archetypes universal patterns in literature and myth

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Archetypes Universal Patterns in Literature and Myth

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Page 1: Archetypes Universal Patterns in Literature and Myth

Archetypes

Universal Patterns in

Literature and Myth

Page 2: Archetypes Universal Patterns in Literature and Myth

Why do we tell stories?

• To help us escape reality by entering a world where the good guy wins, the forces of evil are defeated, and love conquers all.

• To help define roles of “good” and “evil”; hero’s and villains so that we can better recognize those with similar morals and motives in our real lives.

Page 3: Archetypes Universal Patterns in Literature and Myth

• Storytelling is essential for the survival of humanity and provides hope.

• Stories connect us with our cultural and spiritual past. They help us understand many of our accepted traditions and rituals.

• They allow us to tell our own stories to others and, using archetypes, help us better relate to the stories of others.

Page 4: Archetypes Universal Patterns in Literature and Myth

The Archetypal Hero

Page 5: Archetypes Universal Patterns in Literature and Myth

What Do Luke Skywalker, Simba, King Arthur, Moses, Wonder Woman, William Wallace, &

Optimus Prime all have in common?

Page 6: Archetypes Universal Patterns in Literature and Myth

ANSWER:

They are all Archetypal Heroes

Page 7: Archetypes Universal Patterns in Literature and Myth

But what is an Archetype?

And what does it have to do with Heroes?

Page 8: Archetypes Universal Patterns in Literature and Myth

What is an archetype?

And what does it have to do with Heroes?

Page 9: Archetypes Universal Patterns in Literature and Myth

A Simple Definition…

• According to the American Heritage Online Dictionary…an archetype is an original model or type which other similar things are patterned after, in other words a prototype or first model for all others.

Page 10: Archetypes Universal Patterns in Literature and Myth

Let’s start with the two guys who came up with the concept:

Carl JungJoseph

Campbell

Page 11: Archetypes Universal Patterns in Literature and Myth

• Carl Jung first applied the term archetype to literature. He recognized that there were universal patterns in all stories and mythologies regardless of culture or historical period and hypothesized that part of the human mind contained a collective unconscious shared by all members of the human species, a sort of universal, primal memory.

• Joseph Campbell took Jung’s ideas and applied them to world mythologies. In A Hero with a Thousand Faces, among other works, he refined the concept of hero and the hero’s journey—George Lucas used Campbell’s writings to formulate the Star Wars saga. Recognizing archetypal patterns in literature brings patterns we all unconsciously respond to in similar ways to a conscious level.

Page 12: Archetypes Universal Patterns in Literature and Myth

The term archetype can be applied to:

• An image

• A theme

• A symbol

• An idea

• A character type

• A plot pattern

Page 13: Archetypes Universal Patterns in Literature and Myth

Archetypes can be expressed in

• Myths

• Dreams

• Literature

• Religions

• Fantasies

• Folklore

Page 14: Archetypes Universal Patterns in Literature and Myth

Okay, so what exactly characterizes an Archetypal Hero then?

Page 15: Archetypes Universal Patterns in Literature and Myth

CHARACTER ARCHETYPES• The Hero – In its simplest form, this character is the

one ultimately who may fulfill a necessary task and who will restore fertility, harmony, and/or justice to a community. The hero character is the one who typically experiences an initiation, who goes the community’s ritual (s), et cetera.

Page 16: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes

• Hero as Warrior– A near god-like hero faces physical challenges and

external enemies– Examples: Beowulf, Odysseus

• Transcendent Hero– The hero of tragedy whose fatal flaw (hamartia)

brings about his downfall, but not without achieving some kind of transforming realization of wisdom

– Examples: Greek and Shakespearean tragedies – Oedipus, Hamlet, Macbeth, etc.

Page 17: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.• Hero as Lover

– A pure love motivates the hero to complete his quest

– Examples: Prince Charming, Romeo• Romantic/Gothic Hero

– Hero/lover with a decidedly dark side– Examples: Mr. Rochester in Jane Eyre

• Apocalyptic Hero– Hero who faces the possible

destruction of society

http://www.handsomedevilpress.com/i/guys/G-021-prince-charming.jpg

Page 18: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.

• Proto-feminist Hero– Female hero, which differs from a heroine• A heroine usually exists as the object of a male quest• The female hero has her own journey

– Overall movement is the same, but kinds of challenges, confrontations, goals and ends may differ.

– Often fight against society’s expectations of them

Page 19: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.

• Anti-Hero– A non-hero, given the

vocation of failure, frequently humorous

– Example: Homer Simpson

• Defiant Anti-Hero– Opposer of society’s

definition of heroism/goodness

– Example: Heart of Darkness

http://l.yimg.com/img.tv.yahoo.com/tv/us/img/site/43/36/0000034336_20061020191519.jpg

Page 20: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.

• Hero as Scapegoat– Hero suffers for the sake of others– Example: Jesus

• Unbalanced hero– The protagonist who has (or must

pretend to have) mental or emotional deficiencies

– Examples: Hamlet, McMurphy in One Flew Over the Cuckoo’s Nest

http://blog.afi.com/100movies/user-uploads/post1338.jpg

Page 21: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.

