art of leadership magazine 3

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ART OF LEADERSHIP series !"#$%&’ )"*+,-+. // #$ ’ /010 2 3"#*+.4%56"# 7658 9"%:;%%$6% created and producedaby lawrence m. klepner, esq. t h e i m ag a z i n e volume I, issue 3 published by art of leadership enterprises inc. !!!"#$%&’#(’$)*+,"-./ <="#4".+$ -& >?+45 @."$?A+. BAC+.5 D6#+ 2.5

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Page 1: Art of Leadership Magazine 3

ART OF LEADERSHIP series

!"#$%&'()"*+,-+.(//#$'(/0102(3"#*+.4%56"#(7658(9"%:(;%%$6%

created and producedaby lawrence m. klepner, esq.

t h e i m a g a z i n e

volume I, issue 3published by art of leadership enterprises inc.

!!!"#$%&'#('$)*+,"-./

<="#4".+$(-&

>?+45(@."$?A+.(BAC+.5(D6#+(2.5

Page 2: Art of Leadership Magazine 3

ART OF LEADERSHIPlawrenceam.aklepner,aEsq .

0.1(#2345.6'/7'$4881(3489:92(3"#*+.4%56"#(7658(9"%:(;%%$6%

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volume I, issue 3.. published by art of leadership enterprises inc.

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Page 3: Art of Leadership Magazine 3

1

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@-%;,*2,,-%*+,%/,#?O)%8,(-)7%+,%.,8,#/)%#%',/(3#*,%"4*/(-,%"?%"*+,.%)+#5,)7%3.,#*(-:%#%*,V*4.,%*+#*%()%*.#-)/43,-*<%%]-3,%#:#(-7%+()%(-*.(3#*,%5#**,.-(-:%(-?".6)%2+(/,%),,6(-:/0%+"/'(-:%#%),3.,*<@%8()(*,'%!,-"(*%(-%+()%)*4'("P%%(-',,'7%#%5.(8#*,%̀)+,/*,.O<%%\(:+*%5"4.)%(-*"%*+,%)6#//%)5#3,<%N+,.,%()%*+,%)*(//-,))%"?%)6#//%*+(-:)P%#%*(-07%?.#:(/,%;(.'O)%)14//%#-'%#%6(-()34/,%3.(31,*%l%3#.8,'%(-%;#6;""<%K()%5,-3(/)%#''%#%)5/#)+%"?%0,//"2%*"%#%.""6%*+#*%()%M4(,*/0%$,-H/(1,%(-%*"-#/(*(,)%"?%2+(*,%#-'%:.,0<!,-"(*%J#(*"O)%,VM4()(*,%2".1)%#.,%*(6,/,))<%%N+,0%)5,#1%(-%)(/,-3,%"?%#%*.#-M4(/%?".3,<%@-*,.,)*(-:E/07%#*%*+,%,-'%"?%,#3+%,V+(;(*("-7%*+,%#.*()*%.,*4.-)%*"%+()%"2-%)"4.3,n%#%1(-'%"?%:."4-'(-:%?".3,<%%S#3+%*(6,%+,%'.#2)%#%.,#/()*(3%5(3*4.,7%4-/(1,%*+,%(6#:(-#*(8,%)+#5,)%"?%+()%)+"2<%%@*%()%#/2#0)%*+,%)#6,%0,#.%(6#:,%#?*,.%0,#.P%%#%9)+<%%=/2#0)%(-%5,-3(/P%-,8,.%(-%3"/"4.<%%N+,%9)+%+#8,%#%:.#3,?4/%)(65/(3(*0%H%#%),-),%"?%)5(.(*4#/%)(/,-3,7%/(1,%#//%"?%J#(*"O)%2".1<%N+,%'#$,%"?%#%'(:(*#//0H'.(8,-%2"./'%3#-%9-'%#%;,#4*(?4/%;#/#-3,%(-%*+,),%+#-'H3.#?*,'%',/(3#*,%'.#2(-:)%*+#*%#.,%6,6".#;/,%l%#-'%6,)6,.($(-:<

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N"%j."2%#%j/";#/%=.*%!4)(-,))9&(2$%,(D?44

