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    Americas Gothic Fiction

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    Americas Gothic FictionThe Legacy ofMagnalia Christi Americana

    D orothy Z. Baker

    Te Ohio State University PressColumbus

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    Copyright 2007 by Te Ohio State University.

    All rights reserved.

    Library o Congress Cataloging-in-Publication Data

    Baker, Dorothy Zayatz.Americas gothic ction : the legacy o Magnalia Christi Americana / Dorothy Z.

    Baker.

    p. cm.

    Includes bibliographical reerences (p. ) and index.

    ISBN-13: 9780814210604 (cloth : alk. paper)

    ISBN-13: 9780814291443 (cd-rom)

    1. American ctionHistory and criticism. 2. Religion and literature. 3. Mather,

    Cotton, 16631728. Magnalia Christi Americana. 4. Mather, Cotton, 16631728

    Inuence. 5. Puritan movements in literature. 6. Horror tales, AmericanHistory

    and criticism. 7. Gothic revival (Literature)United States. 8. Religion and litera-

    tureUnited StatesHistory. 9. National characteristics, American, in literature. I.

    itle.

    PS166.B35 2007

    813.0872dc22

    2007012212

    Cover design by Fulcrum Design Corps, LLCext design and typesetting by Juliet Williams

    ype set in Minion Pro

    Printed by Tomson-Shore

    Te paper used in this publication meets the minimum requirements o the American

    National Standard or Inormation SciencesPermanence o Paper or Printed Library

    Materials. ANSI Z39.481992.

    9 8 7 6 5 4 3 2 1

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    Contents

    w

    Acknowledgments vii

    Chapter 1 Introduction 1

    Chapter 2 We have seen Strange things to Day:Te History and Artistry o Cotton Mathers Remarkables 14

    Chapter 3 A Wilderness o Error:Edgar Allan Poes Revision o Providential ropes 37

    Chapter 4 Cotton Mather as the old New England grandmother:Harriet Beecher Stowe and the Female Historian 65

    Chapter 5 Nathaniel Hawthorne and the Singular Mind oCotton Mather 87

    Chapter 6 Te story was in the gaps:Catharine Maria Sedgwick and Edith Wharton 119

    Works Cited 145

    Index 157

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    Acknowledgments

    w

    My work on the legacy o Cotton Mather owes an immense debt to many

    scholars whose studies on American historical narrative and American his-

    torical ction provided the oundation or this book. In addition, I could

    not possibly list the countless colleagues whose ready ears, bibliographic

    leads, and astute observations sustained and enriched my work. I would

    especially like to thank Jane Donahue Eberwein, Wyman H. Herendeen,

    John Lienhard, Steven Mintz, Nancy Lusignan Schultz, Roberta F. Weldon,

    and Lois Parkinson Zamora or their innumerable kindnesses. Tis book

    would have been impossible without their good counsel and the example

    o their scholarly practice. I rst outlined the argument or this book in

    a conversation with the late W. Milne Holton and was encouraged by his

    keen interest in the project. Dr. Holton was an exacting and generous men-

    tor. Would that I could thank him or his unailing support.

    Studies in American Fiction has kindly given me permission to reprint

    in chapter our a revision o my essay that appeared in the journal in1994. I would like to thank the Interlibrary Loan Department at the M. D.

    Anderson Library o the University o Houston or its remarkable ecien-

    cy in meeting my every request. Te University o Houston supported my

    research with a Faculty Development Leave, which was critical in helping

    me to initiate this study. I am very grateul to Sandy Crooms o Te Ohio

    State University Press or her enthusiasm or this project. Te anonymous

    readers at Te Ohio State University Press contributed greatly to this book,

    and they have my sincere thanks.

    My personal debts are too numerous to list. May it suce to say thatI live more ably and ully because o the goodwill and generosity o many

    vii

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    viii

    wonderul people who daily show me the splendor and joy o this world.

    Foremost among them is Lawrence Baker. I would also like to acknowl-

    edge my daughter, Elizabeth Eve Baker, and my son, Daniel AbrahamBaker, who are both magnalia Dei in my lie.

    Finally, this book is dedicated to the memory o Abraham Harris Baker,

    my husbands much-loved ather, my childrens wise and wonderul grand-

    ather, and my great riend.

    Dorothy Z. Baker

    Houston, exas

    2007

    Ackno wl ed gm en ts

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    Chapter 1

    w

    Introduction

    Providentialismwas not born in Puritan America, but when seventeenth-century New England proessed its belie in Gods agency in the great

    and small, public and private events o their lives, this proession o aith

    took on uniquely American coloring. Moreover, it became a deep-seated

    and dominant notion in American culture. Belie in divine providence

    expressed itsel in the national historical and aesthetic literature o the

    seventeenth and eighteenth centuries. Well into the nineteenth century,

    historians and literary authors continued to draw on the tropes o Gods

    providential designs or his people. Te language o this proound religious

    tenet also ound its way into many o the nations major political manies-

    tos, such as those surrounding the Revolutionary War, Maniest Destiny,

    and the Abolition movement, and has continued in twentieth-century

    discourse concerning issues as diverse as John Kennedys pronouncements

    on the U.S. governments involvement in oreign aairs and the religious

    rights claims regarding the AIDS epidemic. Religious imagery, scriptural

    allusion, and even religious doctrinal assertion orm powerul components

    o American political and historical writing, the philosophical underpin-ning o which is a belie in divine providence. More specically, national

    political and historical documents regularly suggest Gods hand in the lives

    o individual Americans and the policies and practices o the nation.

    Belie in divine providence is the basis o a narrative orm that is the

    staple o Puritan letters. Te providence tale in early America is a ormu-

    laic narrative that testies to the omniscience and omnipotence o God,

    and especially to the belie that God exhibits these qualities in his active

    presence in the daily lives o his people in New England.1 Tat the power

    1. My understanding o providentialism in Calvinist New England is based largely on

    the work o the ollowing critics. David D. Hall oers a thorough and insightul history o the

    1

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    Introduction

    preserves his elect while he brings public, denitive, and symbolic punish-

    ment to those who sin.

