered bv BLnefWOOD MUSIC lNC. under hcense from ATV MUSIC (M,ACLEN)- All Rights Reserved International Copyright Secured
152
A
ffi"'
knee,-case, -
bag was on myto un - pack myn\ /
:>
the wayit till
- -:>
BB
C
fEEtIl3fr.ffi msfr.
Hffi
flisht.-l .phone.-f I m
->
3back in the U. S. S.
D
ffitoo'
BB
A
ffi''''ffitu'
-VNVrlVN
the pa - perto -mor- row
V--
I had a dread - ful€y, dis - con - nect the
--V--l>
C
You don't-know how luck - y you are,_
v -
V n \ / -
\ / -
\ / -
\ / -v
Aoo
FFffftEIUNFFFFH
l .D
ffitou'
in the U. S. S. R.-
ffi"'ffirr''ffi+r''Release left hand pressure on A chord for lstd sound.Lay left hand lightly across strings for 2nd>d sound.
------
- - - - - - - - - - r
- - - - - -
- - - - - r
-
Back
rs'
lzc/E
o@oG
ffi
knock me out.- They leave-
- \ / - \ /nVn\/ !
in the U. S., in the U. S. S.
Well, the U - kraine girls real - lY
-VNV-V
the- West be - hind.-
- V
- V
- V N V
- V
- V
-V
Back
-V
in the U. S., BackBack
Dr*n
ffifrA
ffi'u'
$m/cf
ffiD
&ffi
B7
ffifii
Mos - cow girls
-- \ / -
make me sing and
n\ /n:>
shout*
nv-:>
that Geor - gia's al - ways on my - mi - mt -
| rv-
1t1
B7
n#r|ft-fl
A
ffio@oooFFIIitftfrl
H++H
D7
H+H
mi - mi - mi -mi - mi - mi - mind.-
rt"- ' - ' - ' - '1 v r i t t l l
-l> :> :>
-V
A(addD)
ftmrr'.t|. . i l tT T |TTI
D C
BBB
DNffitoo'
1
ffiton. ffi'o'
T BT B TB T B
>>>>
C
:>
l'tr' A
ffi'*'
D
ffi
3I'm back in the U. S. S. R.,-
TF\/FI \ / l \ /F\ /r t v rr v rr v t r v
D
ffi
ffitt''
You don't-knowhowluck-y you are,-
-V - V r1 V
-V
156
A D
FFFFF
ffiffi'n'
knock
-V
.:>
girls
V-V
real - ly
-V
me
.
They leave-
- \ / -:>
make me sing and
-\ / -:>
the- West
-v-
shout-
v-:>
And
-V
B7
ffif;irftrfi
Am/C
ffi"F$m/cf
ffiFfftN
-l>
that Geor-gia 's al- ways on my-mi - mi -
V-
B7
ffi
:>
-:>
Well, the
------
- - - - - - - ' r
- - - - - -
- - - - - - - - - -1>:>:>:>:>:>:>:>:>:>
Aoo+
ffi
out.-
V-
girls
v .:>
Mos - cow
Ao@ooo o oFFFIII FFIffiEHItr FFFFHFFI-|H l'ff1+l
mi - mi - mi -mi - mi- mi - mind
-v-n-v---:> :> :> :> ;> :> :> :> :> :>
be - hind.-
- \ /n
156
' l
rTil-R5fr.Ttffl
way downShow me 'round your snow - peaked moun - tains
-v- \ / I .1\ / -vnVnvnv-v
me to your dad - dy's
- \ / n \ / f l V n \ /
- v
- \ /
- \ /
- \ /
DffiH++il
>
Fr \/
Am7
FFFI+?sfr.Hfrfl
and keep your com - rade
me hear your bal - a - lai - kas
NV-V-V-VNV-V-V>>
FFFITisfr.ffi
ring - ing
- \ / - \ / - \ /n\ / -v-v l r \ / -v:> :>
I 'm back if the U. S. S.
'r5./
A D
ffi I 0fr.
ffi'u'
- V N V
- V N V
-V
in the U. S.
You don't-knowhowluck - Y You are,-
V I : V -
V N V -
V -
V -V
-V-V-V-V
Aoo
FFITHffFIt-ffff1
R.-
D
ffiA
oo
ffi
-:>
EbE
2rr' ffi'o'6ot''
NV-V-VNV
158
AnwimeAtAllBy JOHN LENNON and PAUL MCCARTNEY
An - y time
DrLffi
Bm
ffi
A
+rFf,H14Hrrrt-r1
.
