baker americas
TRANSCRIPT
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Americas Gothic Fiction
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Americas Gothic FictionThe Legacy ofMagnalia Christi Americana
D orothy Z. Baker
Te Ohio State University PressColumbus
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Copyright 2007 by Te Ohio State University.
All rights reserved.
Library o Congress Cataloging-in-Publication Data
Baker, Dorothy Zayatz.Americas gothic ction : the legacy o Magnalia Christi Americana / Dorothy Z.
Baker.
p. cm.
Includes bibliographical reerences (p. ) and index.
ISBN-13: 9780814210604 (cloth : alk. paper)
ISBN-13: 9780814291443 (cd-rom)
1. American ctionHistory and criticism. 2. Religion and literature. 3. Mather,
Cotton, 16631728. Magnalia Christi Americana. 4. Mather, Cotton, 16631728
Inuence. 5. Puritan movements in literature. 6. Horror tales, AmericanHistory
and criticism. 7. Gothic revival (Literature)United States. 8. Religion and litera-
tureUnited StatesHistory. 9. National characteristics, American, in literature. I.
itle.
PS166.B35 2007
813.0872dc22
2007012212
Cover design by Fulcrum Design Corps, LLCext design and typesetting by Juliet Williams
ype set in Minion Pro
Printed by Tomson-Shore
Te paper used in this publication meets the minimum requirements o the American
National Standard or Inormation SciencesPermanence o Paper or Printed Library
Materials. ANSI Z39.481992.
9 8 7 6 5 4 3 2 1
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Contents
w
Acknowledgments vii
Chapter 1 Introduction 1
Chapter 2 We have seen Strange things to Day:Te History and Artistry o Cotton Mathers Remarkables 14
Chapter 3 A Wilderness o Error:Edgar Allan Poes Revision o Providential ropes 37
Chapter 4 Cotton Mather as the old New England grandmother:Harriet Beecher Stowe and the Female Historian 65
Chapter 5 Nathaniel Hawthorne and the Singular Mind oCotton Mather 87
Chapter 6 Te story was in the gaps:Catharine Maria Sedgwick and Edith Wharton 119
Works Cited 145
Index 157
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Acknowledgments
w
My work on the legacy o Cotton Mather owes an immense debt to many
scholars whose studies on American historical narrative and American his-
torical ction provided the oundation or this book. In addition, I could
not possibly list the countless colleagues whose ready ears, bibliographic
leads, and astute observations sustained and enriched my work. I would
especially like to thank Jane Donahue Eberwein, Wyman H. Herendeen,
John Lienhard, Steven Mintz, Nancy Lusignan Schultz, Roberta F. Weldon,
and Lois Parkinson Zamora or their innumerable kindnesses. Tis book
would have been impossible without their good counsel and the example
o their scholarly practice. I rst outlined the argument or this book in
a conversation with the late W. Milne Holton and was encouraged by his
keen interest in the project. Dr. Holton was an exacting and generous men-
tor. Would that I could thank him or his unailing support.
Studies in American Fiction has kindly given me permission to reprint
in chapter our a revision o my essay that appeared in the journal in1994. I would like to thank the Interlibrary Loan Department at the M. D.
Anderson Library o the University o Houston or its remarkable ecien-
cy in meeting my every request. Te University o Houston supported my
research with a Faculty Development Leave, which was critical in helping
me to initiate this study. I am very grateul to Sandy Crooms o Te Ohio
State University Press or her enthusiasm or this project. Te anonymous
readers at Te Ohio State University Press contributed greatly to this book,
and they have my sincere thanks.
My personal debts are too numerous to list. May it suce to say thatI live more ably and ully because o the goodwill and generosity o many
vii
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viii
wonderul people who daily show me the splendor and joy o this world.
Foremost among them is Lawrence Baker. I would also like to acknowl-
edge my daughter, Elizabeth Eve Baker, and my son, Daniel AbrahamBaker, who are both magnalia Dei in my lie.
Finally, this book is dedicated to the memory o Abraham Harris Baker,
my husbands much-loved ather, my childrens wise and wonderul grand-
ather, and my great riend.
Dorothy Z. Baker
Houston, exas
2007
Ackno wl ed gm en ts
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Chapter 1
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Introduction
Providentialismwas not born in Puritan America, but when seventeenth-century New England proessed its belie in Gods agency in the great
and small, public and private events o their lives, this proession o aith
took on uniquely American coloring. Moreover, it became a deep-seated
and dominant notion in American culture. Belie in divine providence
expressed itsel in the national historical and aesthetic literature o the
seventeenth and eighteenth centuries. Well into the nineteenth century,
historians and literary authors continued to draw on the tropes o Gods
providential designs or his people. Te language o this proound religious
tenet also ound its way into many o the nations major political manies-
tos, such as those surrounding the Revolutionary War, Maniest Destiny,
and the Abolition movement, and has continued in twentieth-century
discourse concerning issues as diverse as John Kennedys pronouncements
on the U.S. governments involvement in oreign aairs and the religious
rights claims regarding the AIDS epidemic. Religious imagery, scriptural
allusion, and even religious doctrinal assertion orm powerul components
o American political and historical writing, the philosophical underpin-ning o which is a belie in divine providence. More specically, national
political and historical documents regularly suggest Gods hand in the lives
o individual Americans and the policies and practices o the nation.
Belie in divine providence is the basis o a narrative orm that is the
staple o Puritan letters. Te providence tale in early America is a ormu-
laic narrative that testies to the omniscience and omnipotence o God,
and especially to the belie that God exhibits these qualities in his active
presence in the daily lives o his people in New England.1 Tat the power
1. My understanding o providentialism in Calvinist New England is based largely on
the work o the ollowing critics. David D. Hall oers a thorough and insightul history o the
1
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Introduction
preserves his elect while he brings public, denitive, and symbolic punish-
ment to those who sin.
