arkansas school band and orchestra senior high all …asboa.org/clinicmaterials/2017 revision/sr...

Major:

Minor:

Major:

Minor:

Major:

Minor:

Two Octaves

One Octave

Chromatic:

c1, d1, e1, b, f1, bb, eb1, db1

e1, b, c#1, d1, c1, f1, bb, eb1

g1, a1, ab1, gb1

a1, f#1, g#1, g1

c1

OBOE

Two Octaves

Arkansas School Band and Orchestra Association

SENIOR HIGH ALL‐REGION / ALL‐STATE TRYOUT MATERIAL2017‐2018 – Set I ~ 2018‐2019 – Set II ~ 2019‐2020– Set III

MAJOR AND MINOR SCALES FOR ALL INSTRUMENTSScales are not listed in concert pitch for transposing instruments.

2/4: One 8th note, followed by six 16th notes, etc. to be

They are to be played by memory at a tempo of quarter=72+, and in the following rhythmic pattern:

c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1

a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1

c1Chromatic:

TONGUED, ASCENDING and DESCENDING unless noted otherwise.

CHROMATIC SCALES FOR ALL INSTRUMENTSPlay in 16 counts of 8th note triplets followed by 1 quarter note, tongued, 2 octaves.

Each instrument will start on pitch indicated.

Check figure below for a starting pitch for each instrument.

FLUTE

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

FRENCH HORN

TRUMPET and BARITONE TC

SAXOPHONE

LOW CLARINET

CLARINET

BASSOON

Two Octaves

Two Octaves

Two Octaves

One Octave

Two Octaves

One Octave

Two Octaves

One Octave

Two Octaves

Chromatic:

f

a, e, b, f#, c#, g#, d, g, c, f, bb, eb

c, g, d, a, e, b, f, bb, eb, ab, db, gb

Chromatic:

Chromatic:

g

e1, c#1, d1, f1, eb1

d1, e1, f1, eb1, db1

a, b, f#, g#, g, c1, bb

c1, g, a, b, bb, ab, gb

c1

a1, f#1, g#1, g1

g1, a1, ab1, gb1

e1, b, c#1, d1, c1, bb, eb1, f1

c1, d1, e1, b, f1, bb, eb1, db1

d1, eb1, db1

c#1, d1, eb1

c1Chromatic:

a, e, b, f#, c#1, g#, d1, g, c1, f, bb, eb1

Chromatic:

c1, g, a, e, b, f, bb, ab, gb

a, e, b, f#, g#, g, c1, f, bb

c1, g, d1, a, e, b, f, bb, eb1, ab, db1, gb

c1

C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb

A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb

FChromatic:

SR SCALES CONTINUED

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

Major:

Minor:

TUBA

STRING BASS

XYLOPHONE

Two Octaves

One Octave

Two Octaves

Two Octaves

One Octave

Two Octaves

g

a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1

c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1

Chromatic:

Two Octaves

Chromatic:

F

A, E, B, F#, c#, G#, d, G, c, F, Bb, eb

c, G, d, A, E, B, F, Bb, eb, Ab, db, Gb

Chromatic:

FF

BB, C#, D, C, Eb

C, D, BB, Eb, Db

AA, EE, FF#, GG#, GG, FF, BBb

GG, AA, EE, FF, BBb, AAb, GGb

F

A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb

C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb

Chromatic:

F

B, c#, d, c, eb

C, d, B, eb, db

A, E, F#, G#, G, F, Bb

G, A, E, F, Bb, Ab, Gb

Chromatic:

SR SCALES CONTINUED

TROMBONE and BARITONE BC

BASS TROMBONE

81325687275

1723

697176

40

10717075

FLUTE (Revised 2014)SELECTED STUDIES FOR FLUTE by H. Voxman, Rubank (Material Revised 1999)

80‐10072+72+

* 69

16

Set II g minorD Major

Set III Dotted quarter noteQuarter noteQuarter noteQuarter noteQuarter note

60+g minor ‐ this page onlyb minorAb Major ‐ this page onlyg minor 3rdsEb Major Arpeggio

2134

* 69* 75

f minor

f# minor 3rds, lines 5 & 6c minor, line 7

50

D Major 3rdsg minor Arpeggio

Quarter note

78d minorBb MajorG Major 3rds

Quarter note

* Indicates to use Articulation “A”