    Te providence tale is now recognized as an early expression othe short story and a ction orm that ascinated readers well into the

    nineteenth century.2 Such tales are regularly ound as embedded narratives

    in Puritan sermons. Tey are also ound in collected orm, most notably

    in Increase Mathers Illustrious Providences (1684), and then in book six

    o Cotton MathersMagnalia Christi Americana (1702). Both works oer

    a ull compendium o tales recounting extraordinary occurrences, such

    as exceptional medical cures, incidents o witchcra, gallows conessions,

    and tales o depraved behavior, among other sensational topics. More

    than any other collection o New Englands remarkable occurrences,Cotton Mathers Magnalia Christi Americana captured the imagination

    o its audience. Peter Gay recounts that the book was valuable enough to

    be stolen: in 1720, a burglar ransacking Jonathan Belchers well-stocked

    warehouse included in his booty a Book Entituled, Magnalia Christi

    Americana.3 Book six oMagnalia documents the wonder-workings

    o God among the common people o New England, and, like the earlier

    volumes o Mathers history, they underscore Mathers rationale or

    his extensive history o New England to revive his readers and his

    congregants devotion to the Puritan commonwealth. Gay describes the

    book as tribal history, expressing Puritan sentiments, eeding Puritan

    anxieties, and sustaining Puritan pride (77). Tis was its social unction

    in the early eighteenth century and served the same role well into the

    nineteenth century, where it continued to hold the attention o American

    readers.

    2. For an exploration o this subgenre o Puritan literature, see Jane Donahue Eberwein,

    Indistinct Lustre: Biographical Miniatures in the Magnalia Christi Americana, Biography:An Interdisciplinary Quarterly 4.3 (1981): 195207; James D. Hartmans Providence ales;Parker H. Johnson, Humiliation Followed by Deliverance: Metaphor and Plot in Cotton

    MathersMagnalia, Early American Literature 15.3 (1980/81): 23746; and Alred Weber, Die

    Annge des Kurzen Erzhlens in Amerika des 17. und 18. Jahrhunderts: Die Providences der

    Amerikanischen Puritaner,Mythos und Aulrung in der Amerikanischen Literatur, ed. Dieter

    Meindl and Friedrich W. Horlacher (Erlangen: Erlanger Forschungen, 1985), 5570. Although

    John F. Berens, Providence and Patriotism in Early America 16401815 (Charlottesville: University

    Press o Virginia, 1978), ocuses on the Puritan providence as a historical phenomenon and as

    a method o articulating social unity, his thorough study also investigates rhetorical eatures o

    this literary orm. See especially 1431.

    3. A Loss o Mastery: Puritan Historians in Colonial America (Berkeley and Los Angeles:University o Caliornia Press, 1966), 71. Here and throughout the book, I neither alter the

    spelling, grammar, and punctuation o early texts to conorm to current standards nor signal in

    any way that the language does not meet current prose standards.

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    Chapter 1

    Te early volumes oMagnalia recount the great deeds o great public

    gures in seventeenth-century Puritan America. Included in these books

    are the biographies o early civic leaders, the ecclesiastical history o theNew English colonies, an account o the early years o Harvard College,

    and the history o war with the native Americans, among other subjects o

    political, economic, and religious history. Mathers goal or these accounts

    is to educate and also to inspire. Tus, the early biographical miniatures o

    the Puritan oreathers resemble hagiography, designed to create culture

    heroes o the most prominent o the early settlers or subsequent gen-

    erations o New English colonists, and Mather hoped that such accounts

    would remind them o the loy vision and the sacrices o the men who

    ounded Plymouth and Massachusetts.Book six o MathersMagnalia is distinct rom the preceding books in

    that it oers a compendium o providence tales about the common olk o

    New England. Te book is divided into seven chapters, the rst relating

    tales o remarkable rescues at sea and the second recounting extraordinary

    rescues rom death. In chapter three, Mather investigates the phenomenon

    o thunder, which he understands to be the voice o God speaking to man.

    Te ourth chapter describes dramatic religious conversions, while the

    ollowing chapter, the longest in book six, documents the hand o God in

    disclosing the evil deeds o sinners and punishing those sinners. Chapter

    six recounts conversions and crimes among the native Americans, and the

    nal chapter documents the work o demons and witches among the people

    o New England. Finally, an appendix to book six oers several anecdotes

    about exceptional conversions among young children, tales which Mather

    hopes will encourage [ . . . ] piety in other children.4

    Despite its broad range o subject matter, book six oMagnalia Christi

    Americana is not a random collection o strange stories. Accounts o won-

    derworking in early seventeenth-century America mix with contemporarytales to signal the continuity o experience o Gods people in America.

    Further, in appending the epic tale o the Puritan oreathers ound in the

    early books with personal, contemporary accounts in book six, Mather

    elides the political, religious, and social history o early New England with

    that o his current readers to urther convince eighteenth-century colonists

    o their anity to the spiritual origins o the New England colonies. His

    message is clear: God has a special abiding relationship with the people o

    New England and continues to work wonders among them.

    4. Magnalia Christi Americana; or, Te Ecclesiastical History o New-England; From its First

    Planting, in the Year 1620, unto the Year o Our Lord 1689. 1702 (New York: Russell and Russell,

    1967), 2:480.

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    Introduction

    Later, this message was not lost on the nineteenth-century reader. In

    her semi-autobiographical novel, Poganuc People, Harriet Beecher Stowe

    wrote

    It was a happy hour when [ather] brought home and set up in his book-case

    Cotton Mathers Magnalia, in a new edition o two volumes. What wonder-

    ul stories these! and stories, too, about her own country, stories that made

    her eel that the very ground she trod on was consecrated by some special

    dealing o Gods providence.5

    Stowe was both convinced o the theory that divine providence guided her

    national history and attracted by the notion that being a descendant o thePuritan saints aorded her special grace.