Te providence tale is now recognized as an early expression othe short story and a ction orm that ascinated readers well into the
nineteenth century.2 Such tales are regularly ound as embedded narratives
in Puritan sermons. Tey are also ound in collected orm, most notably
in Increase Mathers Illustrious Providences (1684), and then in book six
o Cotton MathersMagnalia Christi Americana (1702). Both works oer
a ull compendium o tales recounting extraordinary occurrences, such
as exceptional medical cures, incidents o witchcra, gallows conessions,
and tales o depraved behavior, among other sensational topics. More
than any other collection o New Englands remarkable occurrences,Cotton Mathers Magnalia Christi Americana captured the imagination
o its audience. Peter Gay recounts that the book was valuable enough to
be stolen: in 1720, a burglar ransacking Jonathan Belchers well-stocked
warehouse included in his booty a Book Entituled, Magnalia Christi
Americana.3 Book six oMagnalia documents the wonder-workings
o God among the common people o New England, and, like the earlier
volumes o Mathers history, they underscore Mathers rationale or
his extensive history o New England to revive his readers and his
congregants devotion to the Puritan commonwealth. Gay describes the
book as tribal history, expressing Puritan sentiments, eeding Puritan
anxieties, and sustaining Puritan pride (77). Tis was its social unction
in the early eighteenth century and served the same role well into the
nineteenth century, where it continued to hold the attention o American
readers.
2. For an exploration o this subgenre o Puritan literature, see Jane Donahue Eberwein,
Indistinct Lustre: Biographical Miniatures in the Magnalia Christi Americana, Biography:An Interdisciplinary Quarterly 4.3 (1981): 195207; James D. Hartmans Providence ales;Parker H. Johnson, Humiliation Followed by Deliverance: Metaphor and Plot in Cotton
MathersMagnalia, Early American Literature 15.3 (1980/81): 23746; and Alred Weber, Die
Annge des Kurzen Erzhlens in Amerika des 17. und 18. Jahrhunderts: Die Providences der
Amerikanischen Puritaner,Mythos und Aulrung in der Amerikanischen Literatur, ed. Dieter
Meindl and Friedrich W. Horlacher (Erlangen: Erlanger Forschungen, 1985), 5570. Although
John F. Berens, Providence and Patriotism in Early America 16401815 (Charlottesville: University
Press o Virginia, 1978), ocuses on the Puritan providence as a historical phenomenon and as
a method o articulating social unity, his thorough study also investigates rhetorical eatures o
this literary orm. See especially 1431.
3. A Loss o Mastery: Puritan Historians in Colonial America (Berkeley and Los Angeles:University o Caliornia Press, 1966), 71. Here and throughout the book, I neither alter the
spelling, grammar, and punctuation o early texts to conorm to current standards nor signal in
any way that the language does not meet current prose standards.
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Chapter 1
Te early volumes oMagnalia recount the great deeds o great public
gures in seventeenth-century Puritan America. Included in these books
are the biographies o early civic leaders, the ecclesiastical history o theNew English colonies, an account o the early years o Harvard College,
and the history o war with the native Americans, among other subjects o
political, economic, and religious history. Mathers goal or these accounts
is to educate and also to inspire. Tus, the early biographical miniatures o
the Puritan oreathers resemble hagiography, designed to create culture
heroes o the most prominent o the early settlers or subsequent gen-
erations o New English colonists, and Mather hoped that such accounts
would remind them o the loy vision and the sacrices o the men who
ounded Plymouth and Massachusetts.Book six o MathersMagnalia is distinct rom the preceding books in
that it oers a compendium o providence tales about the common olk o
New England. Te book is divided into seven chapters, the rst relating
tales o remarkable rescues at sea and the second recounting extraordinary
rescues rom death. In chapter three, Mather investigates the phenomenon
o thunder, which he understands to be the voice o God speaking to man.
Te ourth chapter describes dramatic religious conversions, while the
ollowing chapter, the longest in book six, documents the hand o God in
disclosing the evil deeds o sinners and punishing those sinners. Chapter
six recounts conversions and crimes among the native Americans, and the
nal chapter documents the work o demons and witches among the people
o New England. Finally, an appendix to book six oers several anecdotes
about exceptional conversions among young children, tales which Mather
hopes will encourage [ . . . ] piety in other children.4
Despite its broad range o subject matter, book six oMagnalia Christi
Americana is not a random collection o strange stories. Accounts o won-
derworking in early seventeenth-century America mix with contemporarytales to signal the continuity o experience o Gods people in America.
Further, in appending the epic tale o the Puritan oreathers ound in the
early books with personal, contemporary accounts in book six, Mather
elides the political, religious, and social history o early New England with
that o his current readers to urther convince eighteenth-century colonists
o their anity to the spiritual origins o the New England colonies. His
message is clear: God has a special abiding relationship with the people o
New England and continues to work wonders among them.
4. Magnalia Christi Americana; or, Te Ecclesiastical History o New-England; From its First
Planting, in the Year 1620, unto the Year o Our Lord 1689. 1702 (New York: Russell and Russell,
1967), 2:480.
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Introduction
Later, this message was not lost on the nineteenth-century reader. In
her semi-autobiographical novel, Poganuc People, Harriet Beecher Stowe
wrote
It was a happy hour when [ather] brought home and set up in his book-case
Cotton Mathers Magnalia, in a new edition o two volumes. What wonder-
ul stories these! and stories, too, about her own country, stories that made
her eel that the very ground she trod on was consecrated by some special
dealing o Gods providence.5
Stowe was both convinced o the theory that divine providence guided her
national history and attracted by the notion that being a descendant o thePuritan saints aorded her special grace.
