audio 1 - microphones

Upload: cowsicle

Post on 10-Apr-2018

229 views

Category:

Documents


1 download

TRANSCRIPT

  • 8/8/2019 AUDIO 1 - Microphones

    1/47

    Sound

  • 8/8/2019 AUDIO 1 - Microphones

    2/47

    Picture vs. Sound

    Unless you are making a silent picture,

    Sound is more importantthan picture.

    How long would you watch a movie, TV

    show with bad or no audio?

    Have you ever listened to a show while doing

    something else and still enjoyed it?

  • 8/8/2019 AUDIO 1 - Microphones

    3/47

    Whatis sound

    Sound is the vibration of air molecules

  • 8/8/2019 AUDIO 1 - Microphones

    4/47

    SOUND

    Sound travels in waves

  • 8/8/2019 AUDIO 1 - Microphones

    5/47

    SOUND

    Sound travels in waves

  • 8/8/2019 AUDIO 1 - Microphones

    6/47

    WAVES: Length

    Wavelength: The

    distance between

    any point on a waveand the equivalent

    point on the next

    phase. Literally, the

    length ofthe wave.

  • 8/8/2019 AUDIO 1 - Microphones

    7/47

    WAVES: Amplitude

    Amplitude: The strengthor power of a wavesignal. The "height" of a

    wave when viewed as agraph.

    Higher amplitudes =

    higher volumehence the name"amplifier" for a devicewhichincreases

    amplitude.

  • 8/8/2019 AUDIO 1 - Microphones

    8/47

    WAVES: Frequency

    Frequency: The

    number oftimes the

    wavelength occurs in

    one second. Measuredin kilohertz (Khz), or

    cycles per second.

    Frequency is how closetogetherthe waves are.

    Frequencies are

    interpreted as a pitch.

    Higher frequencies are interpreted as ahigher pitch. For example, when yousing in a high-pitched voice you areforcing your vocal chords to vibratequickly.

  • 8/8/2019 AUDIO 1 - Microphones

    9/47

    Phasing

    The following table illustrates how sound waves (or any

    other waves)interfere with each other depending on their

    phase relationship:

  • 8/8/2019 AUDIO 1 - Microphones

    10/47

    Phasing

    Sound waves which are exactly in phase add

    togetherto produce a stronger wave.

    Sound waves which are exactly inverted, or 180degrees out of phase, cancel each other out and

    produce silence. This is how many noise-

    cancellation devices work.

    Sound waves whichhave varying phase

    relationships produce differing sound effects.

  • 8/8/2019 AUDIO 1 - Microphones

    11/47

    NEXT

    Microphone types

  • 8/8/2019 AUDIO 1 - Microphones

    12/47

    Types of

    Microphones

  • 8/8/2019 AUDIO 1 - Microphones

    13/47

    Microphones

    Microphones are a type oftransducer - a

    device whichconverts energy from one

    form to another.

    Microphones convertacoustical energy(sound waves)into electrical energy (the

    audio signal).

  • 8/8/2019 AUDIO 1 - Microphones

    14/47

    Types of Microphones

    Dynamic

    Performance/Podium Handheld mic

    CondenserPZM

    Shotgun

    Lavalier

  • 8/8/2019 AUDIO 1 - Microphones

    15/47

    Dynamic vs. Condenser

    Dynamic micis not battery powered

    Condenserrequires Phantom power or a

    battery.

    Dynamic

    Condensers

  • 8/8/2019 AUDIO 1 - Microphones

    16/47

    Dynamic vs. Condenser

    Dynamic are good forclose up work and can

    be held by hand without noise (singing,

    streetinterviews)

    Condenserhave muchbetter reach &

    sensitivity than dynamic mics

    Dynamic

    Condenser

  • 8/8/2019 AUDIO 1 - Microphones

    17/47

    DYNAMIC

    Dynamic Mics

    use a moving

    diaphram toconvert audio

    signals into

    electriccurrent.

  • 8/8/2019 AUDIO 1 - Microphones

    18/47

    CONDENSER

    Condenser Micsuses a capacitorto convert

    acoustical energyinto electricalenergy .

    Two movingplates with avoltage betweenthem createcurrent.

  • 8/8/2019 AUDIO 1 - Microphones

    19/47

    Performance / Podium

  • 8/8/2019 AUDIO 1 - Microphones

    20/47

    Handheld Performance Mic

    TYPE: DYNAMIC

    Least sensitive class of mic

    Generates own electricity (no battery)

    For human voice Low sensitivity and/ordirectional so as to

    prevent feedback

  • 8/8/2019 AUDIO 1 - Microphones

    21/47

    Speakers and

    Headphonesperform the

    opposite function

    of microphones by

    converting

    electrical energy

    into sound waves.