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C#-%2,%)*.,*3+%#-'%5,.+#5)%,8,-%3"H"5*%&##'(#O)%8()("-#.0%)*#*,6,-*%#-'%#55/0%(*%,/),2+,.,7%5,.+#5)% *"% *+,%2"./'%"?% (-*,.-#*("-#/%;4)(-,))c%I".% *+,%;,**,.%5#.*%"?%60%5."?,))("-#/% /(?,% @%+#8,%;,,-%',8"*,'%*"%?#3(/(*#*(-:% (-*,.34/*4.#/%3"664-(3#*("-%;0%,V5/"(*(-:%.#5('%#'8#-3,)% (-%*,3+-"/":0<%@%+#8,%";),.8,'%;4)(-,)),)%?."6%3"4-*/,))%(-'4)*.(,)%)433,))?4//0%4),%*,3+-"/":(3#/7%5#.*(34/#./0%2,;H;#),'%#'8#-3,)7%*"%.,#3+%#3."))%34/*4.,)7%?".6%-,2%5#.*-,.)+(5)%#-'%#3M4(.,%-,2%34)*"6,.)%*+#*%2"4/'%;,%(65"))(;/,%*"%.,#3+%"*+,.2(),<%Z0%"2-%;4)(-,))7%(-%?#3*7%2"4/'%)3#.3,/0%,V()*%(?%(*%2,.,%-"*%?".%)43+%#'8#-3,)<%

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Elisa Contemporary Art representing a portfolio of emerging through established contemporary artists.

We are dedicated to promoting the collection of art as a way to

enrich and heal our lives, our communities and our world.

Gallery artists include: Carol Bennett, Kimber Berry, Amy Cheng, Yasemin Kackar-Demirel, Ray Donley,

Elaine Galen, Melinda Hackett, Rosa Ruey, Rosalind Schneider, Suzan Woodruff, Daryl Zang, Wayne Zebzda

Yasemin Kackar Demirel There’s a Time and Place for Us Mixed Media on Canvas, 46 x 44

Daryl Zang, Sweet Dreams, Oil on Canvas, 40 x 40

5622 Mosholu Avenue Riverdale NY www.ElisaContemporaryArt.com [email protected] 212.729.4974

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ON VIEW AT ART BASEL MIAMI BEACH, B06 HALL D ALTERED STATES John Baldessari, Tom Friedman,

David Hammons, Damien Hirst, Thomas Houseago, Liza Lou, Paul McCarthy, Anselm Reyle, Julian Schnabel, Gunther UeckerDecember 2–5, 2010

ON VIEW AT L&M ARTS NEW YORK DAMIEN-HIRST

MEDICINE CABINETS Through December 11, 2010 45 East 78 Street New York, NY 10075 +1 212.861.0020

LOS ANGELES WILLEM DE KOONING:

FIGURE & LIGHT Through January 15, 2011 660 Venice Boulevard Venice, CA 90291 +1 310-821-6400

LMGALLERY.COM

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Seepage, a mixed media drawing, is about the emotional darkness the people of the Gulf Coastexperienced when BP flooded the environment with oil, which took human and wild life and destroyed parts to the ecosystems. BP’s apparent negligence and the lax regulations accepted by the US were paramount behind the accident.

When BP started dumping chemicals into the ocean to dissipate the oil, there were no assurances the chemi-cals weren’t poisonous and it left darkness in every-one’s mind.

The fishing industries are at a stand still and will remain that way. The oil continues to roll into the wet lands and onto the beaches. With the cover up that BP started form Day One, will we ever know how much oil was truly dumped into our gulf? Will this truly destroy our ecosystem as we know it and how much will it be altered, if not destroyed? BP ran a good PR spin and threw the media. It may have actually worked at correcting it’s PR problem and liability issues but in the end they can’t reinstate the ecosystems they destroyed, nor the livelihood of the communities in that region.

Rebecca Alston

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Robert Kipniss, “Hillside with White and Dark Trees,” Oil on Panel, 14”x12”, 2004

Linda Adato ­ Nikhil Bhandari ­ Tim Cahill ­ Alberta Cifolelli

Mary Close ­ David Dunlop ­ Jane Filer ­ Sergio Gonzalez­Tornero  

Susan Halls ­ Joan Jardine ­ Rain Kiernan ­ Robert Kipniss 

Martin Kremer ­ Paul Meneses ­ Robert Natkin ­ Shelly Parriot

Besty Podlach  ­ Penny Putnam ­ Kim Radochia ­ Pavel Roucka

Luis Soltzman ­ Adam Waimon

TheWhite

GalleryF IN E A R T

Page 47: Art of Leadership Magazine 3

HKEST. 1870ART!

"#$$%!&'()$#%

Leonard Nelson(1912 - 1993)

Three Decades of Master Works 1960 - 1980 New York Exhibition November 10 - December 4, 2010

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Page 48: Art of Leadership Magazine 3

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NEW PRINTS 2009/10 A BENEFIT EXHIBITION AND SILENT AUCTION Celebrating IPCNY’s 10th Anniversary Season!

ON VIEW DECEMBER 2 - 18OPENING RECEPTION: DECEMBER 2, 6-8pm

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Main Street Kota Ezawa, X3 D Untitled, 2010,

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about our sponsors

Page 51: Art of Leadership Magazine 3

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