Remarkables o the Divine Providence Among the People o New-
England, book six o MathersMagnalia, provided many later authors and
readers with examples o the early American literary type o the provi-
dence tale, which is now recognized as the beginning o the American
short narrative. In a general introduction to hisMagnalia, Cotton Mather
asserts that he is mindul o his sacred charge as author o the history o
the Puritan people in New England, and clearly states that his text is writ-
ten with all historical delity and simplicity (1:25). Yet, Jane Donahue
Eberwein observes that although the work was intended as history, the
imaginative ordering and interpretation o events . . . seem mythopoetic
rather than scholarly (195). Te authors command o both rhetoric and
narrative strategy is evident throughout Magnalia. As Larzer Zi has
noted, on the eve o the novels birth, his was the stu o novelists.6
Indeed, more than a century aer the initial publication o Cotton
Mathers Magnalia Christi Americana, American authors continue to
respond to the message and the narrative orm o his providence tales.Tis book investigates the ways in which Edgar Allan Poe, Harriet Beecher
Stowe, Nathaniel Hawthorne, Catharine Maria Sedgwick, and Edith
Wharton rely on Mathers providence tales at critical moments in their
work. Tese diverse authors, who are rarely grouped in literary studies,
have radically divergent responses to Mathers theology, historiography,
5. Te Writings o Harriet Beecher Stowe, 16 vols. (New York: AMS, 1967), 11:12223. All
subsequent reerence to the novels and short ction o Stowe are rom this edition, and will be
cited parenthetically in the text.6. Puritanism in America: New Culture in a New World(New York: Viking, 1973), 217. For
a discussion o Magnalia as a sel-conscious literary text, see Susan Cherry Bell, History and
Artistry in Cotton MathersMagnalia Christi Americana (diss., SUNY Binghamton, 1991).
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Chapter 1
and literary orms. However, each takes up Mathers themes and orms and,
in distinct ways, comments on the providence tales in Magnalia Christi
Americana and interrogates these tales as oundational statements aboutAmerican history, American identity, and Gods providential designs or
America and Americans. More interestingly, each authorregardless o
his or her individual theological and religious positionsubverts Mathers
providence tales or his or her own narrative objectives.
One o the most provocative aspects o the nineteenth- and twentieth-
century appropriation o Mathers providence tales is the later authors
concern with authorial ethos. While these authors interrogate the concept
o Gods providential design or America, their underlying anxiety centers
on the role o the historian or narrator itsel. Teir questions are many:Who is entitled to speak on behal o the American people? Who is in a
position to conceptualize the events o the past? When we examine a histo-
riographic ramework based on Gods providential design, who is charged
with speaking or God? Mathers text is clear on this point. Te minister
is uniquely positioned to serve as historian. In divergent ways, the authors
discussed in this book challenge this stance. Each draws the reader into a
reconsideration o social authority and narrative authority. Each destabi-
lizes the position o the teller o tales and cautions the reader to be ever
alert to the authority and inuence o the teller as well as the tale.
Te writings o Cotton Mather had come under attack beore these
authors investigated and appropriated his Magnalia Christi Americana.
In the eighteenth century, Benjamin Franklin, who had met Mather on
occasion, was decidedly antipathetic to the rigid Calvinist orthodoxy that
Cotton Mather had come to represent, and rejected the ways in which
Puritanism had insinuated itsel into scientic knowledge and judicial
practice. Franklin parodied Cotton Mathers tales o witchcra in a news-
paper article, A Witch rial at Mount Holly, which appeared in TePennsylvania Gazette in 1730.7 Te article was a hoax that reported on a
witch trial in which neither the accused nor the accusers pass the purport-
edly scientic tests that were devised to prove the accused innocent o the
charge o witchcra. Likewise, critics have noted that Franklins satiric
Silence Dogood essays respond to Mathers prescriptive statements on
how to live a Christian lie.8 Te very name, Silence Dogood, echoes two
7. Te Pennsylvania Gazette (No. 101, October 22, 1730).
8. See especially Gordon S. Wood, Te Americanization o Benjamin Franklin (New York:Penguin, 2004), 19, 21, and Daniel Royot, Franklin as Founding Father o American Humor,
in Reappraising Benjamin Franklin: A Bicentennial Perspective, ed. J. A. Leo Lemay (Newark:
University o Delaware Press, 1993), 39091. For a comparison o Mathers and Franklins
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Introduction
o Mathers publications, Silentiarius: A brie essay on the holy silence and
godly patience and Boniacius: An essay upon the good. Later, in his Auto-
biography, Benjamin Franklin reers directly to Cotton Mather, again orironic purpose.9 Franklin appears to boast o his heritage when he identi-
es his maternal grandather, Peter Folger, as one o the rst Settlers o
New England, o whom honourable mention is made by Cotton Mather, in
his Church History o that Country, (entitled Magnalia Christi Americana)
as a godly learned Englishman.10 Yet, he notes that Folgers contribution
to the colonies was his writing in avor o Liberty o Conscience, and in
behal o the Baptists, Quakers, and other Sectaries, that had been under
Persecution, positions that Franklin was well aware as being contrary
to those o Mather (56). In exposing Cotton Mathers praise o an indi-vidual who advocates principles antithetical to Mathers, Franklin is able
to undercut both Mathers religious and political positions as well as his
credibility as an author.11
Donald Ringe rightly notes that Franklins enlightenment principles
enable him to dismiss ghosts, goblins, and witches as the relics o a more
credulous age and [he was] proud o the act that American society had
been ormed when such phenomena were no longer credited and tales
o superstition had been relegated to the nursery.12 However, Franklin
must have been suciently anxious about the legacy o Cotton Mathers
remarkable providences to compel him to disparage Mather in newsprint
and in books throughout his career. According to Mathers biographer,
Kenneth Silverman, by 1710 [Cotton Mather] may well have become the
best-known man in America.13 It was clear that he was the most prolic
ethics, see John C. Van Horne, Collective Benevolence and the Common Good in Franklins
Philosophy in Reappraising Benjamin Franklin: A Bicentennial Perspective, ed. J. A. Leo Lemay
(Newark: University o Delaware Press, 1993), 42729.9. Viewing FranklinsAutobiographyrom a dierent perspective, Sacvan Bercovitch also
links the text to Mathers biographical miniatures inMagnalia and nds that these texts provide
the orm and outlook or Franklins work as well as or later rags to riches narratives. See
Bercovitchs Delightul Examples o Surprising Prosperity: Cotton Mather and the American
Success Story, English Studies 51.1 (1970): 4043.
