arch 5501 project manual

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Christopher Dao Kevin Story ARCH 5501 Advanced Building Design Studio Spring 2012 “Montrose Society of Music”

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Project Descriptions and Analysis from ARCH 5501

TRANSCRIPT

Page 1: ARCH 5501 Project Manual

Christopher DaoKevin Story

ARCH 5501 Advanced Building Design StudioSpring 2012

“Montrose Society of Music”

Page 2: ARCH 5501 Project Manual

Christopher Dao MONTROSE SOCIETY OF MUSIC[ ]

1 TABLE OF CONTENTS

TABLE OF CONTENTS

I. Project Descriptiona. Design Conceptb. Project Issuesc. Design Strategiesd. Design Resolutione. Diagrams

II. Precedentsa. Diagramsb. Pictures

III. Historical Traditions and Global Awareness

IV. Program Analysisa. Diagrams

V. Site Analysisa. Diagrams

VI. Building Code/Life Safety/Ordinancesa. Occupancyb. Exit c. Plumbingd. Off Street Parkinge. Landscape

VII. Preliminary Outline Specifications

VIII. Structural, Mechanical/Electrical and Exit Egressa. Diagrams

IX. Sustainable Strategiesa. Water Conservationb. Energy Conservation

X. Design Process

a. Presentation Drawingsb. Model Images

Page 3: ARCH 5501 Project Manual

[MONSTROSE SOCIETY OF MUSIC] Christopher Dao

PROJECT DESCRIPTION 2

I. PROJECT DESCRIPTIONS

- Design Concepto The intention of the design was to create a main public space that the

other parts of the program would revolve around. Since the site was located near surrounding park and entertainment areas, the macro of the design was to create a building that was the center of those functions and you could start at the building and make your way north to Memorial Park or southward towards the arts district. From the macro, the program of the building then becomes the micro in that it utilizes the program to create a lobby space that accommodates both the school and concert hall visitors.

- Project Issueso The main issue to be dealt with was that the front part of the site is in the

10-500 year flood plain. o The fact that one side of the site is on Montrose, traffic in and out of the

site would be a problem because of the density of traffic that goes through Montrose.

- Design Strategieso Some design strategies that I used was the placement of parking near the

existing apartment parking garage to be able to utilized the rest of the site as landscaping.

- Design Resolutionso To resolve the idea that for traffic, to drop people off at this theater

coming on Montrose would create a problem, I added a new thoroughfare, which puts distance between the new building and existing apartment, to bring that traffic off of Montrose.

Page 4: ARCH 5501 Project Manual

Kresge Auditorium

MIT Cam

pus, Cambridge, M

assachusettsA

rchitect: Eero SaarinenA

ssociate Architects: A

nderson, Beckwith &

Haible (Boston, M

A)

Structural Engineer: Am

mann &

Whitley (N

Y)A

coustical Consultants: BBN/A

centechStyle: Structuralist M

odernBuilt: 1950-1955Structure: Thin Shell Reinforced Concrete Roof: 1/8th of a Sphere D

ome Cladded in Copper

Dom

e: 3.5 in THICK to 18 in @

PERIMETER (W

eighs 1200-1500 lbs.)Span: 49 m

(161 ft/54 yd)A

rea: Triangular Plan (160 ft/side) ~22,170 SF

Capacity:Concert H

all - Seats 1238Sm

all Theater - Seats 204

- Utilized free-hanging acoustic “clouds” to direct and absorb sound.

- Every seat has an unobstructed view.

- Entry lobby creates a whispering gallery e�ect.

- Building touches the Earth at 3 points.-D

esign in conjunction with the M

IT chapel to de�ne MIT’s social cohe-

sion. - D

omed roof allow

s for a column-free structure.

-Nam

ed for Sebastian S. Kresge, whose foundation donated $1.5 m

il-lion for auditorium

and chapel.

Page 5: ARCH 5501 Project Manual

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G W85H

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NE

18

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49

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47

NE

48

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WW

15

32

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W53B

NW35

6C

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W53D

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artm

ent

of

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assachusetts A

venue, C

am

bridge, M

A 0

2139

FAC

ILIT

IES

SC

ALE

CH

EC

KE

D

::

DR

AW

N

DA

TE

PR

OJE

CT

No.

