art and the human experience

59
ART 101: Introduction to Art Art and the Human Experience James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Upload: james-greene-gvsu

Post on 11-May-2015

2.034 views

Category:

Education


4 download

DESCRIPTION

This covers the Renaissance from 1400-1500 and 1500-1600 and even touches on the Italian Baroque of the 17th century.

TRANSCRIPT

Page 1: Art and the Human Experience

ART 101: Introduction to Art

Art and the Human Experience

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 2: Art and the Human Experience

ART 101: Introduction to Art

Dante’s

Divine Comedy

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 3: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Page 4: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Sandro BotticelliPortrait of Dante Alighieri

Tempera of canvas

c. 1495

Page 5: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Dante Lost in the“Dark Wood”

From Inferno

Engraving byGustave Dore

1857

Page 6: Art and the Human Experience
Page 7: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Gustave Dore, Dante and Virgil Among the Heretics, from Inferno, engraving, 1890.

Page 8: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Gustave DoreDante Among the Proud

From Purgatorio

Engraving1868

Page 9: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Gustave DoreRings of Glowing Souls

From Paradiso

Engraving

c. 1868

Page 10: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

William Blake, Inferno, Canto 1 Dante Running from the Three Beasts is Rescued By Virgil , ink and watercolor on paper, 1821

Page 11: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Sandow Birk, Dante and Virgil Contemplate the Inferno, oil on panel, 2005

Page 12: Art and the Human Experience

Art & the Human Experience: DANTE’S DIVINE COMEDY

Dante’s Inferno (2010) still from video game by Visceral (EA) Games

Page 13: Art and the Human Experience

ART 101: Introduction to Art

15th Century

Northern Europe

(Burgundy & Flanders)

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 14: Art and the Human Experience
Page 15: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY: The Burgundian Netherlands

Robert Campin, The Merode Altarpiece (open) tempera and oil on wood, Center panel approx. 25” x 15”, c. 1425-1428.

Page 16: Art and the Human Experience

Jan Van EyckGiovanni Arnolfini and His Bride

Tempera and oil on wood

32” x 23 ½”

1434

Art & the Human Experience: 15TH CENTURY: The Burgundian Netherlands

Page 17: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY: The Burgundian Netherlands

Page 18: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY: The Burgundian Netherlands

Page 19: Art and the Human Experience

Martin SchongaurSt. Anthony Tormented by Demons

Engraving

c. 1470-75

Art & the Human Experience: 15TH CENTURY: Germany

Page 20: Art and the Human Experience

ART 101: Introduction to Art

15th Century

Italy

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 21: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Donatello St. Mark

Marble,Approx. 7’ 9” high

Or San Michele,Florence

1411-1413

Page 22: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Donatello, DavidBronze, 62 ¼” high

1428-1432

Page 23: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Filippo Brunellesci,

Dome of the Florence Cathedral

1420-1436

Page 24: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Brunellesci, diagram of device used to demonstrate one-point linear perspective, c. 1425.

Page 25: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Masaccio, Tribute Money, fresco, 8’ 1” x 19’ 7”. Santa Maria del Carmine, Florence, c. 1427.

Page 26: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Masaccio Holy Trinity

Fresco,21’ x 10’ 5”

Santa Maria Novella,Florence

1428

Page 27: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Sandro Botticelli, The Birth of Venus, tempera on canvas, approx. 5’8” x 9’1” c. 1482.Galleria delgi Uffizi, Florence, Italy.

Page 28: Art and the Human Experience

Art & Cultural Mythology: ANCIENT GREECE –Hellenistic Period

Venus Pudica(Modest Venus)

Greek

Late 1st Century BC

Page 29: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Masaccio Expulsion From The

Garden of Eden

Santa Maria del Carmine,

Florence,

c. 1425

Page 30: Art and the Human Experience

Art & the Human Experience: 15TH CENTURY ITALY: The Early Renaissance

Perugino, Christ Delivering the Keys of the Kingdom to St. Peter, fresco, 1481-1483,11’ 5 ½” x 18’ 8 ½” Sistine Chapel, Vatican, Rome.

Page 31: Art and the Human Experience

ART 101: Introduction to Art

16th Century

Italy

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 32: Art and the Human Experience

Leonardo da VinciVirgin of the Rocks

Oil on wood

Approx. 6’3” x 3’7”1485

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 33: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Leonardo da Vinci The Last Supper , Fresco, (oil and tempera on plaster) 29’ 10” x 13’ 9”Santa Maria delle Grazie, Milan, 1495-1498.