10. Te Autobiography o Benjamin Franklin: A Genetic ext, ed. J. A. Leo Lemay and P. M.
Zall (Knoxville: University o ennessee Press, 1981), 5.
11. Michael . Gilmore explores Franklins rejection o the Puritan religious identity that
he replaces with a secular gospel in Te Middle Way: Puritanism and Ideology in American
Romantic Fiction (New Brunswick: Rutgers University Press, 1977), 4755.
12. American Gothic: Imagination and Reason in Nineteenth-Century Fiction (Lexington:University Press o Kentucky, 1982), 23.
13. Te Lie and imes o Cotton Mather (New York: Columbia University Press, 1985),
198.
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Chapter 1
published author in America with almost 400 separate titles to his name.
Silverman reports: it is imaginable that numerous people overseas, many
people in the colonies, most people in New England, and nearly everyonein Boston owned some o his works (198). Stephen Carl Arch notes that
Benjamin Franklins connection to Cotton Mather is not just through one
o Mathers books; it is through Mathers example as Americas rst public
man o letters (183). For Franklin and other contemporary writers, his
was the voice to reckon with.
Later, Washington Irving joins Franklin in undercutting Mathers
reputation. Irving does so through the character o Ichabod Crane, who is
introduced as a perect master o Cotton Mathers history o New England
Witchcra, in which, by the way, he most rmly and potently believed.14Te dnouement o Irvings tale reveals that the schoolmaster who per-
sists in believing the superstitious tales o Americas Puritan past is out o
place in the new America. Both inantilized and eminized, his authority
is limited to the schoolroom, and his appeal is limited to old women. Te
young men o his generation ridicule him, and the young girl he courts
ends up in the arms o another man. More brutally, the Yankee is revealed
as a shallow ortune-seeker, and, in this way, his Puritan values are linked
to his avarice.
In addition, when Ichabod Crane, the teller o Mathers tales, counters
Brom Bones, the teller o tales that issue rom the Hudson Valley, the
contest is almost one-sided. Brom Boness story o the headless horseman
not only entertains, but it has potency and immediate agency. It alters lives
and ortunes. Ichabod Crane tries to banish Boness tale rom his mind by
singing psalms, but in Irvings story, even the word o God cannot drown
out the native legend. Cranes reprisal o Mathers antiquated tale is bested
by Boness olk tale, and Mathers authority is supplanted by that o a native
Dutch armer whose lack o erudition and renement is more than com-pensated by ample honor and good humor. Speaking to Irvings central
14. Te Sketch Book o Georey Crayon, Gent. Ed. Haskell Springer (Boston: wayne, 1978),
276. Irving was well read in the work o Cotton Mather, and while he was preparing his Sketch
Book reers to Mather in his journal. SeeJournals and Notebooks, Vol. II: 18071822. Ed. Walter
A. Reichart and Lillian Schlissel (Boston: wayne, 1981), 179.
Speaking o another o Irvings characters, John Greenlea Whittier wrote in his 1847
publication, Te Supernaturalism o New England, Modern skepticism and philosophy have
not yet eradicated the belie o supernatural visitation rom the New England mind. Here and
thereoenest in our still, xed, valley-sheltered, unvisited nooks and villagesthe Rip VanWinkles o a progressive and restless populationmay be still ound devout believers worthy o
the days o the two Mathers. See Whittier (1847), Supernaturalism, ed. Edward Wagenknecht
(Norman, University o Oklahoma Press, 1969), 40.
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10 Chapter 1
the ctions o American identity that have been codied as oundational
historical documents. Positioning themselves as a palimpsest upon earlier
idealized histories, gothic texts disrupt the dream world o national myth(10). Extending her argument to the erratic structure that is characteristic
o gothic literature, Goddu also explains that in its narrative incoherence,
the gothic discloses the instability o Americas sel-representations; its
highly wrought orm exposes the articial oundations o national iden-
tity (10).
Leslie Fiedler was one o the earliest critics to identiy the psychologi-
cal trauma expressed in American gothic literature rom the perspective
o the nations religious culture, and he speaks o the gothic as a Calvinist
expos o natural human corruption (160). However, Lawrence Buelltakes a dierent approach to Fiedlers observation and argues that in New
England gothic, the most distinctive thematic ingredient is the perception
o Puritan culture as inherently grotesque (359). Extending Buells argu-
ment, this study asserts that the New England gothic is requently an expo-
s o Calvinist historical accounts o America and Americans. Moreover, in
the process o exposing the awed and unstable narratives that construct
an articial and uncomortable identity or the nation, nineteenth-century
gothic literature requently proposes alternate versions o America, its his-
tory, its citizens, and its historians.
It is not surprising that when the ve nineteenth- and twentieth-century
authors discussed in this book address American historical narratives they
all look to the work o Cotton Mather. HisMagnalia Christi Americana was
a prominent and dominant history o early New England.18 In his own time
Mather had a large personality, and well into the nineteenth century he had
an equally large reputation as a sti and stern Puritan whom James Russell
Lowell would later call a conceited old pedant.19 Furthermore, Mather was
notoriously associated with the Salem witch trials o 1692, having servedas secretary to the tribunal, aer which he authored Te Wonders o the
Invisible World, a work that compiled many o the anecdotes o witchcra
that he heard throughout the trials. At the same time, Mather was not easily
dismissed as a mere pedant or witch hunter rom the distant past precisely
Literary Culture rom Revolution through Renaissance (Cambridge: Cambridge University Press,
1986), 35960 and 36870, and Davidson, Revolution and the Word: Te Rise o the Novel in
America (New York and Oxord: Oxord University Press, 1986), 21718.
18. In New England Literary Culture: From Revolution through Renaissance, Lawrence Buell
discusses what he terms the politics o historiography concerning the reception o CottonMather in antebellum America. See especially 21438.