6860+

58‐68

72+72+

Eighth noteDotted quarter noteQuarter noteQuarter note

9260+72+72+

Dotted quarter noteDotted quarter note

Quarter note* 74Quarter note

Set I

Line 3 Quarter note

Set II

Eighth noteQuarter note

7592+92+92+

This page only (In one)

B Major 3rds, lines 9 & 10

Page Exercise

92+92+Quarter note

Quarter noteDotted eighth noteEighth noteQuarter note

C Major 3rds, lines 3 & 4 bb minor 3rds, lines 5 & 6

Dotted quarter note

Quarter note

Quarter noteQuarter note

69

92+

42144

84‐88

Line 3

Dotted quarter noteQuarter note24‐25

Set I F Major

Set III

D Major Arpeggio

Quarter note

4654‐60(In one)

b minor 3rds, lines 7 & 8Ab Major 3rds, lines 5 & 6

60‐6510892+92+92+


Dotted quarter note

Page Exercise


62

WHEN AN EXERCISE EXTENDS TO THE SECOND PAGE,BOTH PAGES ARE TO BE USED UNLESS OTHERWISE NOTED.

SELECTED STUDIES FOR OBOE by H. Voxman, Rubank (Material Revised 2008)

OBOE

6815

* 68* 75

181937

127 [43]128 [44]131 [47]134 [50]

126 [42]128 [44]132 [48]133 [49]

6268

126 [42]128 [44]130 [46]133 [49]

Quarter noteQuarter noteQuarter noteDotted half note

104+104+104+108108

Exercise653Lines 7‐105Lines 1‐5 + 2 measures

Page

82‐83

96

Set I

96+


47706967

88

11

8Last 3 lines

132

Quarter noteQuarter noteQuarter noteQuarter noteEighth noteEighth noteQuarter note

Quarter noteQuarter noteQuarter note


Eighth note

Eighth note

80116104+76+96

112+

104+

Page Exercise

Set III

Lines 7‐10

6866 2

132 104+

13284+

104+

2

86858871

49 3 Quarter note 56

Set I 94‐95 9 (measure 50‐End) Quarter note 92+

ARTISTIC

KLOSE’ [Klose’‐Prescott page numbers]

7 (1st 5 lines) Quarter note 80+

Set II

E Major Quarter note 80+Lines 11, 12, 13 Quarter note 80+

16

ARTISTIC

Quarter note 80+

d minor Quarter note 80+

88 6 (1st page only) Dotted quarter note 60‐6664 19 Quarter note 48


Quarter note 80+Lines 8, 9, 10 Quarter note 80+

1st 5 lines Quarter note 80+

PRACTICAL METHOD FOR BASSOON by Weissenborn, Carl FischerBASSOON

H. KLOSE’ METHOD FOR CLARINET, Revised Bellison, Carl Fishcer, (Klose‐Prescott)ARTISTIC STUDIES BOOK 1 ‐ FROM THE FRENCH SCHOOL FOR CLARINET Edited by David Hite, Southern Music Company

CLARINET (Revised 2011)

Quarter note 88

4189848170

84

66

12Bottom lineLine 5, 3rd ms. To end10

684837

14 Quarter note 80+

c minor

8 Quarter note 80+13 80+

23 Andante Quarter note

ARTISTIC

7

Lines 7 & 8Lines 8‐11

Set II


Quarter note

Set III 88

Adagio Quarter note 58

Lines 2, 3, 4 Quarter note 80+

9617 Quarter note

14141518

1 Dotted quarter note361118

2567 11

21

1537

* 68* 70* 7460

1319

* 69* 69* 7460

921

* 68* 68* 7566

D MajorBb MajorLines 7‐12

Quarter noteQuarter noteQuarter noteQuarter noteQuarter note

51‐6160+60+72+80+

Set II

Set III Entire page

Entire pageEntire pageEb Major

Eb MajorLines 5 & 6 Quarter note


60+72+72+

72+

80‐100

88‐10054‐6060+60+72+

Quarter noteDotted quarter noteQuarter noteQuarter noteQuarter noteDotted Quarter note

Entire paged minorG Major

A MajorF MajorLines 1 – 6

Quarter noteQuarter noteDotted Quarter note

Page ExerciseSet I Entire page Dotted quarter note 60+

Entire page

27

108

Quarter note

Bb Major

Adante

TranquilloAllegro

58‐6860+


Quarter noteQuarter noteQuarter noteQuarter noteQuarter note

SAXOPHONE

96‐12058‐7213292

96+90‐100

96

108‐120

Set I

182024

Quarter noteQuarter noteDotted quarter noteEighth noteQuarter note

Set II

Set III

42‐52108108

112‐12066‐72

120‐1263


96‐108

16 (1st 4 lines + 2 measures)

