"Mapas de Lenguaje, en su totalidad o en una parte", 2008
Mel Ramsden
Two Black Squares1965Enamel paint on woodObject: 331 x 329 x 38 mmsupport: 331 x 329 mm
Black Painting 1966
Secret painting 1967 – 1968oil on canvas and Photostat
1000 % Abstract, 1968
Guaranteed Painting, 1967-1968
Secret Painting
John Baldessari
I am Making Art1971Video (black and white, sound)18:40 min.
Nose Ears
Pure Beauty, 1967-68
The Pencil Story, 1972 - 1973
What Is Painting, 1967-68
Tips for Artists Who Want to Sell
Thread, 1986
Portrait. self, No. as Control . más 11 Alterations by Retouching and Airbrushing, 1974
Hitch-hiker (Splattered Blue), 1995
Beethoven's Trumpet (With Ear), Opus 127, 2007
John Latham
Film Star1960Books, plaster and metal on canvasObject: 1600 x 1981 x 228 mm
Film Star1960Books, plaster and metal on canvasObject: 1600 x 1981 x 228 mm
Belief System1959Books, plaster, metal, light bulb and paint on canvas on boardDisplayed: 1225 x 965 x 280 mm
One-Second Drawing (17” 2002) (Time Signature 5:1)1972Acrylic and enamel on wood271 x 369 x 26 mm
Time Base Roller1972Steel, canvas, acrylic paint, ink and motor1850 x 6370 x 660 mm
Time Base Roller1972Steel, canvas, acrylic paint, ink and motor1850 x 6370 x 660 mm
Full Stop1961Acrylic paint on canvasSupport: 3015 x 2580 x 40 mm
Observer IV1960Plaster, resin, books, wire, metal and spray paint on canvas and boardObject: 2440 x 1830 x 380
Five Sisters Bing1976BooksObject: 190 x 622 x 457 mm
Flat Time I-IOFrom (5 photo etchings)2004Photo-etching on paperImage: 598 x 803 mmsupport: 792 x 997 mmplate: 605 x 807 mm
The N-U Niddrie Heart 19916 assemblagesGlass, books, paper, plaster, electrical wire, light bulbs, metal fittings and sandDimensions variable
God is Great
Robert Barry
Silver Sides1966Colored pencil on colored paper (19.1 x 49.5 cm)
UntitledAugust 1967Synthetic polymer paint on canvas on wood, in four partsEach wood square (7.6 x 7.6 cm), overall (152.4 x 152.4 cm)
25 plates from Untitled (Xerox Book)1968Offset lithographs27 x 21.2 cm
Basic Format for Outside Sculpture (Finding a Grid among Randomly Located Trees...)1968Felt-tip pen and colored ink on graph paper21.6 x 28.3 cm
Untitled1968Stainless steel and nylon monofilamentOverall dimensions variable
Word Building
Untitled (Answer...Quiz)1969Transfer type and pencil on transparentized graph paper
Lawrence Weiner
Untitled1965Watercolor, colored pencil, and pencil on graph paper35.6 x 27.9 cm
Untitled1966Gouache, acrylic, metallic paint, and felt-tip pen on graph paper30.2 x 40.3 cm
SPHERES OF INFLUENCE1990Gouache, graphite, ink and type on paperSupport: 435 x 355 mm
SPHERES OF INFLUENCE1990Gouache, graphite, ink and type on paperSupport: 435 x 355 mm
Reduced, 1970 paint on wall
TO SEE AND BE SEEN, 1972.
FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND1988Vinyl wall textOverall display dimensions variable
Keith Arnatt
Self-Burial (Television Interference Project)19699 photographs, black and white, on paper mounted on boardImage (x 9 @): 467 x 467 mmframe (x 9 @): 477 x 477 mmoverall (variable): 1619 x 1619 mm
Portrait of the Artist as a Shadow of his Former Self1969–72Photograph, colour, Cibachrome print, on paperSupport: 915 x 915 mm
Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm
Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm
Walking the Dog1976–9MediumPhotograph, gelatin silver print on paperDimensionsUnconfirmed: 390 x 305 mm
1220400 – 00000001970Typewritten text and ink on paper with collage additions
Pictures from a Rubbish Tip1988–9MediumPhotograph, colour, on paperDimensionsSupport: 506 x 608 mm
Pictures from a Rubbish Tip1988–9MediumPhotograph, colour, on paperDimensionsSupport: 506 x 608 mm
On Kawara
canvases from the 'Today Series' (1966 - 2014)
I Got Up...1970Stamped ink on twenty-eight postcards
I Am Still Alive1970Ballpoint pen on four telegrams14.9 x 21 cm
John Hilliard
Camera Recording its Own Condition (7 Apertures, 10 Speeds, 2 Mirrors)197170 photographs, black and white, on card on PerspexImage: 2174 x 1832 mm (upper panel: 1075 x 1832 mm , bottom panel: 1075 x 1832 mm)
Sixty Seconds of Light197012 photographs, black and white, on paperImage: 400 x 6001 mm
Langdale Fell, Motion Frozen/Frozen Motion1979Photograph, black and white, on board and transfer letteringFramed: 746 x 1041 x 31 mm
‘Facade’ and ‘Flight of Happiness’1982Photograph, colour, on paper and boardImage: 407 x 699 mmimage: 178 x 470 mmimage: 165 x 470 mm
Cause of Death,1974
Gazing At The Mirror
Colour Less
Dan Graham
Two Correlated Rotations1970–2Film, 2 projections, black and white and sound, photographs and typescript on paperOverall display dimensions variable
Side Effect/Common Drug1966Gelatin silver print115.7 x 75.5 cm
Sunset to Sunrise1969Super 8mm film transferred to 16mm film (color, silent)4:20 min. loop
Time Delay Room 1974
Performer/Audience/Mirror1975Video (black and white, sound)
Bruce Nauman
Composite Photo of Two Messes on the Studio Floor1967Gelatin silver print102.9 x 312.4 cm
Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black1967 – 196816mm film transferred to video (color, sound)40 min
Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms1967 – 196816mm film transferred to video (black and white, sound)10 min
Playing a Note on the Violin While I Walk Around the Studio1967 – 196816mm film transferred to video (black and white, sound)10 min
aFrom Studies for Holograms (a-e)1970Screenprint on paperImage: 517 x 662 mmframe: 692 x 692 x 25 mm
bFrom Studies for Holograms (a-e)1970Screenprint on paperImage: 513 x 662 mm
[title not known]From Frankfurt Portfolio1990Lithograph on paperUnconfirmed: 485 x 325 mm
Good Boy Bad Boy1985Video, 2 monitors, colour and audio (mono)Duration: 60 min., 52 sec.
MAPPING THE STUDIO II with color shift, flip, flop, & flip/flop (Fat Chance John Cage)2001Video, 7 projections, colour and sound (mono)Duration: 5hours, 45minOverall display dimensions variable
Marcel Broodthaers
I Return to Matter, I Rediscover the Tradition of the Primitives, Painting with Egg, Painting with EggJe retourne à la matière, je retrouve la tradition des primitifs, peinture à l'oeuf, peinture à l'oeuf1966Wooden box, egg shells, printed paper and metalObject: 257 x 257 x 76 mm
RebusRébus1973Lithograph on paperImage: 700 x 500 mm
The Farm AnimalsLes Animaux de la ferme1974Lithograph on paperImage: 819 x 603 mm
PaintingsPeintures1973Oil paint on 9 canvasesSupport, each: 800 x 1000 x 18 mmframe: 800 x 1000 mmdisplayed: 2640 x 3240 mm
Mademoiselle Rivière and Monsieur Bertin19759 photographs, black and white, on paper on boardFrame: 1010 x 905 x 57 mmsupport: 839 x 735 mm
ComedyComédie1974Lithograph on paperImage: 635 x 457 mm
Maria1966Dress, hanger, and eggshells glued to shopping bag, on painted canvas
Four Eggs1966Eggshells and paint on canvas
Casserole and Closed MusselsCasserole et moules fermées1964Mussel shells, pigment, polyester resin and iron casserole with wooden handlesObject: 305 x 279 x 248 mm
A Railway RobberyEin Eisenbahnüberfall1972Lithograph on paperImage: 841 x 559 mm
Street René Magritte Street (Rue René Magritte Straat)1968Screenprinted vacuum-formed plastic
"Fémur d'homme belge" and "Fémur de la femme francaise" (1964/65)
Victor Burgin
25 feet two hours1969Card file with 26 cards with typescript and 25 photographs, black and white on paperUnconfirmed: 150 x 220 x 105 mm
Office at Night, 1986
Sensation. Contradiction. Logic”, 1974
[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm
[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm
[no title]From Fiction Film1991Screenprint on paperImage: 756 x 951 mmframe: 795 x 991 x 23mm