19. Reviews and Literary Notices, Te Atlantic Monthly6.37 (1860), 639.
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11Introduction
because he was an acclaimed and compelling author. In the nineteenth
century and well into the twentieth century, thinkers and writers continued
to recognize Mather as a brilliant rhetorician and artul writer. Despite hisirreverent description o the author, James Russell Lowell admits that with
all his aults, that conceited old pedant contrived to make one o the most
entertaining books ever written on this side o the water (639).
Chapter two o this book accounts or the entertaining quality o book
six oMagnalia Christi Americana by documenting the origins o the
Puritan providence tale and exploring the novel ways in which Cotton
Mather adapts the earlier literary orms or a contemporary audience.
Tis chapter also ties the dramatic and sometimes amboyant stylistic
eatures oMagnalia to the books unction in eighteenth-century NewEngland. Subsequent chapters turn to the ction o Edgar Allan Poe,
Harriet Beecher Stowe, Nathaniel Hawthorne, Catharine Maria Sedgwick,
and Edith Wharton and contend that these authors recognize the impor-
tance o Mathers work in codiying our understanding o American
identity and shaping literary orms in the new nation, two distinct but
related projects. Chapter three examines the work o Poe, whose William
Wilson, Te Black Cat, and Te Narrative o Arthur Gordon Pym orm
the mirror image o Mathers providence tales. Tat is, they reect Mathers
plots, characters, and even his language, but invert them to express Poes
gothic view o providential design. Te ollowing chapter takes up Harriet
Beecher Stowes New England novels and tales. Because o her conserva-
tive evangelical upbringing and her personal religious orientation, Harriet
Beecher Stowe is much more sympathetic than Poe to the theological
underpinnings o Cotton Mathers writings, and her ction gives evidence
o her taste or the providence tales in Magnalia. Yet, Stowes work also
reveals the uncanny ways in which she departs rom Mathers notion o
religious leadership and narrative authority, just as she also renes aspectso Mathers theology. Chapter ve speaks to Nathaniel Hawthornes intel-
lectual concerns regarding American providential historiography, which
he identies, to dramatic eect, with the person o Cotton Mather. Like
Stowe, Hawthorne has a decidedly modern understanding o narrative
authority. Further, he experiments with various ctional orms to express
his discontent with earlier and contemporary historical tracts, and explores
narrative voices and alternate modes o emplotment that are antithetical to
those o Mathers providence tales. Te book concludes with two distinct
perspectives on historical narrative. Te nal chapter begins with a con-sideration o Catharine Maria Sedgwicks Hope Leslie, a novel that centers
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12 Chapter 1
on a reconsideration o early American history and historians. Hope Leslie
reects the authors early training in providential literature, which she
questions in her ction and supplements with multiple and seeminglycontradictory approaches to historical narrative. In this way, the novels
diuse and even manic plot responds to the singular and denitive plots
ound in MathersMagnalia. Like Sedgwicks Hope Leslie, Edith Whartons
New England tales contest the ownership o our national history. However,
where Sedgwick gives voice to a multiplicity o historians who speak reely
about their community, Whartons historians are ew, and they struggle
to understand themselves and others and then to articulate their limited
perceptions about their society. In distinct ways, each o the authors dis-
cussed in this book resists Mathers model or the historian and historicalnarrative.
Tis book does not claim that among the many novelists o nineteenth-
century America only Nathaniel Hawthorne, Edgar Allan Poe, Catharine
Maria Sedgwick, and Harriet Beecher Stowe respond to the words o
Cotton Mather in their ction and examine his work as a central eature o
their own literary projects. o the contrary. Yet, because historical ction
in general was exceptionally popular in antebellum America, it is to be
anticipated that authors o such novels and short stories would look to the
work o one o the nations earliest and most prominent historians.20 Many
critics have discovered that Herman Melville, or example, both incorpo-
rates Cotton Mathers literary orms and challenges his religious tenets in
his ction.21 One can also identiy authorial response to the themes, i not
20. Stephen Carl Arch demonstrates the importance o this mode o ction in Romancing
the Puritans: American Historical Fiction in the 1820s, ESQ: A Journal o the American
Renaissance 39.2 (1993): 10732. See also Buell, 19397, 23960.
21. In a consideration o Melvilles Moby-Dick, Jane Donahue Eberwein documents the
similarities between Mathers sermons to shermen and Father Mapples sermon, and nds thatMathers statement in Te Religious Mariner(Boston, 1700), Sirs, Tat pitcht Box o Oak, in
which you Sail, what is it, but a larger sort oCofn? anticipates the larger plot o Melvilles
novel. See Fishers o Metaphor: Mather and Melville on the Whale, American ranscendental
Quarterly26 (1975): 3031. Attending to the scriptural and religious language in Moby-Dick,
Philip F. Gura explores the varying religious and philosophical grammars o the Pequods crew.
See Te Wisdom o Words: Language, Teology, and Literature in the New England Renaissance
(Middletown: Wesleyan University Press, 1981), 15970. Although . Walter Herberts Moby-
Dickand Calvinism: A World Dismantled(New Brunswick: Rutgers University Press, 1977) does
not take up Melvilles relationship to Mather, it is an important study o the authors response to
Calvinist doctrine.
Oliver Scheidings essay, Subversions o Providential Historiography in HermanMelvilles Benito Cereno in Re-Visioning the Past: Historical Sel-Reexivity in American Short
Fiction, ed. Bernd Engler and Oliver Scheiding (rier: Wissenschalicher Verlag rier, 1998),
12140 examines Melvilles use o Cotton Mather in works other than Moby-Dick. Michael
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13Introduction
the specic language and literary devices, o Cotton Mather in such works
as Lydia Maria Childs Hobomok, John Neals Rachel Dyer, John Greenlea
Whittiers Legends o New England, and Henry David Toreaus A Weekon the Concord and Merrimack Rivers.22 Indeed, the legacy o Mathers
providence tales continues into the twentieth century in the work o Edith
Wharton and many others.23 Since the publication oMagnalia Christi
Americana in 1702, Cotton Mather has been recognized as the oremost
author in the tradition o the providence tale and a champion o providen-
tial historiography. Likewise, more than the works o his celebrated ather
or any number o his contemporaries, the providential literature o Cotton
Mather captured the imagination o his contemporary readers and contin-
ued to ascinate, puzzle, and disturb readers and writers long aerward.