    Remarkables o the Divine Providence Among the People o New-

    England, book six o MathersMagnalia, provided many later authors and

    readers with examples o the early American literary type o the provi-

    dence tale, which is now recognized as the beginning o the American

    short narrative. In a general introduction to hisMagnalia, Cotton Mather

    asserts that he is mindul o his sacred charge as author o the history o

    the Puritan people in New England, and clearly states that his text is writ-

    ten with all historical delity and simplicity (1:25). Yet, Jane Donahue

    Eberwein observes that although the work was intended as history, the

    imaginative ordering and interpretation o events . . . seem mythopoetic

    rather than scholarly (195). Te authors command o both rhetoric and

    narrative strategy is evident throughout Magnalia. As Larzer Zi has

    noted, on the eve o the novels birth, his was the stu o novelists.6

    Indeed, more than a century aer the initial publication o Cotton

    Mathers Magnalia Christi Americana, American authors continue to

    respond to the message and the narrative orm o his providence tales.Tis book investigates the ways in which Edgar Allan Poe, Harriet Beecher

    Stowe, Nathaniel Hawthorne, Catharine Maria Sedgwick, and Edith

    Wharton rely on Mathers providence tales at critical moments in their

    work. Tese diverse authors, who are rarely grouped in literary studies,

    have radically divergent responses to Mathers theology, historiography,

    5. Te Writings o Harriet Beecher Stowe, 16 vols. (New York: AMS, 1967), 11:12223. All

    subsequent reerence to the novels and short ction o Stowe are rom this edition, and will be

    cited parenthetically in the text.6. Puritanism in America: New Culture in a New World(New York: Viking, 1973), 217. For

    a discussion o Magnalia as a sel-conscious literary text, see Susan Cherry Bell, History and

    Artistry in Cotton MathersMagnalia Christi Americana (diss., SUNY Binghamton, 1991).

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    Chapter 1

    and literary orms. However, each takes up Mathers themes and orms and,

    in distinct ways, comments on the providence tales in Magnalia Christi

    Americana and interrogates these tales as oundational statements aboutAmerican history, American identity, and Gods providential designs or

    America and Americans. More interestingly, each authorregardless o

    his or her individual theological and religious positionsubverts Mathers

    providence tales or his or her own narrative objectives.

    One o the most provocative aspects o the nineteenth- and twentieth-

    century appropriation o Mathers providence tales is the later authors

    concern with authorial ethos. While these authors interrogate the concept

    o Gods providential design or America, their underlying anxiety centers

    on the role o the historian or narrator itsel. Teir questions are many:Who is entitled to speak on behal o the American people? Who is in a

    position to conceptualize the events o the past? When we examine a histo-

    riographic ramework based on Gods providential design, who is charged

    with speaking or God? Mathers text is clear on this point. Te minister

    is uniquely positioned to serve as historian. In divergent ways, the authors

    discussed in this book challenge this stance. Each draws the reader into a

    reconsideration o social authority and narrative authority. Each destabi-

    lizes the position o the teller o tales and cautions the reader to be ever

    alert to the authority and inuence o the teller as well as the tale.

    Te writings o Cotton Mather had come under attack beore these

    authors investigated and appropriated his Magnalia Christi Americana.

    In the eighteenth century, Benjamin Franklin, who had met Mather on

    occasion, was decidedly antipathetic to the rigid Calvinist orthodoxy that

    Cotton Mather had come to represent, and rejected the ways in which

    Puritanism had insinuated itsel into scientic knowledge and judicial

    practice. Franklin parodied Cotton Mathers tales o witchcra in a news-

    paper article, A Witch rial at Mount Holly, which appeared in TePennsylvania Gazette in 1730.7 Te article was a hoax that reported on a

    witch trial in which neither the accused nor the accusers pass the purport-

    edly scientic tests that were devised to prove the accused innocent o the

    charge o witchcra. Likewise, critics have noted that Franklins satiric

    Silence Dogood essays respond to Mathers prescriptive statements on

    how to live a Christian lie.8 Te very name, Silence Dogood, echoes two

    7. Te Pennsylvania Gazette (No. 101, October 22, 1730).

    8. See especially Gordon S. Wood, Te Americanization o Benjamin Franklin (New York:Penguin, 2004), 19, 21, and Daniel Royot, Franklin as Founding Father o American Humor,

    in Reappraising Benjamin Franklin: A Bicentennial Perspective, ed. J. A. Leo Lemay (Newark:

    University o Delaware Press, 1993), 39091. For a comparison o Mathers and Franklins

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    Introduction

    o Mathers publications, Silentiarius: A brie essay on the holy silence and

    godly patience and Boniacius: An essay upon the good. Later, in his Auto-

    biography, Benjamin Franklin reers directly to Cotton Mather, again orironic purpose.9 Franklin appears to boast o his heritage when he identi-

    es his maternal grandather, Peter Folger, as one o the rst Settlers o

    New England, o whom honourable mention is made by Cotton Mather, in

    his Church History o that Country, (entitled Magnalia Christi Americana)

    as a godly learned Englishman.10 Yet, he notes that Folgers contribution

    to the colonies was his writing in avor o Liberty o Conscience, and in

    behal o the Baptists, Quakers, and other Sectaries, that had been under

    Persecution, positions that Franklin was well aware as being contrary

    to those o Mather (56). In exposing Cotton Mathers praise o an indi-vidual who advocates principles antithetical to Mathers, Franklin is able

    to undercut both Mathers religious and political positions as well as his

    credibility as an author.11

    Donald Ringe rightly notes that Franklins enlightenment principles

    enable him to dismiss ghosts, goblins, and witches as the relics o a more

    credulous age and [he was] proud o the act that American society had

    been ormed when such phenomena were no longer credited and tales

    o superstition had been relegated to the nursery.12 However, Franklin

    must have been suciently anxious about the legacy o Cotton Mathers

    remarkable providences to compel him to disparage Mather in newsprint

    and in books throughout his career. According to Mathers biographer,

    Kenneth Silverman, by 1710 [Cotton Mather] may well have become the

    best-known man in America.13 It was clear that he was the most prolic

    ethics, see John C. Van Horne, Collective Benevolence and the Common Good in Franklins

    Philosophy in Reappraising Benjamin Franklin: A Bicentennial Perspective, ed. J. A. Leo Lemay

    (Newark: University o Delaware Press, 1993), 42729.9. Viewing FranklinsAutobiographyrom a dierent perspective, Sacvan Bercovitch also

    links the text to Mathers biographical miniatures inMagnalia and nds that these texts provide

    the orm and outlook or Franklins work as well as or later rags to riches narratives. See

    Bercovitchs Delightul Examples o Surprising Prosperity: Cotton Mather and the American

    Success Story, English Studies 51.1 (1970): 4043.