: ::D

ES

CR

IPTI

ON

NO

.R

EV

ISIO

NS

DA

TE

MIT

Cam

pus

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emap

- 20

09

1"=2

00'

NO

RTH

100

250

500

FEE

T

SC

ALE

: 1"

= 2

00' -

0"

04

Add

ed N

W35

08.2

0.20

085

2009

Gen

eral

Upd

ate

09.2

5.20

086

Rem

ove

NE

20,N

E30

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108,

NE

125

06.0

9.20

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2009

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mer

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ate

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ame

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ate

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Page 6: ARCH 5501 Project Manual
Page 7: ARCH 5501 Project Manual

Kres

ge A

udito

rium

MIT

Cam

pus,

Cam

brid

ge, M

assa

chus

etts

Arc

hite

ct: E

ero

Saar

inen

Acou

stic

Sys

tem

: RPG

Di�

usor

Sys

tem

Page 8: ARCH 5501 Project Manual

Christopher Dao [MONTROSE SOCIETY OF MUSIC]

7 HISTORICAL TRADITIONS AND GLOBAL AWARENESS

Since the 1950s, the Montrose area has been home to a rich history of musical talents. From bars on Fourth Ward to Cezanne, these venues have hosted anyone from acoustic jazz artists to alternative acts.

In regards to the site, the site has been home to the first Sears-Roebuck store in Houston (1929) before it moved to its current location in Downtown. Then in the 1940s, it housed a temporary office building for Baylor College of Medicine before making yet another facelift in the 1950s to pave the way for Houston’s first storage business.

Currently, Montrose is part of a developing master plan that includes creating a more pedestrian-accessed street with the addition of a light rails that runs from Allen Parkway towards the fine arts district.

The proposed concert hall site will create a “mini” arts district on Montrose that mirrors the fine arts district in that it will create a central location that people will come to see artists as if they were paintings in the Museum of Fine Arts, Houston.

Page 9: ARCH 5501 Project Manual

1950 MUSICAL PRECEDENCE

By th

e ea

rly tw

entie

th c

entu

ry, t

he 4

th W

ard

hous

ed b

ars

and

nigh

t spo

ts

that

att

ract

ed b

oth

whi

tes

and

blac

ks fo

r the

�rs

t tim

e to

hea

r gre

at b

lues

an

d ja

zz m

usic

ians

.

Blue

s gu

itaris

t B. B

. Kin

g la

ter t

erm

ed th

e Fo

urth

War

d ni

ght l

ife a

s th

e "b

reed

ing

grou

nd" f

or m

usic

ians

Arn

ett C

obb

& S

am (L

ight

nin'

) Hop

kins

qv.

Page 10: ARCH 5501 Project Manual

1960 MUSICAL PRECEDENCE

One of the oldest folk/original m

usic venues in continuous operation in the U

nited States, Anderson Fair Retail

Restaurant and Blue Squirrel Theater has been hosting the troubadours of the genre since the 1960’s.

Troubadour:A

French medieval lyric poet

composing and singing in the

11th to 13th centuries, especially on the them

e of courtly love.

1983 MUSICAL PRECEDENCE

Page 11: ARCH 5501 Project Manual

1960 MUSICAL PRECEDENCE1978 MUSICAL PRECEDENCE

Mus

ic v

enue

for 3

3 ye

ars.

Hou

ston

's ol

dest

and

mos

t inf

amou

s ve

nue

for

live

loca

l, in

tern

atio

nal a

nd b

reak

ing

alte

rnat

ive

acts

.

Rekn

own

artis

ts p

erfo

rmed

at N

umbe

rs s

uch

as S

noop

Dog

and

The

Cur

e.

NU

MBE

RS h

as b

een

loca

ted

at

300

Wes

thei

mer

Hou

ston

Page 12: ARCH 5501 Project Manual

1983 MUSICAL PRECEDENCE

A dusty circus them

e to the décor, all bathed in the reddish glow

coming from

the strings of lights draped over the deepbooth seating.

Live bands play on the corner stage almost every night.

Frequently, famous bands such as U

2 will rent out the entire

place for private parties

Page 13: ARCH 5501 Project Manual

1992 MUSICAL PRECEDENCE

Ceza

nne

is H

oust

on's

hom

e fo

r aco

ustic

jazz

for

over

twen

ty y

ears

.