. Gilmore identied the inuence oMagnalia in Melvilles Lightning-Rod Man (9). Frank
Davidson explores Melvilles commentary on Calvinism in Te Apple-ree able in which
one character, irresolute in his religious aith, is shaken by readingMagnalia late into the night.
His essay, Melville, Toreau, and Te Apple-ree able appeared in AmericanLiterature 25.4
(1954): 47989. See also Marvin Fishers Bug and Humbug in Melvilles Apple-ree able,
Studies in Short Fiction 8.3 (1971): 45966.Looking to other works by Cotton Mather, Michael Clarks Witches and Wall Street:
Possession is Nine-enths o the Law in exas Studies in Literature and Language 25.1 (1983):
5576 nds that dialogue in Bartleby, the Scrivener parallels the examination o Susannah
Martin in Mathers Te Wonders o the Invisible World.22. Tese historical novels o Child and Neal are set in seventeenth-century New England
and rely heavily on Mathers accounts o the characters and events the authors depict in their
ction. In addition to borrowing rom Magnalia, in writing Rachel Dyer, Neal draws rom
Mathers Wonders o the Invisible World.George Carey was early to identiy John Greenlea Whittiers use o Mathers tales in his
essay, John Greenlea Whittier and Folklore: Te Search or a raditional American Past, New
York Folklore Quarterly27.1 (1971): 11329. Ann-Marie Weis examines Whittiers relationshipwith Cotton Mather in her essay on the authors treatment o Hannah Dustons captivity in Te
Murderous Mother and the Solicitous Father: Violence, Jacksonian Family Values, and Hannah
Dustons Captivity,American Studies International36.1 (1998): 4665. Additionally, Whittiers
position on Cotton Mather is apparent in his sketch Te Double-Headed Snake o Newberry
in which he uses the man to comic eect.
Robert D. Arner explores Toreaus revision o Mathers historical material in Te
Story o Hannah Duston: Cotton Mather to Toreau,American ranscendental Quarterly18.1
(1973): 1923. See also Marvin Fishers Seeing New Englandly: Anthropology, Ecology, and
Teology in ToreausA Week on the Concord and Merrimack Rivers, Centennial Review 34.3
(1990): 39092.
23. Although contemporary literature is outside the ramework o this book, scholars havenoted the continuing inuence o the providence tale in Paul Auchters New York rilogy, Angela
Carters Our Lady o the Massacre, and Bharati Mukherjees Te Holder o the World, among
other late twentieth-century works o ction.
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Adams, John R., 80n12
Amreville, Marc, 115n32
Arch, Stephen Carl, 2n1, 8, 12n20, 18,
20n12, 23n18
Arner, Robert D., 13n22
Bancro, George, 38, 9092, 9798
Bardes, Barbara Ann, 130n12
Bauermeister, Erica R., 128n10Baym, Nina, 93, 104, 111
Bell, Michael Davitt, 115n33, 12324
Bell, Susan Cherry, 5n6
Bercovitch, Sacvan, 7n9, 18n10, 76
Berens, John F., 3n2
Berkson, Dorothy, 71n3
Boyle, Robert, 23n17
Bradord, William, 15, 17, 1819, 121
Brown, Charles Brockden, 140
Bryant, William Cullen, 130Budick, Emily, 109, 116, 117n36
Buell, Lawrence, 9n17, 10, 12n20, 65n1,
82
Bush, Harold K., 90n10
cannibalism, 5152
captivity narrative, 2, 13n22, 8384,
96102, 12326
Carey, George, 13n22
Child, Lydia Maria, 13
Choules, John O., 91n11
chronicle, 1718, 32
Clark, Michael, 13n21
Clarke, Samuel, 14, 15n3, 16n5
Cohen, B. Bernard, 96n17
Cohen, Daniel A., 27, 4345
Colacurcio, Michael J., 87, 92, 109n26,
116n34, 117
conversion narrative, 4, 4546, 5657,
69, 79Crozier, Alice C., 65n1
Crumpacker, Laurie, 71n3
Daly, Robert, 18
Davidson, Cathy, 9n17
Davidson, Frank, 13n21
Dawson, Jan, 90n10
deathwatch, 2, 6970, 72; and deathbed
vision, 69
Dekker, George, 92n13Demos, John, 121n5
deus ex machina, 50, 106
Dier, Mary. See Dyer, Mary
dreams, 68, 7980, 8384, 142
drunkenness, 36, 41, 5556, 107, 108.