    10. Te Autobiography o Benjamin Franklin: A Genetic ext, ed. J. A. Leo Lemay and P. M.

    Zall (Knoxville: University o ennessee Press, 1981), 5.

    11. Michael . Gilmore explores Franklins rejection o the Puritan religious identity that

    he replaces with a secular gospel in Te Middle Way: Puritanism and Ideology in American

    Romantic Fiction (New Brunswick: Rutgers University Press, 1977), 4755.

    12. American Gothic: Imagination and Reason in Nineteenth-Century Fiction (Lexington:University Press o Kentucky, 1982), 23.

    13. Te Lie and imes o Cotton Mather (New York: Columbia University Press, 1985),

    198.

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    Chapter 1

    published author in America with almost 400 separate titles to his name.

    Silverman reports: it is imaginable that numerous people overseas, many

    people in the colonies, most people in New England, and nearly everyonein Boston owned some o his works (198). Stephen Carl Arch notes that

    Benjamin Franklins connection to Cotton Mather is not just through one

    o Mathers books; it is through Mathers example as Americas rst public

    man o letters (183). For Franklin and other contemporary writers, his

    was the voice to reckon with.

    Later, Washington Irving joins Franklin in undercutting Mathers

    reputation. Irving does so through the character o Ichabod Crane, who is

    introduced as a perect master o Cotton Mathers history o New England

    Witchcra, in which, by the way, he most rmly and potently believed.14Te dnouement o Irvings tale reveals that the schoolmaster who per-

    sists in believing the superstitious tales o Americas Puritan past is out o

    place in the new America. Both inantilized and eminized, his authority

    is limited to the schoolroom, and his appeal is limited to old women. Te

    young men o his generation ridicule him, and the young girl he courts

    ends up in the arms o another man. More brutally, the Yankee is revealed

    as a shallow ortune-seeker, and, in this way, his Puritan values are linked

    to his avarice.

    In addition, when Ichabod Crane, the teller o Mathers tales, counters

    Brom Bones, the teller o tales that issue rom the Hudson Valley, the

    contest is almost one-sided. Brom Boness story o the headless horseman

    not only entertains, but it has potency and immediate agency. It alters lives

    and ortunes. Ichabod Crane tries to banish Boness tale rom his mind by

    singing psalms, but in Irvings story, even the word o God cannot drown

    out the native legend. Cranes reprisal o Mathers antiquated tale is bested

    by Boness olk tale, and Mathers authority is supplanted by that o a native

    Dutch armer whose lack o erudition and renement is more than com-pensated by ample honor and good humor. Speaking to Irvings central

    14. Te Sketch Book o Georey Crayon, Gent. Ed. Haskell Springer (Boston: wayne, 1978),

    276. Irving was well read in the work o Cotton Mather, and while he was preparing his Sketch

    Book reers to Mather in his journal. SeeJournals and Notebooks, Vol. II: 18071822. Ed. Walter

    A. Reichart and Lillian Schlissel (Boston: wayne, 1981), 179.

    Speaking o another o Irvings characters, John Greenlea Whittier wrote in his 1847

    publication, Te Supernaturalism o New England, Modern skepticism and philosophy have

    not yet eradicated the belie o supernatural visitation rom the New England mind. Here and

    thereoenest in our still, xed, valley-sheltered, unvisited nooks and villagesthe Rip VanWinkles o a progressive and restless populationmay be still ound devout believers worthy o

    the days o the two Mathers. See Whittier (1847), Supernaturalism, ed. Edward Wagenknecht

    (Norman, University o Oklahoma Press, 1969), 40.

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    10 Chapter 1

    the ctions o American identity that have been codied as oundational

    historical documents. Positioning themselves as a palimpsest upon earlier

    idealized histories, gothic texts disrupt the dream world o national myth(10). Extending her argument to the erratic structure that is characteristic

    o gothic literature, Goddu also explains that in its narrative incoherence,

    the gothic discloses the instability o Americas sel-representations; its

    highly wrought orm exposes the articial oundations o national iden-

    tity (10).

    Leslie Fiedler was one o the earliest critics to identiy the psychologi-

    cal trauma expressed in American gothic literature rom the perspective

    o the nations religious culture, and he speaks o the gothic as a Calvinist

    expos o natural human corruption (160). However, Lawrence Buelltakes a dierent approach to Fiedlers observation and argues that in New

    England gothic, the most distinctive thematic ingredient is the perception

    o Puritan culture as inherently grotesque (359). Extending Buells argu-

    ment, this study asserts that the New England gothic is requently an expo-

    s o Calvinist historical accounts o America and Americans. Moreover, in

    the process o exposing the awed and unstable narratives that construct

    an articial and uncomortable identity or the nation, nineteenth-century

    gothic literature requently proposes alternate versions o America, its his-

    tory, its citizens, and its historians.

    It is not surprising that when the ve nineteenth- and twentieth-century

    authors discussed in this book address American historical narratives they

    all look to the work o Cotton Mather. HisMagnalia Christi Americana was

    a prominent and dominant history o early New England.18 In his own time

    Mather had a large personality, and well into the nineteenth century he had

    an equally large reputation as a sti and stern Puritan whom James Russell

    Lowell would later call a conceited old pedant.19 Furthermore, Mather was

    notoriously associated with the Salem witch trials o 1692, having servedas secretary to the tribunal, aer which he authored Te Wonders o the

    Invisible World, a work that compiled many o the anecdotes o witchcra

    that he heard throughout the trials. At the same time, Mather was not easily

    dismissed as a mere pedant or witch hunter rom the distant past precisely

    Literary Culture rom Revolution through Renaissance (Cambridge: Cambridge University Press,

    1986), 35960 and 36870, and Davidson, Revolution and the Word: Te Rise o the Novel in

    America (New York and Oxord: Oxord University Press, 1986), 21718.

    18. In New England Literary Culture: From Revolution through Renaissance, Lawrence Buell

    discusses what he terms the politics o historiography concerning the reception o CottonMather in antebellum America. See especially 21438.