Ceza

nne

has

host

ed p

erfo

rman

ces

by R

andy

Br

ecke

r, Ji

mm

y Co

bb, E

ddie

Gom

ez, J

oshu

a Re

dman

, Bill

y H

art,

Tim

Hag

ans,

Dav

id L

iebm

an,

Fred

Her

sch,

Ken

ny W

erne

r, Bo

bby

Lyle

, Tim

Arm

a-co

st, R

ick

Mar

gitz

a, M

ark

Levi

ne a

nd Ja

son

Mar

salis

am

ong

othe

rs.

CE

ZA

NN

E

1978 MUSICAL PRECEDENCE

Page 14: ARCH 5501 Project Manual

2008 MUSICAL PRECEDENCE

Discovery G

reen's mission is to operate an urban park that serves as a

village green, a source of health and happiness for the city, and a w

indow into the diverse talents and traditions that enrich life in H

ouston.

A lovely park w

ith modern art elem

ents mixed w

ith comfortable places

to lounge, including a large lawn in front of an attractive perform

ance stage.

Page 15: ARCH 5501 Project Manual

BUIL

DING

PRO

GRAM

PERF

ORM

ANCE

HAL

L

1. 1

000-

SEAT

AU

DIT

ORI

UM

2. L

OBB

Y

3. R

ESTR

OO

MS

(MEN

’S A

ND

WO

MEN

’S)

4. H

OU

SEKE

EPIN

G IN

CLU

DIN

G S

TORA

GE

5. S

TAG

E

6. B

ACKS

TAG

E

7. S

OU

ND

& L

IGH

TIN

G B

OO

TH

8. M

ECH

AN

ICA

L RO

OM

9. E

LEC

TRIC

AL/

SERV

ER R

OO

M

10. C

ON

CESS

ION

S (2

)

TOTA

L U

SABL

E SQ

UA

RE F

OO

TAG

E

TOTA

L G

ROSS

SQ

UA

RE F

OO

TAG

E

CAPA

CITY

(SQ.

FT.)

7,00

0 SF

(7 S

F/PE

RSO

N)

1,20

0 SF

720

SF

150

SF

~1,5

00 S

F

~3,5

00 S

F

250

SF

1,20

0 SF

500

SF

500

SF (2

50 S

F EA

.)

24,7

80 S

F

28,5

00 G

SF

PRIV

ATE M

USIC

SCHO

OL

1. C

LASS

ROO

MS

(2)

2. P

RIVA

TE IN

STRU

CTI

ON

RO

OM

S (1

0)

3. P

RAC

TICE

RO

OM

S (2

)

4. A

DM

INIS

TRAT

IVE

SUIT

E

5. M

USI

CIA

N O

FFIC

ES (5

)

6. P

ROD

UC

TIO

N E

NG

INEE

RIN

G C

LASS

ROO

M

7. R

ECO

RDIN

G S

TUD

IO

8. M

USI

C LI

BRA

RY

9. R

ECIT

AL

HA

LL

10. R

ESTR

OO

MS

(MEN

’S A

ND

WO

MEN

’S)

11.

SERV

ER/E

LEC

TRIC

AL

ROO

M

12. M

ECH

AN

ICA

L RO

OM

TOTA

L U

SABL

E SQ

UA

RE F

OO

TAG

E

TOTA

L G

ROSS

SQ

UA

RE F

OO

TAG

E

EXTE

RIOR

SPAC

ES

1. 1

000-

SEAT

AM

PHIT

HEA

TER

2. 4

70 P

ARK

ING

SPA

CES

TOTA

L BU

ILD

ING

SQ

UA

RE F

OO

TAG

E

CAPA

CITY

(SQ.

FT.)

500

SF (2

50 S

F EA

.)

1,00

0 SF

(100

SF

EA.)

500

SF (2

50 S

F. EA

.)

800

SF

750

SF (1

50 S

F. EA

.)

250

SF

300

SF

500

SF

300

SF

200

SF

250

SF

250

SF

7,84

0 SF

8,60

0 SF

CAPA

CITY

(SF.

FT.)