See also temperance tale
Dunne, Michael, 109n26, 116, 117n36
Duston, Hannah, 13n22, 96102
Dyer, Mary, 15, 36
Eaken, John Paul, 47n14, 48n16, 54
157
Index
w
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158 Index
Eberwein, Jane Donahue, 3n2, 5, 12n21
Edwards, Jonathan, 38, 120
Ehrenpreis, Anne Henry, 116n34
Emerson, Ralph Waldo, 91
Emery, Allan, 110n27
Engler, Bernd, 2n1, 18, 32n26
exceptionalism, American, 1, 45, 6,
1920, 38, 65, 76, 9092
Felt, Joseph B., 111
Fetterly, Judith, 74, 12829
Fiedler, Leslie, 9n16, 10
Fisher, Marvin, 13n22
Ford, Douglas, 12223, 125
Forrest, William Mentzel, 38
Foster, Charles H., 65n1, 70n2, 81n14
Foucault, Michel, 122
Franklin, Benjamin, 68, 39
Frye, Northrop, 12324
Fukuchi, Curtis, 47, 48n16
gallows narrative, 2, 3, 2733, 4345,
5564
Garvey, . Gregory, 127n9
Gay, Peter, 3
ghosts, 7, 50, 13235
Gilmore, Michael ., 7n11, 13n21, 26
Glanvill, Joseph, 88n4
Goddu, eresa, 910, 40, 41
Goodenough, Elizabeth, 93n16
Goodrich, Samuel G., 96n17
Gossett, Suzanne, 130n12
gothic mode, 910, 3941, 45, 6364,
7273, 10910
Gould, Philip, 122
Gross, Louis S., 9n17
Gura, Philip F., 12n21
Haklyut, Richard, 43
Hall, David D., 1n1, 22n16, 26n22
Hartman, James D., 2n1, 3n2
Hawks, Francis L., 38, 43
Hawthorne, Nathaniel, 1112, 8793,
14143; on Cotton Mather, 56, 9,
11, 8789, 9596, 100101, 109, 112;
embedded narratives in the work o,
105, 1078, 116, 14243; and ethos
o the historian, 89, 92, 9395, 100
105, 1078, 11517, 139, 14142;
and George Bancro, 9092; reading
in early American history, 87, 8992;
works: Alice Doanes Appeal,
8788, 92, 10910, 11516, 117,
142; David Swann, 92, 1058, 130,
14243; Dr. Bullivant, 87; Te
Duston Family, 8788, 92, 96102;
Edward Randolphs Portrait, 87
88; Te Gray Champion, 87; Te
Haunted Quack, 88n4; Te House
o the Seven Gables, 87, 92, 11017,
14243; Main-street, 87, 92, 1025,
142; Mrs. Hutchinson, 88; Sir
William Phips, 88; Te Prophetic
Pictures, 88; imes Portraiture,
87; wice-told ales, 118; Te Whole
History o Grandathers Chair, 87n1,
9396, 105, 130, 142
Hedrick, Joan D., 65n1, 71n3
Herbert, . Walter, 12n21, 99n20
heresy, 15, 36, 113, 123
Hildreth, Richard, 90n9
historical narrative: contrasted with
chronicle, 1718, 32; and ideology,
1718; providential, 45, 6, 1416,
1923, 3839, 8892; relationship
to literature, 1718, 2327, 3132;
and social history, 1517, 21. See
also Bancro, George; White,
Hayden
Homan, Daniel, 58
Hubbard, William, 15, 121
Hungare, Phillip, 3335
Hutcheson, Francis, 87n2, 89
Hutchinson, Tomas, 87n2, 89, 111
inanticide, 2733, 5758
insanity, 134, 142
Insko, Jerey, 112n6
Irving, Washington, 89
Janeway, James, 14, 17, 3335, 41, 43, 45
Jewett, Sarah Orne, 85
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15 9Index
Johnson, Cynthia Brantley, 97n18,
99n20
Johnson, Edward, 1415, 17, 20, 121
Johnson, Parker H., 3n2
Karalis, Maria, 131
Kelley, Mary, 71n3, 120n2, 121n4, 122n6
Kennedy, J. Gerald, 47, 48, 52
Kesselring, Marion L., 87n2, 90n7
Kirkham, E. Bruce, 84
Levin, David, 18n10, 23n18, 9091
Lowance, Mason I., 76n7
Lowell, James Russell, 1011
Madsen, Deborah L., 110n27
Magnalia Christi Americana (Cotton
Mather), 35, 1016, 1927; on
Abigail Eliot, 5960; authorial ethos
o, 5, 2224, 36, 7071, 13839;
on Hannah Duston, 96101; as
historical narrative, 36, 1536;
historiographic statement in, 5,
7374, 86; on James Morgan, 55n24;
on Mrs. J. C., 70; on Mrs. John
Bailey, 69; on Joseph Beacon, 50n18;
literary models or book six, 1417;
literary style o, 5, 2327, 3435,
101, 114; on Major Gibbons, 5152,
139n20; on Mary Dyer, 16n3; on
Mary Martin, 2733, 5758; on
Phillip Hungare, 3436; popularity
o, 38, 1011, 8892, 9799; on
Pyncheon amily, 112, 114; social
history in, 4, 1516, 21; and spiritual
declension, 34, 2022; structure o,
4; themes o, 34; on Tomas Maule,
11214; on William Laiton, 51n19;
on William rowbridge, 51n19, 75n6
Martin, Mary, 2733, 5758
Mather, Cotton, 59, 1011, 13;
authorial ethos o, 5, 2224, 36,
42, 60, 64; and Benjamin Franklin,
68; inuence on nineteenth-
century historians, 8892, 9799;
and James Russell Lowell, 1011;
on native Americans, 26, 101, 113;
and popular culture, 2627, 4445,
6364; popularity o, 3, 78; on
Quakers, 7, 26, 113; reputation in
the nineteenth century, 59, 1013;
and science, 6, 2122, 31, 39, 95; as
secretary to the Salem witch trials,
10, 58; and spiritual declension,
4, 2022; and Washington Irving,
89; works: Boniacius: An essay
upon the good, 67; Diary, 7, 19n11;
Memorable Providences, Relating
to Witchcras and Possessions, 15;
Mirabilia Dei, 15n2; Parentator,
14n1; Pillars o Salt, 15, 44; Te
Religious Mariner, 12n21; Te Sad
Eects o Sin, 4445; Silentarius: A
brie essay on the holy silence and
godly patience, 7; erribilia Dei,
15, 27n24; Te wonderul works
o God commemorated, 15; Te
Wonders o the Invisible World, 10,