An-y
.
and I '11-
v--:>
-
at all,
l .1\ / -
Bm
ffit-f$fl
time
V-n
D.J-ffi
at
be there (Emphasize top notes)
VNVVV
you got - ta do
V-
is
G
ffi
.
.. copyrrght o 1964 NoRTHERN soNGS LrMrrED M----- - - - - - - - - - - -J
All Rrghts Admrnrstered.,by BLACKWooD MUStc tNc. under hcense from AW MUSIC (MACLEN)All Rrghts Reserved Internatronal Copyrrght Secured
159
ooooooTRllffi
Ffffft
A/CT
{-l-ffnH$f,Hrr..
D#ffi
-
bod -yfad - ed|.1
to love-a - way-
- \ / -
somehas
v-
1
2.you needthe sunvn
IfI f.
->
B
Gm/Bboo
ffiffi
B
Bm
ffi
---
eyes)-rshine;-
v-
to makeI
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rm LookingThroughYouModerato, with a beat By JOHN LENNON and PAUL MCCARTNEY
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Copvrleht O 1965 NORTHERN SONCS LIMITEDAl l Rrehts Admrnrsrered Ov BLRe KWOOD MUSIC INC under l rcense from ATV MUSIC (MACLEN)
" Al l Rrghts Reserved Internat lonal Copyrrght Secured
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treat me right?-
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ffi
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Hello, GoodbyeBy JOHN LENNON and PAUL MCCARTNEY
C
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stop-
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yes-
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and
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Moderato
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You say
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say no-
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You say
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You say- good - bye- and
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IF
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say hel - lo,( Let chord ring)
hel - lo,- hel - lo,
168
Coovrrsht @ 1967 NORTHERN SONCS LIMITEDAl l Rrehrs Admrnrsrered nv alne KWOOO MUSIC INC under hcense from ATV MUSIC (MACLEN)
- All Rrghts Reserved Internattonal Copyrrght Secured
I don't- know
why you say good - bye,_
- -v-
I say
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hel - lo,
- \ /
\ / - - -:>
hel - lo,- hel - lo.-
B
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You say low-I say no-
I sayYou say
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hel - lo- hel - lo
hel - lo- hel - lo I don't-know
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- - \ /n
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why you say good-bye- I say hel - lo-
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Why why why
V-V
170
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Repeat and fade
171
She'sAwomanBy JOHN LENNON and PAUL MCCARTNEY
Fairly bright, with a strong back beat
E7
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1.3.4. My love2. She don't
I knowShe hates
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-V- -
me pres - ents,the eye.-
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nome
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172
Copvrrsht @ 1964 NORTHERN SONCS LIMITEDAll Rrehts Admrnrstered bv bLnefWOOD MUSIC lNC. under ltcense from ATV MUSIC (MACLEN)
" All Rights Reserved lnternational Copynght Secured
D7
H+H-ly
is
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OnShe
.
ev - er has- tohap - py just- to
r lv-
don't grveglve boys
-v- ->
glve mehear me
me pres - ents.the eye..-
n n\ / -
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love for - ev - ersay that I will
-v- :>
and for - ev - er;nev - er leave her;
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lovedon't
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Turn meShe will
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when I- geter make- me
D7om
FIFIH
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Peo - ple tell me that she's on - lyGive me all her time as well as
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173
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a wom - an who un - der - stands;-
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175
Hold MeTightBy JOHN LENNON and PAUL MCCARTNEY
It feels so right now, holdhold
me tight,-me tight,-
>> >>
lv
(me tight)- to - night,-
Moderato
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(to - night)-
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to - night, - ( to - night )-lt's you
ll:>
you, you,
-v-
COPVTIEht @ 1963, 1964 NORTHERN SONCS LIMITEDAl l Rrshts Admrnrstered bv S"LnCKWOOD MUSIC lNC. under l tcense from ATV MUSIC (MACLEN)
" All Rrehts Reserved Internatlonal Copyrrght Secured
176
F/c
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- \ / -v- \ /
tell me I'm thelet me go on
e-on - ly one,- and then
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lov - ing you,- to - night,Fr ll
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me tight,-
l-l-l-J
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Bb
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177
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me tight,- (me tight)-
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nev - er bemak - ing love
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you, hoo hoo.