    19. Reviews and Literary Notices, Te Atlantic Monthly6.37 (1860), 639.

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    11Introduction

    because he was an acclaimed and compelling author. In the nineteenth

    century and well into the twentieth century, thinkers and writers continued

    to recognize Mather as a brilliant rhetorician and artul writer. Despite hisirreverent description o the author, James Russell Lowell admits that with

    all his aults, that conceited old pedant contrived to make one o the most

    entertaining books ever written on this side o the water (639).

    Chapter two o this book accounts or the entertaining quality o book

    six oMagnalia Christi Americana by documenting the origins o the

    Puritan providence tale and exploring the novel ways in which Cotton

    Mather adapts the earlier literary orms or a contemporary audience.

    Tis chapter also ties the dramatic and sometimes amboyant stylistic

    eatures oMagnalia to the books unction in eighteenth-century NewEngland. Subsequent chapters turn to the ction o Edgar Allan Poe,

    Harriet Beecher Stowe, Nathaniel Hawthorne, Catharine Maria Sedgwick,

    and Edith Wharton and contend that these authors recognize the impor-

    tance o Mathers work in codiying our understanding o American

    identity and shaping literary orms in the new nation, two distinct but

    related projects. Chapter three examines the work o Poe, whose William

    Wilson, Te Black Cat, and Te Narrative o Arthur Gordon Pym orm

    the mirror image o Mathers providence tales. Tat is, they reect Mathers

    plots, characters, and even his language, but invert them to express Poes

    gothic view o providential design. Te ollowing chapter takes up Harriet

    Beecher Stowes New England novels and tales. Because o her conserva-

    tive evangelical upbringing and her personal religious orientation, Harriet

    Beecher Stowe is much more sympathetic than Poe to the theological

    underpinnings o Cotton Mathers writings, and her ction gives evidence

    o her taste or the providence tales in Magnalia. Yet, Stowes work also

    reveals the uncanny ways in which she departs rom Mathers notion o

    religious leadership and narrative authority, just as she also renes aspectso Mathers theology. Chapter ve speaks to Nathaniel Hawthornes intel-

    lectual concerns regarding American providential historiography, which

    he identies, to dramatic eect, with the person o Cotton Mather. Like

    Stowe, Hawthorne has a decidedly modern understanding o narrative

    authority. Further, he experiments with various ctional orms to express

    his discontent with earlier and contemporary historical tracts, and explores

    narrative voices and alternate modes o emplotment that are antithetical to

    those o Mathers providence tales. Te book concludes with two distinct

    perspectives on historical narrative. Te nal chapter begins with a con-sideration o Catharine Maria Sedgwicks Hope Leslie, a novel that centers

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    12 Chapter 1

    on a reconsideration o early American history and historians. Hope Leslie

    reects the authors early training in providential literature, which she

    questions in her ction and supplements with multiple and seeminglycontradictory approaches to historical narrative. In this way, the novels

    diuse and even manic plot responds to the singular and denitive plots

    ound in MathersMagnalia. Like Sedgwicks Hope Leslie, Edith Whartons

    New England tales contest the ownership o our national history. However,

    where Sedgwick gives voice to a multiplicity o historians who speak reely

    about their community, Whartons historians are ew, and they struggle

    to understand themselves and others and then to articulate their limited

    perceptions about their society. In distinct ways, each o the authors dis-

    cussed in this book resists Mathers model or the historian and historicalnarrative.

    Tis book does not claim that among the many novelists o nineteenth-

    century America only Nathaniel Hawthorne, Edgar Allan Poe, Catharine

    Maria Sedgwick, and Harriet Beecher Stowe respond to the words o

    Cotton Mather in their ction and examine his work as a central eature o

    their own literary projects. o the contrary. Yet, because historical ction

    in general was exceptionally popular in antebellum America, it is to be

    anticipated that authors o such novels and short stories would look to the

    work o one o the nations earliest and most prominent historians.20 Many

    critics have discovered that Herman Melville, or example, both incorpo-

    rates Cotton Mathers literary orms and challenges his religious tenets in

    his ction.21 One can also identiy authorial response to the themes, i not

    20. Stephen Carl Arch demonstrates the importance o this mode o ction in Romancing

    the Puritans: American Historical Fiction in the 1820s, ESQ: A Journal o the American

    Renaissance 39.2 (1993): 10732. See also Buell, 19397, 23960.

    21. In a consideration o Melvilles Moby-Dick, Jane Donahue Eberwein documents the

    similarities between Mathers sermons to shermen and Father Mapples sermon, and nds thatMathers statement in Te Religious Mariner(Boston, 1700), Sirs, Tat pitcht Box o Oak, in

    which you Sail, what is it, but a larger sort oCofn? anticipates the larger plot o Melvilles

    novel. See Fishers o Metaphor: Mather and Melville on the Whale, American ranscendental

    Quarterly26 (1975): 3031. Attending to the scriptural and religious language in Moby-Dick,

    Philip F. Gura explores the varying religious and philosophical grammars o the Pequods crew.

    See Te Wisdom o Words: Language, Teology, and Literature in the New England Renaissance

    (Middletown: Wesleyan University Press, 1981), 15970. Although . Walter Herberts Moby-

    Dickand Calvinism: A World Dismantled(New Brunswick: Rutgers University Press, 1977) does

    not take up Melvilles relationship to Mather, it is an important study o the authors response to

    Calvinist doctrine.

    Oliver Scheidings essay, Subversions o Providential Historiography in HermanMelvilles Benito Cereno in Re-Visioning the Past: Historical Sel-Reexivity in American Short

    Fiction, ed. Bernd Engler and Oliver Scheiding (rier: Wissenschalicher Verlag rier, 1998),

    12140 examines Melvilles use o Cotton Mather in works other than Moby-Dick. Michael

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    13Introduction

    the specic language and literary devices, o Cotton Mather in such works

    as Lydia Maria Childs Hobomok, John Neals Rachel Dyer, John Greenlea

    Whittiers Legends o New England, and Henry David Toreaus A Weekon the Concord and Merrimack Rivers.22 Indeed, the legacy o Mathers

    providence tales continues into the twentieth century in the work o Edith

    Wharton and many others.23 Since the publication oMagnalia Christi

    Americana in 1702, Cotton Mather has been recognized as the oremost

    author in the tradition o the providence tale and a champion o providen-

    tial historiography. Likewise, more than the works o his celebrated ather

    or any number o his contemporaries, the providential literature o Cotton

    Mather captured the imagination o his contemporary readers and contin-

    ued to ascinate, puzzle, and disturb readers and writers long aerward.

