audience ppt
TRANSCRIPT
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AUDIENCE
THEORY
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Audience Theory
Three questions:
1) Why do audiences choose to consume
certain texts?2) How do they consume texts?
3) What happens when they consume texts?
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Audience Theory
There are three theories of audience that we
can apply to help us come to a better
understanding about the relationship between
texts and audience:
The Effects Model or the Hypodermic Model
The Uses and Gratifications Model
Reception Theory
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The Effects Model
The consumption of media texts has an effect
or influence upon the audience.
It is normally considered that this effect isnegative.
Audiences are passive and powerless to
prevent the influence.
The power lies with the message of the text.
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The Effects Model
Also called The Hypodermic Model.
Here, the messages in media texts are injected
into the audience by the powerful, syringe-like, media.
The audience is powerless to resist.
Therefore, the media works like a drug andthe audience is drugged, addicted, doped or
duped.
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The Effects Model
Key evidence for the Effects Model:
The Frankfurt School theorised in the 1920s
and 30s that the mass media acted to restrictand control audiences to the benefit of
corporate capitalism and governments.
The Bobo Doll experiment: a controversial
piece of research that apparently proved that
children copy violent behaviour.
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Bobo Doll Experiment
Albert Bandura (1961)
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Children watched a video where an adult
violently attacked a toy called a Bobo Doll. The children were then taken to a room with
attractive toys that they were not permitted to
touch.
The children were then led to another room
with Bobo Dolls where 88% of the children
imitated the violent behaviour that they had
earlier viewed.
8 months later 40% of the children recreated
the same violent behaviour.
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The conclusion reached was that children will
imitate violent media content. There are manyproblems with the experiment. What do you
think are the flaws with the methodology?
Does it prove that children imitate violent
media content?
The Effects Model (backed up by the Bobo Doll
experiment) is still the dominant theory used
by politicians, some parts of the media andsome religious organisations in attributing
violence to the consumption of media texts.
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Key examples sited as causing or being
contributory factors are: The film Childs Play 3 in the murder of James
Bulger in 1993.
The game Manhunt in the murder of StefanPakeerah in 2004 by friend Warren LeBlanc.
The film AClockwork Orange (1971) in a
number of rapes and violent attacks.
The film Severance (2006) in the murder of
Simon Everitt.
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In each case there was a media and political
outcry for the texts to be banned. In some cases laws were changed, films
banned, and newspapers demanded the
burning of films. Subsequently, in each case, it was found that
no case could be proven to demonstrate a link
between the text and the violent acts.
Can you blame the media? Have you ever
recreated a scene from a media text?
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The Effects Model
The EM contributes to Moral Panics whereby:
The media produce inactivity, make us into
students who wont pass exams or couchpotatoes who make no effort to get a job.
The media produces violent copycat
behaviour or mindless shopping in response
to advertisements.
Which is it? Are both right? Are both wrong?
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Other models/theories
It is still unclear if there is any link between
the consumption of violent media texts and
violent imitative behaviour.
It is also clear the theory is flawed in that
many people do watch violent texts and
appear not to be influenced.
Perhaps other theories are needed to explain
the behaviour...
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Uses and Gratifications
The Uses and Gratifications Model is very
different from the Effects Model.
The audience is active. The audience uses the text and is NOT used by
it.
The audience uses the text for its owngratification or pleasure.
Why do you watch TV, Film, listen to music?
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Uses and Gratifications
Here, power lies with the audience NOT the
producers.
This theory emphasises what audiences dowith media texts how and why they use
them.
Far from being duped by the media , the
audience is free to reject, use or play with
media meanings as they see fit.
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Uses and Gratifications
Audiences therefore use media texts to gratify
needs for:
Diversion Escapism
Information
Pleasure
Comparing relationships/lifestyles with own
Sexual stimulation
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Uses and Gratifications
The audience is in control and consumption of
the media helps people with issues such as:
Learning Emotional satisfaction
Relaxation
Help with issues of personal identity
Help with issues of social identity
Help with issues of aggression and violence
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Uses and Gratifications
Controversially, the theory suggests the
consumption of violent images can be helpful
rather than harmful.
The theory suggests that audiences act out
their violent impulses through the
consumption of media violence.
The audiences inclination towards violence is
therefore diverted, and they are less likely to
commit violent acts.
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Issues with U & G
Each individuals actions and effects on those
actions will depend solely on the situation.
Are people really free to choose the mediaand the interpretations they desire?
How can you measure peoples feelings?
It focuses too narrowly on the individual andneglects the social structure and place of the
media in that structure.
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Reception Theory
Given that the Effects model and the Uses and
Gratifications have their problems and
limitations, a different approach to audiences
was developed by Stuart Hall at Birmingham
University in the 1970.
This considered how texts were encoded with
meaning by producers and then decoded(understood) by audiences.
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Reception Theory
When a producer constructs a text it is
encoded with a meaning or message that the
producer wishes to convey to the audience.
In some instances audiences will correctly
decode the message or meaning and
understand what the producer was saying.
In some instances the audience will either
reject or fail to correctly understand the
message.
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Reception Theory
Hall identified three types of audience
readings (or decoding) of the text:
Preferred, Negotiated,O
ppositional Preferred:
Where the audience decodes the message as
the producer wants them to do and broadlyagrees with it (e.g.: watching a political speech
and agreeing with it).
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Negotiated:
Where the audience accepts, rejects or refineselements of the text in light of previously held
views (e.g.: neither agreeing nor disagreeing
with the political speech or being apathetic).
Oppositional:
Where the dominant meaning is recognised
but rejected for cultural, political or
ideological reasons (e.g.: total rejection of the
political speech and active opposition).
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How audience decodes meaning
PRODUCER
ENCODES
MESSAGE
PREFERRED
NEGOTIATED
OPPOSITIONAL