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178
By JOHN LENNON and PAUL MCCARTNEY
Gm7
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2
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the
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Copyright @ 1968 NORTHERN SONGS L|M|TEDAl Ridlrs 'rdrrwraered by BLAaKwooD MUStc tNC. under license from ATV Mustc (MACLENI
All Rights Reserved lnternational Copyright Secured
179
C7
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heart.-
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Love you when-ev - er
V-V rr -nv!
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Love you with all- mY
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180
- \ / - \ /n-nv
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YOU, For the things- you do- en - dear-
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It's only LoveBy JOHN LENNON and PAUL McCARTNEY
nrlnt l -v IE
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When you sigh, ffiY,Just the sight of
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I seeyou and
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when I'mto make
FI;n
182
Copyr ight @ 1965 NORTHERN SONGS LIMITEDAll Riehrs Adminrstered uv BlAerwooD MUSIC lNC. under license from ATV MLrSlC (MACLEN)
" All Rights Reserued International Copyright Secured
-VN V tr V
Bb
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love and that is all.- Why should I feel_ the way I
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love, and that is all,- but it's so hard lov - ing you.
Yes, it's so- hard lov - ing you
-9n -V
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183
GirlGuitar * Atm(^c1no
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By JOHN LENNON and PAUL MCCARTNEY
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She's theAnd she
1U
Copynght O 1965 NORTHERN SONGS LIMITEDAl l Rrehts Admrnrstered UV biAt- fWOOO MUSIC lNC. under lcense from ATV MUSIC (MACLEN)
All (rehts Reserved Internattonal Copyrrght Secured
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Girl,Yold the pick loo-sely & low so only a little is showing.Let your fingers & pick strum the itrings for a..brusling"errect '5
\ / n \ /n t /n t /
I'.Dm
mFm
II2.Dm
mFm
G7
ffiBb7
Dm
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,-3----'-
Release pressure of left hand for staccato.Allow open strings to ring through.
She's the kind of g1r1 who puts youtll----- - - - - - - - - f
Aoo
FFIFFIH+IFrrrFn
C
down when friends you feel
A
#.FoHTffIffi
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good, sheWhen you say
r85
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macts as if i t 's un - der - stood,she's cool,- ooh,
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r\/ :t t v rr - - - - - - - - - - -1
man must break his back to earn
Dm
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To
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Eb
"Brushed" effect
Am
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Amoo
ffirrrrnCm
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L Was she told when she was young that pain would lead to plea - sure?(no lvric on D.S.)
, -3n
Did she un - der-stand it when theY
n- -- - - - - - - - ' l
186
Amoo
ffiffrT-nCm
Dm
#Fm
Amoo
ffirrrrnCm
Codaq
E7"ffiiG7
Amoo
ffirrFFr'1Cm
left hand pressure for staccato.
D.S. al Coda
Amoo
ffirrfl-tCm
ffi' "ffi
ReleaseFor oprror openyour rele
F
pen string staccatos, use fing€r thatreleasing pressure on to touch open string,
Dm
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mt-rrn..]...l...mlTrrn
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Will she still be - lieve it when
1gl
YourMothershould KnowBy JOHN LENNON and PAUL MCCARTNEY
-r..,r '-i'l T'l.
Moderately () ) )Jtobeplayedl ike J ) ) ) )
Amoo
F
ffiLet's all get up and dance- to a song-that was a(Release left hand pressure & drop fingers lightly over open strings
,rf
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c/Boo
ffirfi-rn
for staccato.)
f i - - - - -
A7lE
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ffi
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your moth - er should know,-
T------ - - - - - - - - - -J E
Copyrrght O 1967 NORTHERN SONCS LIMITEDAll Riehts Admrnrsrered b'"npntL MUSIC lNC. u.nder ltcense from ATV MUSIC (COMET)
Att niehts Reserved International Copyright Secured
Though she was
Your moth - er should
n----- - - - - - -1
188
Amoosm
Fn-ifi
B
ATlE
ffi
F
ffiLet's all
nn
hit
nbe - fore- your
NNVNV
up
n
get
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clBoo
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#
song- that
Though she was born_ a long,-
G7
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moth -er was born.-
A - gO,- your moth - er should know._time-
nn
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ffi
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your moth - er
-
c
ffiishould
n
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ffiAmoo
ffiFfft.N
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andda
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yourda
ada
sing- meda- da
be - fore-da da-
song- that was a hitda- da da da da
Lift upDa da
-n
your heartsda da
n
r
IclBoo
ffirrrrn
c
ffi"G7
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moth - er was born.- Ida da da da'- {
long,- long time- ? - Eo,-Though she was born-
n
1S
your moth -er should know-
your moth - er should know.-
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ffi"A
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your moth - er should know.-
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Moderately
F
ffi
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ffiLf
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ffirrIn
ran -(1) f ix(2) filr
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hole -cracks-
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V-
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ffil-l-t-rflFFt-rn
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ffiH+ffi
stopskept
-
mymy
\/-
mind-mind-
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fromfrom
vn
- der-- der-
wherewhere
FixingAHoleBy JOHN LENNONznd PAUL MCCARTNEY
J
where thethat -
\ / -
r-------- - - - - - ' l
I L-ay 4th finger across I st & 2nd strlngslor percusstve eJJecI /
- \ /n vn
3gets -
through the
1. I 'm|l
flTTflHH+
go.go.