• The Other – The Denied Hero– Protagonist whose status or essential otherness

makes heroism possible– The outcast or member of a minority group– Example: Drizzt Do’Urden (Dark Elf Series),

Invisible Man by Ralph Ellison

Page 22: Archetypes Universal Patterns in Literature and Myth

Heroic Archetypes, cont.• The Superheroic– Exaggerates the normal

proportions of humanity– Frequently has divine or

supernatural origins. In some sense, the superhero is one apart, someone who does not quite belong, but who is nevertheless needed by society

– Examples: • Mythological heroes such as

– Hercules, – Superman

http://images.art.com/images/-/Lou-Ferrigno---Hercules-Photograph-C10101949.jpeg

http://www.watchingamerica.com/images/superman_pic.jpeg

Page 23: Archetypes Universal Patterns in Literature and Myth

Traits of the Archetypal Hero

• Unusual Circumstances of Birth

• Leaves Family and Lives With Others

• Traumatic Event Leads to Quest

• Special Weapon

• Supernatural Help

Page 24: Archetypes Universal Patterns in Literature and Myth

Unusual BirthOften in danger or

born into royalty…

Page 25: Archetypes Universal Patterns in Literature and Myth

Leaves FamilyRaised away from…

-or separated from home

Page 26: Archetypes Universal Patterns in Literature and Myth

Traumatic Event

The hero’s life is changed forever…

Page 27: Archetypes Universal Patterns in Literature and Myth

Special Weapon

Only the hero can wield it…

Page 28: Archetypes Universal Patterns in Literature and Myth

Supernatural Help

-The hero often has spiritual guidance

Page 29: Archetypes Universal Patterns in Literature and Myth

• Proves self on Quest

• Journey and Unhealable Wound

• Atonement With Father

• Spiritual Apotheosis

More Heroic Traits…

Page 30: Archetypes Universal Patterns in Literature and Myth

Proves Him or HerselfThe hero performsheroic feats…

Page 31: Archetypes Universal Patterns in Literature and Myth

Journey & Unhealable Wound

Hero descends into a hell-like area and suffers wounding from an encounter with evil

Page 32: Archetypes Universal Patterns in Literature and Myth

Atonement With FatherThe hero either redeems father’s

evil deeds or reconciles with father over wrongs done by the hero

Page 33: Archetypes Universal Patterns in Literature and Myth

Apotheosis

Hero is rewarded spiritually at the end of his, or her life

Page 34: Archetypes Universal Patterns in Literature and Myth

Types of Archetypal Journeys

• The quest for identity• The epic journey to find the promised land/to found the

good city• The quest for vengeance• The warrior’s journey to save his people• The search for love (to rescue the princess/damsel in

distress)• The journey in search of knowledge• The tragic quest: penance or self-denial• The fool’s errand• The quest to rid the land of danger• The grail quest (the quest for human perfection)

Page 35: Archetypes Universal Patterns in Literature and Myth

The Hero’s Journey

• Stage 1 - Departure: The hero is called to adventure, although he is reluctant to accept.

• Stage 2 - Initiation: The hero crosses a threshold into a new, more dangerous world, gaining a more mature perspective.

• Stage 3 - The Road of Trials: The hero is given supernatural aid, endures tests of strength, resourcefulness, and endurance.

• Stage 4 - The Innermost Cave: The hero descends into the innermost cave, an underworld, or some other place of great trial. Sometimes this place can be within the hero’s own mind. Because of this trial, the hero is reborn in some way—physically, emotionally, or spiritually. Through this experience, the hero changes internally.

• Stage 5 - Return and Reintegration with Society: The hero uses his new wisdom to restore fertility and order to the land

Page 36: Archetypes Universal Patterns in Literature and Myth

Characteristics of the Hero’s Journey

• The hero is naïve and inexperienced• The hero meets monsters or monstrous men• The hero has a strange, wise being as a mentor• The hero years for the beautiful lady who is sometimes his guide or

inspiration• The hero must go on a journey, learn a lesson, change in some way, and

return home• The hero often crosses a body of water or travels on a bridge.• The hero is born and raised in a rural setting away from cities• The origin of the hero is mysterious or the hero losses his/her parents at a

young age, being raised by animals or a wise guardian

Page 37: Archetypes Universal Patterns in Literature and Myth

Characteristics of the Hero’s Journey

• The hero returns to the land of his/her birth in disguise or as an unknown• The hero is special, one of a kind. He/she might represent a whole nation or

culture• The hero struggles for something valuable and important• The hero has help from divine or supernatural forces• The hero has a guide or guides• The hero goes through a rite of passage or initiation, an event that marks a change

from an immature to a more mature understanding of the world• The hero undergoes some type of ritual or ceremony after his/her initiation• The hero has a loyal band of companions• The hero makes a stirring speech to his/her companions• The hero engages in tests or contests of strength (physical and/or mental) and

shows pride in his/her excellence• The hero suffers an unhealable wound, sometimes an emotional or spiritual

wound from which the hero never completely recovers.