12,5

00 (I

NCL

. CO

VERE

D S

TAG

E)

300

SF/P

ARK

ING

SPA

CE

37,1

00 G

SF

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

12

34

56

78

910

111

23

45

67

89

1011

1212

Page 16: ARCH 5501 Project Manual

470 SPACEPA

RKING

141000 SF141’ x 1000’

1000-SEAT A

MPH

ITHEATER

12500 SF125’ x 100’

1000-SEAT AU

DITO

RIUM

7000 SF100’ x 70’

LOBBY

1200 SF60’ x 20’

STAGE A

REA~1500 SF50’ x 30’

BACKSTAGE

AREA

~3500 SF70’ x 50’

STORAG

E150 SF

15’ x 10’

SOU

ND

AN

DLIG

HTIN

G

BOO

TH250 SF

25’ x 10’

MECH

AN

ICAL

ROO

M1200 SF60’ x 20’

ELECTRICA

L/SERVERRO

OM

500 SF25’ x 20’

CON

CESSION

S250 SF EA

.25’ x 10’ EA

.

RESTROO

MS

720 SF60’ x 12’

CLASSRO

OM

S250 SF EA

.20’ x 15’

PRACTICE

ROO

MS

250 SF EA.

20’ x 15’

PRIVATEIN

STRUC

TION

RO

OM

S100 SF EA

.10’ x 10’ EA

.

MU

SICIAN

O

FFICE150 SF EA

.15’ x 10’

PROD

UC

TION

ENG

INEERIN

GCLA

SSROO

M250 SF

20’ x 15’

RECORD

ING

STUD

IO300 SF

20’ x 15’

MU

SICLIBRA

RY500 SF

25’ x 20’

RECITAL

HA

LL300 SF

20’ x 15’

SERVER/ELEC

TRICAL

ROO

M250 SF

25’ x 10’

MECH

AN

ICAL

ROO

M250 SF

25’ x 10’

RESTROO

MS

200 SF20’ x 10’

AD

MIN

ISTRATIVESU

ITE800 SF

40’ x 20’

Page 17: ARCH 5501 Project Manual

PARKINGPERFORM

PRACTICE

LOBBY

Page 18: ARCH 5501 Project Manual

DIRECTION OF TRAFFIC

Page 19: ARCH 5501 Project Manual

SURROUNDING STREETS AND FEATURESWEST DALLAS WEST DALLAS

ALLEN PARKWAYALLEN PARKWAY

MO

NTR

OSE

MO

NTR

OSE

MO

NTR

OSE

MO

NTR

OSE

MO

NTR

OSE

BUFFALO BAYOU

Page 20: ARCH 5501 Project Manual

DEVELOPMENT OF GREEN SPACES

Page 21: ARCH 5501 Project Manual

ROTATING SPACES

Page 22: ARCH 5501 Project Manual

STRETCHING SPACES

Page 23: ARCH 5501 Project Manual

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Page 24: ARCH 5501 Project Manual

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Page 25: ARCH 5501 Project Manual

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Page 26: ARCH 5501 Project Manual

Summ

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(98.4 Degrees E of S)

Winter A

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at 8am(54.2 D

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Page 27: ARCH 5501 Project Manual

Hou

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Page 28: ARCH 5501 Project Manual

income less than poverty level

14%

income greater than or equal to tw

ice the poverty level

70%

16%

white non-hispanic

hispanic

black non hispanic

asian and other non-hispanic 6%

23%

4%67%

20-29 yrs

30-39 yrs

40-49 yrs

50-59 yrs

5-9 yrs60-64 yrs

65+ yrs0-4 yrs

10-19 yrs

28%

24%

18% 11%

6%

2%

5%

3%3%

21%

31%

5%

19%

11%

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graduate degree and higher

bachelor degree

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9th to 12th grade, no diploma

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AGE

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income greater than

the poverty level but less than tw

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POVERTY

Page 29: ARCH 5501 Project Manual

[MONTROSE SOCIETY OF MUSIC] Christopher Dao

PRELIMINARY OUTLINE SPECIFICATIONS 27

ELEMENT A BUILDING STRUCTUREA10 FOUNDATION

A1010 FOUNDATIONFoundation to be fitted with drilled piers to load-bearing clay, with grade beams and structural slab.

A20 BASEMENT CONSTRUCTION

B2020 BASEMENT WALLSNot Applicable

ELEMENT B BUILDING SHELLB10 STRUCTURE

B1010 FLOOR STRUCTUREFloor assembly is 3" concrete slab on 1-1/2" metal decking over 36" steel beams and girders.

B1020 ROOF STRUCTURERoof assembly over music school is 4" concrete slab on 1-1/2" metal decking over 24" steel beams and girders.Roof assembly over concert hall is 4" concrete slab on 1-1/2" metal decking over 108" steel joists and beams.

