balacade - malaise era album review by stephanie cram€¦ · control @ katakombes wed, 12/05/2012...

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13-01-04 12:55 AM CJLO Page 1 of 3 http://www.cjlo.com/magazine/music-review/balacade-malaise-era The Other Sport Show Create new account Username: * Password: * Log in LATEST FEATURES CJLO - The Best of 2012 Mon, 12/24/2012 CJLO - The Ones to Watch Series Sun, 12/23/2012 Tegan and Sara Fri, 12/21/2012 view all LATEST SHOW REVIEWS The Birthday Massacre + William Control @ Katakombes Wed, 12/05/2012 Derelict + First Fragment + Epiphany from the Abyss @ Katacombes Fri, 11/30/2012 Sloan "Twice Removed Tour" 2012 @ Le National Fri, 11/23/2012 view all LATEST MUSIC REVIEWS Balacade - Malaise Era Album Review by Stephanie Cram LISTEN TO : Palm Fête - Eyes Violent Future - Street Prowler (PREVIEW TRACK) view all Balacade - Malaise Era Album Review by Stephanie Cram CJLO Sometimes an album can trigger a memory of a time in your life, mostly likely because you incessantly listened to it. Other times, albums can sound familiar upon first listen, bring back a flood of memories even though you've never heard the songs. This is exactly what Balacade's new release Malaise Era offers. When I first listened to the album it took back back to the summer of 2004, when Grandaddy's Sumday and Dios' self- titled album were the soundtrack of evenings spent with friends around a campfire. Balacade is the project of Victoria, B.C. musician Andrew Reynolds, who has been recording folk songs for the past five years. He has released three albums, and has regularly appeared on compilations of Victoria record label Old Life. The album opens with the electronic folk track “L.A. 3600”, a song which eerily sounds like the Silly Kissers, and is an odd fit with the rest of the album. In no way is it bad, it just doesn't blend well with the other somber, lo-fi songs. A highlight of Malaise Era is the song “Marigold”. It is obvious that Reynolds wears his musical influences on his sleeve, since the song heavily draws from Grandaddy's sound. Using group harmonies, a simple electric guitar riff, organ, and the consistent chugging of a shaker, the song is a beautiful track that is unfortunately more suited to warm summer nights. The familiar feeling I got when listening to the album once again reared its head with the last song. The album closes with “Isn't It A Pity”, which is a George Harrison cover from the

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Page 1: Balacade - Malaise Era Album Review by Stephanie Cram€¦ · Control @ Katakombes Wed, 12/05/2012 Derelict + First Fragment + Epiphany from the Abyss @ Katacombes Fri, 11/30/2012

13-01-04 12:55 AMCJLO

Page 1 of 3http://www.cjlo.com/magazine/music-review/balacade-malaise-era

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LATEST FEATURESCJLO - The Best of 2012Mon, 12/24/2012

CJLO - The Ones to Watch SeriesSun, 12/23/2012

Tegan and SaraFri, 12/21/2012

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LATEST SHOW REVIEWSThe Birthday Massacre + WilliamControl @ KatakombesWed, 12/05/2012

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Sloan "Twice Removed Tour" 2012@ Le NationalFri, 11/23/2012

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LATEST MUSIC REVIEWSBalacade - Malaise EraAlbum Review by Stephanie CramLISTEN TO : Palm Fête - EyesViolent Future - Street Prowler(PREVIEW TRACK)

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Balacade - Malaise EraAlbum Review by Stephanie CramCJLO

Sometimes an album can trigger a memory of a time in your life, mostly likely because you incessantly listenedto it. Other times, albums can sound familiar upon first listen, bring back a flood of memories even thoughyou've never heard the songs. This is exactly what Balacade's new release Malaise Era offers. When I firstlistened to the album it took back back to the summer of 2004, when Grandaddy's Sumday and Dios' self-titled album were the soundtrack of evenings spent with friends around a campfire.

Balacade is the project of Victoria, B.C. musician Andrew Reynolds, who has been recording folk songs forthe past five years. He has released three albums, and has regularly appeared on compilations of Victoriarecord label Old Life.

The album opens with the electronic folk track “L.A. 3600”, a song which eerily sounds like the Silly Kissers,and is an odd fit with the rest of the album. In no way is it bad, it just doesn't blend well with the other somber,lo-fi songs.

A highlight of Malaise Era is the song “Marigold”. It is obvious that Reynolds wears his musical influences onhis sleeve, since the song heavily draws from Grandaddy's sound. Using group harmonies, a simple electricguitar riff, organ, and the consistent chugging of a shaker, the song is a beautiful track that is unfortunatelymore suited to warm summer nights. The familiar feeling I got when listening to the album once again reared itshead with the last song. The album closes with “Isn't It A Pity”, which is a George Harrison cover from the

Page 2: Balacade - Malaise Era Album Review by Stephanie Cram€¦ · Control @ Katakombes Wed, 12/05/2012 Derelict + First Fragment + Epiphany from the Abyss @ Katacombes Fri, 11/30/2012

13-01-04 12:55 AMCJLO

Page 2 of 3http://www.cjlo.com/magazine/music-review/balacade-malaise-era

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1970 release All Things Must Pass. Reynolds uses samples from the original recording, and sings Harrison'slyrics. The song is performed slower than the original, and Reynolds incorporates the sound of an old vinylrecord popping – two elements which give the song a strange, other-worldly sound.

Despite the depressing name, Malaise Era is an excellent lo-fi album worth checking out. Even thoughReynolds draws influence from albums released almost a decade ago, there is a timelessness to Balacade'ssound.

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