13n21, 13n22, 58n29; Te Words
o Understanding, 78n10. See also
Magnalia Christi Americana
Mather, Increase, 20, 22n15, 2324,
33, 41, 43, 44, 88; works:A Call
rom Heaven o the Present and
Succeeding Generations, 20; A
doctrine o divine providence open
and applied, 36n30; Essay or the
Recording o Illustrious Providences,
14, 24, 33, 3435, 87n2
Matheson, . J., 56n25
Melville, Herman, 1213
Miller, Perry, 2n1
Mirick, Benjamin L., 96n17, 9899,
102n22
Mizruchi, Susan L., 90, 117
Morton, Nathaniel, 15
murder, 2, 41, 4445, 50, 97101,
107n24, 109, 13235. See also
cannibalism; inanticide; suicide
native Americans, 96102, 104, 11214,
12135
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160 Index
Neal, Daniel, 91n11
Neal, John, 13
Nelson, Dana, 122n6
Onishi, Naoki, 51n20
Parrington, Vernon Louis, 65n1
Poe, Edgar Allan, 56, 9, 1112,
3764; and Christianity, 3739; and
conversion narrative, 4546; and
gallows narrative, 5558; literary
sources or, 37, 5455; and narrative
causation, 42, 6061, 6263; and
narrative closure, 4243, 4647,
5254, 5758, 60; narrators in the
work o, 4142, 4546, 55, 60, 64,
14041; and New England literary
culture, 4041; and nonction prose,
4344, 54, 63; and temperance tale,
5556; works:Te Black Cat,
11, 39, 41, 42, 5461, 63, 140; A
Descent into the Maelstrom, 41;
Eleonora, 41; Te Gold Bug, 42;
Ligeia, 42; MS. Found in a Bottle,
39, 4547, 63; Te Murders in the
Rue Morgue, 42; Te Mystery o
Marie Roget, 43; Te Narrative o
Arthur Gordon Pym, 11, 39, 43, 47
54, 63, 123, 130, 140; Te Pit and
the Pendulum, 38n4; Te ell-ale
Heart, 41; William Wilson, 11, 37,
39, 40, 42, 6163, 140
Pollin, Burton R., 37n1
Porte, Joel, 48n16
Priestly, Joseph, 91n11
providence, divine, 12, 45, 1921, 106;
in twentieth-century ction, 13; in
twentieth-century rhetoric, 1. See also
history, providential; providence tale
providence tale, 16, 1922; authorial
ethos o, 6, 22; as ction, 5, 11,
2327; history o, 3, 13, 1417;
in sermonic literature, 3. See also
captivity narrative; conversion
narrative; gallows narrative;
temperance tale
Purchas, Samuel, 43
Rachman, Stephen, 54
Reilly, John E., 54n22
Reynolds, David S., 9n16, 44, 55n24, 56,
14041
Ridgely, J. V., 47n13
Ringe, Donald A., 7
Robbins, Tomas, 89
Rosenzweig, Paul, 47
Royot, Daniel, 6n8
Rubin-Dorsky, Jerey, 9
Scheick, William J., 23n17
Scheiding, Oliver, 2n1, 12n21, 18
Schultz, Nancy Lusignan, 80n12
Sedgwick, Catharine Maria, 56, 9,
1112, 11931; and Calvinism,
12021; and Cotton Mather, 56, 9,
11; embedded narratives in the work
o, 12426, 142; and ethos o the
historian, 12426, 14041; and the
emale historian, 125; Hope Leslie,
1112, 119, 12131, 142; reading in
early American history, 12021
sexual transgression, 2732, 109, 116,
123, 128, 13235
Silverman, Kenneth, 78, 23, 38n2,
4041
Smolinski, Reiner, 32n27
Stewart, E. Kate, 54n22
Stievermann, Jan, 21n14
Stowe, Harriet Beecher, 1112, 6566,
140144; and Calvinism, 11, 65;
on Cotton Mather, 66, 72, 88;
embedded narratives in the work
o, 6970, 82, 142; and the emale
historian, 66, 6973, 8081, 83,
86, 111, 14041; and the emale
ministry, 7172, 7981, 86, 111;
andMagnalia Christi Americana,
5, 6566; ministers in the work o,
7374, 8081; works: Te American
Womans Home, 71n3; Earthly Care
A Heavenly Discipline, 71; Te
Ministers Wooing, 65, 66, 7881,
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161Index
111, 14042; Oldtown Folks, 65, 66;
Te Pearl o Orrs Island, 65, 6679,
8182, 8486, 14042; Te Pink and
White yranny, 66; Poganuc People,5, 65, 66; Sam Lawsons Oldtown
Fireside Stories, 66, 78, 8184
suicide, 61
Swann, Charles, 109n26, 117n36
Sweeney, Gerald M., 134n15
ang, Edward, 80n12
temperance tale, 43, 5557
Tacher, James, 9091
Tompson, G. R., 109n26Toreau, Henry David, 13
ravis, Jennier, 136n18
typology, 7678, 97, 115
Upham, Charles W., 111, 116n34
Van Cromphout, Gustaa, 23n19
Van Horne, John C., 7n8
Warren, Austin, 24Weber, Alred, 3n2
Weierman, Karen Woods, 120n2,
122n5, 122n6
Weis, Ann-Marie, 13n22, 99n20
Wenska, Walter P., 18
Wharton, Edith, 1112, 11920,
13132; and Calvinism, 13132;
and Cotton Mather, 56, 9, 1112;
embedded narratives in the work o,134, 142; and the emale historian,
13233, 13738; and identity
o historian, 13338; works:A
Backward Glance, 131; Bewitched,
120, 13138; Ethan Frome, 11920,
131, 13538; Summer, 131; Te
riumph o Night, 132
White, Hayden, 17, 22, 2425, 3132,
35, 39, 4243, 46, 103, 117, 130,
14344Whittier, John Greenlea, 8n14, 13, 85
Williams, Daniel E., 44n11
Williams, Eunice, 121
Williams, John, 120, 121
Williams, Roger, 121, 130
Winship, Michael P., 2n1, 22n15, 23n17
Winthrop, John, 15n3, 17, 2933, 121
witchcra, 3, 4, 7, 10, 19n11, 5859, 75,
81, 83, 104, 10912, 13135
Wol, Cynthia Grin, 136Wood, Gordon, 6n8
Zagarell, Sandra A., 122n6
Zanger, Jules, 38
Zi, Larzer, 5, 24, 37