116‐132116

2315952

Quarter note

Quarter note

Quarter note

Page Exercise

* Indicates to use Articulation “A”SELECTED STUDIES FOR SAXOPHONE by H. Voxman, Rubank

ADVANCED STUDIES (Weissenborn) Rhoads, SMC (Material Revised 1999)LOW CLARINET

111808184105109

25789399101107

610867997106108

381014321421

11192128101526

82022347

17

30

76‐88

Quarter note

Eighth note

Quarter noteDotted quarter noteQuarter noteHalf noteDotted quarter note

79

20

88‐100

5485

92‐10058‐66

120‐13284‐92

Quarter noteDotted quarter noteQuarter noteDotted quarter note

1079384

111

96

71

96‐112

76‐88

Set III 51

85‐9588‐10456‐66

Eighth noteEighth noteQuarter note

56‐6680‐94

5247

Dotted quarter noteQuarter note

10292813627216

31 Quarter note

Quarter note

SECOND BOOK OF PRACTICAL STUDIES FOR FRENCH HORN. Getchell, Belwin (Material Revised 1999)

Set I PREPARATORY MELODIES

PREPARATORY MELODIES

Set III

STUDIES FOR TRUMPET

PRACTICAL STUDIES

STUDIES FOR TRUMPET

PRACTICAL STUDIES

Dotted quarter noteEighth note

Page

Set II

PREPARATORY MELODIES TO SOLO WORK FOR FRENCH HORN, Pottag, BelwinFRENCH HORN

Exercise

92‐104

104‐11266‐7270‐80

90‐10876‐8856‐6685‐96

84‐9660‐6660‐6688‐96

Half note


Quarter noteDotted quarter noteQuarter note

Eighth note

Eighth note

92‐10084‐9285‐96

56‐64120‐132

PRACTICAL STUDIES

Exercise


Dotted quarter noteEighth note

72‐8084‐9266‐7280‐88

86‐106

STUDIES FOR TRUMPET, Voisin, International MusicSECOND BOOK OF PRACTICAL STUDIES FOR CORNET/TRUMPET, Getchell‐Hovey, Belwin


Quarter note


72‐8080‐88

120‐12676‐8054‐60

88‐10084‐96

TRUMPET

Set II

Quarter noteQuarter noteQuarter noteSet I STUDIES FOR TRUMPET

PREPARATORY MELODIES

PRACTICAL STUDIES

PRACTICAL STUDIES

PRACTICAL STUDIES

8660

72

72

7269

144+

84144

92104

144+70Quarter note



Eighth note

MELODIOUS ETUDES 3

PROGRESSIVE STUDIES

PROGRESSIVE STUDIES

PROGRESSIVE STUDIES

60

7272

72

24

6

22

16 (12 lines stop at

134

16 (10 lines plus 1 quarter)

13

86

Quarter noteEighth note


Quarter note

Exercise

count 1 in the last ms.)

Quarter note

Quarter note

Set I Quarter note 694Exercise

40 PROGRESSIVE STUDIES FOR TROMBONE, H. W. Tyrell, Boosey‐Hawkes Arr. By Joannes Rochut, Carl Fischer

MELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised 2011)

TENOR TROMBONE AND BARITONE BC (Revised 2011)

Quarter Note

3

84144

92

120

Quarter note

Quarter note

104

ADVANCED STUDIES

MELODIOUS ETUDES

70

Quarter note

Quarter note

Eighth noteSet I

Set II

Set III

8

Arr. By Joannes Rochut, Carl Fischer ‐ Transposed Available on request from ASBOA Office by permission of Carl FischerMELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised 2011)

BARITONE TC (Revised 2011)

Quarter note

Eighth noteMELODIOUS ETUDES

40 ADVANCED STUDIES FOR TRUMPET, H. W. Tyrell, Boosey‐Hawkes

21 (measure 1‐39)

1015

21 (measure 1‐39)