B20 EXTERIOR ENCLOSURE

B2010 EXTERIOR WALL MATERIALSAll exterior walls are to be comprised of 5/8" plywood sheathing, waterproof membrane and rigid insulation attached to 6" metal studs with acoustical and thermal insulation; except at concert hall, where the metal stud assembly will be attached to a 6" cast-in-place concrete wall. Exterior cladding on entire exterior is 5/16" Swisspearl Concrete Panels attached to concrete wall with Swisspearl rail system.

B2020 EXTERIOR GLASS AND WINDOWSAll frames are composed of milled aluminum with 2-1/2" x 7-1/2" mullions. Glazing is 1-1/2" double-paned low-e insulated glass.

B30 ROOF CONSTRUCTION

B3010 ROOF COVERING

B3020 ROOF PENETRATIONSNot Applicable

ELEMENT C INTERIOR CONSTRUCTIONC10 INTERIOR PARTITIONS

C1010 INTERIOR PARTITIONSConcert Hall - 6" insulated metal stud, unless noted otherwise.Music School - 6" insulated metal studs, unless noted otherwise.Plumbing Walls - Double-layered 6" insulated metal studs with 6" intermediate air space for plumbing. Offices - 3" metal studs with no insulation.

Page 30: ARCH 5501 Project Manual

Christopher Dao [MONTROSE SOCIETY OF MUSIC]

28 PRELIMINARY OUTLINE SPECIFICATIONS

C1020 INTERIOR DOORSConcert Hall - 9'-0" solid hardwood door with acoustically sensitive hardware and padding on both sides of door.Office - Medium stile 1-3/4" doors with 24" sidelight.Rehearsal/Practice Rooms - 8'-0" hollow metal doors with acoustically sensitive hardware and padding on both sides of door.All interior door, unless noted, are 7'-0" hollow metal doors with small vision glass.

C1030 INTERIOR SPECIALITIESNot Applicable

C20 STAIRWAYS

C2010 STAIR CONSTRUCTIONDouble L2x4 steel angles with intermediate 1/2" steel plate at 6'-0" o.c. Steel shall be hot-dipped galvanized and exposed.

C2020 STAIR FINISHESTread - 1" pre-cast concrete slabRiser - Not Applicable

C30 INTERIOR FINISHEScccS

C3010 INTERIOR WALL FINISHESConcert Hall - Hardwood panels hung by rail system at 30 degree angle for sound dispersion and drilled 1/8" holes for sound dampening.Offices - Painted gypsum boardRestroom - 6" x 6" tileMusic School - Hardwood panels hung by rail systemBack of House - Painted concrete

C3020 INTERIOR FLOOR FINISHESConcert Hall - Carpet Offices - CarpetLobby - 12" x 12" Stone PanelsSchool - Wood FlooringRestrooms - 12" x 12" TileBack of House - Treated concrete

C3030 INTERIOR CEILING FINISHESConcert Hall - Exposed steel joists covered by sound bafflesOffices - Suspended ceiling with acoustical tilesSchool - Suspended ceiling with acoustical tilesBack of House - Exposed steel joistsRestrooms - Painted gypsum board

ELEMENT D SERVICESD10 CONVEYING SYSTEMS

D1010 VERTICAL TRANSPORTATIONPassenger Elevator - Pump hydraulic with 10' x 10' clear floor space inside the cabFreight Elevator - Pump hydraulic with 6'-6" x 16'-6" clear floor space inside the cab

Page 31: ARCH 5501 Project Manual

[MONTROSE SOCIETY OF MUSIC] Christopher Dao

PRELIMINARY OUTLINE SPECIFICATIONS 29

D1020 HORIZONTAL TRANSPORTATIONNot Applicable

D20 PLUMBING SYSTEMS

D2010 PLUMBING FIXTURESRestrooms - Water Closets, Urinals, Lavatories, Water FountainsConcessions - Sinks

D2020 DOMESTIC WATER DISTRIBUTIONConnect to City of Houston Water Service

D2030 SANITARY WASTE SYSTEMSCollect in underground storage tank for gray water collection

D2040 RAIN WATER DRAINAGE SYSTEMSCollect in underground storage tank for gray water collection

D2050 SPECIAL PLUMBING SYSTEMSConcessions - Grease Trap

D30 HEATING, VENTILATION, AND AIR CONDITIONING SYSTEMS

D3010 HVAC SYSTEMAir-cooled chiller with 20' x 40' mechanical deckCooling air volume - 100,000 CFMArea of main supply and return ducts - 70 square feetArea of branch supply and return ducts - 120 square feetFan Rooms - 3,000 square feetFresh air louvers - 300 square feetExhaust air louvers - 250 square feet