Page 34: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Leonardo da VinciMona Lisa

Oil on wood30” x 21”

c. 1503-1505

Page 35: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

RaphaelMadonna of the Meadow

Oil on panel

42” x 30”

1505-1506

Page 36: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Raphael, Philosophy, (School of Athens) fresco, 19’ x 27’, Vatican Palace, Rome, 1509-1511

Page 37: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

MichelangeloPieta

Marble,5’ 8” high

1498-1500

Page 38: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

MichelangeloPieta

(detail)

Marble,5’ 8” high

1498-1500

Page 39: Art and the Human Experience

Michelangelo David

Marble14’ 3” high

1501-1504

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 40: Art and the Human Experience

Michelangelo David

(detail)

Marble14’ 3” high

1501-1504

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 41: Art and the Human Experience

Interior of theSistine Chapel

(view facing east)

The Vatican, Rome

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 42: Art and the Human Experience

Michelangelo, ceiling of the Sistine Chapel, fresco, approx. 128’ x 45’, 1508-1512

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 43: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Michelangelo, The Creation of Adam, ceiling of the Sistine Chapel, fresco, approx 18’ 8” x 9’ 2”

Page 44: Art and the Human Experience

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

MichelangeloThe Flood

(detail)

Sistine Chapel ceiling

Fresco

1508-1512

Page 45: Art and the Human Experience

MichelangeloThe Last Judgment

Fresco on the altar wall of the Sistine Chapel,

The Vatican, Rome.

1534-1541

Art & the Human Experience: 16TH CENTURY ITALY: The High Renaissance

Page 46: Art and the Human Experience

ART 101: Introduction to Art

Mannerism

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 47: Art and the Human Experience

BronzinoVenus, Cupid, Folly and Time

(The Exposure of Luxury)

Oil on wood panel61” x 56 ¾”

1546

Art & the Human Experience: 16TH CENTURY ITALY: Mannerism

Page 48: Art and the Human Experience

TitianMadonna of the Pesaro Family

Oil on canvas

Approx. 16’ x 9’

Santa Maria del Frari, Venice

1519-1526

Art & the Human Experience: 16TH CENTURY VENICE: The High Renaissance and Mannerism

Page 49: Art and the Human Experience

Titian, Venus of Urbino, oil on canvas, approx. 48” x 66” Galleria degli Uffizi, Florence, 1538.

Art & the Human Experience: 16TH CENTURY VENICE: The High Renaissance and Mannerism

Page 50: Art and the Human Experience

Hans Holbein The Younger, The French AmbassadorsOil and tempera on wood, 1533

Art & the Human Experience: 16TH CENTURY GERMANY: Mannerism

Page 51: Art and the Human Experience

Hans Holbein The Younger, The French AmbassadorsOil and tempera on wood, 1533

Art & the Human Experience: 16TH CENTURY GERMANY: Mannerism

Page 52: Art and the Human Experience

ART 101: Introduction to Art

Baroque Art

In Italy

James Greene | Visiting Assistant Professor | 1110 CAC | [email protected]

Page 53: Art and the Human Experience

Gianlorenzo Bernini, re-design of the piazza of St. Peters (aerial view) 1656-1667

Art & the Human Experience: BAROQUE ART in ITLAY

Page 54: Art and the Human Experience

Gianlorenzo Bernini, baldacchino, Saint Peter’s, Rome Gilded bronze, approx. 100’ high, 1624-1633.

Art & the Human Experience: BAROQUE ART in ITLAY

Page 55: Art and the Human Experience

Gianlorenzo BerniniDavid

Marbleapprox. 5’ 7” high

1623.

Art & the Human Experience: BAROQUE ART in ITLAY

Page 56: Art and the Human Experience

Gianlorenzo BerniniInterior of the Cornaro Chapel

Santa Maria della Vittoria,Rome,

1645-1652.

Art & the Human Experience: BAROQUE ART in ITLAY

Page 57: Art and the Human Experience

Gianlorenzo BerniniSaint Teresa in Ecstasy

Santa Maria della Vittoria,Rome,

Marble, Height of group 11’ 6”

1645-1652.

Art & the Human Experience: BAROQUE ART in ITLAY

Page 58: Art and the Human Experience

Gianlorenzo BerniniSaint Teresa in Ecstasy

(detail)

Art & the Human Experience: BAROQUE ART in ITLAY

Page 59: Art and the Human Experience