MELODIOUS ETUDES

MELODIOUS ETUDES

ADVANCED STUDIES

MELODIOUS ETUDES

ADVANCED STUDIES

Indicated Trills are for Baritones Only

Set II

Set III

222

86

Quarter note1115 Eighth note

4‐568‐9

1015

32316‐17

2128

152711

711

Set I Page ExerciseWOODRUFF

VIV


Dotted quarter noteQuarter noteDotted quarter note

Quarter noteDotted quarter note

92‐10088‐96

96‐12084‐96

100‐126

120‐13296‐110

120‐14484‐96

WOODRUFF

GETCHELL8376

IXXXIXIII

111



Quarter noteQuarter noteHalf note

120‐138

120‐14096‐110

100‐11672‐8088‐100

GETCHELL

XIVXVIIIII

9081

VII

GETCHELL

WOODRUFF

100

Eighth noteQuarter noteQuarter note

16 Quarter note

14‐1516‐17

2829

1220

17

258

96100

69

50‐6296

Set II

All 8va markings are 8va bassoPage Exercise4‐5913

26‐27

Set I

108

108108

Set III

TUBA

SECOND BOOK OF PRACTICAL STUDIES FOR TUBA, Getchell‐Hovey, Belwin (Material Revised 2002)24 ARTISTIC STUDIES, Woodruff, Southern

15 Dotted quarter note

All 8va markings are 8va basso

63

100

Set II

Set III

22‐2324‐25

9101819

Quarter note

BASS TROMBONE

Quarter noteQuarter note 69Dotted quarter noteQuarter note

7 Quarter note13 Dotted quarter note 69

20 ETUDES FOR BASS TROMBONE, Gillis, Southern (Material Revised 2008)

127831

259428

4297

21

3128

1020

3031

2014

2732

Timpani ‐ MUSICAL STUDIES FOR THE INTERMEDIATE TIMPANIST – Whaley – JR Publications (Revised 2014)

Keyboard – MODERN SCHOOL FOR XYLOPHONE – Goldenberg – Chappell/PresserSnare Drum – PORTRAITS IN RHYTHM – Adler/Cirone – Adler/Belwin

COMPREHENSIVE PERCUSSION

PageSet I

TimpaniKeyboardSnare

SnareSet III

TimpaniKeyboardSnareSet II


58‐66

[Page #'s for New Goldenberg Edition MODERN SCHOOL FOR MALLET KEYBOARD Sewrey‐Hans‐Schneller ‐Hal LeonardISBN # 978‐0‐7935‐1938‐5 ‐ Hal Leonard Order # HL 00347776]

Quarter note

7 (Ab)7 (Bb)

88 (G)95 (C)

Quarter note


3110

Dotted quarter note6 (Bb)Quarter note

Flam Rudiments: Flam (#20), Flam Accent (#21); Flamacue (#23); Flam Paradiddle (#24),

Drag Rudiments: Drag (#31); Double Drag Tap (#33); Single Ratamacue (#38)

Seven Stroke Roll (#9); Nine Stroke Roll (#10),

Keyboard Scales: (all years) play 2 octaves:

Major: C1, G1, D1, A1, E1, B1, F1, Bb1, Eb1, Ab1, Db1, Gb1

Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1

6 (F)

STRING BASSSIMANDL NEW METHOD FOR DOUBLE BASS, BOOK I, Carl Fischer

BELWIN STRING BUILDER, BOOK III, Applebaum, Belwin

Page

Dotted quarter note

Roll Rudiments: Single Stroke Roll (#1); Double Stroke Open Roll (#6); Five Stroke Roll (#7);

Diddle Rudiments: Single Paradiddle (#16); Double Paradiddle (#17),

72+96

9692

Exercise

Beginning to C [140‐141 ‐ to ct. 1 ms. 5, 141]23

All

112+84+

All

Beginning to J [143‐144 ‐ to line 5 ms. 2, 144]39

All

XX [ 71]10

Quarter note90‐100

72

69

72‐8080‐90

Dotted quarter note


Quarter note

96‐108

92‐11284

12088

6066+

98 (D)84 (Eb)

4 (C)6 (Ab)

97 (Bb)94 (G)


Quarter note


Half note

Exercise66+

BELWIN

SIMANDL

BELWIN

SIMANDL

BELWIN

Set II

Set III

Set I SIMANDL

Chromatic: G to G

1 ‐ Tune the starting notes for the listed exercise. 2 ‐ Then, beginning with the lowest pitch,

Timpani Fundamental (all years)

Snare Rudiments: (all years) All are to be played open–closed–open/slow‐fast‐slow (#PAS number)

72+

strike each drum lowest‐highest consecutively in a half note rhythm quarter note = 80

Timpani

Keyboard

Quarter note

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