|l
. , - COPYTIght @ 1967 NORTHERN SONCS LIMITEDAl l Rishts Admrnrstered UV bLntrcWOOD MUSIC INC under l tcense from ATV MUSIC (MACLEN)
All niehtt Reserved lnternational Copyright Secured
G7
ffic
Hffi
F
ffiffi
G7
ffi
F
-\Itrrrtlt-t'rrrftt t t t l
c
ffi
3be - long,- I'm right
\ / -n
andand
peo - plepeo - ple
-
B
G7
ffi
stand - ing there-run- a - round,-
V
whodis-a-sree-wtro woi - ry ;;;--
won - der whywhy they don't
-n
(Hold 2nd & 3rd fingers I,mdown on chord, & use1st finger for gui.taihne.) I'm
V-V-
get
c+
ffiFm
ffiHqqfl
Fm6
EffiH++]Frfffl
c+
ffiF
ffi3 ______.|
col-or- fu lnum - ber of
waY'things
n
3inafor a
Fm7
ffiffi
Fm
ffiffi
room-time-
-
my mind-im - por
paint - ing atak - ing the
n
Coda+ToFm7
ffiffi
B
Fm
ffiHqf
will-still-
(to Coda)
there IAnd I
wanyes
der - ing-ter - day.-
1Stant
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ffiFt-t-t-fln-rrn
B
Fm7
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ffiffi
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ffiFm6
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(Solo)
-
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hey-
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hey
194
Fm7
ffiH+H
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4fr1rH+ffi
Fm7
ffiH++F
Fm6
ffiHt+Hrrrln
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ffi
Fm6
ffiH1+fl
Fm7
ffiffi
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- N V VN
- N V V N
195
I
Fm7
ffiH+H
Fm6
nffit-H+f{
fix - ing a
-v-
hole- where the
V-VN
gets -
Fm7
ffiffi
stops
|l
my
\/-
mind -
v-from-
V-
wan.3.
where lt will-
Fm7
ffiffi
Fm7
ffiffi
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EEMH+H
I1S
EleanorRigbyByJOHN LENNON and PAUL M.cCARTNEY
Moderately, with a steady beat
crt*iffi
look at all - the
&no ooom
ffi
-\ / -
look at all-
Em?i1trffi
Eno?*trtrffi
El - ea-nor Rig-
n-----by, picks up the rice- in the church_ where a wed - ding has been,_
1
-
- - - - - - - - - - r
- - - - - -
. . Copynght O 1966 NORTHERN SONGS L|M|TEDAll Rrghts Admrnrstered..by BLACKWOOD MUSIC INC under hcense from ATV Muslc (MACLEN)
AII Rrghts Reserved Internatronal Copyright Secured
197
c
ffiEm
ffi'u'
dream.-
--aa
lives in
n---aa
Waits at the win - dow,
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wear-ing the face- that she keeps - in
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jar - by the door,-
Em6
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for?- All the lone - lY Peo - Ple,
V nV- V -
- - ' - - - l
Em
ffi"''oFF*f
ffi
Em(b6
ffil-ffFft
where do - they all - come from?-who is
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Em(b6)o o-o
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ffi
All the lone - ly Peo - Ple, where do- they all - be - long?-
Em?r#ffifi-rt-H
ser
-
Fa
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- ther Mc - Ken - zie. writ - ing the words- of
- .
mon that no- one will hear,-
darn-ing his socks- in the
- n \ / -
-:> :>
no one comes near._
-
--- - - - - - - . r
night- whenthere's no - bod - y
\ / -
n Vn -
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Look at
-V
work - ing,
V-V
him
-
there,-
vn:>
Em6**fffit-fl-t-F1
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what does he care? -
- V 11 V
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where do- they all- come from?-
1S
ple,
Em6o oofrFtftr??.lTlFtftfl
T_-------- - - - - r
coo
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All the lone - ly
all- the lone - ly peo -
- - - - - - - - - - ' r n
where do- they all-be - long?-
peo - ple!