    . Gilmore identied the inuence oMagnalia in Melvilles Lightning-Rod Man (9). Frank

    Davidson explores Melvilles commentary on Calvinism in Te Apple-ree able in which

    one character, irresolute in his religious aith, is shaken by readingMagnalia late into the night.

    His essay, Melville, Toreau, and Te Apple-ree able appeared in AmericanLiterature 25.4

    (1954): 47989. See also Marvin Fishers Bug and Humbug in Melvilles Apple-ree able,

    Studies in Short Fiction 8.3 (1971): 45966.Looking to other works by Cotton Mather, Michael Clarks Witches and Wall Street:

    Possession is Nine-enths o the Law in exas Studies in Literature and Language 25.1 (1983):

    5576 nds that dialogue in Bartleby, the Scrivener parallels the examination o Susannah

    Martin in Mathers Te Wonders o the Invisible World.22. Tese historical novels o Child and Neal are set in seventeenth-century New England

    and rely heavily on Mathers accounts o the characters and events the authors depict in their

    ction. In addition to borrowing rom Magnalia, in writing Rachel Dyer, Neal draws rom

    Mathers Wonders o the Invisible World.George Carey was early to identiy John Greenlea Whittiers use o Mathers tales in his

    essay, John Greenlea Whittier and Folklore: Te Search or a raditional American Past, New

    York Folklore Quarterly27.1 (1971): 11329. Ann-Marie Weis examines Whittiers relationshipwith Cotton Mather in her essay on the authors treatment o Hannah Dustons captivity in Te

    Murderous Mother and the Solicitous Father: Violence, Jacksonian Family Values, and Hannah

    Dustons Captivity,American Studies International36.1 (1998): 4665. Additionally, Whittiers

    position on Cotton Mather is apparent in his sketch Te Double-Headed Snake o Newberry

    in which he uses the man to comic eect.

    Robert D. Arner explores Toreaus revision o Mathers historical material in Te

    Story o Hannah Duston: Cotton Mather to Toreau,American ranscendental Quarterly18.1

    (1973): 1923. See also Marvin Fishers Seeing New Englandly: Anthropology, Ecology, and

    Teology in ToreausA Week on the Concord and Merrimack Rivers, Centennial Review 34.3

    (1990): 39092.

    23. Although contemporary literature is outside the ramework o this book, scholars havenoted the continuing inuence o the providence tale in Paul Auchters New York rilogy, Angela

    Carters Our Lady o the Massacre, and Bharati Mukherjees Te Holder o the World, among

    other late twentieth-century works o ction.

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    Adams, John R., 80n12

    Amreville, Marc, 115n32

    Arch, Stephen Carl, 2n1, 8, 12n20, 18,

    20n12, 23n18

    Arner, Robert D., 13n22

    Bancro, George, 38, 9092, 9798

    Bardes, Barbara Ann, 130n12

    Bauermeister, Erica R., 128n10Baym, Nina, 93, 104, 111

    Bell, Michael Davitt, 115n33, 12324

    Bell, Susan Cherry, 5n6

    Bercovitch, Sacvan, 7n9, 18n10, 76

    Berens, John F., 3n2

    Berkson, Dorothy, 71n3

    Boyle, Robert, 23n17

    Bradord, William, 15, 17, 1819, 121

    Brown, Charles Brockden, 140

    Bryant, William Cullen, 130Budick, Emily, 109, 116, 117n36

    Buell, Lawrence, 9n17, 10, 12n20, 65n1,

    82

    Bush, Harold K., 90n10

    cannibalism, 5152

    captivity narrative, 2, 13n22, 8384,

    96102, 12326

    Carey, George, 13n22

    Child, Lydia Maria, 13

    Choules, John O., 91n11

    chronicle, 1718, 32

    Clark, Michael, 13n21

    Clarke, Samuel, 14, 15n3, 16n5

    Cohen, B. Bernard, 96n17

    Cohen, Daniel A., 27, 4345

    Colacurcio, Michael J., 87, 92, 109n26,

    116n34, 117

    conversion narrative, 4, 4546, 5657,

    69, 79Crozier, Alice C., 65n1

    Crumpacker, Laurie, 71n3

    Daly, Robert, 18

    Davidson, Cathy, 9n17

    Davidson, Frank, 13n21

    Dawson, Jan, 90n10

    deathwatch, 2, 6970, 72; and deathbed

    vision, 69

    Dekker, George, 92n13Demos, John, 121n5

    deus ex machina, 50, 106

    Dier, Mary. See Dyer, Mary

    dreams, 68, 7980, 8384, 142

    drunkenness, 36, 41, 5556, 107, 108.

    See also temperance tale

    Dunne, Michael, 109n26, 116, 117n36

    Duston, Hannah, 13n22, 96102

    Dyer, Mary, 15, 36

    Eaken, John Paul, 47n14, 48n16, 54

    157

    Index

    w

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    158 Index

    Eberwein, Jane Donahue, 3n2, 5, 12n21

    Edwards, Jonathan, 38, 120

    Ehrenpreis, Anne Henry, 116n34

    Emerson, Ralph Waldo, 91

    Emery, Allan, 110n27

    Engler, Bernd, 2n1, 18, 32n26

    exceptionalism, American, 1, 45, 6,

    1920, 38, 65, 76, 9092

    Felt, Joseph B., 111

    Fetterly, Judith, 74, 12829

    Fiedler, Leslie, 9n16, 10

    Fisher, Marvin, 13n22

    Ford, Douglas, 12223, 125

    Forrest, William Mentzel, 38

    Foster, Charles H., 65n1, 70n2, 81n14

    Foucault, Michel, 122

    Franklin, Benjamin, 68, 39

    Frye, Northrop, 12324

    Fukuchi, Curtis, 47, 48n16

    gallows narrative, 2, 3, 2733, 4345,

    5564

    Garvey, . Gregory, 127n9

    Gay, Peter, 3

    ghosts, 7, 50, 13235

    Gilmore, Michael ., 7n11, 13n21, 26

    Glanvill, Joseph, 88n4

    Goddu, eresa, 910, 40, 41

    Goodenough, Elizabeth, 93n16

    Goodrich, Samuel G., 96n17

    Gossett, Suzanne, 130n12

    gothic mode, 910, 3941, 45, 6364,

    7273, 10910

    Gould, Philip, 122

    Gross, Louis S., 9n17

    Gura, Philip F., 12n21

    Haklyut, Richard, 43

    Hall, David D., 1n1, 22n16, 26n22

    Hartman, James D., 2n1, 3n2

    Hawks, Francis L., 38, 43

    Hawthorne, Nathaniel, 1112, 8793,

    14143; on Cotton Mather, 56, 9,

    11, 8789, 9596, 100101, 109, 112;