D40 FIRE PROTECTION SYSTEMS

D4010 FIRE PROTECTION SPRINKLE SYSTEMSFully sprinkled

D4020 FIRE PROTECTION SPECIALTIESConcession - Exhaust hoodStage - Automated exhaust louvers at fly space

D50 ELECTRICAL SYSTEMS

D5010 ELECTRICAL SERVICE AND DISTRIBUTIONConnect to electrical service grid at proposed site.

D5020 LIGHTINGConcert Hall - theatrical light with house lightsGarage - halogen flood lightingAll other lighting is recessed lighting in lobby and music school.

D5030 COMMUNICATION AND SECURITY SYSTEMSWireless and wired back for communication systems

Page 32: ARCH 5501 Project Manual

Christopher Dao [MONTROSE SOCIETY OF MUSIC]

30 PRELIMINARY OUTLINE SPECIFICATIONS

Security system is hardwired to cameras, security lighting, TVs, et cetera

ELEMENT E EQUIPMENT AND FURNISHINGSE10 EQUIPMENT

Concessions - warming machine, fountain drink machine, coffee machine, refrigerator, freezerConcert Hall - typical technical equipmentOffices - computers, phonesMusic School - tuners

E20 FURNISHINGSLobby - seating for waiting guestsMusic School - music stands, chairsConcert Hall - fixed theatrical seatingOffice - desks, chairs, filing cabinetBack of House - tool shed, work benches

ELEMENT F OTHER BUILDING CONSTRUCTIONF10 SPECIAL CONSTRUCTION

Aluminum louvers on south facing glazing

ELEMENT G BUILDING SITEWORK

G10 SITE PREPARATIONExcavate extra soil to level ground

G20 SITE IMPROVEMENTS

G2010 ROADWAYLoading truck dock to be poured on north side of proposed buildingNew street to be poured on east edge of site parallel to Montrose, connecting AllenParkway with W. Dallas.

G2020 PARKING LOT/GARAGE590' x 97' 370 car parking garage to be built adjacent to existing apartment garage250' x 103' 20 car (13 ADA) surface parking lot

G2030 PEDESTRIAN PAVINGNew concrete paving with expansion/control joints at 10'-0" o.c. overlaid with pressure treated wood panels.

G2040 SITE DEVELOPMENTSloped area 100' x 100' for development of new amphitheater as noted on site plan

G2050 LANDSCAPINGTrim and maintain existing treesPlant new trees as noted on site plan

G5020 SITE LIGHTING SYSTEMSExterior uplighting provided at site trees.Exterior lighting provided at all pedestrian pathsTypical security lighting at each exit

Page 33: ARCH 5501 Project Manual
Page 34: ARCH 5501 Project Manual

Christopher Dao [MONTROSE SOCIETY OF MUSIC]

12 SUSTAINABLE STRATEGIES

The proposed building design down to the materials used suggests a sustainable building. The reason that the building is located where it is and the buildings placed in the current place is to create shaded areas around the amphitheater without the ability to minimize the use of shading devices. Since the building is set back far enough from W.Dallas, the use of trees to help shade the building also adds to minimize this.

Because this is in Houston, the amount of sunlight is always a possibility for solar collection. With the abundance of flat roof and use of the cool roof technology, there is the ability to put enough solar panels on the roof to power the concert hall. The windows that are being used are low-e glass so the energy that is loss from within isminimized through the windows.

With Buffalo Bayou to the north and the integration of a retention/detention pond within the site, I have decided to integrate gray water/rainwater collection systems into the design. The reason for this is that because this is a concert hall/music school, water is not constantly being used throughout the day and the peak hours of use would be during performances and between classes in addition to the traditionaluses of flushing toilets and drinking fountains. If we can collect the gray water from toilets and reuse it for all toilets, it is one less connection that would have to be runfrom the nearest City of Houston sewer system into the building. The rainwater collection system would the use of irrigating the surrounding landscape, existing and new.

Page 35: ARCH 5501 Project Manual

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Page 36: ARCH 5501 Project Manual

EXIT DISCH

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Page 38: ARCH 5501 Project Manual

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Page 39: ARCH 5501 Project Manual