Page 38: Archetypes Universal Patterns in Literature and Myth

• Anti-Hero-is generally considered to be a protagonist whose personality can be perceived as being villainous and heroic together, or doesn’t embody the more noble characteristics of an archetypal hero.

Page 39: Archetypes Universal Patterns in Literature and Myth

Other Archetype Characters

Page 40: Archetypes Universal Patterns in Literature and Myth

• Young Person from the Provinces – This hero is taken away as an infant or youth and raised by strangers. He or she later returns home as a stranger and able to recognize new problems and new solutions.

Page 41: Archetypes Universal Patterns in Literature and Myth

Hunting Group of Companions

Hunting Group of Companions – These loyal companions are willing to face any number of perils in order to be together.

Page 42: Archetypes Universal Patterns in Literature and Myth

Loyal RetainersThese individuals are like the noble sidekicks to the hero. Their duty is to

protect the hero. Often the retainer reflects the hero’s nobility.

Page 43: Archetypes Universal Patterns in Literature and Myth

• The Initiates – These are young heroes who, prior to the quest, must endure some training and ritual. They are usually innocent at this stage.

• Mentors – These individuals serve as teachers or counselors to the initiates. Sometimes they work as role models and often serve asas father or mother figure. They teach by example the skills necessary to survive the journey and quest.

Page 44: Archetypes Universal Patterns in Literature and Myth

• The Scapegoat – An animal or more usually a human whose death, often in a public ceremony, excuses some traitor sin that has been visited upon the community. This death often makes theme more powerful force to the hero.

• The Outcast – This figure is banished from a community for some crime (real or imagined). The outcast is usually destined to become a wanderer.

Page 45: Archetypes Universal Patterns in Literature and Myth

• The Devil Figure – This character represents evil incarnate. He or she may offer worldly goods, fame, or knowledge to the protagonist in exchange for possession of the soul or integrity. This figure’s main aim is to oppose the hero

in his or her quest.

Page 46: Archetypes Universal Patterns in Literature and Myth

Women(Other than Heroines, of course)

– The Temptress – Characterized by sensuous beauty, she is one whose physical attraction may bring about the hero’s downfall.

The Damsel in Distress – This vulnerable woman must be rescued by the hero. She also may be used as a trap,by an evil figure, to ensnare the hero.

Page 47: Archetypes Universal Patterns in Literature and Myth

The Platonic Ideal – This source of inspiration often is a physical and spiritual ideal for whom the hero has anintellectual rather than physical attraction.

The Earth Mother – This character is symbolic of fulfillment, abundance, and fertility; offers spiritual andemotional nourishment to those who she contacts; often depicted in earth colors.

Page 48: Archetypes Universal Patterns in Literature and Myth

Star-Crossed lovers

• THE STAR-CROSSED LOVERS. A young man and woman enter an ill-fated love affair which ends tragically in the death of either or both of the lovers

Page 49: Archetypes Universal Patterns in Literature and Myth

Animals– Friendly Beast –These animals assist

the hero and reflect that nature is on the hero’s side.

The Creature of Nightmare – This monster, physical or abstract, is summoned from the deepest, darkest parts of the human psyche to threaten the lives of the hero/heroine. Often it is a perversion or desecration of thehuman body.

The Evil Figure with the Ultimately Good Heart – This redeemable devil figure (or servant to the devil figure)is saved by the hero’s nobility or good heart.

Page 50: Archetypes Universal Patterns in Literature and Myth

Colors as Symbolic Archetypes

• Black (darkness) – chaos, mystery, the unknown, before existence, death, the unconscious, evil

• Red – blood, sacrifice, violent passion, disorder, sunrise, birth, fire, emotion, wounds, sentiment, mother, Mars, anger, excitement, heat

• Green – hope, growth, envy, Earth, fertility, sensation, vegetation, nature, greed.

• White (light) – purity, peace, innocence, goodness, Spirit, morality, creative force, the direction East, spiritual thought.

Page 51: Archetypes Universal Patterns in Literature and Myth

• Orange – fire, pride, ambition, egoism, Venus• Blue – clear sky, the day, the sea, height,

depth, heaven, religious feeling, devotion, innocence, truth, spirituality.

• Violet – Royality, nostalgia, memory, advanced spirituality, Neptune.

• Gold – Majesty, sun, wealth,

Page 52: Archetypes Universal Patterns in Literature and Myth

Other Common archetypes:

•Meals together tend to be acts of communion/community or isolation.•Ghosts, vampires, monsters, and nasty people and sometimes simply the antagonists are not about supernatural brew-ha-ha; they tend to depict some sort of exploitation.•There’s only one story. Look for allusions and archetypes.•Weather matters.•Violence and be both literal and figurative.•Symbols can be objects, images, events, and actions.•Sometimes a story is meant to change us, the readers, and through us change society.•Flying tends to represent freedom. What do you think falling represents?•Geography tends to be a metaphor for the psyche. (deserts, cliffs, oceans, etc.)•Seasons tend to be traditional symbols.•Disabilities, Scars, and Deformities show character and theme.•Heart disease tends to represent problems with character and society. So do illness and disease.•Read with your imagination.•Irony trumps everything!