    embedded narratives in the work o,

    105, 1078, 116, 14243; and ethos

    o the historian, 89, 92, 9395, 100

    105, 1078, 11517, 139, 14142;

    and George Bancro, 9092; reading

    in early American history, 87, 8992;

    works: Alice Doanes Appeal,

    8788, 92, 10910, 11516, 117,

    142; David Swann, 92, 1058, 130,

    14243; Dr. Bullivant, 87; Te

    Duston Family, 8788, 92, 96102;

    Edward Randolphs Portrait, 87

    88; Te Gray Champion, 87; Te

    Haunted Quack, 88n4; Te House

    o the Seven Gables, 87, 92, 11017,

    14243; Main-street, 87, 92, 1025,

    142; Mrs. Hutchinson, 88; Sir

    William Phips, 88; Te Prophetic

    Pictures, 88; imes Portraiture,

    87; wice-told ales, 118; Te Whole

    History o Grandathers Chair, 87n1,

    9396, 105, 130, 142

    Hedrick, Joan D., 65n1, 71n3

    Herbert, . Walter, 12n21, 99n20

    heresy, 15, 36, 113, 123

    Hildreth, Richard, 90n9

    historical narrative: contrasted with

    chronicle, 1718, 32; and ideology,

    1718; providential, 45, 6, 1416,

    1923, 3839, 8892; relationship

    to literature, 1718, 2327, 3132;

    and social history, 1517, 21. See

    also Bancro, George; White,

    Hayden

    Homan, Daniel, 58

    Hubbard, William, 15, 121

    Hungare, Phillip, 3335

    Hutcheson, Francis, 87n2, 89

    Hutchinson, Tomas, 87n2, 89, 111

    inanticide, 2733, 5758

    insanity, 134, 142

    Insko, Jerey, 112n6

    Irving, Washington, 89

    Janeway, James, 14, 17, 3335, 41, 43, 45

    Jewett, Sarah Orne, 85

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    15 9Index

    Johnson, Cynthia Brantley, 97n18,

    99n20

    Johnson, Edward, 1415, 17, 20, 121

    Johnson, Parker H., 3n2

    Karalis, Maria, 131

    Kelley, Mary, 71n3, 120n2, 121n4, 122n6

    Kennedy, J. Gerald, 47, 48, 52

    Kesselring, Marion L., 87n2, 90n7

    Kirkham, E. Bruce, 84

    Levin, David, 18n10, 23n18, 9091

    Lowance, Mason I., 76n7

    Lowell, James Russell, 1011

    Madsen, Deborah L., 110n27

    Magnalia Christi Americana (Cotton

    Mather), 35, 1016, 1927; on

    Abigail Eliot, 5960; authorial ethos

    o, 5, 2224, 36, 7071, 13839;

    on Hannah Duston, 96101; as

    historical narrative, 36, 1536;

    historiographic statement in, 5,

    7374, 86; on James Morgan, 55n24;

    on Mrs. J. C., 70; on Mrs. John

    Bailey, 69; on Joseph Beacon, 50n18;

    literary models or book six, 1417;

    literary style o, 5, 2327, 3435,

    101, 114; on Major Gibbons, 5152,

    139n20; on Mary Dyer, 16n3; on

    Mary Martin, 2733, 5758; on

    Phillip Hungare, 3436; popularity

    o, 38, 1011, 8892, 9799; on

    Pyncheon amily, 112, 114; social

    history in, 4, 1516, 21; and spiritual

    declension, 34, 2022; structure o,

    4; themes o, 34; on Tomas Maule,

    11214; on William Laiton, 51n19;

    on William rowbridge, 51n19, 75n6

    Martin, Mary, 2733, 5758

    Mather, Cotton, 59, 1011, 13;

    authorial ethos o, 5, 2224, 36,

    42, 60, 64; and Benjamin Franklin,

    68; inuence on nineteenth-

    century historians, 8892, 9799;

    and James Russell Lowell, 1011;

    on native Americans, 26, 101, 113;

    and popular culture, 2627, 4445,

    6364; popularity o, 3, 78; on

    Quakers, 7, 26, 113; reputation in

    the nineteenth century, 59, 1013;

    and science, 6, 2122, 31, 39, 95; as

    secretary to the Salem witch trials,

    10, 58; and spiritual declension,

    4, 2022; and Washington Irving,

    89; works: Boniacius: An essay

    upon the good, 67; Diary, 7, 19n11;

    Memorable Providences, Relating

    to Witchcras and Possessions, 15;

