audience ppt

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    AUDIENCE

    THEORY

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    Audience Theory

    Three questions:

    1) Why do audiences choose to consume

    certain texts?2) How do they consume texts?

    3) What happens when they consume texts?

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    Audience Theory

    There are three theories of audience that we

    can apply to help us come to a better

    understanding about the relationship between

    texts and audience:

    The Effects Model or the Hypodermic Model

    The Uses and Gratifications Model

    Reception Theory

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    The Effects Model

    The consumption of media texts has an effect

    or influence upon the audience.

    It is normally considered that this effect isnegative.

    Audiences are passive and powerless to

    prevent the influence.

    The power lies with the message of the text.

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    The Effects Model

    Also called The Hypodermic Model.

    Here, the messages in media texts are injected

    into the audience by the powerful, syringe-like, media.

    The audience is powerless to resist.

    Therefore, the media works like a drug andthe audience is drugged, addicted, doped or

    duped.

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    The Effects Model

    Key evidence for the Effects Model:

    The Frankfurt School theorised in the 1920s

    and 30s that the mass media acted to restrictand control audiences to the benefit of

    corporate capitalism and governments.

    The Bobo Doll experiment: a controversial

    piece of research that apparently proved that

    children copy violent behaviour.

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    Bobo Doll Experiment

    Albert Bandura (1961)

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    Children watched a video where an adult

    violently attacked a toy called a Bobo Doll. The children were then taken to a room with

    attractive toys that they were not permitted to

    touch.

    The children were then led to another room

    with Bobo Dolls where 88% of the children

    imitated the violent behaviour that they had

    earlier viewed.

    8 months later 40% of the children recreated

    the same violent behaviour.

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    The conclusion reached was that children will

    imitate violent media content. There are manyproblems with the experiment. What do you

    think are the flaws with the methodology?

    Does it prove that children imitate violent

    media content?

    The Effects Model (backed up by the Bobo Doll

    experiment) is still the dominant theory used

    by politicians, some parts of the media andsome religious organisations in attributing

    violence to the consumption of media texts.

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    Key examples sited as causing or being

    contributory factors are: The film Childs Play 3 in the murder of James

    Bulger in 1993.

    The game Manhunt in the murder of StefanPakeerah in 2004 by friend Warren LeBlanc.

    The film AClockwork Orange (1971) in a

    number of rapes and violent attacks.

    The film Severance (2006) in the murder of

    Simon Everitt.

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    In each case there was a media and political

    outcry for the texts to be banned. In some cases laws were changed, films

    banned, and newspapers demanded the

    burning of films. Subsequently, in each case, it was found that

    no case could be proven to demonstrate a link

    between the text and the violent acts.

    Can you blame the media? Have you ever

    recreated a scene from a media text?

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    The Effects Model

    The EM contributes to Moral Panics whereby:

    The media produce inactivity, make us into

    students who wont pass exams or couchpotatoes who make no effort to get a job.

    The media produces violent copycat

    behaviour or mindless shopping in response

    to advertisements.

    Which is it? Are both right? Are both wrong?

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    Other models/theories

    It is still unclear if there is any link between

    the consumption of violent media texts and

    violent imitative behaviour.

    It is also clear the theory is flawed in that

    many people do watch violent texts and

    appear not to be influenced.

    Perhaps other theories are needed to explain

    the behaviour...

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    Uses and Gratifications

    The Uses and Gratifications Model is very

    different from the Effects Model.

    The audience is active. The audience uses the text and is NOT used by

    it.

    The audience uses the text for its owngratification or pleasure.

    Why do you watch TV, Film, listen to music?

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    Uses and Gratifications

    Here, power lies with the audience NOT the

    producers.

    This theory emphasises what audiences dowith media texts how and why they use

    them.

    Far from being duped by the media , the

    audience is free to reject, use or play with

    media meanings as they see fit.

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    Uses and Gratifications

    Audiences therefore use media texts to gratify

    needs for:

    Diversion Escapism

    Information

    Pleasure

    Comparing relationships/lifestyles with own

    Sexual stimulation

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    Uses and Gratifications

    The audience is in control and consumption of

    the media helps people with issues such as:

    Learning Emotional satisfaction

    Relaxation

    Help with issues of personal identity

    Help with issues of social identity

    Help with issues of aggression and violence

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    Uses and Gratifications

    Controversially, the theory suggests the

    consumption of violent images can be helpful

    rather than harmful.

    The theory suggests that audiences act out

    their violent impulses through the

    consumption of media violence.

    The audiences inclination towards violence is

    therefore diverted, and they are less likely to

    commit violent acts.

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    Issues with U & G

    Each individuals actions and effects on those

    actions will depend solely on the situation.

    Are people really free to choose the mediaand the interpretations they desire?

    How can you measure peoples feelings?

    It focuses too narrowly on the individual andneglects the social structure and place of the

    media in that structure.

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    Reception Theory

    Given that the Effects model and the Uses and

    Gratifications have their problems and

    limitations, a different approach to audiences

    was developed by Stuart Hall at Birmingham

    University in the 1970.

    This considered how texts were encoded with

    meaning by producers and then decoded(understood) by audiences.

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    Reception Theory

    When a producer constructs a text it is

    encoded with a meaning or message that the

    producer wishes to convey to the audience.

    In some instances audiences will correctly

    decode the message or meaning and

    understand what the producer was saying.

    In some instances the audience will either

    reject or fail to correctly understand the

    message.

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    Reception Theory

    Hall identified three types of audience

    readings (or decoding) of the text:

    Preferred, Negotiated,O

    ppositional Preferred:

    Where the audience decodes the message as

    the producer wants them to do and broadlyagrees with it (e.g.: watching a political speech

    and agreeing with it).

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    Negotiated:

    Where the audience accepts, rejects or refineselements of the text in light of previously held

    views (e.g.: neither agreeing nor disagreeing

    with the political speech or being apathetic).

    Oppositional:

    Where the dominant meaning is recognised

    but rejected for cultural, political or

    ideological reasons (e.g.: total rejection of the

    political speech and active opposition).

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    How audience decodes meaning

    PRODUCER

    ENCODES

    MESSAGE

    PREFERRED

    NEGOTIATED

    OPPOSITIONAL