| l - - - ' - - - - - - - - - - - ' l>
- V
-V- V N V I V
-V -V-V-VIV
Ah- look at
El - ea - nor Rig
mo
-'-T-'-1
died in the church-and was bur - ied a - long- with her name,-
- \ / - \ / - \ / - \ /
hands- as he walks- from the
where do- they all - be - long? -- slower
rt-- - - - - - - - r t l
Em6o oo-!c=tffifHFftrft
Emo ooottrtF
ffifFttf+i
Em(b6)
ffi{
lone - ly
l'llcrylnsteadBy JOHN LENNO'N and PAUL MCCARTNEY
BrightlyG9 G7
ffi'o' ffi'o
I've gotl .2.
n
BG9
ffi"'T
G7
ffi'o'
ev - 'ry rea - son on earth-chip on my shoul-derthat's big - ger
N-NVV
to bethan my
mad,-feet,-
TT
G9
rTllrt3f(.
ffi
G7
ffi'o'
the onto peo
'cause I'veI
C7
ffii
just lostcan't talk
NV
Ft \/Y
couldcould
-
1
B
DF*t
ffi
I f I -
n \ /n V>
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cirl Ithat I
get my wlY,-see you now-N VN V
m.
-t7BCOPYright O I964 NORTHERN SONCS LIMITED
AII Ri8hts Administered by BLACKWOOO'MI..IS|C lNC. under license from ATV. MUSIC (MACLEN) & SBK UNART CATALOCAll Rights Reserved International Copyright Secured
I'd getI'd try
VN V
my - self lockedto make you
I've got a
I get
- vr l
upsad
to - day,- But I can't-some - how,- But I can't,_
inin
\/ Ft
Don't want
DF*tr
ffi
crv_
soSO
NV
r1lI',ll
n:>
ffi'o' ffi'u' ETrn3fr.Tttt+ ffi'o' ffi'o'
stead.stead.
n
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ffi
cry when there's peo - ple
-V :>
shy when they start
- \ /n >
to $uNxE-
V|1
D#ffi
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I'm gon - na hide my - self
FYnrr :>
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some
n
And when
-
DFtFffi
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VN nVYes, I'm
nVn
I'll _showyouwhat your lov - in' man _ can do, _ Un _ tilLay righJ palm lightly across strings, near bridge,for muffled sound on single note r-uir.
V n V =- --- ' - - - r n----- - - - - - - - - -1
DF*F
ffi
ILlG7 G9
ffi"
I'll cry
NVV
12.lG7 G9G
ffi'n' ffi'n' ffi'u'
mB3f'.l-fJ+H
in - stead.
VN V N
gon - na break 'em in two_
FI; r t V- V
then-
26
PaperbacKWritgrey JoHN LENNON and PAUL MCCARTNEY
Pa - per-back wnt - er, --
G7
ffiBright Rock
read my book? It took me Yearstake a few; I'll be writ
on a nov-el bY a manit loug - er if You like
NVNV
you take a look?a week or two.
needchange
Sir or Mad - am will Youthou - sand Pag - es, give or
- V V- N
G7
ffil. Dear-2. It's a
n
toing
write,more
I.earstyle,
willin
It'sI can
basedmaken
and II can
namedthe
ait
job so'round and
B----- ' - - ' Copyr ight O 1966 NORTHERN SONCS LIMITEDAll Ris,hts Admrnistered Uv-6iAdrwooD MUSIC lNC. under license from ATV MUSIC (MACLEN)
All {rehts Reserved Internatronal Copyright Secured
ffi
want towant to
a pa - per - backa pa - per-back
er.-
-
It's the dirt -If you real -
of a dirt -you can have
- per - back- per - back
y man,- and hi,the rights,- it could
bebe
writwrit
papa
oft
er
G7
ffiwrit -writ -
n
vly
clingmake
FI
- inga
wife does - n't un - der - stand.mil - lion for you o - yer - night.
His son is work - ing for theIf you must re - tum it you can
beabea
Mail;-here,-
It 's aBut I
job-break-
he wants toI want to
pa - per-backpa - per-back
butand
stead - yneed a
207
G7
ffi tr --]tr
G7
ffi Repeat and fade
208
,.jlry,