    Mirabilia Dei, 15n2; Parentator,

    14n1; Pillars o Salt, 15, 44; Te

    Religious Mariner, 12n21; Te Sad

    Eects o Sin, 4445; Silentarius: A

    brie essay on the holy silence and

    godly patience, 7; erribilia Dei,

    15, 27n24; Te wonderul works

    o God commemorated, 15; Te

    Wonders o the Invisible World, 10,

    13n21, 13n22, 58n29; Te Words

    o Understanding, 78n10. See also

    Magnalia Christi Americana

    Mather, Increase, 20, 22n15, 2324,

    33, 41, 43, 44, 88; works:A Call

    rom Heaven o the Present and

    Succeeding Generations, 20; A

    doctrine o divine providence open

    and applied, 36n30; Essay or the

    Recording o Illustrious Providences,

    14, 24, 33, 3435, 87n2

    Matheson, . J., 56n25

    Melville, Herman, 1213

    Miller, Perry, 2n1

    Mirick, Benjamin L., 96n17, 9899,

    102n22

    Mizruchi, Susan L., 90, 117

    Morton, Nathaniel, 15

    murder, 2, 41, 4445, 50, 97101,

    107n24, 109, 13235. See also

    cannibalism; inanticide; suicide

    native Americans, 96102, 104, 11214,

    12135

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    160 Index

    Neal, Daniel, 91n11

    Neal, John, 13

    Nelson, Dana, 122n6

    Onishi, Naoki, 51n20

    Parrington, Vernon Louis, 65n1

    Poe, Edgar Allan, 56, 9, 1112,

    3764; and Christianity, 3739; and

    conversion narrative, 4546; and

    gallows narrative, 5558; literary

    sources or, 37, 5455; and narrative

    causation, 42, 6061, 6263; and

    narrative closure, 4243, 4647,

    5254, 5758, 60; narrators in the

    work o, 4142, 4546, 55, 60, 64,

    14041; and New England literary

    culture, 4041; and nonction prose,

    4344, 54, 63; and temperance tale,

    5556; works:Te Black Cat,

    11, 39, 41, 42, 5461, 63, 140; A

    Descent into the Maelstrom, 41;

    Eleonora, 41; Te Gold Bug, 42;

    Ligeia, 42; MS. Found in a Bottle,

    39, 4547, 63; Te Murders in the

    Rue Morgue, 42; Te Mystery o

    Marie Roget, 43; Te Narrative o

    Arthur Gordon Pym, 11, 39, 43, 47

    54, 63, 123, 130, 140; Te Pit and

    the Pendulum, 38n4; Te ell-ale

    Heart, 41; William Wilson, 11, 37,

    39, 40, 42, 6163, 140

    Pollin, Burton R., 37n1

    Porte, Joel, 48n16

    Priestly, Joseph, 91n11

    providence, divine, 12, 45, 1921, 106;

    in twentieth-century ction, 13; in

    twentieth-century rhetoric, 1. See also

    history, providential; providence tale

    providence tale, 16, 1922; authorial

    ethos o, 6, 22; as ction, 5, 11,

    2327; history o, 3, 13, 1417;

    in sermonic literature, 3. See also

    captivity narrative; conversion

    narrative; gallows narrative;

    temperance tale

    Purchas, Samuel, 43

    Rachman, Stephen, 54

    Reilly, John E., 54n22

    Reynolds, David S., 9n16, 44, 55n24, 56,

    14041

    Ridgely, J. V., 47n13

    Ringe, Donald A., 7

    Robbins, Tomas, 89

    Rosenzweig, Paul, 47

    Royot, Daniel, 6n8

    Rubin-Dorsky, Jerey, 9

    Scheick, William J., 23n17

    Scheiding, Oliver, 2n1, 12n21, 18

    Schultz, Nancy Lusignan, 80n12

    Sedgwick, Catharine Maria, 56, 9,

    1112, 11931; and Calvinism,

    12021; and Cotton Mather, 56, 9,

    11; embedded narratives in the work

    o, 12426, 142; and ethos o the

    historian, 12426, 14041; and the

    emale historian, 125; Hope Leslie,

    1112, 119, 12131, 142; reading in

    early American history, 12021

    sexual transgression, 2732, 109, 116,

    123, 128, 13235

    Silverman, Kenneth, 78, 23, 38n2,

    4041

    Smolinski, Reiner, 32n27

    Stewart, E. Kate, 54n22

    Stievermann, Jan, 21n14

    Stowe, Harriet Beecher, 1112, 6566,

    140144; and Calvinism, 11, 65;

    on Cotton Mather, 66, 72, 88;

    embedded narratives in the work

    o, 6970, 82, 142; and the emale

    historian, 66, 6973, 8081, 83,

    86, 111, 14041; and the emale

    ministry, 7172, 7981, 86, 111;

    andMagnalia Christi Americana,

    5, 6566; ministers in the work o,

    7374, 8081; works: Te American

    Womans Home, 71n3; Earthly Care

    A Heavenly Discipline, 71; Te

    Ministers Wooing, 65, 66, 7881,

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    161Index

    111, 14042; Oldtown Folks, 65, 66;

    Te Pearl o Orrs Island, 65, 6679,

    8182, 8486, 14042; Te Pink and

    White yranny, 66; Poganuc People,5, 65, 66; Sam Lawsons Oldtown

    Fireside Stories, 66, 78, 8184

    suicide, 61

    Swann, Charles, 109n26, 117n36

    Sweeney, Gerald M., 134n15

    ang, Edward, 80n12

    temperance tale, 43, 5557

    Tacher, James, 9091

    Tompson, G. R., 109n26Toreau, Henry David, 13

    ravis, Jennier, 136n18

    typology, 7678, 97, 115

    Upham, Charles W., 111, 116n34

    Van Cromphout, Gustaa, 23n19

    Van Horne, John C., 7n8

    Warren, Austin, 24Weber, Alred, 3n2

    Weierman, Karen Woods, 120n2,

    122n5, 122n6

    Weis, Ann-Marie, 13n22, 99n20

    Wenska, Walter P., 18

    Wharton, Edith, 1112, 11920,

    13132; and Calvinism, 13132;

    and Cotton Mather, 56, 9, 1112;

    embedded narratives in the work o,134, 142; and the emale historian,

    13233, 13738; and identity

    o historian, 13338; works:A

    Backward Glance, 131; Bewitched,

    120, 13138; Ethan Frome, 11920,

    131, 13538; Summer, 131; Te

    riumph o Night, 132

    White, Hayden, 17, 22, 2425, 3132,

    35, 39, 4243, 46, 103, 117, 130,

    14344Whittier, John Greenlea, 8n14, 13, 85

    Williams, Daniel E., 44n11

    Williams, Eunice, 121

    Williams, John, 120, 121

    Williams, Roger, 121, 130

    Winship, Michael P., 2n1, 22n15, 23n17

    Winthrop, John, 15n3, 17, 2933, 121

    witchcra, 3, 4, 7, 10, 19n11, 5859, 75,

    81, 83, 104, 10912, 13135

    Wol, Cynthia Grin, 136Wood, Gordon, 6n8

    Zagarell, Sandra A., 122n6

    Zanger, Jules, 38

    Zi, Larzer, 5, 24, 37