  • 8/8/2019 AUDIO 1 - Microphones

    22/47

    ADVANTAGES

    Short reach, low sensitivity

    Extremely rugged, few parts/electronics

    No batteries or remote powering needed No handling noise can be hand held

  • 8/8/2019 AUDIO 1 - Microphones

    23/47

    Applications for Dynamic Mics

    Live stage performance

    Live Audience Question & Answer Isolated Narration orVoice-over

    On-site Reporting

    Eliminating noisy backgrounds

  • 8/8/2019 AUDIO 1 - Microphones

    24/47

    Types of Microphones

    Performance/Podium mic

    PZM

    Shotgun Lavalier

  • 8/8/2019 AUDIO 1 - Microphones

    25/47

    Pressure Zone Mics

  • 8/8/2019 AUDIO 1 - Microphones

    26/47

    Pressure Zone Mics

    Aka PLATE orBoundary mic

    TYPE: CONDENSER

    mic

    PZM mics are quiteunusual-looking.

    They are flat anddon't really look likemicrophones at all.

  • 8/8/2019 AUDIO 1 - Microphones

    27/47

    ADVANTAGES

    Pick up large areas of

    sound

    Mounted to large

    objects to create

    sound

    for example, atabletop or wall.

  • 8/8/2019 AUDIO 1 - Microphones

    28/47

    Types of Microphones

    Handheld

    PZM

    Shotgun Lavalier

  • 8/8/2019 AUDIO 1 - Microphones

    29/47

    Shotgun/

    Boom

    Above equipment /

    accessories for Boom

    operator (wind sock,

    zeppelin, boom pole)

  • 8/8/2019 AUDIO 1 - Microphones

    30/47

    Boom Operation

    very popularin film and

    television production.

    Adirectional micis

    mounted on a boom

    arm and positioned just

    out ofcamera frame.

    The cable is wrappedonce ortwice around

    the boom arm.

  • 8/8/2019 AUDIO 1 - Microphones

    31/47

    Shotgun

    Usually pointingdown from abovewhen recording anactors dialogue(less unwantednoise).

  • 8/8/2019 AUDIO 1 - Microphones

    32/47

    Shotgun

    When used horizontally (like a rifle), they

    pick up talent as well sound behind talent

    (okay for sound effects, but rarely for dialogue).

    Booming from below is a

    bettercompromise less

    noise.

  • 8/8/2019 AUDIO 1 - Microphones

    33/47

    Shotgun Qualities

    TYPE: Condenser mic Very directional on-axis Less directional Off-axis (around to the sides). Good for longer recording from longer

    distances Battery (or phantom)Powered

  • 8/8/2019 AUDIO 1 - Microphones

    34/47

    Lavalier

  • 8/8/2019 AUDIO 1 - Microphones

    35/47

    Lavalier

    TYPE: CondenserMic

    clip-on

    provides consistent

    close-range sound

    pickup.

    Good for sit downinterview situations

    (actor not moving).

  • 8/8/2019 AUDIO 1 - Microphones

    36/47

    Lavalier- Problems

    clothing noise, body

    noise

    Limitations of

    movement due to cable

    Time consuming /

    intrusive to rig

  • 8/8/2019 AUDIO 1 - Microphones

    37/47

    NEXT

    Pickup patterns:

    Some microphones pick up sound equally

    from all directions, others pick up sound only

    from one direction or a particular

    combination of directions.

  • 8/8/2019 AUDIO 1 - Microphones

    38/47

    PICKUPPA

    TTERNS

  • 8/8/2019 AUDIO 1 - Microphones

    39/47

    Pickup Patterns

    Some microphones pick up sound

    equally from all directions, others

    pick up sound only from onedirection or a particular

    combination of directions.

  • 8/8/2019 AUDIO 1 - Microphones

    40/47

    Types of Pickup Patterns

    Types of directionality are divided into

    three main categories:

    Uni-Directional (one direction)

    Bi-Directional (two directions)

    Omni-Directional (all directions)

  • 8/8/2019 AUDIO 1 - Microphones

    41/47

    Two similartypes of Uni-directional

    Cardioid

    Hyper-cardioid

    UNI-DIRECTIONAL

  • 8/8/2019 AUDIO 1 - Microphones

    42/47

    CardioidCardioid means "heart-shaped"

    UNI-DIRECTIONAL

  • 8/8/2019 AUDIO 1 - Microphones

    43/47

    Acardioid michas a directional pickuppattern, so itis less sensitive to sounds

    from behind, than itis to the sides andfront.

    AHand Held

    DYNAMIC michas a

    Cardioid pattern

    Cardioid

    UNI-DIRECTIONAL

  • 8/8/2019 AUDIO 1 - Microphones

    44/47

    This is exaggeratedversion ofthecardioid pattern. Itis very directionaland eliminates mostsound from thesides and rear.

    Itis also sensitiveto the very back ofit as well

    Hyper-Cardioid

    UNI-DIRECTIONAL

  • 8/8/2019 AUDIO 1 - Microphones

    45/47

    Very directional on-axis

    Less directional as we work Off-axis

    (around to the sides).

    A shotgun micis Hyper-Cardioid

    Hyper-Cardioid

    UNI-DIRECTIONAL

  • 8/8/2019 AUDIO 1 - Microphones

    46/47

    OMNI DIRECTIONAL

    Capturessound equallyfrom all

    directions.

  • 8/8/2019 AUDIO 1 - Microphones

    47/47

    OMNI DIRECTIONAL

    a lavalierhas an omni-directional pickup

    pattern, so the direction itis pointing is not

    significant.